Tagged: Final Crisis

J.G. Jones on ‘Wanted,’ ‘Final Crisis’ and his Newspaper Background

So far, the one saving grace of DC’s Final Crisis has been the superlative artwork of J.G. Jones, previously best known for his stunning covers to DC’s weekly series 52 and the art in Mark Millar’s Wanted.

Out of the "little known fact" department comes a profile of Jones in the Brooklyn Paper, where he previously worked as, among other things, an editorial cartoonist. I wish the paper would’ve reprinted more of his cartoons, but at least they pulled from the archives the one seen at right, which shows some skillful inkwork and an economic use of space to push a complex story.

The article is quite a good read, touching on many interesting subjects, including how the newspaper experience helped Jones succeed in comics.

“There’s no question that creating on deadline is the best experience,” Jones told The Brooklyn Paper via phone from his West Orange, N.J. home. “It’s the same thing in comic books. Just like at The Paper, we have some very long nights.”

Back in his glory days at The Paper’s old headquarters at 26 Court St., Jones worked part-time while he pursued his larger dream: to be a painter.

Ah, but that dream, like so many other dreams that newspaper people cling to like battered childhood dolls, never quite worked out.

(via Journalista)

Wizard World Chicago 2008: Day Two Report

Wizard World Chicago 2008: Day Two Report

Day Two of the show began on a somber note, as the passing of creator Michael Turner late the previous night was confirmed and marked by memories and moments of silence throughout the day. CBR has posted a touching message from Aspen Comics Editor-in-Chief Vince Hernandez on the death of his good friend and associate.

On a lighter note, I started my day sharing an elevator with Angus Scrimm, the "Tall Man" from the Phantasm horror films. Apparently, Wizard World wasn’t the only game in town this weekend, as the Flashback Weekend horror film convention was also in town for its annual get-together of fans and celebrities of the fright-film scene. This made for a particularly surreal moment later in the day when the beginning of the horror festival overlapped with the end of both a senior-age Christian meet-up and a young couple’s wedding. At one point during the day, the line that had developed for the elevators included the bridal party, a buxom, blood-covered nurse, a massive, costumed Jason Voorhees (complete with machete and severed, bloody head of Freddy Krueger) and a trio of seniors who seemed very concerned that no one else in the hallway was making a big deal about the nurse and her companion.

On the show floor, one of the fastest sellers was an Alex Ross-designed t-shirt modeled after his iconic image of Clark Kent ripping open his shirt to reveal the Superman costume underneath it. The popular graphic replaced Clark Kent with Democratic presidential nominee Barack Obama, who was ripping open his shirt to reveal the familiar "O" campaign symbol.

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Wizard World Chicago 2008: Day One Report

Wizard World Chicago 2008: Day One Report

After a full day on the floor at this year’s Wizard World Chicago (which is actually held well away from Chicago in Rosemont, IL), I can’t help but think the "Chicago" aspect of the show’s title isn’t the only element that’s a bit misleading. This weekend, it’s far more accurate to say that it’s "Avatar World" and Wizard is just living in it.

Avatar Press Editor-in-Chief William Christensen and the rest of his team bet big at this year’s show, and their gamble seems to be paying off. In addition to bringing the show’s Guest of Honor, author Warren Ellis, across the pond for one of his rare stateside appearances, the sheer volume of the publisher’s real estate in the show’s program, floor space and overall marketing is impressive, to say the least. Heck, you can play along with this game at home, folks — just download a copy of the convention guidebook and take a look through it. The "exclusives" section alone seems like it would be more aptly named "Avatar Press Exclusives… and some other stuff."

While the Avatar push is great for the publisher (and after speaking with Christensen and Avatar’s head of marketing, David Marks, the return on investment has been positive thus far), one can’t help but wonder about the behind-the-scenes story here. After speaking with a few contacts in and around the planning of the show, the picture painted by these conversations is one of a Wizard World organization that recognized Ellis’ presence as the best weapon against yet another poorly attended convention in the Wizard World circuit. The fan-favorite writer’s attendance was in discussion as of late last year, in fact, and the terms of his presence at the show involved significant coverage of Ellis’ Avatar projects by Wizard Magazine and various other editorial elements of Wizard Entertainment in the months prior to finalizing the deal. This weekend’s show, it seems, is being considered a test of the company’s "new" approach toward conventions — and there’s a lot riding on how well it does.

Even so, the biggest threat to the show might not have been Wizard Entertainment’s widely reported personnel, financial and general creative woes, but rather the widespread problems currently plaguing the airline industry, with many publishers, creators and guests reporting cancelled and/or significantly delayed flights to and from Chicago airports. One of our own ComicMix crew found himself bounced back and forth between cancelled flights for much of the day Thursday, thanks to the ol’ "your flight is cancelled, better luck next time" routine from United Airlines — but United wasn’t the only culprit. A large number of Wizard’s own convention staff were scattered among several different airlines due to overbooked, cancelled and massively delayed flights.

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The Weekly Haul: Reviews for June 26, 2008

Just for the fun of it, here’s one last story from Heroes Con (which I reported on extensively here and here). Nobody’s mentioned this, but simultaneous to the comics convention was another big event titled "Dub," basically a con for tricked out cars. One of the funniest things I’ve ever seen was a group of P. Diddy look-alikes gaping as a Heroes attendee strolled past in full manga gear (don’t know which character) and did a spinning kick/sword swipe right in front of them. I’m still amazed the weekend ended peacefully.

That aside, let’s turn to the week in comics, which was huge. HUGE. DC trotted out Final Crisis #2, and Marvel counter-punched with an incredible 30-plus issues. Once the smoke cleared, Marvel stood up strong, dominating another go ’round. And DC’s bad month just got worse.

Book of the Week: The Immortal Iron Fist #16 — This is a packed book, starting out with the wind down from the epic battle that just took place in the Seven Cities of Heaven. Danny Rand is a changed man, dismantling his corporation and doing whatever he can to help the world.

You can see the influence of Orson Randall, and it’s nice to see his presence linger on after his death. Danny’s transitioning into a more mature character, asking the big questions. It’s the natural result of the recent ground-shaking, and Matt Fraction’s a smart man for taking things in that direction.

There are lots of extremely well written little personal moments in this issue, between Danny and Misty, Jeryn, Luke Cage and a swarm of pint-sized karate students. But before things get too heart-warming, Fractioin ends with a game-changing reveal that’s shocking in part because of how well it’s set up, in part through brilliant page layouts.

The only question is how well the book will hold up once Fraction moves on.

The Runners Up:

Captain America #39 — There’s lots to see in this issue, as per usual with Ed Brubaker, but the main draw is the fight between Bucky and the former Nomad, both of whom are essentially masquerading as Captain America. Think about that: A revived Bucky with a robotic arm fighting against Nomad.

That sounds like something straight out of the dreadful muck of the ’90s, yet Brubaker pulls it off with ease, crafting another tense and dramatic issue with plenty of action. There’s also the continued subtle developments of Red Skull’s agenda, a nice moment for Sharon Carter and a quality fill-in artist for Steve Epting.

Daredevil #108 — We’ve finally seemed to pass the "Matt Murdock’s life can’t get any worse" stage that had dragged on for several years. He’s still miserable (and he gets his butt kicked), but he has quite the interesting case to dive into and appears to be responding well to the mental challenge (even if he does resort to  fisticuffs at one point). Also, Dakota North is quickly becoming a favorite character.

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Review: ‘Green Lantern: The Sinestro Corps War Vol. 2’

This past weekend at Heroes Con, a panel of some of comics’ biggest stars weighed in on collaboration and, eventually, the art of the crossover.

Mostly, that meant griping about the impossible task of tying into a Final Crisis or Secret Invasion. Matt Fraction went so far as to say he opted out of some crossovers because the stress of it would take years off his life. Jimmy Palmiotti essentially acknowledged the failure of DC’s Countdown.

Clearly, it’s not that hard for a big superhero event to careen right off the tracks. Which means we should all pay attention when one works particularly well, as in Green Lantern: The Sinestro Corps War (Volume 2 is out now in hardcover at $24.99).

The story is simple enough: Sinestro breaks loose and raises the most terrifying army ever seen, including all of DC’s strongest villains except for Darkseid. And the Green Lanterns fight back.

In this second half of the story, we see the classic turning of the tide back in the heroes’ favor, although Geoff Johns and crew add enough wrinkles to make the inevitable victory quite shadowy, if not outright pyrrhic.

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Countdown Breakdown: An Illustrated Guide to DC’s ‘Final Crisis – Part 2

Countdown Breakdown: An Illustrated Guide to DC’s ‘Final Crisis – Part 2

[EDITOR’S NOTE: Yesterday, we gave you the first half of our "Countdown Breakdown" courtesy of comic book historian Alan Kistler. Today, Alan gives us the second half of his guide to everything a reader should know to get the most out of DC’s latest mega-event, Final Crisis. Oh, and Alan provided all of the artwork seen here, too. Quite the jack-of-all-trades, eh? – RM]

So, where were we?

Ready? Here we go…

By the time Apokolips was destroyed, just about all of the New Gods had caught a mild case of death thanks to a mysterious killer who turned out to be the Infinity Man, a New God warrior who usually only showed up when the Forever People (basically, New God hippies) summoned him.

Infinity Man had been ordered to kill the New Gods by "The Source," the sentient energy that binds the cosmos together and manifests itself as a talking, glowing ball. The New Gods had been born when the Third World of gods had erupted and given birth to New Genesis and Apokolips (known collectively as the Fourth World). Now that a Fifth World was coming, the New Gods had to make way for new cosmic beings that were to come.

This reminded some fans of a couple of Grant Morrison JLA issues where the New God called Metron had said that Earth would be the cradle of the Fifth World and that the JLA were fore-runners for the next phase of New Gods.

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Countdown Breakdown: An Illustrated Guide to DC’s ‘Final Crisis’ – Part 1

Countdown Breakdown: An Illustrated Guide to DC’s ‘Final Crisis’ – Part 1

Hello there, folks. So the first issue of DC’s latest mega-event, Final Crisis, hit shelves last month and the second issue is out this week. The series features a story by one of the greatest writers in the industry, Grant Morrison, as well as one of the best artists in comics these days, J.G. Jones.

So far it’s a great read, in my opinion, and fairly accessible to anyone who doesn’t mind waiting for all of the answers to the questions it raises.

Still, some of you might be wondering, "Should I have read Countdown and the various other miniseries that were intended to lead up to this mega-event?"

Well, maybe you already know about Anthro, the first human of the DC Earth. And maybe you’re aware of Kamandi, the blonde-haired teen who lives in a possible future where he is the last human boy on an Earth ruled by animals. But what about this "war in heaven" that folks are talking about?

And what’s this about a parallel Earth being destroyed?

Well, look no further! I’m here to give you a recap of some of the major Crisis-related happenings over this past year to get you caught up to speed.

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Heroes Con Roundup: Capes Dominate, Wieringo Remembered, DC Dishes

As I’m writing this, Heroes Con 2008 hasn’t quite wrapped up. I had to shuttle back to Atlanta to get ready for the day job Monday morning, so I missed out on a handful of interesting-sounding Sunday panels.

Friday and Saturday held plenty of excitement, intrigue and interest, though, so let’s go through what went down:

In case you didn’t read the update in my coverage of Friday’s State of the Industry panel, Mark Waid and Erik Larsen were just joking about bringing John Byrne on for Boom! Studios’ Farscape book. I didn’t make that clear enough, as it started a short-lived rumor around the ‘Net.

That panel had a few other moments of interest, including Waid saying the comics delivery system "sucks" and is "catastrophic." Dan DiDio also admitted to "cannibalizing" current comics readers through variant covers and the like.

But the line of the day came when Erik Larsen said webcomics "look like crap." Waid responded: "You’re 45. I don’t care what you think. I care what a 12-year-old thinks." Still, no one offered any good ideas on making the jump to electronically delivered comics.

Saturday had a lot of good panels. Too many, in fact, as I missed out on Disney’s panel on The Kingdom, its new comics publishing venture. Anyone attend that?

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The Weekly Haul: Reviews for May 30, 2008

First things first, a rant. This was a banner week for comics (and don’t those always fall after a holiday, postponing releases ’til Thursday?), but I have a pretty substantial bone to pick. This week’s comics were rife with price-gouging from both DC and Marvel, with pointless cost hikes on several issues. The only semi-understandable $3.99 tag came with Final Crisis, which I reviewed on its own right here.

Now, rant aside, the reviews…

Book of the Week: Northlanders #6 #6 — Brian Wood’s series of Scandinavian mayhem has been hit and miss, but this issue’s on target like a broadsword to the brain. Sven continues to kill as many of Gorm’s allies as he can, brought to life with gloriously gory art.

But the key to this issue is how it’s gradually pulling Sven away from his mindless pursuit of revenge, even if it happens with a way too convenient to plot development.

It’s the story of a leader’s birth, but instead of being told through the rosy view of history and legend, it’s an ugly, bitter and brutal story. It could yet turn into a truly great series, as long as it doesn’t stray too far into the trite territory of Braveheart.

Runners Up:

Thor #9 — J. Michael Straczynski is doing so many things right in this book that it’s impossible to single any one of them out as central to the series’ success. Moving the plot in a new direction, he has Loki playing the Asgardian angles for the umpteenth time, only it’s so sly and written so well that it feels completely fresh, and not just because Loki’s now a woman.

The best moments come from the odd and awkward interactions between the Asgardians and the real world, which is now their world: an awkward love connection between god and mortal and the priceless image of two gods stuck in a small town jail after they had a too-public rumble with some monsters.

Green Lantern #31 — The origin of Hal Jordan as Green Lantern continues, and it’s the same balance of good and bad. On the one hand, Geoff Johns is covering ground that’s been covered too many times already, with Jordan getting his ring and starting training on Oa.

As boring as those moments are, the hidden part of the origin, the shadowy "Darkest Night" prophecy, continues to be endlessly interesting. It draws in so many unexplored pieces of Jordan’s and Sinestro’s backgrounds that it’s a shame Johns decides to waste time on the known aspects.

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Review: Final Crisis #1, by Grant Morrison and J.G. Jones

Review: Final Crisis #1, by Grant Morrison and J.G. Jones

Before we even get started here: SPOILER WARNING!

(So don’t say I didn’t warn you.)

DC’s tentpole summer event, Final Crisis, is finally here, and it couldn’t be more of an antithesis to Marvel’s Secret Invasion. While the latter has been a wall-to-wall action blowout, Final Crisis has kicked off with a rambling, contemplative first issue.

Of course, you know the score with Grant Morrison at the helm, and he’s predictably vague and cutesy. And the very first pages fit right into expectations, with a meeting between Anthro and Metron at the dawn of man that alludes to great depth, if not actually providing it.

From there, the book bounces maddeningly from spot to spot, never settling enough to develop a rhthym, or give a firm footing to readers.

There’s Turpin and the Question looking over Orion’s dead remains. There are the Green Lanterns talking in binary (“1011” signals a god’s death). There are heroes and villains fighting over Metron’s chair. There are the villains uniting for the umpteenth time. And…

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