Tagged: comics

Notable postables

Notable postables

Rich Watson’s much-anticipated interview with Alex Simmons is finally up — at least part one is.

Rachel Edidin gives a lesson in things to bear in mind when writing sexual violence into comic stories.

Scott at Polite Dissent dissects Amazing Spider-Man #539 (whence the panel at right is taken) from a medical POV.

Lastly, congraulations to Sean McKeever on his successful lasik surgery!  I’m not a little jealous.

MICHAEL DAVIS: Art School Confidential

MICHAEL DAVIS: Art School Confidential

The one thing you can count on in the comics business is people want to get in. By this I mean there are a zillion people who want to make comics their lifework. To some “comic books’ is a silly way to make a buck. Well forget them. Tell them to have a ham sandwich and shut up. I’m talking to all the young creators who want to make this their careers. I know a bit about this and if you allow me I would like to share some of what I know with you.

The first step on the road to comic immortality is education. I want to talk to the young artists out there. I will let my good friend Mike Baron in a guest column talk about becoming a comic book writer (Mike, please write a guest column for me!).

There are a lot of young artists who think it’s smart to simply copy Image Comics from the nineties and that will give them the art background they need. It won’t. By the way, Image does great books and Jim Valentino has a fantastic nose for good content. I’m sure that Jim would agree that the books Image is doing today are vastly different from the ones they were doing when they revolutionized the comics industry in the nineties. There are a great many young artists who think that copying Todd McFarlane or Rob Lefield will give them the tools they need to be the next Todd McFarlane or Rob Lefield – again, it won’t.

There are no sure fire ways to break into the comic industry as an artist. The industry is filled with self-taught artists-some of these self taught creators are superstars. However, most people can’t simply draw themselves into the field. For the majority of you I think a good art school is a great first step, the first step you will need to establish your own way in a very competitive comics business. How do you choose a good art school?

Very carefully.

An art school should not just teach you art, it should equip you to navigate the business. You want a school that will deal with you as an aspiring professional and not just an artist. A lot of schools don’t do that. Some of the best schools have working professionals teaching there. You would think that will be a great place to go right?

NOT necessarily.

Some instructors will share with you every single thing they know. Some won’t. Why won’t they? Because you will be their competition in a very short time. Because they will someday fear you.

Oh. Nobody told you that?

Look, the professional art school is a business. Before I go on let me be clear: I’m not talking about teachers in fine art curricula. Those teachers teach students who want to make art for art’s sake. Those students want to bring their vision to people for no other reason than to make their personal statements. I’m talking about teachers of Illustration, Cartooning, Animation, Graphic Design or any commercial art course. Chances are if your teachers are working professionals they will not share with you all their contacts or their knowledge. Or to put it another way, if you were an rookie on The New York Mets and your position was center field, do you really think the veteran who held that position would tell you all he knew?

(more…)

JOHN OSTRANDER: Hurling stones

I had a couple of other topics I was going to work on but then I read Mike Gold’s column this week and decided I had enough to say to on it and the subject of his column that I might as well do it in my own. Thanks, Mike, for supplying my column this week!

The question at hand was Don Imus’ racist remarks on his show, categorizing Rutgers University’s women’s basketball team (the majority of whom are black) as “nappy headed hos.” (For short, and because I don’t want to perpetuate the comment by repeating it endlessly, we’ll just reduce it to   “nhh”.)

Imus has since apologized at length, doing the mea culpa circuit that prominent white men do when they get caught putting their feet in their mouths. There have been the chorus of calls for Imus’ resignation or firing and Imus has said he was just trying to be funny and he’s really a nice guy and so on. As I write this, Imus has been suspended by CBS radio for two weeks and MSNBC has dropped the television show. After a ritual flogging on the Rev. Al Sharpton’s radio show, Imus is now scheduled to meet with the women he actually insulted and their families. Nice to know we’re all keeping our priorities straight.

Caveat: I don’t listen to Imus. If I’m listening to radio in the morning it’s generally NPR and I don’t do that very often. So I’m getting a lot of this second hand or worse. I’ve never been into the whole “shock jock” thing so you can take what I have to say with that grain of salt. Also, I’ve had my own brush with hoof in mouth disease in a script where I referred to Asian people as Orientals. As has been driven home to me, Orientals are rugs; people are Asian. So I am not within sin. I’m throwing rocks anyway.

Let’s talk about Imus first. My first reaction on hearing all this was, “What an incredibly stupid thing to say.” Imus has been in the game long enough and he knows the field. He has no internal censor that suggested to him for a half second that referring to African-American women as “nhh” just might get him into trouble? Frankly, I always had the impression that Imus was sharper than that.

And then the cynical Chicagoan side of me kicked in. Maybe Imus’ attitude at the time was “Well, remarks like this sure gets people talking about ya, doesn’t it? Good, bad – does it matter so long as they don’t forget you?” Now people might listen in to hear how contrite you are, or if you’ll do it again, or because they think you should do it again. What’s a shock jock without a controversy? Or maybe he didn’t expect people to get upset – stuff like this has been his stock in trade, right? Isn’t it why people listen? Imus says what a lot of people think – isn’t that the justification? The current brouhaha is just a matter of degree.

I wonder – what would the reaction have been if it was the Rutgers men’s basketball team that lost in the Finals (they didn’t even get that far) and Imus had called them “nh (fill in the blank).” Actually, I’m betting nothing would have happened because Imus would have realized, before he said it, that it was going too far. But these are just female jocks. Who really cares, eh? Let’s call them whores because they lost a freaking basketball game. Maybe if Imus had just stuck with being misogynistic instead of racist, he would have been okay.

(more…)

Kurt Vonnegut: 1922-2007

Kurt Vonnegut: 1922-2007

The New York Times reports: "Kurt Vonnegut, whose dark comic talent and urgent moral vision in novels like Slaughterhouse-Five, Cat’s Cradle and God Bless You, Mr. Rosewater caught the temper of his times and the imagination of a generation, died Wednesday night in Manhattan. He was 84 and had homes in Manhattan and in Sagaponack on Long Island."

We mourn his passing.

Stocking up on comics

Stocking up on comics

Via Lisa at Sequentially Speaking comes an article in American.com about the sure bet of investing in comics and other collectibles.  Naturally, Kevin Hassett points the exceptions to the rule in order to prove his thesis, which helps nobody.  The operative word here is "rare," people.

Plus, he supplements his databy looking things up in the Price Guide, which we all know deals more in theoretical than actual value, the latter being arbitrariily determined from day to day by whatever each buyer and seller actually feels like paying for and selling a book. 

This knowledge would seem to make the answer to Hassells question, "Why don’t sophisticated money managers and operating companies invest in comic books?" fairly obvious.

(more…)

Kids’ comics celebrated

Kids’ comics celebrated

Via Randi Mason, on Sunday, April 22 the fabulous and still-going-strong Books of Wonder store in NYC’s West Village will be hosting Graphic Sunday! with ten graphic novelists on hand to sign their children’s and young adult graphic novels.  Creator names and their works (all of which will be available for purchase at the store) are displayed prominently on the site.  Come on out and support comics for kids and teens as well as independent bookstores!

One of the Graphic Sunday! participants, Dave Roman, has a nice post about the event, as well as cluing us into another kid-oriented comics event put together by our neighbor Alex Simmons, called the Kids’ Comic Con.  This event will take place on Saturday, April 28 at the Bronx Community College, and lots of our friends will be there, so since I don’t live that far away it’s a pretty sure bet I’ll be there as well to represent ComicMix!

Paper v pixels examined again

Paper v pixels examined again

Amid the "it’s been three days, is Johnny Hart still dead?" cracks elsewhere in the blogosphere, over at the Huffington Post student Frankie Thomas remembers Hart by placing his comics firmly in her childhood, then continues, "Let’s face it: when it comes to comics, print media is dead." She goes on to talk about the webcomics which excite her nowadays, which is a good thing for webcomics as HuffPo is an extremely popular group blog, but a bad thing when she confuses form with venue by referring to comic strips themselves as "a lost art" after she’s just extolled them.  (I think what she meant to say was that newspapers were a lost cause as far as comic strips are concerned.)

Seems to me it’s always more enjoyable to read people who don’t feel they have to put down one thing (print) in order to appreciate the other (pixels), so I much preferred Wil Wheaton’s short list of the webcomics that have made him laugh lately (including, of course, one featuring him).

DENNIS O’NEIL: No evil lurks this week

DENNIS O’NEIL: No evil lurks this week

Okay, okay, I’m sorry. I know I promised, at least implicitly, to deliver Who Knows What Evil Lurks – Part 2 this week. But that will take some time and maybe digging, to write and, honestly, I have the luxury of neither. By the time you read this, I’ll either be at or returning from Juaniata, Pennsylvania, where I’ve been invited to be the guest of Jay Hosler and maybe shoot off my mouth in public a bit. I’ve been busy doodling notes for said mouth-shooting; hence no dissertation on lurking evil.

I thought about just blowing off this whole column thing, or delaying it until I was back here in scenic Upper Nyack, and rested. But… I promised editor Mike Gold and PR goddess Martha Thomases that I would deliver a minimum of 500 words each and every week. And I made the same promise to myself. Sternly, I said to myself that I had to respect the deadline, even if the deadline in question is largely of my own making.

By the way, I don’t hate deadlines the way a lot of writers and artists seem to. Maybe that’s just because I lived with them for so long – for over 40 years, they were a constant part of my life. What can be said against them is that they can be a pain in the ass. What can be said for them is that they can impart focus to a project and they can be an impetus to stop kvetching and worrying about your ability to leave civilization breathlessly in your debt (and maybe sit on David Letterman’s couch) and just, please, get the damn thing done.

A couple of paragraphs back – I’ll wait while you check – I mentioned Jay Hosler. Doctor Hosler teaches biology at Juaniata College, is a proponent of evolution, a comics enthusiast, a writer, and a cartoonist. He’s done two graphic novels which I found educational and very entertaining. You’ll find the titles below.

(more…)

Sacco on Iraq

Sacco on Iraq

Via Jessa at Bookslut, the good news is that comic artist and journalist Joe Sacco has a 16-page piece in the latest Harper‘s entitled Down! Up! You’re in the Iraqi army now.  You can see the thumbnails (like the one at right) here

The bad news is, you can’t see the full-size art to actually read the piece unless you buy the issue. Joe’s worth it.

Big Iron Man screw-up

Big Iron Man screw-up

Newsstand distributors have released some misprinted copies of Iron Man #16, wherein pages are printed out of order. Expect to see these on eBay shortly going for far more than their worth by any objective measure.

Reports of copies of Iron Man #16 printed with their pages out of order appearing in various Borders bookstores in the midwest started surfacing over a week ago, but it must be stressed that  not all newsstand copies are the misprints.

The direct sale version of Iron Man #16 has been delayed for this very reason. The "correct" version will be in comics shops this Wednesday.

The question that leaps to mind isn’t "how could this have gotten through?" as the printers are, like anyone else along the assembly line, only human; but, "there’s still newsstand distribution?"  In fact, most towns have their central newsstand outlets, big-box bookstores like Borders, supermarket spinner racks, and convenience store shelves. However, only a fraction of the comic book titles published are distributed outside of the comic book shop network.

Artwork copyright 2007 Marvel; All Rights Reserved.