Tagged: Fox

Review: ‘Terminator: The Sarah Connor Chronicles’ Episode #206

Review: ‘Terminator: The Sarah Connor Chronicles’ Episode #206

Note: Click here to relive the past episode!

This Week’s Operation: “The Tower Is Tall But The Fall Is Short
From Fox: “What would a T-1001 need with a Doctor? Sarah, John and Cameron may soon find out as they track down another name on their list. Elsewhere, a woman from Derek’s past surprises him in the present.”

Damage Analysis
“The Tower Is Tall But The Fall Is Short” is the first episode of [[[Terminator: The Sarah Connor Chronicles]]] in two weeks, and it’s about as good as the show typically offers. There’s interesting character development, including the introduction of a new player in the war against the machines.

The episode focuses largely on Catherine Weaver, the secret liquid metal Terminator in charge of ZeiraCorp. As per the episode summary, it looks like Weaver is not a T-1000, but a T-1001. Big difference, folks. It’s an established fact that Terminators can impersonate preexisting humans, but this episode insinuates that the Weaver we know has been impersonating the true Weaver for at least a couple of years. Catherine’s awkwardness around her daughter Savannah makes a lot of sense given that, well, she’s a robot and the kid’s a kid. Not exactly a match made in heaven, unless you’re Arnold Schwarzenegger. Shirley Manson might not have the sickest acting chops on the planet, but she pulls the part off serviceably, all the while adding an interesting new villain in the mix. And, once again, we feel awful for poor Savannah, who has no idea that mommy dearest has more in common with a toaster than she does with her.

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‘Sarah Connor’ gets Full Season Order

‘Sarah Connor’ gets Full Season Order

After all the hubbub in recent weeks, it’s somewhat of a surprise to see Fox quietly announcing the full-season pickup for Terminator: The Sarah Connor Chronicles. Just last week, the show was given a sign of hope when additional scripts were ordered but now the full complement of nine episodes have been ordered bringing the full season total to 22.

According to The Hollywood Reporter, the Monday night series has seen only modest ratings in a tough time slot. Just 5.7 million viewers saw the most recent episode which sounds like a lot but in television terms is not.

Details will be formally announced Monday.  Speaking of tomorrow, the show’s blog has a post from Denise Thé, who wrote the episode and says, “’The Tower’ is the first of our episodes to be directed by a woman – the very talented Tawnia McKiernan. In the episode, Cameron fights a female Terminator – our first female-on-female Terminator fight. It’s a knock down, blow-your-hair back, jab-your-eye out (literally) fight scene. Be sure to watch closely – the arm and leg twists are not special effects! It’s also the first peek at The Turk since Samson and Delilah. The first insight into Weaver’s relationship with her daughter, Savannah. And at long last… the first time we address the mystery of who killed Sarkissian.”
 

NBC Scores a Golden Fleece

NBC Scores a Golden Fleece

NBC has scored a pilot commitment to Jason and the Argonauts, based on the classic quest for the Golden Fleece in Greek mythology. Argonauts will mark the first-ever green-screen drama developed for primetime television. Films such as Sin City have made use of green screen, but this will be the first time the technology makes the leap to a primetime TV series.

The network secured the projected after a "fierce bidding war" with a rival network, believed to be Fox. Interestingly enough, Fox is developing The Argonauts as a feature film with Zak Penn (The Incredible Hulk) scripting. In fact, Tom Rothman mentioned the project as recently as today in his interview with IESB.net. Variety reports that DreamWorks also has a project titled The Argonauts. Their interpretation of the story would feature treasure hunters from today transported back to the time of Jason. This comes the same time that War of the Gods and the remake of Clash of the Titans are also moving into production.  And let’s not forget competing Hercules films having also been announced over the last few months.

This will be NBC’s second attempt this decade at getting the Argonaut mythology correct. A previous miniseries, from producer Robert Halmi, also titled Jason and the Argonauts (are you keeping track?) and starring Jason London, Frank Langella, and Dennis Hopper aired in 2000. The two projects will be completely unrelated other than in title and source material.

In Greek mythology, Jason was the leader of the Argonauts and their quest for the Golden Fleece, which belonged to the winged ram Chrysomallos. Members of The Argonauts include Heracles (commonly known by his Roman name "Hercules") and Castor and Pollux of Troy, both of whom were featured in John Woo’s Face/Off. (Just kidding, kinda.) During the quest for the Fleece, Jason meets and marries Medea the sorceress. In Euripides’ play Medea, Jason leaves Medea to marry King Creon’s daughter. Medea exacts vengeance by killing Creon and her own two sons in order to devastate Jason. Man, and you thought modern times were rough!

Of course, the best recalled version of this tale is Ray Harryahusen’s classic 1963 film, Jason and the Argonauts, compelte with the heroes fighting skeletons. One can only hope one of these projects has something equally thrilling in store.

Review: ‘Terminator: The Sarah Connor Chronicles’ Episode #205

Review: ‘Terminator: The Sarah Connor Chronicles’ Episode #205

Note: Click here to relive the past episode!

This Week’s Operation: “Goodbye To All That”

Mission Briefing
From Fox: John and Derek infiltrate a military academy in order to protect an integral member of the future resistance. Meanwhile, Weaver’s first assignment for Ellison takes an interesting turn of events when he discovers a specter from his own past.

Damage Analysis
“Goodbye To All That” marks the third episode in a row that has taken a cue from [[[Lost]]] with an emphasis on a character-centric rather than plot-driven episode. Not to say that this episode was poor necessarily, but once again, the driving story of Season Two is at a bit of a loss. There are some threads being tied together to weave some semblance of an underlying threat, such as Ellison’s building momentum and the bloody writing on the basement wall in Casa de Connor.

It’s the latter of those two that informs the main plot of this episode. A Terminator comes to town looking for Martin Bedell, a man who will grow up to become a key resistance fighter and personal ally of John’s. There are two potential targets, and the Connors divide themselves on gender lines. John and Derek pursue the Bedell currently at a military academy, which they learn of by deciphering one of the bloody messages on the wall. They then infiltrate the military school, posing as a student and as an instructor respectively. Right off the bat, there’s something inherently off about John and Derek being able to join the military school’s ranks so readily. You’d like to think that their application process for accepting students is a bit more rigorous than “Well, he’s a good kid, let’s give him a free three week trial,” but that’s what happens for John. And in Derek’s case, not much more than a “Hey, you look tough, we got an open instructor slot for a week and it’s all yours!” Kind of ridiculous.

The episode’s character-centric stuff stems from Derek, giving Brian Austin Green his first real moments to shine as an actor this season. He gets a lot of stuff to play with this round as certain sights and moments trigger memories of his from the future. There’s one particular moment that was very touching: Derek pauses in the woods while scoping out the military academy, and locks eyes with a deer. It was nice to think for a bit that the writers cared about this character enough to give this future man a moment where he’s out in nature, realizing just how much he’s lost in the war yet to come. Of course, the writers couldn’t maintain something that subtle, and later bring up that exact deer moment to say that Derek and his brother Kyle killed a deer once. Alas, such is [[[The Sarah Connor Chronicles]]].
 

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Review: ‘Fringe’ Episode #102

Review: ‘Fringe’ Episode #102

Previously on Fringe

During an investigation into mysterious deaths aboard Flight 627, Agent Olivia Dunham’s boyfriend and partner Agent Scott is nearly killed, his body becoming translucent. Olivia recruits Walter and Peter Bishop, an eccentric father-son scientific duo, to devise a cure for Scott’s condition. Although successful, it turns out that Scott has secret knowledge of Flight 627, but he’s killed before he can reveal anything. Olivia is determined to uncover what Scott’s involvement means in relation to an enigma known as ‘The Pattern,’ and is recruited alongside the Bishops to uncover the truth. Meanwhile, the secretive Massive Dynamic corporation looms in the distance, somehow involved in the plot.

“Same Old Story,” different day…

The series kicks off it’s first post-pilot installment with “[[[The Same Old Story]]],” and it’s anything but. A woman suddenly becomes pregnant and gives birth to a baby in a matter of minutes. Upon birth, the baby grows and ages 80 years. Who you gonna call? Fringe… busters… people. Alright, they need a cooler name.

“The Same Old Story” matches the creep factor so heavily ratcheted in the first episode. Kicking the show off with a fast-forwarded version of [[[The Curious Case of Benjamin Button]]] is eerily reminiscent of [[[The X-Files]]] — and that’s certainly the effect that the ladies and gents at Fox have in mind. The computer graphics could use some work, but it’s solid as far as network television goes.

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‘Dollhouse’ Delayed for 2 Weeks

‘Dollhouse’ Delayed for 2 Weeks

Zap2it is reporting that production has been shut down on Joss Whedon’s Dollhouse for two weeks. If this sounds familiar, it’s because Fox just did the same thing on 24 and for the same reason: a chance to tighten the scripts.

Whedon apparently had been so involved in directing two episodes, he was neglecting the writers’ room and the scripts weren’t ready. He approached Fox and asked for the time off and they were happy to grant it since the midseason replacement wasn’t needed until after the holidays. Whedon had directed two of the three episodes shot to date.  The series order is for eight episodes meaning a good sized proportion of the series is now in the can.

A Fox rep told the website, "We have every confidence that [the extra time] will allow Joss to make the show the best it can possibly be. It’s very rare that you have a head writer who is also directing two episodes in a row. But we are happy that Joss is directing, because this is his vision."

 

Review: ‘Speed Racer’ – Emile Hirsch Gets Behind the Wheel

Review: ‘Speed Racer’ – Emile Hirsch Gets Behind the Wheel

So here we are, a mere two weeks into the Blockbuster Season and the veil of bedazzlement has already been lifted. If you are a fan of the original [[[Speed Racer]]] franchise, animated films, or even decent films in general, you will more than likely be disappointed with the film that should’ve been more accurately named [[[Speed Raver]]]. From start to finish, this film is very much like what an 8-year-old would do if he were given a crate of Pixie Stix and free run of a CGI studio, with no knowledge whatsoever about pesky details like story structure, character development or any shred of realism.

For those not in the loop, the story of Speed Racer surrounds not just the titular character (played by possibly one of the better actors of his generation, Emile Hirsch), but his über-supportive family. Pops and Mom Racer, played by John Goodman and Susan Sarandon, respectively. Balancing out the cast was Speed’s girlfriend Trixie (Christina Ricci), his obnoxious and extraneous little brother and pet chimp, and by far the MVP of the film, in Matthew Fox as Racer X.

The plot, or at least what one can gather about it after two hours in the theater, takes place in a world where car racing is king and the car-building Racer family takes aim at the allegedly fixed world of professional racing with their prodigal son, Speed. The plot is almost beaten into our heads for the first hour, with cartoonish performances and poorly rendered backdrops aiding along the way.

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“What We Call the News”

“What We Call the News”

The Spiridellis Brothers are at it again. Gregg and Evan Spiridillis,, the creaters of Jibjab.com had their latest satiricial cartoon "What We Call the News" shown on The Tonight Show last night (for all the insomniacs or recovering insomniacs such as myself that are just get ting started at 11:30 Eastern). 

Done in the style made famous by South Park’s Terence-and Phillip show (you know what I mean, the heads split open from the mouth up), and sung to the Battle Hymn of the Republic paradies the evolution of the ole’ time 6:00 pm television news anchors to our current world of cable news and Fox-style "reporting." Fans of the ongoing sitcom Rosie and the Donald (and even pet lovers) will appreciate the clip of the poor innocent cat.

In you aren’t sure of the clever words sung by the singing heads, they are shown ticker-style at the bottom of the screen.