The International Association of Media Tie-In Writers co-founders Lee Goldberg & Max Allan Collins are pleased to announce the 2012 nominees for the Scribe Award, honoring excellence in media tie-in writing, and the naming of author Kevin J. Anderson as this year’s Grandmaster for his lifetime achievement in the field.
Anderson is the author of more than one hundred novels, adding up to over 20 million books in print in thirty languages. His work includes the STAR WARS “Jedi Academy” books, three internationally bestselling X-FILES hardcovers, the Superman novels THE LAST DAYS OF KRYPTON and ENEMIES & ALLIES, many novelizations (SKY CAPTAIN & THE WORLD OF TOMORROW, LEAGUE OF EXTRAORDINARY GENTLEMEN, etc.) and, of course, the ten globally bestselling DUNE novels he has co-authored with Brian Herbert.
He has won or been nominated for numerous prestigious honors, including the Nebula Award, the Bram Stoker Award, and a New York Times Notable Book prize…and now he can add IAMTW Grandmaster to the list of his extraordinary achievements.
The awards will be given at a ceremony in July at this year’s Comic-Con convention in San Diego.
*GRANDMASTER*: KEVIN J. ANDERSON
*GENERAL FICTION / BEST ORIGINAL NOVEL*:
ROYAL PAINS: FIRST DO NO HARM by D.P. Lyle
MIKE HAMMER: KISS HER GOODBYE by Max Allan Collins & Mickey Spillane
BURN NOTICE: THE BAD BEAT by Tod Goldberg
*SPECULATIVE FICTION/BEST ORIGINAL NOVEL*
STAR WARS: KNIGHT ERRANT by John Jackson Miller
DUNGEONS & DRAGONS – FORGOTTEN REALMS: BRIMSTONE ANGELS by Erin M. Evans
SUPERNATURAL: COYOTE’S KISS by Christa Faust
DUNGEONS AND DRAGONS: THE SHARD AXE by Marshiela Rockwell
PIRATES OF THE CARIBBEAN: THE PRICE OF FREEDOM by A.C. Crispin
*BEST ADAPTATION GENERAL OR SPECULATIVE*
CONAN THE BARBARIAN by Michael Stackpole
CRYSIS LEGION by Peter Watts
TRANSFORMERS: DARK SIDE OF THE MOON by Peter David
COWBOYS & ALIENS by Joan D. Vinge
*BEST YOUNG ADULT*
ME & MY MONSTERS: MONSTER MANNERS by Rory Growler (Ian Pike)
THE SMURFS movie tie-in by Stacia Deutsch and Rhody Cohon
THUNDERBIRDS: EXTREME HAZARD by Joan Marie Verba
MIKE HAMMER: ENCORE FOR MURDER by Max Allan Collins & Mickey Spillane
DARK SHADOWS: THE LOST GIRL by D. Lynn Smith
HIGHLANDER: ALL THE KINGS HORSES by Scott Andrews
DOCTOR WHO: THE MANY DEATHS OF JO GRANT by Cavan Scott & Mark Wright
Today I’ve come up with a brand new superhero and I’m proudly unveiling him right here. ComicMix – meet The Lazy-Man™*
The date of this writing is April 29th, 2012 and it just so happens to be my birthday. Somehow after working all month on two other book projects a TV project and various other stuff like Comic Con and staying up drinking tequila most of last night, somehow Lazy-Man just came to me!
Wow. What an unexpected yet not unwelcome birthday gift!
I work really hard but last week was such a bitch on my time and gray matter that towards the end of the week I felt overwhelmed and a bit depressed. But somehow at the very depths of those emotions came Lazy-Man!
Who is Lazy-Man?
Why, Lazy-Man is all of us when we have reached a point where we just need to be lazy. I say Lazy-Man is all of us, but on the one in a billion chance that this bullshit idea I made up just because I’m too exhausted to think of something to write about catches on, let me be clear-Lazy Man is me and me alone.
Yes, Lazy-Man is me (if it hits big) you (if it goes nowhere) all of us (me, hits big; us, goes nowhere) and sometime we must embrace our inner Lazy-Man and recharge.
I see Lazy-Man as a six-issue mini-series, which coincidently fits my “must write about comics” criteria for ComicMix.
Lazy-Man’s story is told via his journal entries. The first of such are here as a ComicMix exclusive:
From The Journal Of Lazy-Man
April 29, 2012
Yesterday morning I did not exist. Yesterday afternoon I was not alive. Last night at around 11pm I was born fully formed.
My mother was called Tequila my father’s name was Fatigue. Together they made me. I am Lazy-Man! Beware me! Beware my wrath! Now go! Go before you fall victim of Lazy-Man!!
But-before you go, can you hand me the remote?
*Lazy-Man: trademark & copyright Michael Davis 2012. All Rights Reserved.
Every year for almost 20 years (since I was 5, Jean) like clockwork I give a party at Comic Con.
Every year like clockwork I host a dinner at Comic Con.
Every year like clockwork I host The Black Panel at Comic Con.
Every year like clockwork I hear from people I have not heard from since last year looking for an invite to my party.
Every year like clockwork I hear from people I have not heard from since last year looking for an invite to my dinner.
Every year like clockwork I hear from people I have not heard from since last year looking for me to put them on The Black Panel.
Every year like clockwork I hear from people I have not heard from since last year looking for me to get them a hotel room or a pass to Comic Con.
Comic Con is in July. It’s only February. The requests don’t usually start until a couple of weeks before Comic Con so I’m a few months ahead of the game.
Well, this year I’m nipping all that bullshit in the bud.
The answer is no.
No. No. No.
No, if I don’t know you, you cannot come to my party or my dinner and you certainty cannot not be on the Black Panel.
Regarding the party and dinner, I don’t care who told you they could get you in. You can’t.
Let me explain something to those who are among the many who ask of me the above. Like I said in last week’s article, the Comic book industry is a business. It’s part of the entertainment business. Comic Con is not a place where those who are serious about business come just to hang out.
Comic Con is where deals get done, relationships are cemented, partnerships are explored, opportunities are exploited and money is made.
When you operate at a certain level Comic Con is not a place where you hang out with friends and look for that copy of Spider-Man you had as a kid.
No, Comic Con is a place where you come to solidify and grow your business.
So, no, you cannot come to my annual party, person I don’t know, because it’s business.
Do you think the club my party is at is free?
No, no it’s not. So why, person I don’t know, should I grant you admittance when you don’t even know what I do? What possible reason is there for me to do that?
Do you think the dinner I have is free?
No, it’s not. That dinner costs thousands of freakin’ dollars.
Do you think that the ash can book you drew makes you worthy to sit on The Black Panel?
Go to www.theblackpanel.com and check out the alumni. Once you do, ask yourself if you really think you belong in that group.
I’ll help you out with that one, no.
Like I said last week, comics are a business. Yes, I have fun at Comic Con. That fun is usually at around midnight while sitting at the bar at the top of the Hyatt with 30 or so other hard working comic professionals getting blazed on shots of tequila.
But before I can have that fun I have to spend months setting up the party, the dinner and the panel and that is not fun.
So the answer is no.
However, if Mark Turner (Yes you, Mark) is at Comic Con this year he is invited to anything I’m doing because he gets it.
For over a decade I’ve been hosting The Black Panel at various venues around the country. The panel has its roots in the Milestone Media panels I once hosted at different comic book conventions in the nineties. I created The Black Panel as a forum to discuss African American pop culture from the inside with the aim of helping more people get inside.
The Black Panel is, I’m proud to say, a mainstay at the San Diego Comic Con International. A reviewer recently called it a “Comic Con institution.”
High praise indeed and I was felling pretty good about the panel after yet another standing room only presentation this past year. However, after a recent conversation with Denys Cowan, I’m asking myself some pretty serious questions. Full discloser: Denys is not only one of the greatest and most original artists to ever work in comics, he’s also my best friend. He also worships Satan and has a $ 10,000.00 a day crack habit.
No, no he doesn’t, but Denys never reads my columns so I can pretty much write what I want, like this, Denys beat up a 10 year-old girl who made the mistake of calling him “Michael Davis” at Comic Con last year.
Again, I joke, I kid! She was 7.
Denys and I were talking about the future of the panel. We got on the subject of who appears on the panel. Denys made a remark that made me think, has the panel featured some guests who could care less about the comic medium but have used the panel simply to promote their current projects?
In other word, pretenders.
Here’s a link to the Black Panel’s Alumni. To this list you can add Peter David, Derrick Dingle and Keith Knight and Phil Lamar. You will notice quite a few entertainment superstars on the list. To be fair to me, my mission statement for the panel is black entertainment, which includes but is not limited to comics and animation.
I stared thinking maybe I have had some pretenders on the panel.
I’m nothing if not honest with myself and if I’m wrong I’ll say so. Just today I posted results from a Gallup Poll on my Facebook page that clearly showed that some of my opinions about the Tea Party were wrong.
I took a long look at the guests I’ve had over the years and loand behold there may be one that the pretender labels fits. No. I’m not going to name him or her. If it’s a black woman, I might get bitch slapped. If it’s a rapper, I might get shot. By all means if you guys want to play “Who’s the pretender,” have at it.
My name is Bennett, I ain’t in it.
The perhaps they are perhaps they are not pretender for my panel is not the focus of this article. Pretenders in the comics industry are.
I’ve met quite a few over the years and usually it’s someone or some company with an high profile and some bucks who thinks that a comic book project from them is just what the world is looking for. More often than not little if any respect has been paid to the way the comic book industry operates and even less respect to the history.
I was approached some years back from a major music mogul to help him create a comic book line that would feature some of his label’s artists. I told him as a promotional item I thought it would work, as a retail item not so much. He did not want to hear that.
Frankly, what mega rich music producer wants to hear that the music business and the comic book business cannot be approached the same way? I mean, the music industry. That’s a real business not like comics, which is more like a hobby until Hollywood decides to take pity and make a movie out of one of those silly characters.
The mogul decided to get a family member to run the line. I was proving to be too much trouble with my depressing and unimportant comments on silly subjects like distribution, marketing, talent and retailers. His choice from the family had been reading comics all his life. That makes him the perfect choice to create and produce a comic book line.
A year, maybe two later I saw an ad somewhere announcing the line. From what I understand the books never saw the inside of a comic book store.
The ad sucked as well.
On a few occasions I’ve had agents of big name Hollywood action stars send me an idea from or about said star. Most of the time the idea features the actor as some sort of hero in the comic. All of the time the idea sucks. When you tell an agent of a big star that their client has little or no juice in the comics industry they feel pity towards you because of your obvious mental illness.
As far as those who think they can make a quick buck in comics, surprisingly that does not bother me. This is America. Where would we be without those who were just in it for the quick buck? Those who get into the business and have the sense to appreciate the expertise of comics I welcome.
What does bother me are those who get into the business and have no respect, not only for what has come before but make no effort to know, learn or enhance the craft. That bugs the shit out of me.
This weekend I watched the movie [[[Paul]]] on BluRay. It seemed so lame to me when it first came out. When I saw the previews I decided I’d avoid it like Stevie Wonder avoids driving. I only rented it because it’s one of the few movies that I have not seen On Demand and I get so many free rentals movies from Blockbuster I feel that I’m wasting my money if I don’t rent something. I’m about to give up my Blockbuster membership for NetFlix just as soon as I remember that’s what I want to do.
Anywho, I took [[[Paul]]], [[[True Grit]]] (I really wanted to see that in the theaters but I’m just so damn busy) and [[[Rango]]] home to my massive flat screen.
Hey. I’m a man and size matters.
Well, size matters if it’s big. If not then, not so much, at least that what guys with little flat screens tell themselves and by little flat screens I mean penis.
True Grit was GREAT. Rango was not. I’ll leave it at that. On the other hand, Paul was really good. I enjoyed it and realized I’d made the same mistake with this film as I’d made with [[[The Iron Giant]]] and Galaxy Quest. The previews and marketing were so freakin bad on those movies I just stayed away.
In Paul, Comic-Con was a nice little backstory. Yes, it was centered on nerds but what are you going to do? The movie started at Comic-Con, ended at Comic-Con and was referred to many times during the film.
I watched Paul Saturday night. Sunday, the day of this writing, I was flipping channels and stopped when I saw the face of my friend David Glanzer. David is the head of marketing and publicly for Comic-Con and was a guest judge of a show called Cupcake Wars.
I try to never say never but I’m pretty damn sure if I did not see David I would have never watched a show called Cupcake Wars. That show has as much appeal to me as a show called Towel Wars or can goods conflict or The Peanut Butter Lick Off. You know I could see watching the Peanut Butter show if there were hot women contestants. The more I think of it I would watch that show and now the show sounds like a good idea!
(The Peanut Butter Lick Off. trademark & copyright Michael Davis 2011. All Rights Reserved.)
But I digress (sorry Peter). I was talking about David. Not Peter David. I watched the entire show not caring rather or not who won (who the fish cares?) but rater I watched marveling at the genius of David and Comic-Con. Clearly, appearing on that show as a guest judge in his capacity as the head of marketing and publicly for Comic-Con is a fantastic way to market to people who may have no clue what Comic-Con is.
I came home from the San Diego Comic-Com last Sunday night around 9:30. I went to bed around 9:32. I slept all day Monday and most of the day Tuesday.
Why do I need so much sleep after Comic-Con? Because I had maybe 20 hours sleep total the two weeks before Comic-Con and five hours sleep during Comic-Con.
Here’s my Comic-Con recap.
Friday morning my annual Black Panel did a tribute to my fallen partner Dwayne McDuffie and I do think we did him justice. It was supposed to be a joyous celebration and for the most part it was, but there were a few times when the tears did flow. All and all it was great being around fans, friends and pros that all loved Dwayne. The highlight for me was the video taped message from Wayne Brady. In it Wayne told the audience what a big fan of Dwayne he was. that was cool!
Also at the Black Panel, I announced the “Search For The Next Great Graphic Novelist”contest! FAN, Final Draft and my imprint Level Next are sponsoring the contest. More details to come right here at ComicMix!
Friday afternoon saw me as a panelist on the cool ass upstart panel, “The Nappy Hour.” I make it a point not to do any panels except The Black Panel while at Comic-Con. The Black Panel is so much work that doing another panel is simply out of the question and I’m asked to be on at least four panels every year. Keith Knight, the founder of the Nappy Panel, had a bit of a run in last year on the net. Years ago the run in would have turned into a war but now the kinder, gentler Michael Davis look for other options than to smite those who dare to speak ill of me. FYI: Keith did not speak ill of me and in fact it was me that took something he wrote the wrong way. If you know anything about me you know that when I’m wrong I own up to it.
Keith and I decided to do what black men don’t do. We decided to talk! Then we decided to do each other…each other’s panel. Get your mind out of the gutter! The Nappy Panel was so much fun that I’m thinking he and I should create a panel that would showcase the best of The Nappy and the Black panels. What do you think, Keith?
A few hours after the Nappy Panel I met with co-publisher of DC Comics Dan Didio to talk about a possible project. It was the first official meeting I’ve had with DC in over a decade. What happened? Well…
Before STAR WARS: THE COMPLETE SAGA hits shelves on September 16, fans can get a sneak peak at the 40+ hours of bonus footage on the Blu-ray collection through the Star Wars Blu-ray: Early Access App. The App, available for all iDevices including the iPad and iPhone will highlight a sampling of bonus materials featured in the Blu-ray collection, including never-before-seen content sourced from the Lucasfilm Archives such as matte paintings and concept art; prop, maquette and costume turnarounds; supplementary interviews with cast and crew; and more.
For fans lucky enough to score a ticket to Comic-Con, stop by booth #3528 to check out the App and get an even bigger sneak peek at the Blu-ray Disc and experience one of the Saga’s most iconic moments from a unique, in-universe vantage point!
The concept that a comic book convention, which should be a wonderful
introduction for kids to the dazzling and varied world of comics
collecting–where a kid can meet and greet the creators he’s always
admired and ask questions and feel that much closer to the (to him)
magical process that brings super-hero adventures to him every month,
and perhaps even fantasize about a time when he’ll be on the other side
of that table, signing autographs or drawing sketches for kids that are
the age that he is right then–the concept that such a convention should
ever become a dangerous place, where young fans risk life and limb and
might be trampled by alleged “adults” trying to get a hundred copies of
the latest “hot” comic book signed so that they can tack on a few more
bucks to the selling price–
It is intolerable.
And we should not suffer it to continue.
—Peter David, writing not about the stabbing in 2010, but about the Great Eastern Convention near-riot in 1993.
“Thanks, Comic Con. Show the Machete trailer after the stabbing. Very classy.” —Cole Abaius
“It was FREE, and I wanted it more than I’ve ever wanted anything in my entire LIFE.” –overheard by Scott McCloud in the last minutes of the con
“I’m sorry I was late. I’m rooming with six slave Leias and they
needed help with their bikinis.” –Bellechere, the Avatar Lady Death
model (Hat tip: Rich Johnston)
And the photo was brought to us by the ironically named FunnyOrDie.com.
The popular CBS sitcom Big Bang Theory had its day at Comic Con on Friday. A special screening and Q&A were conducted by the cast and crew of the show. Wil Wheaton moderated the panel, and members included actors Jim Parsons, Johnny Galecki, Kaley Cuoco, Kunal Nayyar, and Simon Helberg, and executive producers Chuck Lorre and Bill Prady.
The Bare Naked Ladies surprised the audience when they came out on stage
to play the full version of the Big Bang Theory theme song. Hundreds of fans sang along with the band, which was made simple since printed sheets of the lyrics were handed out prior to the panel. Here’s video:
Fans asked the stars geek-appropriate questions, such as “If you were a superhero, what ability would you have and what would be your name?” Nayyar would be Awesome Man with the ability to make things awesome, and Helberg would have the power to fly but would not tell anyone so he could join a basketball team and jump in the air longer.
The panel talked about the show and what it has been like working on it. Parsons commented on Sheldon and Penny’s relationship, saying, “There is absolutely chemistry. Sibling chemistry. And don’t you say otherwise.” (Several fans push for a relationship between these characters.) They spoke of how the cast plays ping pong in between shooting, and how Cuoco was the first among them to get a Kindle.
It was revealed that Steve Wozniak, co-founder of Apple, will guest star in season four. Mayim Bialik of Blossom will also be back in season four as Sheldon’s potential love interest. Wheaton himself is likely to come back as Sheldon’s arch-nemesis. When a fan suggested that the crew film an episode at Comic Con, Lorre and Prady shot down the idea, Lorre adding, “We’re an indoor cat,” and they wouldn’t know how to film at a convention.