Tagged: Domino Lady

New Pulp’s Pulp Magnet Interviews Bobby Nash

Bobby and a few of his book covers.

New Pulp Author Bobby Nash was interviewed by New Pulp for Garrison James’ Pulp Magnet column. The interview covers the pulps, comics, writing, and everything in between. You can read the interview at http://www.newpulpfiction.com/2011/10/pulp-magnet-interview-with-bobby-nash.html

While you’re there, please check out the rest of New Pulp’s fantastic columns at http://www.newpulpfiction.com/.

All Pulp Interviews: Moonstone’s Return of the Monsters – Nancy Holder

All Pulp Interviews: Moonstone’s Return of the Monsters – Nancy Holder

Cover: Dan Brereton

This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is Domino Lady vs. the Mummy by co-writers Nancy Holder and Bobby Nash with art by Rock Baker and Jeff Austin. All Pulp sat down with Nancy Holder about this upcoming book.

All Pulp: Tell us a little about yourself and your pulp interests.

Nancy Holder: I absolutely love pulp fiction. I grew up reading a lot of comic books—I had subscriptions to so many! I loved Tarzan, Justice League, and lots of DC. I also read the scary ones even though they completely freaked me out. I loved Kolchak (and still do, to this day.) I love the resurgency of pulp fiction. You have to give it your all as a writer or it’s just a watery pastiche. I love feeling that engaged with what I’m doing.

Cover: Uwe Jarling

AP: Your story, co-written with Bobby Nash, for the Return of the Monsters Halloween event is called Domino Lady Vs. The Mummy. What can we expect from this titanic throw down?

NH: Bobby is so amazing and wonderful. I love Bobby. Let’s put it this way—our mummy’s a female. And our “Ardath Bey” is a female. I guess it’s no surprise that a dame like the Domino Lady has many, er, admirers.

Domino Lady doesn’t usually delve into the supernatural. So this is a very cool departure for her.

Art: Rock Baker & Jeff Austin

AP: Domino Lady Vs. The Mummy has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?

NH: Moonstone gets how much people love the pulpy feel of some kinds of fiction—adventure, horror, romance. That’s why I love to write for them. Moonstone writers are writing love stories to the flat-out investment readers in the 30’s had in this kinds of stories. One of my favorite movies of all time is Karloff’s THE MUMMY. That is one classy, scary movie. I’ve watched it a gazillion times and it never fails to thrill me. The Domino Lady is an anomaly in pulp fiction—smart and sassy, an adventuress and a sex goddess, but not a superhero per se. All she’s got is some knockout drops (and powder, but she uses that sparingly), a shiny silver gun, and some great gams to use in her battle against evil. But when you’re Domino Lady that’s all you need.

AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of the Mummy compare and contrast to previous versions of the character?

Art: Rock Baker and Jeff Austin

NH: This mummy is all female—a true “femme fatale.” As ambitious and ruthless as other Karnakian incarnations. She spends a fortune in moisturizers. That’s a joke.

AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about pitting the Domino Lady against a mummy?

NH: I love writing Domino Lady and as I mentioned, I loved that Karloff version of the Mummy. Lucky for me, Bobby was as enthusiastic as I was.

AP: You’ve been spearheading the Domino Lady’s comic book adventures for Moonstone. What’s ahead for the book and character?

NH: Domino Lady is teaming up with Sherlock Holmes and going to Egypt again. And of course there’s a guy for her to love up… I can’t wait for people to see it. It’s a two-parter and it’s going to be a stunner.

Art: Rock Baker and Jeff Austin

AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at writing?

NH: The Crypt Keeper! More Kolchak. I’d love to do Vampirella.

AP: What does Nancy Holder do when she’s not writing?

NH: Sleeps. Actually, I’m a devoted mom and I love all that that entails. I also teach in the Stonecoast MFA in Creative Writing Program offered through the University of Southern Maine. I love it.

AP: Where can readers find learn more about you and your work?
https://www.facebook.com/nancyholderfans
https://www.facebook.com/holder.nancy
http://www.nancyholder.com/.
I’m on facebook and I tweet. @nancyholder.
https://www.facebook.com/crusadeseries
https://www.facebook.com/wickedseries
https://www.facebook.com/wolfspringschronicles

AP: Any upcoming projects you would like to mention?

NH: I’m writing a lot of young adult dark fantasy these days. I work with another partner, Debbie Viguié. Our second book in our Crusade series, DAMNED, is out now. UNLEASHED, will come out on November 22—two days before Thanksgiving. I’m stuffing my turkey with the first draft.

AP: Thanks, Nancy.

NH: Thank you!!!

Domino Lady vs. the Mummy is solicited in August Previews for an October in store release.

Moonstone Pulp Coming in November.

Moonstone Pulp Coming in November.

Cover: Franchesco!

DOMINO LADY’s THREESOME


Cover: Mark Sparacio


Brought to you by New York Times best selling author Nancy Holder and novelist Howard Hopkins!
When young women vanish at a sleazy burlesque club, three beautiful heroines slip undercover and out of their clothes to investigate–and wind up comforting a kidnapper who just might be out of this world. Featuring the delicious Domino Lady, the first appearance of the deadly Golden Amazon in 70 years and introducing the voluptuous new pulp crime-fighter, The Veil!
**Franchesco variant cover can be purchased separately at retail of $5.50
 
Story: Gary Phillips
Art: Manuel Martin, Ben Hansen
Tones: Jason Jensen
Cover: Mark Maddox
72pgs, grayscale, $6.99

Cover: Mark Maddox

HONEY WEST, CAPTAIN ACTION, & FLINT

Vertigo’s crime writer Gary Phillips (Angel Town, Cowboys) presents this oversize comic one time event!
For the first time ever Zen freelance spy Derek Flint, the cool curvaceous private eye Honey West, and the mysterious secret agent super-hero Captain Action team up in a story in swingin’ sixties L.A. to battle hippie robots, mobbed-up, ray gun totting gangsters, a wigged out mad scientist, brainwashed GIs and an alien menace we could only called DANGER A-GO-GO. Dig it!

Cover: Paul Gulacy

COMPLETE CAPTAIN ACTION

This is the BIG ONE!
EVERY Captain Action Moonstone appearance ever printed…as well as Lady Action, Action Boy, Captain Action Classified, and Khem!
One BIG TOME-O-READING!
A one-time printing only!

Learn more about Moonstone Books at http://www.moonstonebooks.com/.
Story: Fabian Nicieza, Steven Grant
Art: Mark Sparacio, etc.
Cover: Paul Gulacy
432pgs, b/w, 7″ x 10″ squarebound, $28.95
ISBN: 978-1-936814-18-3

***RETAILERS INCENTIVE: buy 3 copies and receive one variant incentive Franchesco cover, FREE!

Story: Nancy Holder & Howard Hopkins
Art: Silvestre Szilagyi
Colors: James Brown
Cover: Mark Sparacio
40pgs, color, 7″x10″, $4.50
A Return of the Originals oversize Event!

All Pulp Interviews: Moonstone’s Return of the Monsters – Rock Baker

Art: Rock Baker & Jeff Austin

This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is Domino Lady vs. the Mummy by co-writers Nancy Holder and Bobby Nash with art by Rock Baker and Jeff Austin. All Pulp sat down with artist Jeff Austin to talk about this upcoming book.

All Pulp: Tell us a little about yourself and your pulp interests.



Art: Rock Baker & Jeff Austin

 Rock Baker: Well, I’ve always been very heavy into classic monster movies, period adventure stories, and I’m a cheescake cartoonist by trade, so you can imagine how much of a dream something like Domino Lady vs. The Mummy sounded when the assignment was offered to me. I didn’t enjoy it as much as I should have, though, because I was forced to draw everything very small in order to accommodate my rather shrimpy scanner. That matter aside, though, it was a real treat to work with a pulp character in a monster story.

AP: You’re providing pencils for the Return of the Monsters Halloween event book, Domino Lady Vs. The Mummy. What can we expect from this titanic throw down?

Art: Rock Baker

RB: A lot of creepy atmosphere. The pages are dripping with shadows. There’s a vibe of unearthly violence that creeps into high society and makes even the most well-lit locale look sinister. There’s also a pretty big event in the lives of these characters that fans will be excited to see!
I also want to take a second and note that the key to making all this work is that I have Jeff Austin doing the inks. He has to be the best inker in the business, and I’m blessed to have him as a partner on this book!

AP: Domino Lady Vs. The Mummy has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?

Art: Rock Baker & Jeff Austin

RB: Well, both genres work within a world that looks a lot like ours, but plays by slightly different rules. Pulp heroes tend to take beatings that would kill them in real life, but they shrug it off pretty quick on paper. Likewise, monsters tend to be fancifully indestructible in their worlds. Touches of the supernatural often surface in hard-boiled detective literature. Tossing a monster into the mix is the same logic taken to its extreme. One has to be careful, though, to keep it from being TOO radical an addition. Crime fiction has a locked down set of rules concerning how people live, die, talk, whatever, while horror fare throws any such pretense out the window.

Art: Rock Baker

AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of the Mummy compare and contrast to previous versions of the character?

RB: Most obviously, this one is female, where most classic mummies are male. More importantly, she’s smart. Most mummies in stories like this function as classic zombies, they shamble around and do the bidding of another. They’re usually the foot soldier of a high priest. This mummy, on the other hand, is the brains of the operation. That’s a fairly fresh take when one considers the more famous Lon Chaney-type mummies we’ve seen. (To be fair, Karloff’s Im-ho-tep was such a creature, but again he was male.)

AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about visually pitting the Domino Lady against a mummy?

Art: Rock Baker & Jeff Austin

RB: It mixes together so many things that fire the imagination, and its nice to see imaginative storytelling isn’t something we grow out of. What can be better than two-fisted adventure and a monster on the side?
Drawing a female mummy was a nice challenge. I wanted to make her a powerful monster, as she is in the script, yet I also wanted her to not be too monstrous. In her time, I’m sure this woman was a very beautiful girl. That became my hook. She’s got a nice figure, loaded down with jewelry, has plenty of poise and grace one might expect from Egyptian royalty. Mostly, she’s aged around the eyes, where her supernatural power is focused. Between her supernatural ways and the embalming procedures developed by the ancient Egyptians, she should retain an echo of her former beauty.

AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at drawing?

Return of the Monsters Covers By Dan Brereton

RB: Interesting question. Sheena or one of the many similar jungle girl characters would be ideal, as I could combine cheesecake art with lush natural backgrounds. I’ve always been a fan of werewolf movies, so I might enjoy drawing a werewolf tale, provided I could actually draw a Wolf Man-type creature and not one of those more modern werewolves that look like bears and don’t wear clothing.



Art: Rock Baker

AP: What does Rock Baker do when he’s not drawing?

RB: He watches a lot of movies. Motion pictures have always been my main area of interest. My library currently contains 1900+ titles that I’ve collected or taped from television. I encourage people to donate their VHS tapes to me rather than just throw them out, which would be a waste. I once wrote and edited a monster magazine, among other things involving genre films.

AP: Where can readers learn more about you and your work?

RB: My blog can be found here: http://rock-baker.blogspot.com/ (I should be posting a lot of artwork there in addition to movie reviews.) I can also be found on Facebook: http://www.facebook.com/bakercartoons


AP: Any upcoming projects you would like to mention?

RB: It’s hard to keep track sometimes. I try to get an assignment finished as quickly as possible and move onto the next thing on the list. I sometimes forget what I’ve drawn until it suddenly comes out a few months later! This Moonstone project is one of the big ones, for sure, and I’m looking forward to seeing it in print! I’m also pretty happy about the continuing adventures of my own character Dinosaur Girl, in the pages of AC Comics!

AP: Thanks, Rock.

RB: Thank you very much! It has been an honor!

Domino Lady vs. the Mummy is solicited in August Previews for an October in store release.

All Pulp Interviews: Moonstone’s Return of the Monsters – Jeff Austin

Cover: Dan Brereton

This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is Domino Lady vs. the Mummy by co-writers Nancy Holder and Bobby Nash with art by Rock Baker and Jeff Austin. All Pulp sat down with artist Jeff Austin to talk about this upcoming book.

All Pulp: Tell us a little about yourself and your pulp interests.

Jeff Austin: Well, I’m a freelance artist who spends a lot of time inking-embellishing others. My pulp connections come largely from my book collection, which contains many anthologies comprised of pulp stories.

Art: Rock Baker & Jeff Austin

AP: You’re providing inks and tones for the Return of the Monsters Halloween event book, Domino Lady vs. The Mummy. What can we expect from this titanic throw down?

JA: Guns, mummies, a strong female character and guys in trench coats.

AP: Domino Lady vs. The Mummy has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?

JA: I’m sure many pulp readers back in the day wished for a merging of story elements…an action character with a dash of supernatural overtones [think Doc Savage meets Weird Tales]. Moonstone is allowing readers to finally see it on paper.

AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of the Mummy compare and contrast to previous versions of the character?

Art: Rock Baker & Jeff Austin

JA: Imagine an ancient Egyptian pinup queen…the Betty Page of her time…resurrected from the dead to win over the hearts of modern man… well, maybe not… it’s a female, anyway…

Art: Rock Baker & Jeff Austin

AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about visually pitting the Domino Lady against a mummy?

JA: Good looking woman battles undead ancient woman…. it’s a study in texture and tone. Smooth-sexy versus crusty-dusty.

AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at drawing?

JA: My dream assignment would be to work on an Addams Family comic. That’s close, isn’t it?

Art: Rock Baker & Jeff Austin

AP: What does Jeff Austin do when he’s not drawing?

JA: Watching movies, sleeping or thinking about different ways to draw.

AP: Where can readers find learn more about you and your work?

JA: http://pencilbrushblog.blogspot.com/

AP: Any upcoming projects you would like to mention?

JA: Well, there’s always FemForce…I’m slowly planning out some solo projects…. I do various things for Main Publishing…. Still need to finish up inking a Lance Star story over the talented Rock Baker [same penciler on this Moonstone book]… and about half a dozen other ink assignments crying for my attention…. crying….. begging……

AP: Thanks, Jeff.

JA: My pleasure. Now go away… I got pages to ink….

Domino Lady vs. the Mummy is solicited in August Previews for an October in store release.

All Pulp Interviews: Moonstone’s Return of the Monsters – Bobby Nash

Cover Art: Dan Brereton

This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is Domino Lady vs. the Mummy by co-writers Nancy Holder and Bobby Nash with art by Rock Baker and Jeff Austin. All Pulp sat down with Bobby Nash about this upcoming book.

All Pulp: Tell us a little about yourself and your pulp interests.

Bobby Nash: I’m a writer of prose and comic books, many of which feature pulp characters and themes. Some of the characters I’ve written include Lance Star: Sky Ranger, Domino Lady, Secret Agent X, Ravenwood – Stepson of Mystery, the Green Hornet, and more. You can see all of my various books at http://www.bobbynash.com/. I also run the http://www.lance-star.com/ website as well.

AP: Your story, co-written with Nancy Holder, for the Return of the Monsters Halloween event is called Domino Lady vs. the Mummy. What can we expect from this titanic throw down?

Art: Rock Baker & Jeff Austin

BN: Domino Lady’s adversaries tend to be more human so it was a fun experiment having her face off against a supernatural threat. Getting the opportunity to work with writer Nancy Holder, whose novels and comics I’ve enjoyed over the years was just icing on the cake. She developed an interesting plot that was fun to play with. She has Domino Lady’s character down pat. Working with the art team of Rock Baker and Jeff Austin again was an added bonus. Together, Rock and Jeff have that classic art style that really fits a character like Domino Lady and the world she inhabits. I hope we get to see them work on this character again.

Here’s a tease about the story. The Domino Lady and her police friend, Detective “Mad Dog” Vernia are targeted by an Egyptian sorceress and her mistress, a mummy hell-bent on finding the perfect mate. The mummy’s search for the perfect “parts” leaves a rail of victims all over 1930’s Hollywood and only the Domino Lady stands in her way.



Art: Rock Baker & Jeff Austin

 AP: Domino Lady Vs. The Mummy has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?

BN: When Moonstone boss, Joe Gentile first told me about this project he mentioned going for a black and white with gray tones feel I thought it was a brilliant idea that would capture the mood of both those old noir films as well as monster movies. From that point on it clicked for me and I play around with things like lurking shadows a lot in the script. Seriously, see how many you can find when the book comes out in October.

AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of the Mummy compare and contrast to previous versions of the character?

BN: It compares in that it’s a mummy and that comes along with certain trappings like being wrapped in bandages, canopic jars, ritual organ harvesting, that sort of thing. Y’know, just a fun night in Hollywood. (laughs). This particular mummy isn’t based on any particular mummy we’ve seen before. Taking Nancy’s concept of the mummy as a starting point, I tried to make it as scary and dangerous a mummy as possible. The art really sells that, starting with Dan Brereton’s cover straight through the book.

Covers by Dan Brereton

AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about pitting the Domino Lady against a mummy?

Art: Rock Baker & Jeff Austin

BN: I was excited for the opportunity to write the character again. I really took a liking to the Domino Lady when I was reading the original stories as research for my story in the Moonstone Domino Lady prose anthology. Since then I’d been looking for any excuse to work on the character again. The thought of dropping Domino Lady into a situation that is completely alien to her was of interest. We played up her detective skills, which I really enjoyed. All of that had me excited, but then I found out I would be co-writing with Nancy Holder and I got even more excited. Then Rock and Jeff came on board. Then I saw the cover. By that point I was over the moon.

AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at writing?

BN: Oh, take your pick. I’ve written a few pulp characters, but would love to try my hand at the Spider, Captain Action, or maybe team up G-8 with Lance Star: Sky Ranger. That would be fun. As for monsters, I’ve written a lot of werewolves over the past year or two (not one, but two comic book projects that feature a werewolf are in process), plus I’ve written Dracula and now the mummy. I might have to go with a sea monster next. With comics, my dream gig would have to be the Fantastic Four, but I wouldn’t sneeze at Spider-man, Thor, Nightwing, or Captain America either.

Cover: Shannon Hall

AP: What does Bobby Nash do when he’s not writing?

BN: I sleep. I also spend way too much time in front of the TV or with my nose in a novel. I love traveling and attend a lot of conventions, which even though not technically writing is still part of the job. I’m also a co-host for the Earth Station One podcast. We record an episode each week. Check it out at www.esopodcast.com. We always like new listeners. Other than that I’m generally doing something creative. I’ve never learned the art of sitting around and doing nothing.

AP: Where can readers find learn more about you and your work?

BN: I’m all over the web, but most of the time you can find me at http://www.bobbynash.com/, http://www.lance-star.com/, http://www.bloodyoldeenglund.com/, www.facebook.com/bobbyenash, and www.twitter.com/bobbynash.

Art: Rock Baker & Jeff Austin

AP: Any upcoming projects you would like to mention?

BN: Just released: Lance Star: Sky Ranger Vol. 3 (Airship 27), Green Hornet Casefiles (Moonstone), and Golden Age Good Girls (Mini Komix). Coming soon (in no particular order): The Ruby Files (Airship 27), Domino Lady vs. the Mummy (Moonstone), Zombies Vs. Robots (IDW), Tales From The Zero Hour Vol. 4 (Blinding Force Productions), Yours Truly, Johnny Dollar (Moonstone), All-Star Pulp Comics (Airship 27), Green Hornet: Still At Large (Moonstone), and more Lance Star: Sky Ranger prose and comics. Plus a few surprises I can’t talk about yet. You can see all of my upcoming announcements at http://www.bobbynash.com/.

AP: Thanks, Bobby.

BN: My pleasure.

Domino Lady vs. the Mummy is solicited in August Previews for an October in store release.

Moonstone’s Domino Lady joins the iPulp Fiction Library

Cover Art: Uwe Jarling

Moonstone’s Domino Lady joins the iPulp Fiction Library at http://www.ipulpfiction.com/.

Decades before Wonder Woman and Charlie’s Angels, pulp fiction’s sultry Domino Lady intrigued and enchanted and then disabled and destroyed evildoers in her vengeful quest for justice as she dismantled political machines and exposed corruption in the courts and in the Capitol.

The Domino Lady stories available for $0.75 digital release include:
The Domino Lady and the Crimson Dragon by K. G. McAbee
Blondes in Chains by C. J. Henderson
Target: Domino Lady by Bobby Nash

Cover Art: Jeff Butler

Stealing Joe Crick by Chuck Dixon
The Claws of the Cat by Ron Fortier
The Strange Case of The Domino Lady and Mr. Holmes by Nancy Holder
The Devil, You Know by James Chambers
Plus, read the Forward by Joan Hansen for free

Moonstone’s Domino Lady tales are now available at iPulp Fiction for only $0.75. Learn more at http://www.ipulpfiction.com/.
For more information on iPulp Fiction, please visit http://www.ipulpfiction.com/
For more information on Domino Lady and Moonstone Books, please visit http://www.moonstonebooks.com/


The Domino Lady iPulp Bookshelf



MORE SKY RANGER FROM LANCE STAR AUTHOR NASH!

From http://www.lance-star.com/

The Lance Star: Sky Ranger Interviews Continue – Author Bobby Nash

Bobby Nash

With the announcement of Lance Star: Sky Ranger joining the iPulp Fiction Library, we wanted to introduce readers to some of the Honorary Sky Rangers involved with making these stories happen. Next up is Lance Star: Sky Ranger Author Bobby Nash.

LSSR: Tell us a little about yourself and where readers can find out more about you and your work?

One Shot! Art by James Burns

BN: I’m a writer of novels, comic books, novellas, short stories, graphic novels, and the occasional screenplay. My novels include Evil Ways and Fantastix. My comic book work includes Fuzzy Bunnies From Hell, Demonslayer, Lance Star: Sky Ranger “One Shot”, and the upcoming Domino Lady vs. Mummy. My short prose includes A Fistful of Legends, Full Throttle Space Tales Vol. 2: Space Sirens, and the upcoming Green Hornet Case Files and Yours Truly, Johnny Dollar. My novellas include Lance Star: Sky Ranger, Ravenwood: Stepson of Mystery, Domino Lady; plus the upcoming Secret Agent X and The Avenger titles. My graphic novels include Yin Yang; I Am Googol: The Great Invasion, and Fantastix. You can see a full list of credits on my website, www.bobbynash.com. I also regularly post at www.lance-star.com, www.facebook.com/bobbyenash, and www.twitter.com/bobbynash.

LSSR: How did you become involved with the Lance Star: Sky Ranger series?

Space Ranger Art By Jeff Austin

BN: It’s all Ron Fortier’s fault. Ron my table neighbor at the 2005 Dragon Con convention in Atlanta in 2005. At least I think that’s the right year. The cons start to run together after awhile. Anyway, Ron and I had corresponded via message boards and email before, but this was the first time we’d met in person. Ron picked up my novel, Evil Ways, and reviewed it at his Pulp Fiction Reviews site. When he started up what eventually became Airship 27, he invited me to work on an anthology featuring a pulp aviator hero. That book became Lance Star: Sky Ranger. The rest, as they say, is history.

LSSR: Who is Lance Star? What makes pulp characters like Lance and the Sky Rangers appeal to you as a writer and a reader?

Lance Star Vol. 2 Cover by Shane Evans

BN: Lance Star embodies the best aspects of a pulp hero. He’s smart, inventive, courageous, fearless, and not afraid to do what’s necessary to stop the bad guys. Lance is also a nice guy. You want to be his friend, and if you are his friend you know he’s got your back. He’s a little bit John Wayne, a little bit Jimmy Stewart, and a little bit Indiana Jones. As a writer and reader, that’s a lot of fun.

LSSR: Digital content has changed the publishing landscape. As a creator, what excites you about digital content? As a reader?

BN: The digital frontier is an exciting undiscovered country for me. I’ve not read many eBooks, but that’s mainly because I spend all day writing and doing edits on computer so when I read for enjoyment it’s to get away from the computer. I like the idea of electronic books. Imagine the possibilities when you can have your entire library at your fingertips wherever you are. That’s pretty amazing.

The Adventure Continues…

As a writer, I think that eBooks, because of their easy access and generally lower prices, make it easier for readers to try something new. Someone who has never read my work may be more willing to give it a try for $1 as opposed to buying an entire novel or anthology. Digital content helps make that happen.

LSSR: Your Lance Star: Sky Ranger story, “Where The Sea Meets The Sky” is currently available in print and as an eBook from Airship 27, and is soon to be released individually at iPulp Fiction. What can you tell us about this story? (plug it, tease it)

Where The Sea Meets The Sky. Cover art: Rich Woodall

BN: “Where The Sea Meets The Sky” was the first pulp story I ever wrote and I am quite proud of it. Lance Star flies his newest creation, a specialized seaplane called “The Nessie” to Hawaii where he intends to present it to the US Navy. Lance looked on this trip as a working vacation. The last thing he expected to find waiting for him was a sunken treasure, pirates, mobsters, and a rival pilot with a massive chip on his shoulder. If Lance isn’t careful, this adventure could be his last.

From the back cover of the anthology: Somewhere in the Pacific Ocean, off the shores of Tropical Hawaii, a hidden treasure has been discovered. Now a band of sky pirates is out to steal it no matter how many innocent lives must be sacrificed in the process. Only Lance Star and the Sky Rangers can end their bloody assault.

LSSR: Airship 27 currently has two Lance Star: Sky Ranger anthologies in print and available as eBooks with several of those stories soon to be released individually at iPulp Fiction as well as a Lance Star comic book. What’s next for these pulp heroes?

Still flying high…

BN: Volume 3 of the pulp anthology series from Airship 27 is in the works now. All four stories are in and the artist is currently busy working on the interior illustrations. Volume 3 features Lance Star: Sky Ranger stories from Bernadette Johnson, Sean Taylor, Van Allen Plexico, and myself. Interior art is by Shannon Hall. I’ll wait on the cover artist until the publisher announces it first.

In addition to volume 3, there are more comic book stories in the works, as well as some digital comic book offerings as well. Plus, the Lance Star: Sky Ranger novel, “Cold Snap!” is in production. I’ve had to set it aside for some other work, but it will be completed in 2011 to come out in 2012.

GH Cover Art: Reuben Procopio

LSSR: Any upcoming projects you would like to plug?

BN: July will see the release of two anthologies featuring stories by me. The Green Hornet Casefiles and Tales From The Zero Hour Vol. 4: Weird Tales. There are several other anthology tales in production, but I don’t know release dates as yet. On the comic book side of things, I wrote a Secret Agent X story (with Jeremy McHugh on art) for All-Star Pulp Comics, a one-shot comic anthology that should be out sometime this year. In October, Domino Lady Vs. Mummy will be out from Moonstone. Co-written by Nancy Holder and myself, this one-shot story is part of Moonstone’s Return Of The Monsters Halloween event and features gorgeous art by Rock Baker and Jeff Austin. Keep checking in at www.bobbynash.com for more information and release dates.

ZH Cover Art: Dirk Shearer

LSSR: Thanks, Bobby.

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Release schedule for Lance Star: Sky Ranger tales on iPulp:
06/17: Lance Star: Sky Ranger – Vol.1 #1: Attack of the Bird Man by Frank Dirsherl (now available)
07/07: Lance Star: Sky Ranger – Vol.1 #2: Where the Sea Meets the Sky by Bobby Nash
07/27: Lance Star: Sky Ranger – Vol.1 #3: Talons of the Red Condors by Bill Spangler

DL Cover Art: Dan Brereton

Visit the official Lance Star: Sky Ranger iPulp Library at http://www.ipulpfiction.com/bookstore.php?sort=Title
For more information on iPulp Fiction’s offerings, please visit http://www.ipulpfiction.com/
For more information on Airship 27 Productions’ offerings, please visit http://www.gopulp.info/
For more information on Lance Star: Sky Ranger, please visit http://www.lance-star.com/
For more information on Bobby Nash, please visit http://www.bobbynash.com/

 

Percy Constantine’s new novel THE MYTH HUNTER from Pulpwork Press (http://www.pulpwork.com/) hits the streets today!  The author takes some time out of his busy promoting schedule to do some…ah…promotion with ALL PULP!  Stay tuned for a couple of more tidbits related to THE MYTH HUNTER throughout the day!

AP:  Perry, welcome to ALL PULP!  First, share  a little bit about yourself with us.
PC: Well, I’m a writer in his late twenties (going to hold onto that tidbit for as long as possible). A native Chicagoan who has been residing in Japan for the past few years. I first entered the world of publishing in 2005 as a comic book editor and then in 2007 as a novelist. In 2010, my first pulp novel, LOVE & BULLETS, was released through Pulpwork Press. I’m also a professional comic book letterer and writer and have a few small press credits to my name in those areas. Other than that, I’m obsessed with movies, which is where I draw most of my inspiration from.
AP:  Your newest book, THE MYTH HUNTER debuts today.  What wonderful adventure awaits within its pages?
PC: With THE MYTH HUNTER, you are looking at an action-packed tale bringing mythology from various regions and eras into the modern age. You’ve got shadowy organizations, legendary creatures, lost continents, and a heroine who can both kick your ass and outsmart you.
AP:  Now, this project has taken some time to actually see print.  What can you say about that?
PC: THE MYTH HUNTER first began with Elisa Hill, the main character. I’ve always been drawn to heroines who can hold their own against the classic hero archetypes and I wanted to create one of my own. Derrick Ferguson (creator of the brilliant Dillon series) helped me with some of the initial ideas that really led to the character’s first incarnation.
At first, THE MYTH HUNTER was intended to begin life as a comic book that Derrick and I were going to collaborate on with whatever artist we could locate. It didn’t quite work out that way and after a few setbacks, I decided to just do it as a book series. I had two artists who contributed some character designs, which will appear on my blog (percivalconstantine.wordpress.com).
AP:  You’ve created a character in Elisa Hill that is multifaceted and seems to, while being your creation, draw from several ‘muses’.  What were your influences in creating her and why is it important that a lead character have such variety within its personality?
PC: I’d say my primary influences for the character were Indiana Jones and Lara Croft, as far as initial inspiration. Visually, I’ve always imagined Elisa as being similar to actress Kate Beckinsale. Her name was inspired by someone I knew in high school who’s a very strong woman. Buffy the Vampire Slayer was also a source of influence, as I’ve found her to be a very positive, very strong heroine and she was really the first heroine who had a massive influence on me.
Other than that, I draw influence from wherever I can find them. Elisa, like many of my characters, are drawn from a hodgepodge of influences. But the ones I mentioned are really the major ones.
AP:  You’re known for writing strong female characters, particularly as leads.  Do you prefer female leads and if so, why? Or does the story just sort of write its own participants in as you go?
PC: I appreciate the fact that I’ve become known for strong female characters, as that’s important to me. I’ve felt heroines are either under-represented or portrayed as inferior to the heroes. I guess part of that is because I’ve known a lot of strong women in my life, and so I want to give them their due. 
I don’t have a preference for either gender, though. My first two novels featured male leads. And the next book in my Infernum series, OUTLAW BLUES (due for a release either later this year or early next year) will feature a male lead.
I’m attracted to aspects of both types and I enjoy writing them both. It’s more the characters themselves that speak to me and when they first come to me in my mind, they come with their gender already predetermined. I never thought of Elisa Hill or Angela Lockhart (of LOVE & BULLETS) as anything other than female, just as I never thought of Riker Stone (of CHASING THE DRAGON) or Gabriel (of FALLEN) as anything other than male. That’s just how they were when they first approached me.
AP:  THE MYTH HUNTER treads familiar ground for Pulp fans, that of the explorer finding strange artifacts, etc.  But you focus on the dichotomy of doing this for profit as opposed to doing it for betterment of mankind. Care to discuss that?
PC: The idea of profit vs. betterment of mankind has always interested me. And I know that the two aren’t mutually exclusive, which is something you see a little bit of in the book. I don’t think there’s a black and white way to look at the two. I’m someone who believes in a balance and I think I try to get that across in the book. You see aspects of both in the characters on either side of the issue. Some are doing it for profit and are completely selfish. But some aren’t doing it for profit but are still equally selfish. And some fall to a place in the middle. 
Dichotomy in general is something I really love to explore as a writer. To be, the best heroes and villains are the ones that are two sides of the same coin. So that’s why I try to focus on those things in my writing whenever I can.
AP:  This novel is peppered with a ton of interesting supporting characters as well.  What makes a good supporting character for a Pulp tale?  And why does a strong lead like Elisa even need supporting cast?
PC: It’s often been said that you can’t have a good hero without a good villain, and that’s true. But you need more than that–you need good supporting characters. The supporting characters are not just there to support the hero, they’re also there to challenge him or her in ways that the villain can’t. 
The various supporting characters are there to explore different facets of the hero. With Elisa, I think you see that a lot with her supporting players because they reflect different aspects of her. Max Finch is her experience and knowledge, Laki is her innocence, Lucas is her rebellious nature and Asami is her desire for adventure. Each of them are great characters in their own right, but when they interact with Elisa, it really helps to round her out as a better character.
AP:  You’re in the ranks of the New Pulp writers.  What is New Pulp to you?
PC: New Pulp to me is taking these classic techniques and aspects that made “old” pulp so great and seeing how we can add to them. I think New Pulp isn’t just doing what Lester Dent, Robert Howard, and others did back in their time. It’s taking what they did as an inspiration and building on it, incorporating influences from other writers who followed a similar path. 
As Bob Dylan said, the times they are a’changing. And we have to change with them. We can’t just copy what the pulp founders did, because what they did was influenced from what they knew at that time. We have to build on it. We have to take what they did, incorporate what we’ve learned since then, and use it to create something that’s different, that’s relatable to modern audiences (regardless of the time period the story is set in) but still recognizable as pulp. One of the brilliant things about Indiana Jones is that even though the films were set in the age of pulps, they were still relatable to modern audiences.
And this can be done in a number of different ways. As Indiana Jones and authors like Barry Reese have proven, you can set these stories in the age of pulps and make them relatable to modern audiences because you have the benefit of hindsight or because you understand the tastes of modern audiences. Or you can take the route that the James Bond series or authors like Derrick Ferguson have done, which is take that style of storytelling and apply it to the modern day. 
There are some people who believe that it has to be either or. You can’t appeal to modern audiences without alienating fans of the past or vice versa. And this kind of thinking is really lazy and uncreative. I was born in 1983 and yet Casablanca, a movie that was made decades before I was born, remains one of my favorite films of all time, and I know many people my age who feel the same. So to say that the past holds no appeal for the present shows creative bankruptcy in my opinion.
AP:  Any future plans for Elisa and company to return in future works?
PC: Oh absolutely. The sequel, DRAGON KINGS OF THE ORIENT, already has a draft that’s been completed. There’s no tentative release date for it yet, but it will be a bit of a wait. I’ve got some other tales in mind for Elisa and friends following that.
AP:  Speaking of future, anything else coming from you that ALL PULP should be on the lookout for?
PC: A few things. OUTLAW BLUES, a follow-up to LOVE & BULLETS and the second book in the Infernum series, is due for a release either the end of this year or early next year. As I’ve also mentioned I’ve got DRAGON KINGS OF THE ORIENT, the sequel to THE MYTH HUNTER.
Other than that, I’m writing a Domino Lady comic story for Airship 27’s All-Star Pulp Comics anthology and Tommy Hancock and I are developing a project called THE ADVENTURES OF NICHOLAS SAINT.
I also have a few other things in mind, but it’s a bit too early to talk about those at the moment.
AP:  Thanks again for stopping by and great work on THE MYTH HUNTER!
PC: It’s been an absolute pleasure and I hope everyone enjoys it! Also, please keep an eye on my site, percivalconstantine.wordpress.com, because we’ll soon have some announcement about giveaways to be associated with the release of THE MYTH HUNTER!

DOMINO LADY SPEAKS-COMING SOON!

For the first time ever on audio…The AudioComics Company presents THE DOMINO LADY

The AudioComics Company is proud to present the second characters in their original pulp audio project will be THE pulp vixen of the 1930′s, the scourge of LA herself, The Domino Lady!

First introduced by Lars Anderson in Saucy Romantic Adventures and Mystery Adventures, The Domino Lady is the alter-ego of Ellen Patrick, a wealthy UC Berkeley graduate out to avenge the murder of her father, District Attorney Owen Patrick, in the Raymond Chandler-esque Southern California of 1935. While she brandished a .45 and syringe of knockout serum, her greatest weapon was her sexuality, which she would use to disarm her unsuspecting opponents. Routinely stealing from her targets, she donates most of the profits to charity after deducting her cut, leaving a calling card with the words “Compliments of the Domino Lady” behind.

DL appeared specifically in “spicy pulp” magazines, pulps that typically featured semi-pornographic short stories. Such magazines had smaller print runs (and were as a result a few cents higher in price) and were usually sold “under the counter” upon request. Only a handful of Domino Lady were published, all of which were collected in Bold Venture Press’ Compliments of the Domino Lady, featuring a cover from the one and only Jim Steranko. In addition, Moonstone Books has published a new series of Domino Lady comics and prose stories. The AudioComics Company’s world-premiere productions will mark the first time that the alter-ego of Ellen Patrick has ever appeared in an audio format.

Portraying the Domino Lady will be San Francisco Bay Area actress and filmmaker Karen Stilwell, who has a unique tie to AudioComics; take a read of her bio…
Karen Stilwell began acting in San Francisco at the American Conservatory Theater in San Francisco as a teen. After winning a National Theater award for best ensemble work in regional theater (playing a maid in one of Tennessee Williams last plays called This is (an Entertainment)), she was propelled to continue acting after meeting Williams and Michael York and choosing, with the help of “A Chorus Line” summer touring cast members, to go to the Big Apple just after High School at age 17. Within a year she had joined both the Screen Actors Guild and The American Federation ofTelevision and Radio Artists recording voice overs, commercials, under five roles on soap operas like All My Children and The Guiding Light with some small parts in the films Bad Timing: A Sensual Obsession and C.O D.

She became a core member of a theater company called Wild Hair Productions consisting of mainly fellow actors who had met in class and enjoyed writing and acting together in their own plays. The biggest hit to come from the troupe was Starstruck with Karen playing the original Erotica Ann 333, an android built for sex but re programmed to be the maintenance officer on the GOOD ship Harpy.

After several more years of off B’way work, more under five roles on soaps, and a few more national commercials, Karen did some stand in work for the lead ladies in Love Sick (staring Dudley Moore), was taken by the ensemble feeling the film crew had, and decided to get behind the camera herself taking off to film school in San Francisco. Soon Karen was making documentaries and shorts while raising her daughter Jenna. Two of her documentaries made it into the Library of Congress: The Real Jean Roe and Tear Gas Filled the Sky staring longshoreman, activist, writer & actor Bill Bailey. Acting picked up in San Francisco again in the 1990s with parts on television shows shooting in SF, not to mention many industrial films and commercials.

During the 2000’s Karen mainly worked in video post production with some corporate producing jobs and only acted when friends called upon her to jump in on low budget films and such. It wasn’t until reconnecting with Elaine Lee, her old acting troupe buddy, at the revived staged reading of Starstruck in Big Sur (which of course became The AudioComics Company’s debut audio play) that she finds herself ready to get in the nightgown and mask…behind the microphone that is…and play The Domino Lady.

The first Domino Lady project will be a three-part serial authored by one of the country’s leading DL historians, Rich Harvey, with the first part, “All’s Fair in War,” recording this fall in San Francisco, alongside AudioComics’ first two Green Lama audio adventures. The name Rich Harvey is synonymous with pulp stories and pulp history in the United States; a New Jersey-based graphic designer, writer, and publisher, his Bold Venture Press imprint specializes in reprints of classic pulp fiction, among  them Pulp Adventures magazine and Compliments of the Domino Lady, the reprint collection that thrust the Domino Lady back into the pulp limelight. He also sponsors an annual gathering of pulp enthusiasts, the Pulp Adventurecon, in New Jersey. Rich cites Dashiell Hammett as his favorite author and biggest influence, and next on the list is Warren Murphy and Richard Sapir’s The Destroyer series. www.boldventurepress.com is the handle!

“A warm west coast evening — a glamorous city bathed in silvery moonlight — a criminal element walking arm-in-arm with high society — and a masked woman who challenges their power the DOMINO LADY.”