Tagged: Batgirl

ComicMix Six: Greatest Joker Victories

  • News
  • July 16, 2008

Sometimes the villain wins.

Sure, you might stick them in jail — or an asylum — for what they’ve done. You could even throw them off a rooftop, leaving them paralyzed for life. But that won’t change the fact that they already did it. They scored a victory, even if it was short-lived.

The Joker is definitely a villain with a better track record than most. Lex Luthor may have become President and nearly destroyed Superman a few times. But he never killed Lois Lane or tortured Ma and Pa Kent. The Clown Prince of Killers, however, has had quite a few shining moments.

What drives this evil mass murderer? Some have claimed the chemicals which altered his pigmentation also damaged his brain. Some have claimed he suffered such psychological trauma and simply snapped. Some believe his brain actually acts on a higher level of perception, forcing him to operate with a logic we simply aren’t equipped to understand. Half of his crimes seem to be a way of trying to bring Batman to his own way of thinking, that there is no hope in the world, only chaos.

The fact that we can argue about the Joker’s sanity (or lack thereof) is part of what makes him so interesting. And so, with the release of The Dark Knight — and the Joker — looming near, we’ve sifted through the long and bloody history of the Harlequin of Hate to find those victories which stand out above the rest. Steel your nerves and enjoy ComicMix Six: The Six Greatest Joker Victories.

And if you’re interested, you may want to check out our related article, 11 Batman Stories to read before The Dark Knight.

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Comic Reality Bytes, by John Ostrander

  • News
  • June 19, 2008

2658_4_001-5598695Samuel Keith Larsen recently popped me a question on my message board that I found interesting:

“Remember back in the Death Of Captain Marvel, where Rick Jones asked the Avengers why they haven’t discovered a cure for cancer? To this day, given all the magic and super-science, there hasn’t been any good answer for why cancer hasn’t been cured in the Marvel Universe. If you were asked to write a story dealing with that topic, how would you answer the question?”

Well, I’d note that Captain Marvel was dead but seems to be feeling better these days. Same with Bucky. However, that’s beside the point – and the question being asked.

As I answered the question on my board, if I was approached to write a story such as Sam described, I’d probably not cure cancer but use the story to explore the problems with curing cancer and why finding a cure is so difficult. The question asks really about continuity – if Mr. Fantastic is so freakin’ smart, why can’t he cure cancer? Or AIDS? It begs the issue of consistency.

For me, there is a larger issue and it gets back to the basic purpose of storytelling – all storytelling, to a greater or lesser degree. As the rector at my church, the (sometimes) Reverend Phillip Wilson, has often put it, stories are the atoms of our society. We use them to tell, share, compare, illustrate, defend, and maintain our lives, our experiences, who we are as individuals, as communities, even as a nation.

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Interview: Ivory Madison on ‘Huntress: Year One’

huntress-year-one-1-4841045It’s no small feet for a comic book character to last over 60 years — but that’s exactly what the Huntress has done. 

Debuting in the ‘40s as a villain for Wildcat, she was recreated for the Silver Age as Helena Wayne, the daughter of the Batman and Catwoman of Earth-2, which was an alternate universe established in the early 1960s as the world where DC’s Golden Age stories took place. However, following DC’s Crisis on Infinite Earths miniseries in 1985, the Helena Wayne version of the Huntress was removed from continuity.

In 1989, due to the popularity of the character, DC introduced a new version of the Huntress. She had the same first name and a similar costume, but an entirely different back-story and personality. The Modern Age Huntress, Helena Rosa Bertinelli is the daughter of one of Gotham’s mafia bosses. After seeing her entire family murdered by a mob hit, she vows revenge for her slain relatives. In Huntress: Cry For Blood by Greg Rucka, Huntress’ origin was revised. Originally, Helena believed that Franco Bertinelli was her father. She came to discover that her father was actually Santo Cassamento, the don of a rival mafia family, who was carrying on an affair with Helena’s mother, Maria.

The Huntress has been a member of the JLA, the Outsiders and most recently the Birds Of Prey. Not to mention, she had a recurring role on the animated hit Justice League Unlimited and a staring role in the WB’s failed television series, Birds Of Prey. Proving that her character is strong enough to survive many years and several makeovers, she returned this month in her own miniseries.

Huntress: Year One looks at the early days of Helena Bertinelli’s crime fighting career. Written by comic book newcomer Ivory Madison, the book promises to give fans of the character some real insight to her beginnings and what makes Helena the hero she is today.

I had the opportunity to speak to Madison about the new book, her love for all things Bat-related and her multifaceted career.

COMICMIX: How did you end up working on Huntress: Year One for DC?

IVORY MADISON: I’ve always wanted to write comics. I’m a DC Comics person and I’ve always been obsessed with Batman and anything Gotham-related.

It all started when I tried pitching a reintroduction of Batwoman and they said they were already doing it. I was briefly thrown, and had to shift gears or lose my momentum. I wrote a Batman one-shot, which they bought, and that got me the opportunity to pitch something for Huntress. That led them to step back and say, “Hey, we need a foundation for this character. We need a Year One.” I was very lucky to walk into that. (more…)

ComicMix Six: The Worst Movies Adapted From Comic Books

It should come as no surprise that Hollywood studios often turn to the pages of comic books and graphic novels for source material — especially for action-packed summer releases like Iron Man.

Some of these films, such as Iron Man, Batman Begins, Spider-Man 2 or X-Men 2, achieve a great deal of commerical and critical success. In addition, they’re also embraced by comic book fans as great examples of what comic book movies should be.

Unfortunately, there are also those other comics-to-film adaptations that disappoint critics, mainstream audiences and comic book fans alike. These films, whether due to bad writing, inept direction, gross miscasting, or a combination of factors, are often not only bad comic book adaptations, but bad movies in general.

Yet, even with Iron Man‘s phenomenal success, it’s important to remember these bad films. These particular movies occupy a special place in the hierarchy of bad filmmaking and deserve to be highlighted — especially so you can avoid seeing them if you haven’t already.

Here then, in no particular order, is the ComicMix Six list of the Worst Movies Adapted From Comic Books.

 

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Interview: Fabian Nicieza Talks New ‘Captain Action’ Comic

  • News
  • March 3, 2008

Writer Fabian Nicieza’s career spans over twenty years with stints at Marvel, DC and Darkhorse Comics. During that time he’s plotted, edited and written some of the most popular comic books around including Thunderbolts, Cable and Deadpool and Uncanny X-Men.

Recently, Nicieza competed against many other accomplished writers for the chance to bring one of the most beloved heroes from the ‘60s, Captain Action, back to the pages of a brand-new comic book series set to hit stores later this year. His pitch was selected and he’s now hard at work bringing Captain Action back to life.

ComicMix caught up with Nicieza to ask him a few questions about the Captain Action comic, his earlier work, his future and if a hero created and deeply-rooted in the ‘60s has a place in today’s comics culture.

COMICMIX: For people who might not know, can you give us a bit of info on your background? How did you get started writing comics? What were your favorites growing up?

FABIAN NICIEZA: I grew up reading comics. Out of college, I interviewed at both Marvel and DC, eventually landing a job at Marvel in 1985. After a couple years of learning the ropes, I started selling some stories to editors. I kept writing and working on staff, eventually, reluctantly, becoming a full-time writer.

I grew up reading Batman and Superman, then gravitated towards Marvel — Fantastic Four, Spider-Man, Avengers. Then "offbeat" series like Conan and Captain Marvel. Offbeat for an 11 year old, I guess.

I also got lots of Superman, Justice League, the Engelhart/Rogers Detective run. I bought both Marvel and DC through the early ’80s, until I got the job at Marvel, then I got everything for free for a while.

CMix: Free is nice. How much did you know about Captain Action before you started 
writing the comic? Did you ever read the original?

FN: I read the original DC comic, but only because the toy was my favorite as a kid. I had the figures and lots of the costumes. (more…)

Other People’s Sandboxes, by John Ostrander

  • News
  • February 28, 2008
 
This column has its roots in Mike Gold’s column this week. While it’s not necessary to read Uncle Whizzy’s Wazoo this week,  it is recommended – as it is every week. Loves my UWW on Monday!
 
I’ve spent a lot of my writing career in other people’s sandboxes and, in general, have had a great time. Sometimes I wonder if I haven’t spent a little too much time in those sandboxes. My career might have been better served with a few more original creations such as GrimJack (and I’m working on some that will appear here on ComicMix eventually) but, as they say, hindsight is 20/20. Hindsight also often sounds as if one is looking out one’s butt – which certainly explains many of the utterings we hear from political pundits these days. However, that’s a different topic for another time.
 
Brother Gold’s column this week was about whether or not a strip or a character or a series should continue after its creator’s death (or their choice to discontinue work on said property). His point was that in many cases we would not have some very fine stories using those properties were that not the case. Nor would we have had some very notable careers. For example, Frank Miller first made his name taking over the very moribund Daredevil book at Marvel and making it the most talked about book in the industry. Alan Moore was known to those us who could get their hands on 2000 AD and/or Warrior (and thus first saw Miracleman, a Captain Marvel rip-off character that he performed surgery on and made into something very new) but his first big American title was when he took over Swamp Thing and re-invented not only the character but its whole mythology.
 

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Graphics Noir: GrimJack Returns

  • News
  • September 17, 2007

gj-06-proof-8433220John Gaunt is GrimJack, a hard-bitten mercenary and private detective in Cynosure, a city at the nexus of dimensions. Raised in the Pits to fight for the amusement of the public, Gaunt lives by his finely honed wits. He can and does fight demons, sharpshooters, magicians and gangsters.

Since its first appearance as a back-up in Starslayer in 1983, GrimJack has been a fan favorite. The stories blend genres – the hard-boiled detective stories of Raymond Chandler and Dashiell Hammet get combined with the sword and sorcery of Robert E, Howard. GrimJack can and has done science fiction, horror, fantasy, and even westerns, with a streak of dark humor and strong, strange characters running all the way through.

In his newest adventure, exclusively on ComixMix.com every Tuesday starting October 2nd, Gaunt goes in search of The Manx Cat, a statuette made of fossilized dreams. Why do so many want to possess it? What happens when it “goes walkabout”? Why is Gaunt seemingly immune to it and how did he become that way? What price did he pay?

The saga of the Manx Cat has been part of the GrimJack legend since the very first story. Here, at last, Ostrander and Truman reveal the legend’s roots – as John Gaunt must attempt to declaw the Cat once and for all!

John Ostrander wrote some of the most important and influential comics of the past 25 years. After studying theology and training under Del Close at Chicago’s legendary Second City, he used this knowledge of story and character to bring a unique voice to the marketplace. Ostrander started his career as a professional writer as a playwright. He co-wrote his best known effort, Bloody Bess, with actor William J. Norris. The production, directed by the noted Stuart Gordon, starred Dennis Franz and Joe Mantegna. Bloody Bess has toured all over North America and Europe, and is frequently revived.

From Warp, his first published comics work in 1983, based on the series of science fiction adventure plays, he went on to create GrimJack with Timothy Truman. He’s since written Batman, The Spectre, Manhunter, Firestorm, Hawkman, Martian Manhunter, Suicide Squad, Justice League and more for DC Comics. At Marvel Comics, Ostrander has also worked on X-Men, Bishop, Quicksilver, Heroes for Hire and The Punisher. From the mid-1980s until her death from breast cancer in 1997, Ostrander frequently co-wrote with his wife Kim Yale. It was while working with her that he made what is probably his most lasting contribution to the DC Universe: the recasting of Barbara Gordon, the former Batgirl, into the information and computer specialist Oracle.

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Spanning the Globe with Comics

  • News
  • July 26, 2007

Comic Book Resources talks to Timothy Truman and new artist Tomas Giorello about the new direction, and new series, for Dark Horse’s Conan comics.

Comic Book Resources also chatted with the creative team of the new Booster Gold series.

Even if you’re not at Comic-Con, you can see it via the official flickr set.

Mike Sterling’s Progressive Ruin pokes through the new Previews catalog for monthly signs of impending Armageddon.

Comics Reporter reviews The Architect by Mike Baron and Andie Tong.

Chris’s Invincible Super-Blog has some fun with a 1969 Batgirl story.

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Movie Auction sets record

  • News
  • April 6, 2007

The auction we told you last Friday (http://comicmix.com//news/2007/03/30/to-do-april-5-buy-superman-oz-props/) is over,and sold more than $2 million in props.  Among the highlights of interest to ComicMix:

— SOLD $ 31,625.00  Lot 376.  Original car from Mr. Toad’s Wild Ride at Disneyland.

— SOLD $ 34,500.00  Lot 384.  Illuminating model of the Nautilus submarine from 20,000 Leagues Under the Sea.

— SOLD $ 23,000.00  Lot 413.  Hero costume w/rocket pack from The Rocketeer.

— SOLD $ 31,625.00  Lot 525.  Yvonne Blake costume sketch of Superman from Superman: The Movie.

— SOLD $115,000.00  Lot 537.  Christopher Reeve hero ‘Superman’ costume from Superman:  The Movie.

— SOLD $ 26,560.00  Lot 545.  Screen-used Kryptonite crystal from   Superman III.

— SOLD $ 63,250.00  Lot 560.  Val Kilmer ‘Batman’ costume from Batman Forever.

— SOLD $ 48,875.00  Lot 561.  Alicia Silverstone ‘Batgirl’ costume from  the Ice Cave battle in Batman Forever.

— SOLD $ 40,250.00  Lot 566.  Wolverine hero claws worn by Hugh Jackman in X2: X-Men United.

— SOLD $ 34,500.00  Lot 591.  Early Leonard Nimoy "Spock" tunic from the first season of Star Trek.

— SOLD $126,500.00  Lot 631.  H.R. Giger Alien creature suit on display from Alien.

— SOLD $ 40,250.00  Lot 640.  Jedi Master stunt fighting lightsaber from SW: Episode II – Attack of the Clones.

— SOLD $ 69,000.00  Lot 641.  Golden headpiece of "Staff of Ra" from Raiders of the Lost Ark.

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