Tagged: editorial

RIC MEYERS: The Thai’s have it

RIC MEYERS: The Thai’s have it

As a contributor (audio commentaries, on-camera interviews, liner notes, and packaging copy) to more than three hundred DVDs in America and Asia, I’’ve always wanted a source for what ComicMix is now allowing me to do — review DVDs specifically on the quality of their extras (audio commentaries, makings-of, et al). When deciding upon which DVDs to buy and which to rent, that’’s often the deciding factor.

All too often in DVD reviews, the extras are simply listed, which is misleading at best, since I’’ve suffered through dry, taciturn, frustrating commentaries from a star-studded roster (the pre-ultimate edition The Spy Who Loved Me), but also reveled in funny, enlightening, seemingly drunken revelries (Conan the Barbarian). And even in the most prestigious publications, the critics get bogged down in their opinions of the films in question, leaving precious little copy for the quality of the extras accompanying them on the disc.

But enough raison d’’etre. Now it’s time for shameful confessions. Naturally, I wanted to fill this first edition with insightful analysis of the most famous, anticipated DVDs on the market, but find myself presently concerned with quirky titles many of you might not have even heard of.

So, what to do, what to do: detail the flowing bounty of extras to be found on the consistently entertaining but hardly hilarious Night at the Museum or well-made but uninvolving Dreamgirls, or tell you about the demented delights of Thai cinema?

Well, given that this site is called ComicMix, and I’’m best known for Jackie Chan comics and my annual three-hour San Diego Comic-Con Superhero Kung-Fu Extravaganza, I’’m going for the stuff that’s as exhilarating and under-reported as comic books. Staggering into video shops this week are some DVDs that will either have you trawling for Thai flicks forever or keep you from seeing another ever again.

More accessible and superheroic is Born to Fight (Dragon Dynasty [The Weinstein Co.] Two-Disc Ultimate Edition), which is flailing feverishly to get out of the shadow of Thailand’s most famous and popular action export (Thai Warrior, aka Ong-Bak). The same fearless stunt crew worked on both films, but the latter starred Muy Thai boxing great Tony Jaa, who’s attitude and strength mirror Bruce Lee while his acrobatics and films crib from Jackie Chan’’s homework.

In order to differentiate itself from Tony, the Born to Fight crew decided to create even sicker, and more bone-breaking stunts, while catering to Thai patriotism, in a plot that has a village overrun by nuke-carrying terrorists on the same day it’s being visited by the Thai Olympic team. The disc’s main extra — an hour-long behind-the-scenes documentary – lays it all out in loving, if repetitive, detail, with many interviews and glimpses at the set-ups for the insane stunts.

It’’s hard not to marvel at the filmmakers’ passion, love for Thai tradition, and the crew’s willingness to risk their lives to gain America and Asia’s respect. The result is a flick that balances goofy and great (featuring one stomach-turning moment of near-suicide as a stuntman nearly gets ground up under a tractor-trailer’s wheels).

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State of newspaper cartooning

State of newspaper cartooning

Via Tom Spurgeon, The Tacoma Daily Index’s Todd Matthews examines the current state and status of political and editorial cartoonists, with an emphasis on the Washington state papers.  Quotes like "The state of newspaper cartooning nationally is not a happy one" and "Political cartoonists are a dying breed" do not seem to bode well.

Similarly, via Heidi, Lev Grossman at Time Magazine also observes that "Comic strips in newspapers are dying. They’re starved for space, crushed down to a fraction of their original size. They’re choked creatively by ironfisted syndicates and the 1950s-era family values that newspapers impose."  and like Matthews, Grossman is hopeful that the new media will be the savior of editorial cartoons and strips, taking a more in-depth look at webcomics.

ComicMix will continue to follow the death and rebirth of these well-established artformsm, to see how well newspaper features can still flourish without being in the newspapers themselves.

Who killed editorial cartoons?

Who killed editorial cartoons?

While visual controversy is said to boost the sales of newspapers just as sensationalism ups the ratings of cable news shows, it’s also true that many people in charge of these institutions tend toward the conservative or timid.

For those of us who’ve often wondered where we can see the cartoons these editors have rejected as being too hot to handle, David Wallis’ new book Killed Cartoons: Casualties from the War on Free Expression presents about a hundred of them all in one place, from creators like Kirk Anderson (above), Garry Trudeau, Ted Rall, Anita Kunz and Doug Marlette, as well as " unearthed gems by legends like David Low, Herblock and Norman Rockwell," complete with the stories behind the rejections.  Guaranteed to get a good discussion going about the fine line between editors doing their jobs and cartoonists answering their calling.

Keep your eye on the body

Keep your eye on the body

I got a note from a long time comic book reader on Wednesday. He was incensed that Marvel disgraced themselves by killing Captain America. Worse, they did it sneakily, without telling the retailers this was the issue so it sold out to the fan boys before the general public could see the bloody body for themselves.

Marvel certainly got a nice boost from the coast-to-coast coverage Captain America’s death received.

But, is Captain America – Steve Rogers – really dead?

It used to be that a death to a major character was a major event. Writers would find themselves running out of interesting stories to tell with a character and decided to shake up the title character’s life by killing off a familiar face. Spider-Man writer Gerry Conway has always said that’s why Gwen Stacy had to go.

That happened time and again, at both DC and Marvel and it made the fans uneasy, since you never knew what would happen next. That certainly helped sell comics for a while. Then, killing the title character seemed the next logical step. Jim Shooter and Jim Starlin helped pioneer that with the Death of Captain Marvel graphic novel and then there was the phone in stunt that saw Jason Todd, the second Robin bite the big one.

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Courting justice with editorial cartoons

Mikhaela Reid is working on what she calls an "alternate reality cartoon" series for Lambda Legal (a national organization committed to achieving full recognition of the civil rights of lesbians, gay men, bisexuals, transgender people and those with HIV through impact litigation, education and public policy work) imagining what life might be like in a world where courts did not uphold Constitutional law.  Life Without Fair Courts is also running in The Advocate magazine, which is sponsoring the series along with Prism Comics, a nonprofit organization that supports LGBT comics, creators, and readers.

The educational endeavor also features a nationwide contest to find the best representation of what the artists’ own lives would look like without fair courts. Prizes include exposure in The Advocate and donated shopping sprees from Diamond Comics Distributors. Contest judges include Reid, Joan Hilty, Phil Jimenez and George Stoll (The Advocate’s Art Director) for The Advocate. Submissions to the contest will be accepted through March 15.

Let’s hope all entries remain in the realm of fiction!