Tagged: Captain America

The Weekly Haul: Comics Reviews for July 26

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  • July 26, 2008

Wait a second, reviews of actual comic book? Isn’t Comic-Con going on?

Yes and yes. I made it to the comics shop a bit belated this week on account of the San Diego craziness, but apparently real comics came to real comic book stores this week, although it was an understandably small batch. That being the case, it’s a somewhat truncated Weekly Haul this time around.

Book of the Week: X-Files #0 — One of the great all-time shows is back in a big way with this week’s movie and DC’s one-shot comic. Reviews aren’t kind to the movie, but the book (set in the show’s early years and scripted by one of the creators) is top-notch.

Comic adaptations are always tricky, as the art can go too far into trying to perfectly recreate actors and the writing can fall flat. But this issue reads and looks just like a classic episode.

Scully and Mulder investigate a series of weird deaths, where victims have no signs of injury or illness. Turns out there’s something playing the possession game, which puts the heroes into a fun game of chess with the invisible adversary.

It’s strong throughout, but the final reveal is a doozy, making it a must-read for fans.

Runners Up:

Daredevil #109 — This arc is (finally) all about Matt getting his life back on track, but of course he can only do so while bringing some gangsters, the FBI and the CIA down on his head. A tense read, as Matt and his crew pull themselves further into danger’s path with each page.

Invincible #51 — Lots of daddy issues surface as Mark shows Oliver the superhero ropes and they each get a new costume (in a sequence fairly ripped out of The Incredibles). A few big plot developments, but mostly this is Robert Kirkman doing the teenager-as-superhero thing better than it’s been done since Ditko’s Spider-Man.

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The Weekly Haul: Comics Reviews for July 17, 2008

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  • July 17, 2008

A couple disappointments and a near no-show from DC aside, this was a pretty good week in comics, especially outside of the mainstream superheroes.

Still, this week more than anything is just a little whisper, as all eyes are on San Diego for next week’s Comic-Con. All the same, books came out, so on to the reviews…

Book of the Week: Mice Templar #5 — This series started out as a fairly typical fantasy story, albeit told with mice and featuring a violent edge.

Last issue, it started becoming clear that writer Bryan J.L. Glass was veering away from the expected route of the young protagonist realizing his great destiny and triumphing over evil.

This issue, any and all signs of the archetypal fantasy narrative have been thrown clear out the door. Paradigms change in a big way for Karic, and to write anything about it would be to spoil the fun.

Mike Oeming is once again top-notch on art, and really the only question left is how many times the creative team can keep raising the bar.

Runners Up:

Captain America #40 and Ghost Rider #25 — Marvel had two superhero winners this week, with very different very good issues. Ghost Rider starts out slow, continuing the retrospective storyline of Johnny Blaze in jail. Zadkiel’s manipulations continue, and things build to a hellacious conclusion, highlighted by Blaze literally using the Bible as a weapon. Only Jason Aaron could make that work.

Cap sees the big fight between Bucky and the new impostor (the old Nomad), but the real bout to watch is that between Sharon and the Red Skull’s daughter. Ed Brubaker uses his skil with pacing to tell both stories at once, using each to heighten the drama of the other. And the ending? An out-and-out punch in the stomach moment.

Omega the Unknown #10 — The weirdest Marvel series in a good, long while finally ends, with Jonathan Lethem and Farel Dalrymple taking a bow with a nearless wordless denouement that comes straight out of David Lynch’s oddball mind. It’s a fitting conclusion to the series, which was enigmatic for the whole trip.

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The Weekly Haul: Comics Reviews for July 11, 2008

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  • July 11, 2008

All around, a great week for comics even in the face of a few serious missteps. And while the latest Secret Invasion was quite good, it was the monthlies that really kicked into high gear. Let’s get to the reviews…

Book of the Week: Justice Society of America #17 — This book hit a pretty serious lull in the middle of the Gog storyline, as Magog went away and Gog (an apparently benevolent god) made his presence known.

The latest issue is all about that old axiom, be careful what you wish for. Gog is on the peacepath, so to speak, and turns his focus on the members of the JSA, granting their deepest desires.

But his altruism cuts both ways. Damage gets a new face and Pieter regains his sight, while Starman becomes sane ("not a good thing") and Power Girl is transported home… wherever that is.

It’s a slickly done issue by Geoff Johns, who crafts an extremely dangerous story without a whiff of a villain. This series had been needing a kick in the pants, and this issue was a big swing of a steel-toed boot.

Runers Up:

Captain Britain #3 — Even better than Secret Invasion is this spin-off title, which has the Skrulls invading Britain as part of their global conquest. This is one jam-packed issue, with epic fight scenes, tough decisions and even a believable turn from Merlin.

The expected rebirth of Captain Britain was goose-bumps good, and my only complaint is that this Skrull battalion is all fighting and no subterfuge, as they don’t utilize that huge shape-shifting advantage.

The Goon #26 — A classic gangsters-at-war story. Think Miller’s Crossing, except with monsters, zombies and filthy humor. Eric Powell maybe goes a bit too far in places, but all in all it’s a damn fine issue, and his art is brilliant as ever.

 

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Shelf Watch: This Week’s Comics

Shelf Watch: This Week’s Comics

Every week I look ahead at Diamond’s shipping lists to see what I’ll be reviewing for the Weekly Haul. Here’s what’s on tap this week (reminder, comics aren’t out till Thursday):

Not sure why, but I’m looking forward to Image’s I Kill Giants #1, even though I don’t have much of an idea what it’s about. The art reminds me a lot of Alex Robinson’s — but with more manga influences — so that might be a lot of it.

Dark Horse has a couple of usual suspects on the way in The Goon #26 and B.P.R.D.: The Warning #1, as well as the Hellboy: Oddest Jobs trade. I’ve been especially impressed with The Goon of late, after it nosedived when Eric Powell shifted his focus to Action Comics and the Chinatown GN.

DC has a fairly ho-hum slate. Tops would be Booster Gold #1000000, though DC’s Web site says that’s not coming out till next week. There’s Final Crisis Requiem, the one-shot that deals with the Martian Manhunter’s death (glossed over in Final Crisis), and the Batman books are tied into the lackluster RIP storyline. Nothing screams "must read."

Marvel has a big headline with Secret Invasion #4, but aside from that there’s nothing of exceptional interest, aside from the preview for Jeph Loeb and Tim Sale’s Captain America: White and the always excellent Nova (issue 15). Am I the only one already tired of Matt Fraction’s Invincible Iron Man, even though only the third issue is coming out now?

In the small presses, there’s the eighth volume of Bone and the trade of Badger Saves the World. Other than that, pretty slim pickings.

What are you looking forward to?

Happy Fourth of July

Happy Independence Day, comicdom!

Here’s hoping everyone out there is well stocked with food to grill, beers (preferably Yuengling, from "America’s Oldest Brewery") to down and fireworks to potentially blow off your fingers. All that, a few Uncle Sam or Captain America comics, and you’re well stocked.

And make sure you wear that American flag lapel pin, lest you be mistaken for a terrorist. In a pinch, a Texas flag works too.

It’s a big day for me, but not for any comics reason. Or any patriotic reason either.

My wife and I first met while watching the big Fourth display during a break from our newspaper jobs. Fireworks.

Dennis O’Neil’s Moving Words

Dennis O’Neil’s Moving Words

Sunday afternoon. Two hundred and four days left before he gallops on back to Texas and that consarn brush that always seems to need clearing.

Listen, I want to make an offer… George and Laura, if you need help moving, just give me a call. I can be at the White House in five or six hours and, sure, I’m not as young as I once was, but I can still lift a box or two, and I’ll be more than happy to buy the pizza.

And now for something completely different…

Last week, we mentioned crossovers – specifically, how Marvel’s movie division seems to be getting ready to emulate the comic book division’s old, old ploy and engage in crossovers. The trick, as I’m sure you know, is simple: take a lead character from one series and put said character into another. Comics have, as mentioned in the earlier column, have been doing crossovers for a long time, probably beginning with Sub-Mariner and The Human Torch hassling in the early 40s. I’m not counting DC’s Justice Society title, which assembled a small herd of super doers, because these guys and gal weren’t moving into each other’s magazines, but into a separate venue. (Does anyone know of any crossing over earlier than that of Subby and The Torch?)

It didn’t stop with the comics, even way back then. About once a year, Batman and Robin took over bad-guy-catching chores from the radio version of Superman for a week or two while the Man of Steel was indisposed and the actor who voiced him, Bud Collyer, took a vacation.

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Wizard World Chicago 2008: Marvel Ultimates Panel

Wizard World Chicago 2008: Marvel Ultimates Panel

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  • June 28, 2008

Friday, Day One at Wizard World Chicago and it’s the Marvel Ultimates Panel featuring Brian Bendis, C.B. Cebulski, editor Bill Rosemann and moderator Jim McCann. As Rick Marshall previously reported about the "Mondo Marvel" panel, this particular panel was also relatively light on earth-shattering announcements. It also had some technical problems at the beginning which prevented the slideshow from working. So, to start the panel off, Jim McCann dove right into it with a couple of announcements and then some Q&A while they waited for the slides.

First up, Rosemann announced, "No, we do not know when Ultimate Wolverine vs. Hulk will come out." Bendis also announced that Ultimate Spider-Man is "not cancelled," that "everything is connected" and that there will be an Ultimate Spider-Man Annual which will focus on Peter and MJ’s "physical relationship."

According to Bendis, "It was the hardest sell I ever had. I just thought that remembering my glory years of 15 and 16 that it’s an important issue. Not having dealt with it felt false to me. It’s gonna be drawn by David La Fuente."  The book is double-sized and will be out in October.

At that point, the kinks were finally worked out and the slides started. Fans of Marvel’s Ultimate Universe were then treated to several slides featuring, among other things, upcoming covers for issues of Ultimate Origins featuring Captain America, Magneto and Hulk as well as a few pages of the actual Cap origins issue itself. There was also an alternative Origins cover featuring "Cap’s butt" as drawn by Gabriel del Otto.

Also, slides from Ultimatum showing the Fantastic Four, Dr. Doom, Namor, and the Ultimates 3 cast of the Ultimates featuring Black Panther and Captain America next to each other on the slide. This slide highlights, according to Bendis, an "organic but massive disaster" which happens to the Ultimate Universe. The disaster will be seen in Ultimate Spider-Man.

Then, once the slides were done (which took about five minutes) it was back to the Q&A which, as you may expect, pretty much became the Brian Bendis show as the vast majority of the questions were directed to him. Some of the highlights of the Q&A follow but it started off with Bendis’s explanation of his thought process when the Ultimates universe was being created.

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Happy Birthday: Butch Guice

Happy Birthday: Butch Guice

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  • June 27, 2008

Born in Chattanooga, Tennessee in 1961, Jackson “Butch” Guice started out drawing for fanzines and designing patches and emblems for a company in North Carolina.

In 1982 he ghosted some artwork for Pat Broderick on the Rom annual, and drew the first two issues of the independent comic book Southern Knights. Then Marvel editor Al Milgrom offered him a chance to draw Micronauts #48. Guice penciled Micronauts until its cancellation with #58 and did other titles for Marvel as well, including work on X-Men, Dazzler, The New Mutants, and X-Factor.

In 1987 Guice teamed with Mike Baron on several projects for First Comics (Badger, Nexus, and The Chronicles of Corum) and DC (including the second Flash series). Guce has continued to work for both Marvel and DC since, and also did books for Dark Horse, Valiant, CrossGen, and Acclaim.

In July 2007 he signed an exclusive contract with Marvel, where he is currently drawing Captain America and Ultimate Origins.

 

The Weekly Haul: Reviews for June 26, 2008

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  • June 26, 2008

Just for the fun of it, here’s one last story from Heroes Con (which I reported on extensively here and here). Nobody’s mentioned this, but simultaneous to the comics convention was another big event titled "Dub," basically a con for tricked out cars. One of the funniest things I’ve ever seen was a group of P. Diddy look-alikes gaping as a Heroes attendee strolled past in full manga gear (don’t know which character) and did a spinning kick/sword swipe right in front of them. I’m still amazed the weekend ended peacefully.

That aside, let’s turn to the week in comics, which was huge. HUGE. DC trotted out Final Crisis #2, and Marvel counter-punched with an incredible 30-plus issues. Once the smoke cleared, Marvel stood up strong, dominating another go ’round. And DC’s bad month just got worse.

Book of the Week: The Immortal Iron Fist #16 — This is a packed book, starting out with the wind down from the epic battle that just took place in the Seven Cities of Heaven. Danny Rand is a changed man, dismantling his corporation and doing whatever he can to help the world.

You can see the influence of Orson Randall, and it’s nice to see his presence linger on after his death. Danny’s transitioning into a more mature character, asking the big questions. It’s the natural result of the recent ground-shaking, and Matt Fraction’s a smart man for taking things in that direction.

There are lots of extremely well written little personal moments in this issue, between Danny and Misty, Jeryn, Luke Cage and a swarm of pint-sized karate students. But before things get too heart-warming, Fractioin ends with a game-changing reveal that’s shocking in part because of how well it’s set up, in part through brilliant page layouts.

The only question is how well the book will hold up once Fraction moves on.

The Runners Up:

Captain America #39 — There’s lots to see in this issue, as per usual with Ed Brubaker, but the main draw is the fight between Bucky and the former Nomad, both of whom are essentially masquerading as Captain America. Think about that: A revived Bucky with a robotic arm fighting against Nomad.

That sounds like something straight out of the dreadful muck of the ’90s, yet Brubaker pulls it off with ease, crafting another tense and dramatic issue with plenty of action. There’s also the continued subtle developments of Red Skull’s agenda, a nice moment for Sharon Carter and a quality fill-in artist for Steve Epting.

Daredevil #108 — We’ve finally seemed to pass the "Matt Murdock’s life can’t get any worse" stage that had dragged on for several years. He’s still miserable (and he gets his butt kicked), but he has quite the interesting case to dive into and appears to be responding well to the mental challenge (even if he does resort to  fisticuffs at one point). Also, Dakota North is quickly becoming a favorite character.

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Comic Book Market Farces, by John Ostrander

Comic Book Market Farces, by John Ostrander

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  • June 26, 2008

How’s this for a concept of a superhero? A guy who is strong, can leap maybe a mile but doesn’t fly, and only a bursting cannon shell can puncture his skin. He is on the outs with the government, the local representatives of whom may be corrupt. He’s on the side of the “little guy” who otherwise may not have a chance against the Big Interests. He dangles neer-do-wells by one foot high in the air and threatens to drop them unless they co-operate – and he laughs while he’s doing it. The guy may be more than a little crazy.

Like the sound of this guy? Readers during the Depression did when they first started reading Superman. You ever go back and read those initial stories? In one, Superman decides that one slum area of the city needs urban renewal, which, of course, the city is disinclined to do. Superman then provokes the army who tries to drop bombs on him. He rushes in and out of abandoned tenements and the bombs level those buildings instead. The army fails to capture Superman and the tenements are leveled. The city now has to rebuild public housing, given the attention on the area.

That Superman today would be labeled a terrorist.

Or how about Prince Namor, the Sub-Mariner over at Marvel when it was called Timely Comics. He was at war with the surface dwellers – us – and, in one story, deliberately flooded the Hudson Tunnel into New York. The tunnel is shown full of cars and there is no doubt in my mind everyone in them drowned.

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