Tagged: Dark Knight

The Point: Twilight, Trek & ComicCon

The Point: Twilight, Trek & ComicCon

TWILIGHT is finally headed to comics and it will be manga, HARRY POTTER kicks DARK KNIGHT off the Box Office Record Chart and a 21st Century STAR TREK DVD is coming. Oh yeah, ComicCon is here in FIVE days!

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The Point – April 27th, 2009

The Point – April 27th, 2009

Ticket sales are already off the charts for this weekend’s kick off of the summer movie blockbuster season. We all take our chances hoping for another Dark Knight and not another Spirit, but what about the creative people who roll the dice risking millions? Meet Michael Uslan who, for over three decades, has been the bridge between properties like Batman and the movie industry. Plus Mike Gold gets nostalgic for a good police riot and Marvel wants to swap comics with you!


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Review: ‘Batman: The Motion Picture Anthology’ on Blu-ray

Review: ‘Batman: The Motion Picture Anthology’ on Blu-ray

The current era of the super-hero movie can trace its roots to 1989 and the release of Tim Burton’s [[[Batman]]].  For the first time since Richard Donner’s [[[Superman]]], the comic book heroes were taken seriously and adapted for the screen with love and care.  In between, there was failure after failure as no one in Hollywood seemed to understand the source material.

Even Michael Uslan, who did understand, spent 1980 through 1988 trying to mount the film with little success. The stars seemed to finally align as Frank Miller’s [[[Dark Knight]]] in 1986 showed people what could be done with the character and suddenly Warner Bros. was interested. They tapped Burton, coming off the success of [[[Beetlejuice]]], a director with exactly the right sensibilities to take the Dark Knight and present him in a way that made you forget Adam West’s interpretation (at least for a little while).

You’re reminded of what a masterful job he did by rewatching Batman on a new crisp transfer as part of the Blu-ray box set Batman: The Motion Picture Anthology 1989-1997, on sale today. Gotham City is a dark, scary place, and its populace needs Batman, a vigilante protector. The architectural look, from designer Anton Furst, coupled with the moody lighting and off-kilter sensibilities of its director made Batman something to marvel at. He got fans to get over their complaints that Michael Keaton was the wrong choice to portray Bruce Wayne.  Instead, Keaton was a conflicted everyman who had some serious issues driving him to don the costume and endure the withering barbs from Alfred (Michael Gough). Jack Nicholson’s Joker nearly stole the movie but was a terrific foil for the hero.  The movie’s far from perfect with story holes and logic gaps (one bullet can take down the Batwing?).

Burton and Keaton came back for [[[Batman Returns]]] which unfortunately offered us no new insights into the hero but did give us refreshed looks at both Catwoman and Penguin. Selina Kyle’s story arc is the strongest in the film and Michelle Pfeiffer gives a strong but sympathetic performance.  Danny DeDevito made for a creepy, grotesque Penguin but his arc was taken from a 1967 plot and felt it.  The uneven storylines never meshed well and the movie felt divided.

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ComicMix Quick Picks – March 8, 2009

ComicMix Quick Picks – March 8, 2009

The weekend’s list of quick items:

Anything else? Consider this an open thread.

Rich desserts, and other economics comics calamities

Rich desserts, and other economics comics calamities

Time Magazine reports on the latest victims of the economic downturn by reprinting this letter to the employees of Rich Enterprises, Inc.:

From:  Richie Rich, President and CEO

My loyal employees,

There is no other way to say it, so I’ll just say it.  We are broke.  I unwisely invested all our company’s funds with Bernard Madoff, and now the money is now gone, never to return.  As of January 1, 2009, Rich Enterprises is no more.  You are all without a job, healthcare and pension.  And for this I am terribly sorry.

I was always known as "the poorest little rich boy," but today, that is literally true.  I have nothing.  Every asset has been liquidated.  My gold racecar that runs on cash has been sold.  My dollar-sign shaped swimming pool filled with diamonds has been drained.  I have had to fire my beloved butler, Cadbury, and he is now the personal valet of Facebook CEO Mark Zuckerberg.  Such is my poverty that I have had to shave the signature dollar sign fur pattern off my thusly-named dog.

Believe me, I have tried every option to avoid this catastrophe.  I appealed to my cousin and longtime rival, Reggie Van Dough, for a loan, but he too was heavily invested with Madoff.  Tragically, Reggie took his own life by riding his emerald-encrusted skate board under the deadly tank treads of Irona, my robot maid.  Best wishes, Reggie.  I hope you’re with Casper now…

Luckily, Bruce Wayne is still doing fine. Nothing’s stopping that Dark Knight money.

ComicMix Radio: The Dark Knight Storms Stores

ComicMix Radio: The Dark Knight Storms Stores

Chances are if you are serious about comics or pop culture, you’ll be buying Dark Knight on DVD today or soon, but this week’s haul at the comic shop has some other things worthy of your wallet’s attention including that little goodie to the right. We preview them, plus:

  • Classic Star Trek comics come to the iPhone
  • Late Night With Jimmy Fallon has already started
  • Toy Fair is sooner than you think

All that and more – but only when you Press the Button!

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ComicMix Radio: Another Zuda Bombshell

ComicMix Radio: Another Zuda Bombshell

We swing over to DC’s Zuda Comics site for a talk with the guys who brought The Black Cherry Bombshells on line and to the top of Zuda’s Must Read List, plus:

  • Dark Knight already the best selling movie and it isn’t out yet
  • NY ComicCon salutes more comic greats
  • Judge Dredd lives on as an RPG

All that and more – but only when you Press the Button
 


 

And remember, you can always subscribe to ComicMix Radio podcasts via iTunes - ComicMix or RSS!

 

The new Batman revealed?

The new Batman revealed?

Following the conclusion of Batman R.I.P., there’s been a tremendous amount of speculation on what will happen to the Dark Knight next. Luckily, ComicMix is on the case!

New images reveal that the latest interpretation of the Batman will be taking cues from the widespread financial troubles that all of us are going through, proving that even billionaire Bruce Wayne isn’t immune from the gyrations in the market, and even Wayne Enterprises can be caught in the credit crunch. But even though times are tough, the Batman is tougher.

Of course, he does have to tighten his utility belt a bit. Instead of the gaz-guzzling tanks and jet engines on wheels of years past, the new Batmobile is prepared for oil shortages and supply disruptions.

The Stories That Informed ‘Batman R.I.P.’

The Stories That Informed ‘Batman R.I.P.’

“Criminals are a superstitious cowardly lot. So my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible …a…a…”
 
As if in answer, a huge image of a Caped Crusader flashed across a movie screen. Across monitors throughout space and time and other dimensions.
 
“It’s an omen!” each man, alien and other-dimensional imp declared. “I shall become a Batman!”
 
One of the attractions of Batman was, it’s often been said, the fact that a kid could actually imagine growing up to be the Caped Crusader. No one was ever going to grow up to be Superman but with an extensive training regimen (and a hefty bank account) …well, anything’s possible. Overlay that with the spirit of mainstreaming and conformity of the 1950s and you end up with a universe where there seemed to be a Batman knock-off on every corner and planet.
 
In 1964, editor Julius Schwartz found his arm twisted into taking over the flagging Batman titles. He immediately ditched the extended Batman family and the increasingly prevalent space alien stories for a more contemporary angle grounded in the real world. And as the years rolled on, Schwartz and company refined their approach and gradually, permanently put the Dark back in their Knight.
 

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Interview: TwoMorrow’s John Morrow

Interview: TwoMorrow’s John Morrow

Once upon a time, these would have been faznines produced using Xerox machines or newfangled offset presses.  But, today, Alter Ego, Back Issue, Write Now!, Draw! and the Jack Kirby Collector are all legitimate magaines from TwoMorrows. The company has expanded to include books such as their Modern Masters series along with their welcome Companion books exploring facets of DC Comics history.  We sat with founder with John Morrow to see what was new.

ComicMix: Did you ever imagine this being a fulltime gig?
 
John Morrow: Initially, no; furthest thing from my mind. Back in 1994, my wife and I were in the early stages of building our graphic design business, and had just gotten over those first few years where you’re killing yourself pulling all-nighters to service your clients. Just as things slowed down to a reasonable level, Jack Kirby died. I’d been out of comics for several years, but I felt compelled to produce a (albeit fairly slick) fanzine about Kirby, just to re-experience what drew me to his work originally. This led to lots more all-nighters getting the Jack Kirby Collector off the ground, but I envisioned it lasting no more than maybe six or seven issues, having some fun, then calling it a day.
 
CMix: What has surprised you the most about running TwoMorrows?
 
JM: Other than the fact that we’ve been at it for 15 years, it’d have to be the staying power of Kirby’s work and influence. I was really naïve to have ever thought Jack’s hold on the industry would wane over time; if anything, it’s probably as strong now as it ever was, with all the reissues of his work, and revamps of his characters. I don’t think I could still be doing an ongoing magazine about anyone else in comics, 50-plus issues and 15 years later.

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