GalleyCatreports that Karin Slaughter, a popular thriller writer from the UK, and Oni Press are teaming up to create Slaughterhouse Graphic Novels, which will adapt prose fiction into comics form. The idea is to emulate Stephen King’s Dark Tower, and not Isaac Asimov’s I-Bots, I think…
(By the way, Slaughter is our covergirl for this installment.)
Comics Fodderwants to see the return of footnotes to superhero comics – you know, the little boxes that said things like “The Fabulous Sheep-Man, last seen in ish #3,141 – Parsimonious Pete.” I think that reviewer needs to look up the phrase “continuity porn,” because he’s soaking in it.
Exclaim!, a Canadian music publication, looks at DC’s new Minx imprint.
Brian Cronin, at Comics Should Be Good, makes fun of every single one of Marvel’s October covers.
First Second announced today (in a press-release e-mail, so I don’t have a link) that they’ll be collecting Paul Pope’s cool THB series in 2009 as a color, four-volume, 1200-page set under the title Total THB. But, before that, they’ll have a new Pope series for young readers, Battling Boy, published in two simultaneous volumes in 2008.
MTV Newstalked to Todd McFarlane about the new Spawn movie he’s financing himself. (Wait…isn’t he also claiming he’s bankrupt? Now I’m confused.)
The LA Timeshas noticed that the dying-by-degrees traditional comic-book market isn’t looking quite as sickly as it had been recently.
The inferior4+1reports on a DC Comics press release which says that Walter Simonson will be writing a new comics series based on the popular MMORPG World of Warcraft.
PopMatters has an interesting (by which I mean silly) theory that Generation X loves Transformers because it symbolizes their wish to “transform” into adults. (That would be more interesting if they meant the old Marvel series Generation X, but they’re talking about the Americans born in the late ’60 and early ’70s.)
The San Diego Union-Tribune has an article on comics today to get ready for some kind of event happening in their fair city later this week.
Comic Book Resources has the second half of their look at Homosexuality in Comics.
Brian Cronin at Comics Should Be Good has a new, useful, term for our collective little dictionary of comics: False Epiphany Characters. (Also for that same dictionary, and from the same place: Grace Notes.)
Steven Grant gives us a thumbnail history of the convention once and forever known simply as “San Diego.”
And Josh Elder (any relation to Will, I wonder?) of the Chicago Sun-Timeslooks at the launch titles for DC Comics’s Minx line.
Borders is moving Tintin in the Congo to the adult section in the USA as well (after British complaints), reports Fox News.
Edward Champion thinks the “real books” industry should take an idea from the comics world and institute “Free Book Day.” I think that’s a splendid idea.
Department of “Shoulda Seen That Coming”: in the UK, a government minister issues a stern warning that a particular book, Tintin in the Congo, contains “hideous racial prejudice,” and that no right-thinking Briton should ever, ever read it henceforward. Result? Sales increase immediately by 3,800 percent. (Forbidden Planet International has a longer story on the complaint, including the fact that the Commission on Racial Equality – and isn’t that a nice Orwellian name? – demanded that Tintin in the Congo be banned.)
The Beatis not happy with the final cover for Showcase: Batgirl. (And there’s no reason she should be.)
Chris’s Invincible Super-Blogremembers the halcyon days when the Punisher was, briefly, a black man.
Media Life Magazinethinks that Zudacomics is a really swell idea and the most wonderful thing since sliced bread – but they also think that comic books are “almost an industry,” so I’m not sure if we should believe them.
The Chicago Sun-Timeslooks at DC Comics’s new teen-girl-focused Minx line.
Bookgasmreviews the newest reprint trade paperback of the Fables series, Volume 9: Sons of Empire, written by Bill Willingham and illustrated by Mark Buckingham and others.
Publishers Weeklyreviews a number of comics this week, including House by Josh Simmons and the first volumes in two maanga series, Gin Tama and War Angels.
Dana’s Marvel Comics Reviews, at Comic Fodder, hits the week’s high points, starting with New Avengers # 32.
Beaucoup Kevinthinks this (to your right) is the greatest comics panel of all time. (It’s possible…after all, malt does more than Milton can to justify Kirby’s ways to man.)
The Beatreports that Too Much Coffee Man will be debuting in a new form at this year’s San Diego Comic-Con: as an opera.
Todd Allen of Comic Book Resourcescollates all of the various statements about DC’s big Zudacomics world-domination scheme, and tries to explain what to expect from it.
The Nichei Bei Timesasks the loaded question: what is manga?
Webcartoonist Dave (Sheldon) Kellett has some thoughts on DC Comic’s Zudacomics initiative.
Comic Book Resourceshas discovered a “secret” price hike on some Marvel comics – and asked Marvel VP of Sales David Gabriel to explain it.
Comic Book Resources has a feature article — not quite a review, not quite an interview with Jamie McKelvie, but with bits of both – about Suburban Glamor.
St. Louis Jewish Lightreviews Harvey Pekar’s The Quitter. (It would be funnier if I said they gave up in the middle, but, unfortunately, the world is not providing easy jokes for me today.)
Comics ReporterreviewsThree Very Small Comics, Vol.III.