Tagged: Beast

SFWA announces 2009 Nebula, Bradbury, and Norton Award nominees

The Science Fiction and Fantasy Writers of America have announced the nominees for the 2009 Nebula Awards.

The Nebula Awards are voted on, and presented by, active members of SFWA. The awards will be announced at the Nebula Awards Banquet
the evening of May 15 at the Hilton Cocoa Beach Oceanfront, just 20
minutes from the Kennedy Space Center in Florida. Other awards to be
presented are the Andre Norton Award for
Excellence in Science Fiction or Fantasy for Young Adults, the Bradbury
Award for excellence in screenwriting and the Solstice Award for
outstanding contribution to the field.

Congratulations to all the nominees.

Short Story

Novelette

Novella

Novel

  • The Windup Girl, Paolo Bacigalupi (Nightshade, Sep09)
  • The Love We Share Without Knowing, Christopher Barzak (Bantam, Nov08)
  • Flesh and Fire, Laura Anne Gilman (Pocket, Oct09)
  • The City & The City, China Miéville (Del Rey, May09)
  • Boneshaker, Cherie Priest (Tor, Sep09)
  • Finch, Jeff VanderMeer (Underland Press, Oct09)

Bradbury Award

  • Star Trek, JJ Abrams (Paramount, May09)
  • District 9, Neill Blomkamp and Terri Tatchell (Tri-Star, Aug09)
  • Avatar, James Cameron (Fox, Dec 09)
  • Moon, Duncan Jones and Nathan Parker (Sony, Jun09)
  • Up, Bob Peterson and Pete Docter (Disney/Pixar, May09)
  • Coraline, Henry Selick (Laika/Focus Feb09)

Andre Norton Award for Young Adult Science Fiction and Fantasy

Roy E. Disney: 1930-2009

Roy E. Disney: 1930-2009

Roy Edward Disney, the son and nephew of The Walt Disney Company co-founders Roy O. Disney and Walt Disney, respectively, passed away yesterday after a yearlong battle with stomach cancer at the age of 79. 

Roy E. Disney joined the Disney Company in 1953 and worked there 56+ years, eventually serving as Vice Chairman of its board of directors and chairman of Disney Animation from 1984-2003.  Most recently he held the title of director emeritus and consultant.  As the head of Disney Animation, Mr. Disney was credited with guiding the studio into a new golden age of animation with feature films such as The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King.

Roy E. Disney was also a passionate defender of the company and its direction, leading a shareholder revolt not once but twice against the company and its board when he and others believed that Disney had lost its bearings.  The first revolt was in 1984 when he fought to have Ron Miller (Walt’s son-in-law) removed, and again from 2003 to 2005 when he had Michael Eisner booted– ironic, as Disney helped to bring Eisner into the company following Miller’s exit.  Eisner led the company together with Frank Wells until 1994 when Wells died in a helicopter crash.

At the time of Disney’s death, he owned over 16 million shares of the company, which made him the second largest single shareholder. With his passing and the completion of the Marvel merger, Issac Perlmutter will become the second largest individual shareholder. Steve Jobs is the largest.

‘Beauty and the Beast’ gets 3-D Makeover

‘Beauty and the Beast’ gets 3-D Makeover

3-D is all the rage and Disney is jumping on the fad with both mouse-sized feet. Yesterday, they announced that their classic Beauty and the Beast will receive the three-dimensional treatment. The existing film will be put through Disney Digital 3-D technology according to Variety and joins a crowded 2010 schedule.

The nine month process will be overseen by the original filmmaking team: producer Don Hahn and co-directors Kirk Wise and Gary Trousdale.

"By going back to the original animation files, which have been carefully archived for 17 years, and using the separate background, effects and character animation elements, we’re able to come up with a fun and unique 3-D experience for existing and new fans of the film," Hahn said.

With Bolt opening up in 3-D this weekend, the future looks packed. In 2009, fans can expect the Jonas Brothers 3-D Concert Movie, Pixar’s Up, Jerry Bruckheimer’s G-Force, and Robert Zemeckis’ Disney’s A Christmas Carol. Toy Story and Toy Story 2 will be re-released in 3-D as well.

Beauty joins a 2010 schedule that already includes Tim Burton’s Alice in Wonderland, Toy Story 3, Rapunzel, and Step Up 3.
 

Review: ‘Beauty and the Beast’ The Complete Series

Review: ‘Beauty and the Beast’ The Complete Series

In 1987, television was evolving.  Thanks to [[[Hill Street Blues]]], the way dramatic stories were presented became more complex, the storytelling more diverse and the stories more compressed. The subject matter was also starting to broaden, moving beyond cops, lawyers and doctors.  It was just before the SF wave kicked off with [[[Star Trek: The Next Generation]]] but that didn’t stop CBS from trying something a little different.

On a Friday night, September 25, 1987, audiences were treated to a different look at the classic [[[Beauty and the Beast]]] tale.  The series starred Ron Perlman as Vincent, the beast, a mutant of some sort, who comes to the rescue of Linda Hamilton’s Catherine, a rich girl turned assistant district attorney.  Their connection became the stuff of fairy tale and from that pilot episode, their fates became inextricable.

It had all the lush romance of a Harlequin book and the action to keep spouses by their side.  The series had its ups and downs, making a star out of Hamilton who left the series after just two seasons, derailing the eternal romance. Jo Anderson was brought in for the third season but that, coupled with CBS’s insistence on increased action for the males, hurt and the series came to an end in January 1990 (although the final two were run that summer).  Its 56 episodes remain a testament to the creative vision of creator Ron Koslow and fantasist George R.R. Martin who wound up penning 13 of the episodes.

Paramount Home Video has released a 16-disc box set of the complete series and it shows its age.  Beauty and the Beast has the look and feel of the 1980s without fully embracing the changing storytelling in television. The storytelling is slow, almost plodding at times, and each week they seemed to focus on some new social ill without really offering long-term solutions.  The threats were fairly standard stuff for the most part, intertwined with the poetry between the characters.  Complete with lush music, long, lingering gazes into character’s eyes, it was truly a romance novel brought to the screen.

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‘Rapunzel’ gets Makeover

‘Rapunzel’ gets Makeover

Glen Keane, a veteran animator who has worked for Disney since the late 1970s, has had to drop out of directing Rapunzel.  The talented animator, one of the first artists at Disney to embrace the computerization and digital options, has a non-threatening ailment but has had to cut back his work.

Stepping in to complete the project, expected in late 2010, are Bolt’s director Byron Howard and Bolt’s storyboard director Nathan Greno. They step in to replace Keane and Dean Wellins as directors and according to Ain’t it Cool News, it has as much to do with Keane’s health as the disappointment Disney has in the creative direction.

Keane is the son of Family Circus creator Bil Keane and his credits include The Rescuers, Pete’s Dragon, Little Mermaid, Beauty and the Beast, Aladdin, Pocahontas, and Tarzan.

An in-house memo said, “Glen will step back as a Director but stay attached to Rapunzel as an Executive Producer and Directing Animator. At the same time, Dean will move into development to pitch three new ideas for one of our future feature projects and focus on directing one of his CG shorts.”

ComicMix TV: The ‘Hellboy II’ Ron Perlman Interview

ComicMix TV: The ‘Hellboy II’ Ron Perlman Interview

No Hellboy interviews are complete without talking to the titular character himself. Ron Perlman’s name has been on the lips of just about any comic book or television fan since the mid ’80s. In a fun interview with Perlman, we got to ask him about his evolution as Hellboy, his interest in comic books, and his thoughts on returning to the 1980s TV show Beauty and the Beast (at this interviewer’s expense).

Hellboy II: The Golden Army opens today, July 11.

 

 

Missed one of our Hellboy II: The Golden Army interviews this week? Here are links to all of the recent ComicMix TV interviews with the Hellboy II cast and crew:

 

Happy Birthday: Mike Deodato

Happy Birthday: Mike Deodato

“Mike” Deodato Taumaturgo Borges Filho was born in 1963 in Campina Grande, Brazil. His father, also an artist, first introduced him to the work of people like Will Eisner and Alex Raymond, and taught young Deodato how to draw.

They worked together on several Brazilian small-press projects in the 1980s, and in 1991 an agency formed to represent Brazilian artists in the American market. They landed Deodato a gig drawing Santa Claws for Malibu Comics. Next he drew the comic-book adaptation of the movie Beauty and the Beast for Innovation.

His work caught the attention of DC, and they offered him Wonder Woman. Next Deodato penciled Thor for Marvel and Glory for Extreme Studios. He has worked on The Incredible Hulk, Amazing Spider-Man, The New Avengers, Squadron Supreme, Thunderbolt, and many others, and manages all that while still living in Brazil.

 

Happy Birthday: Barbara Slate

Happy Birthday: Barbara Slate

Born in 1947, Barbara Slate started out in greeting cards before moving to comics. In 1974, she met with a greeting card buyer from Bloomingdales and showed him 24 feminist greeting cards she had designed. Thus, the "Ms. Liz" line was born.

Ms. Liz then became a comic strip in Cosmopolitan, and then an animated feature on The Today Show. Next, Slate spoke to Jenette Kahn of DC Comics, who hired her to create Angel Love. From there, Slate moved to Marvel to create Yuppies from Hell and Sweet XVI (which won a Forbie Award in 1991), and then began working on Barbie and Barbie Fashion (which won the Parent’s Choice Award in 1992 and 1993).

Slate has also written for Disney Comics (Pocahontas and Beauty and the Beast) and Archie Comics, among others. Currently Slate writes for Archie Comics, teaches graphic novel and sequential art workshops, and has a syndicated column called “You Can Do A Graphic Novel.”

Paizo’s Planet Stories Plunges into Pure Pulp!

Paizo’s Planet Stories Plunges into Pure Pulp!

You’d need to have a very long memory to remember the heyday of the original Planet Stories magazine, since it closed down in 1955. It was a pulp magazine – in both senses of the word “pulp.” But the name has lingered ever since, whispered at last call at convention bars to describe a certain kind of Science Fiction story – one where the science isn’t too complicated, and never gets in the way of the plot. One where the women are gorgeous and scantily clad, where the men are strongly-thewed (and often also scantily clad), and where the villains are black-hearted scoundrels out to rule their worlds. One where the blasters are hot, the ships have fins, and countless alien worlds are just waiting for the right blonde-haired American boy to become their new warlord. You know: the fun stuff.

Paizo Publishing, a rogue satellite that careened out of the Wizards of the Coast orbit some years back, has come up with a diabolical scheme to bring back the Planet Stories name. But this time it won’t be a magazine – Paizo is launching a new book line starting in August. Many of the novels in the new Planet Stories imprint will be drawn from the era of the original Planet Stories, and all will follow the original’s ethos of “Strange Adventures on Other Worlds.”

The new Planet Stories begins with Gary Gygax’s 1992 novel The Anubis Murders, a game-flavored alternate-world story about a sorcerous detective that makes up in extra pulp what it lacks in age. Also in August is a collection of tales about one of Robert E. Howard’s lesser-known barbarian sword-swingers, Almuric. Then in September comes Michael Moorcock’s City of the Beast, the first in a swashbuckling Edgar Rice Burroughs pastiche trilogy from the mid-1960s. In October comes the first bona fide classic of the list, C.L. Moore’s eerie masterpiece Black God’s Kiss, collecting all of the “Jirel of Joiry” stories, including one rare tale in which the warrior-woman Jirel meets Moore’s other famous creation, the science fictional adventurer Northwest Smith.

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