Tagged: Black Lives Matter

Joe Corallo: Share Our Pride

I had other ideas of things I’d write about this week. I’ve been reading a lot of Jon Sable lately, so I was thinking of writing about that. That might be next week’s column. It was also Pride this past weekend, so I decided on a light piece on Pride with some comic and graphic novel recommendations. I’m still gonna recommend some stuff to you, but this piece isn’t going to be as light as I originally attended.

This year was the first year that the New York City Pride Parade here would be televised nationally since the first march nearly forty-eight years ago, a direct reaction to the Stonewall Riots. That is an incredibly big deal.

I attended as a spectator down Christopher Street across the street from the Stonewall Inn. The streets were packed and everyone seemed to be in the right mindset. One of the first groups to walk was the Pulse Nightclub remembrance from G.A.G., Gays Against Guns. They all dressed in white representing one of the forty-nine who were killed by that senseless shooting. This was very powerful both last year and this weekend and I’m sure will be a fixture of Pride for many years to come if not ‘til the very end.

As the parade continued I was able to work my way to a better view. Many floats went by packed with people from all sorts of groups. From pro-LGBT religious groups to Target and Citibank. I did quite enjoy that when the Citibank float was passing by my view that Justin Bieber’s “Sorry” was blasting from said float. The humor was not lost on me. And yes, Citibank, It is too late to say sorry for those Thank You Points I got screwed out of when you changed your policy.

Something happened during the parade that I should have expected, but didn’t.

There was a protest. And it happened just about right in front of me with a few people in the way to somewhat obscure it. At first we all had no idea what the protest was for. No one around me knew if this was an anti-LGBT protest, which was what many of us thought at first, or if it was a far-left protest… which is what it ended up being.

There were twelve protesters. They had an anti-police brutality/anti-corporation banner. Something about no justice, no pride. They intentionally stopped the parade in front of Stonewall and in front of the NYPD band.

The crowd was all over the place. Someone close by was chanting black lives matter, which is important but was confusing while we were still figuring out what the protesters were there for, which was not Black Lives Matter. Most of the protesters seemed to white men or at least white passing. Some of the crowd started chanting for the police to remove the protesters after ten or so minutes. Eventually the police did so to some cheers and some confusion. It was a peaceful process.

Despite this, it still left me feeling odd and conflicted. On the one hand a lot of people were standing around waiting and not quite understanding what was happening, many of the protesters appeared to be on the more privileged end of queer spectrum, and the parade itself is already an act of defiance with a lot of messages regarding resistance and proper representation of the entire queer spectrum. On the other hand, protest is a fundamental right. Telling anyone where and when protest is appropriate is antithetical to the entire process. It is a slippery slope and far too important a right to risk restriction, whether you agree with the protest or not. It was also handled so peacefully that having any criticism of it just seems a bit out of place.

Despite the fact that this was a nationally televised event, I was still nervous at what the police may do and wonder what could have been if it wasn’t nationally televised. And it was all the more troubling that this was right by Stonewall.

I don’t know how I feel about everything that happened there other than conflicted. I don’t have the answers, but it’s the kind of incident we should be discussing together.

I stayed and watched the parade for another a couple of hours before heading out. Afterwards, I swung past Carmine Street Comics, which had some queer comics creators promoting their work. It was a pretty queer day all around.

This year was an important year for Pride, just as every year before it and every year after that it happens. Some places across the world didn’t have as successful a Pride as we had this year and it’s important to know and remember that.

LGBT acknowledgement and respect doesn’t end here though; it’s year round even if Facebook doesn’t keep the Pride react. You can help support queer comics with queer creators by picking up comics like Iceman, America, and Detective Comics. You can pick up new graphic novels like Nothing Lasts Forever and Bingo Love. You can pick up comics and graphic novels from queer women of color like Mariko Tamaki, Gabby Rivera, Tee Franklin, and Vita Ayala or trans creators like Mags Visaggio, Fyodor Pavlov, Rachel Pollack and Lilah Sturges.

There are so many more creators like them out there too. Queer comics is a whole world in among itself and they produce some of the most thought provoking and forward-thinking comics you will ever read.

I hope you had a chance to celebrate Pride this month, and I hope you keep celebrating by reading the works of those creators and a whole lot more.

 

Ed Catto: Sam Wilson’s Timely Tales

Misty and Sam Captain America

We’ve been obsessing over the wrong Captain America stuff.

Last month, both Geek Culture and the “world at large” (they aren’t as different anymore, are they?) were outraged that Captain America, in the debut issue of his latest series, was revealed to be an evil Hydra operative. Marvel, to their credit, played it all with a straight face. Some devotees seemed eager, unlike The Who, to “get fooled again.” Fists were clenched and keyboards were angrily pounded as indignant fans expressed their extreme displeasure at the “bad guy treatment” given to a favorite fictional hero.

hail-hydra-shot-my-parents-chimic hangas-hahah?-if-you-2586866The Hail Hydra shocker inspired a kazillion hilarious parodies, too.

But in the second issue of this new series, Marvel revealed it was all an insidious brainwashing trick. “Oh, never mind,” sighed most outraged fans. However, some outraged fans broke into a victory dance, assuming that Marvel caved to their wishes and changed the story based on their expressed outrage. These fans don’t quite realize how far in advance comics, a very collaborative effort, must be planned before the publication date.

CAPA2015011-int2-4-51167There was also a hubbub about the new Captain America statue being erected in Brooklyn. Was it the “real” Captain America or just the cinematic version? Mike Gold explored this notion here when he talked about conflating the media version of a character with the original comic incarnation.

Others, like Teresa Jusino in this Mary Sue column, pointed out that in the original comics continuity, Steve Rogers, the everyman who would become the most popular Captain America, was born not in Brooklyn but in the lower East side.

Even with all that going on, the Captain America news we should be buzzing about is the story unfolding in Sam Wilson: Captain America #11. In this series, Captain America’s pal and partner, Sam Wilson, has graduated from his Falcon identity to become another Captain America. Hey it makes sense to me. Companies can have several Vice Presidents, why can’t our nation have more than one Captain America?

Rage in Captain AmericaIt’s a gorgeous looking comic with fantastic artwork by Daniel Acuna. This brilliant Spanish artist combines dynamic images with innovative composition and then he then wraps it all in a spectacular mastery of color.

I was astonished when I read this comic right after July 4th. To put it in perspective, this was the week our nation had been shocked and saddened by violence in Baton Rouge, Dallas and Minnesota.

Remember I mentioned comics must be planned and created months ahead of time in order to make the publication deadline? It seemed like Nick Spencer, the writer of Sam Wilson: Captain America #11, penned the story that very week. It had a “ripped from the headlines” feel, complete with a nuanced and balanced presentation.

Captain-America-Sam-Wilson-11-Panel-2 copyIn this story, the Americops, a sort of privately funded police force, are the villains. The creators didn’t waste the opportunity to show the difficult conflicts faced by several characters as they struggled, just like the rest of us, to make sense of the awful situation in this story unfolding in the comic as well as in the real world.

Kudos to all involved for adding texture, depth and hopefully a little more understanding to the national conversation.