Tagged: Archie

Marc Alan Fishman: Comics Are Good For Learnin’

Columns
September 22, 2012

So it came to my attention by way of an amazingly nice lass that some forward thinking teacher-types are slowly coming around the bend. Yup, they are looking toward comic books, those evil things, as potential fodder for their classrooms. Gasp! And, as it would seem, this very nice girl asked me – little old me – to give my two cents on the matter. And because I love killing two birds with one stone, I figured this outta make a great li’l rant to share with you, my adoring public. Of course, I realize now I admitted to the glee I feel when I commit aviaricide. Well, there went my fan-base. Tally ho!

I know back in the olden days, comics were largely seen as kitchy wastes of ink and paper. Kids buried in them were potentially violent sociopaths just waiting to commit crimes of laziness. But by the time I was in school they were starting to be called graphic novels. Thanks in large part to the artsy works of Art Spiegelman, Joe Kuburt, and Will Eisner, the medium as a whole was slowly pulling itself out of the low-bro.

That being said, I was never assigned a graphic novel to read for a class. Nor was I able to select one for independent book reports or the like. Even within the realm of studio art classes I was nixed the ability to cite Alex Ross as a major influence without scoffs. But as Bob Dylan sings, “The times, they are a changin’.”

If I were to suggest opening up a classroom to comics, well, it’s a simple issue – do it. Comics are easily one of the best gateways to literacy I can think of. Truth be told, the first books our parents read us (and I’m reading to my own boy now) are gloriously illustrated. Dr. Seuss, a one-time newspaper comics guy, is just panel borders away from sharing shelf space with Daniel Clowes. In the earliest of classroom settings I’d start with the recognizable. Art Baltazar and Franco’s Tiny Titans is as accessible a comic as I know of. But more than just being kid friendly, the book is funny, bright, and charming. So much so that I was an avid reader of it long before I was even married, let alone a father. And because it uses semi-recognizable super hero sidekicks, it’s easy for kids to relate, and learn to read.

Tiny Titans aside, there’s always Jeff Smith’s tome of toonage, Bone. The long running series blends laughs, mysteries, and adventure. If kids can’t find something to love there? Well, then I’ll eat my hat. Come to think of it, I don’t own hats anymore. Note to self…

Beyond the early readers, the always-tough-to-please nine year olds (perhaps through 13 or 14?) are going to start dividing themselves. Girls have cooties. Boys are messy. The division of the sexes may make many a teacher feel like comic books will degrade into the capes and cowls for the boys and leave nothing for the girls. Nay, I say. Nay! Both the boys and girls can take heed that I myself grew to love comics at this tender age due to the long-running Archie series. And Archie, unlike his more heroic counterparts, seems to have found a way to stay with the times, without diverging into the too-real, too-gritty, or too-angsty. Consider also the Adventures of TinTin. Long before it was a computer-animated movie, it was a comic. A great comic. And don’t we all laugh a bit when we recount the Scrooge McDuck comics of yesteryear? That book was doing Inception long before Chris Nolan was firing up the vomit-comet to film anti-gravity fight scenes.

The real meat and potatoes for me though come right at adolescence. Here, our kids are primed to learn that comics are more than just good fun. The Pulitizer Prize-winning Maus (by the aforementioned Spiegelman), Jew Gangster (by the late and beyond-great Kubert), and A Contract With God (by Will Eisner) all help teach that the medium of comics transcends the super power set. And sure, they all hold quite a bit of Jewish lore to them… so allow me to expand beyond Judaica.

Mike Gold himself turned me on to Stagger Lee by Derek McCulloch and Kings in Disguise by Dan E. Burr. They are both amazing reads. And please, don’t get me wrong – comics at this tender age need not be without a twinge of the supernatural. Watchmen might as well be a high school freshman class in and of itself. Frank Miller’s Sin City and or 300 are far better on page than on screen, and on screen they were both pretty amazing.

And let’s not leave Marvel out of this. Kurt Busiek’s Marvels singlehandedly brought me out of a four year freeze of comic book reading. It’s insightful, and a beautiful take on super heroes from the human perspective. And I’ve little column space left to suggest even more here… Empire by Mark Waid and Barry Kitson, Astro City, Batman: Year One, Runaways and Y: The Last Man all spring to mind. But I digress.

Suffice to say, introducing comics to a literature program shouldn’t be that hard to tackle. The fact is the medium itself makes open discussion far easier to instigate. More work to enjoy than watching a movie, without the scariness of endless pages without something beyond words to look at means less barrier to entry. For those learning to read (or who have trouble with it) comics are a gateway drug to amazing new worlds. For those already well versed in literature, comics offer an endless string of independent authors bringing original takes on the world that combine their plots with art that tends to force us to stop and appreciate. Akin to indie films, comics at any age offer more than the commercial world. Thanks to a bit of knowledge gained at this year’s Harvey Awards (thank you, Ross Ritchie), I leave on this thought:

“The French codified it well: they call it “The Ninth Art.” The first is architecture, the second sculpture. The third painting, the fourth dance, then there’s music, poetry, cinema, and television. And ninth is comic books.”

Now, the question is: if it is indeed the ninth art of our world, comics should not be considered for the classroom. They should be compulsory.

SUNDAY: John Ostrander

Mike Gold: Archie’s Sex Change

Columns
September 19, 2012

I have reported here and elsewhere about the goings-on at Archie Comics. While DC keeps on hitting the reset button like a monkey in a crack experiment, and Marvel keeps on doing endless – literally endless – mega-events, Archie has been slowly making history.

In the past several years they’ve added a major gay character and they’ve had Archie fall in love (on the cover, no less) with a black woman. They’ve taken ongoing looks into the potential futures of their characters, which plays against the assumptions held by our culture for more than 70 years. They’ve tried to make Riverdale look and feel more like the real world: even the hallowed Pop Tate’s has had to endure competition by national fast food chains. Archie Comics continues to be the major force in entertaining each next generation of comics readers; without their efforts and similar, but smaller, endeavors by Boom!, Bongo and others, we would have no future readers for the graphic novels published by Fantagraphics and Abrams.

And, I’m happy to report, now Archie Comics is just getting weird.

In Archie #636 (the alternate cover is shown here; the newsstand cover is done in sort of a traditional 1950s Archie style), the current issue, the Riverdale gang swap sexes. Yep, the boys become girls and the girls become boys. This doesn’t happen voluntarily; Sabrina the Teenage Witch has a snarky cat who casts a spell so that the kids can see things from the other side of the gender bend. Hilarity ensues, and the point is made. Two points, if one wants to infer a warning about the dangers of catnip.

Mind you, I like weird. Weird is the antidote to boring. It’s the elixir that promotes experimentation and new story concepts. But I doubt Archie, Betty, Veronica, Jughead and Reggie will be getting permanent sex change operations any time soon.

Mister Weatherbee… Well, I’m not so sure.

THURSDAY: Dennis O’Neil’s Autumnal Time Warp

New Crusaders Brings Archie Heroes Back

News
September 5, 2012

With four months of digital success under their belt, Archie Comics brings their superhero stable back to comic shops with the first print issue of New Crusaders, in comic shops this week. Each issue collecting the four weekly “acts” of the digital release, the comic is a response to the many requests from readers who wanted to see a traditional edition as well. Archie has done a good job of it, with several special covers and some extra bonuses not seen in the digital release.

Archie Comics superheroes have had a long and varied publishing history. They premiered in 1939, enjoyed a a re-emergence in the 60s, another in the 80s, a couple revivals that never got out of the gate, and two attempted revivals by DC Comics, the woefully underappreciated Impact imprint from the 90s (helmed by our own Mike Gold), and the more recent Red Circle line which started strong with the J. Michael Straczynski books, but never seemed to find its audience. This time around, Archie has chosen to do the job themselves, and unlike the DC revivals, have made the new series part of the continuity of all their books, starting back in to 40s. While the book has decades of history and continuity, the book is carefully written to not require knowledge of those stories. It can easily be picked up as a first issue, with no fear of getting lost.

The members of the superhero team known as the Mighty Crusaders did something never before heard of in the annals of super-herodom; they succeeded. They beast evil into submission, sent the villains running, and spent the last couple of decades happily retired. After an explosive tease, the story starts with the Crusaders enjoying a reunion in the peaceful town of Red Circle, where Mayor Jack (Steel) Sterling is throwing a party for the heroes and their families. While the heroes reminisce in the Mayoral mansion, their kids are getting to know each other outside. Lucky for them, because one of their greatest foes, alien overlord the Brain Emperor takes the opportunity to take out his old foes all at once. Only Joe Higgins, the original Shield, escapes, and manages to get the kids to safety in his home, or more specifically, his secret headquarters below, where he’s maintained vigilance for the return of their enemies.

Ian Flynn, who’s made quite a name for himself piloting both of Archie’s big video game franchises, Sonic the Hedgehog and Mega Man, handles the writing for the series, and he’s got a solid grasp of what makes an action comic work. Even more importantly, as the digital book is coming out six pages at a time, he’s been able to pace the story so that each weekly chapter reads like a complete adventure, yet still flows smoothly in this single-issue format. Artist Ben Bates has a wonderful open style – his characters are drawn simply, his layouts uncluttered, very reminiscent of Impact artist Mike Parobeck; an art that is complex without being overly busy. There’s lots of easter eggs for older readers; the aforementioned city of “Red Circle” is only the first. In addition to the main adventure, this issue features a reprint of a original Shield story from the 80’s run of the series, written by Marty Greim and art by industry vets Dick Ayres and Rich Buckler.

The print edition of New Crusaders publishes monthly. The digital edition is available via an iPhone app and for the web and other devices via the Iverse website. For a 99 cent weekly subscription, readers receive a new six-page chapter each week, as well as access to a growing library of the classic MLJ/Radio/Archie runs of the comics. For the occasional “Fifth week”, a second series, Lost Crusade, will fill in the blanks of the events between the end of the 80s run of adventures and the new ones. It’s one of the best digital books being done by a major publisher right now, and both it and the new print edition are well worth a look

For those interested in learning more about the members of the Crusaders, I have a series of histories up on my website:

Six Most Important Comics Stories From San Diego Comic-Con

News
July 19, 2012

We’ve all had a chance to recover and step back a bit, and we can now look at what are the most important pure-comics stories out of San Diego Comic-Con. (No, not movies, or movies based on comics, or video games based on comics, those are all for other posts.) So what are the ComicMix Six Comic Stories from Comic-Con International?

1. Neil Gaiman returns to write “Before Sandman”.

Neil Gaiman is returning to his most famous comics creation, The Sandman, one more time, for a prequel miniseries to be released next year to be drawn by J.H. Williams (Promethea, Batwoman). “When I finished writing THE SANDMAN, there was one tale still untold. The story of what had happened to Morpheus to allow him to be so easily captured in THE SANDMAN #1, and why he was returned from far away, exhausted beyond imagining, and dressed for war. It was a story that we discussed telling for SANDMAN’s 20th anniversary… but the time got away from us. And now, with SANDMAN’s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told,” said Gaiman.

Get More: MTV Shows

Archie Digital Exclusive: Comic Con Chaos!

Previews
July 1, 2012

Comic Con is just around the corner, and Archie and the gang are all set for whatever adventures (or misadventures!) may come their way. Which one of the girls will win the Cosplay Costume Contest? Can Chuck Clayton strike a publishing deal for his new comics? And just how will the gang crack the Crooked Comic-Con Caper?! Explore the expanses of the convention floor with creators like Dan Parent, Fernando Ruiz, Alex Segura and Bill Galvan!

Mindy Newell: Are Comics Genetic?

Columns
June 25, 2012

Is reading comics genetic? Is there a gene that dictates whether or not you’re going to be a comics lover?

I don’t remember when I first fell in love with reading comics. Hell, with reading, period. Just got off of the phone from my mom, who said that by the time I was in kindergarten I always had my nose in a book, which puts me at about four years old. She also said that I was reading at the third grade level

“What about before kindergarten, Mom?”

“You would go to our bookshelves and pull out a book and turn the pages and talk to yourself as if you were reading.”

“Was I?”

“I don’t know, I don’t remember. Oh, and you loved to look at the illustrations.”

“You mean picture books?”

“No, I mean the illustrations in Last Of The Mohicans and Alice In Wonderland and The Three Musketeers. You got milk stains over our Book-of-the-Month Club leather-bound copies with the N.C. Wyeth drawings and drove your father nuts.”

I still get food and drink all over my books.

“What about comics?”

“I just remember that you always read them.”

“That was in the ‘50’s, right? Weren’t you worried that I was going to corrupt my poor innocent brain?”

“No. You were reading, that’s what was important.”

“But did you ever read comics? Did Daddy?”

“Nope. Neither of us.”

“And Glenn never read them, either, right?”

“You were the only one.”

Are comics genetic? Is there a gene that dictates whether or not you’re going to be a comics lover?

Just got off the phone from Alixandra.

“Hey, Alix, you weren’t really a comics reader when you were a kid, right?”

“Nope. Well, Betty And Veronica.”

“But I don’t remember you reading them the way I do, right?”

“Right. But I loved reading.”

“But not comics. Not like me.”

“No.”

So reading comics isn’t genetic. There is no gene that dictates whether or not you’re going to be a comics lover.

But…

Several weeks ago I went out to dinner with the family – mom, dad, my brother and sister-in-law, and my soon-to-be 12 years old niece, Isabel.

She had Jeff Smith’s The Complete Bone Adventures Volume 1 on her lap, and was trying to surreptitiously read without getting caught or getting food on it.

I was so impressed. Not for trying to sneak reading while out to dinner with others – that’s not exactly polite social manners, is it? – but for having discovered Jeff Smith’s totally cool story on her own.

I love Bone, too, Isabel.

Isabel loves comics. Has it been my influence? I’m not sure. Meaning, what came first, the chicken or the egg? I remember giving her a full year’s worth of Louise Simonson’s Power Pack for her 5^th birthday – I think it was her 5^th birthday, this is what happens to your brain on menopause; girls, don’t do menopause if you can avoid it – but was it because I knew she loved comics or was it because I wanted to turn her on to comics?

She has a huge collection of Archie, including the graphic novel that collects stories from the beginning to the present. Favors Veronica over Betty (she looks like little Ronnie, but she hates when I tease her about it) and thinks Reggie is mean, Jughead is dumb, and Midge and Moose are cool. Izzy really likes the Archie Marries Veronica/Archie Marries Betty storyline. But she’s not so much for the “new look” – she goes for the classic.

Me, too.

I’ve got a comic book she made for me when she was six. It’s about a vampire. Isabel loves vampire stories.

Me, too.

So reading comics is genetic? There is a gene that dictates whether or not you’re going to be a comics lover?

Damned if I know.

TUESDAY MORNING: Michael Davis Expletive Deleted

TUESDAY AFTERNOON: Emily S. Whitten, Women, and Costumes

“In Our Mothers’ House” Restricted Access in Utah School District

News
June 16, 2012

With the President’s recent open approval of same-sex marriage; a federal appeals court striking down the Defense of Marriage Act (claiming it unconstitutional); the success of Life with Archie #16, featuring the marriage of a gay character; and Marvel and DC’s inclusion of prominent storylines about gay characters, one may surmise it is easy for everyone to access constitutionally-protected LGBT materials. This is not the case, as students in a school district north of Salt Lake City will have to get parental permission before checking out a book about a lesbian couple raising a family, according to a recent article on the Huffington Post.

The book In Our Mothers’ House by Patricia Polacco is at the center of these prohibitive policies due to a complaint by the mother of a student who checked out the book, which features a family led by a lesbian couple and how they use love to give them the strength to overcome intolerance.

From the Huffington Post article by Jennifer Dolner:

Students in a Utah school district will need permission from their parents to read a book about a lesbian couple raising a family following the decision by a special committee to keep it behind library counters instead of on bookshelves.

The book In Our Mothers’ House, by Patricia Polacco, became the subject of controversy in January when the mother of a student who brought the book home complained to the school.

‘The book is still in the library and children can still have access to the book as long as they have written permission from their parents,’ said Chris Williams, a spokesman for the Davis School District, which covers an area north of Salt Lake City.

Dolner goes on to relate that the book has been challenged in libraries around the country:

The Davis district is not the first place parents have raised concerns about the book, which was published in 2009. A 2011 report by the American Civil Liberties Union of Texas shows the book was banned in several schools in that state.

Williams said a school-level committee made up of teachers, administrators and parents decided that access to In Our Mothers’ House should be restricted to students in grades 3 through 6. When that didn’t satisfy the parent, a district committee was petitioned to address the issue.

In late April, the district committee voted 6-1 that the book could stay in the collection, but should be kept behind the counter, instead of on shelves. A letter informing parents of the decision was sent out in May.

Williams said in the article that what’s objectionable to one person is not to another. Thusly, a person’s objection to legal material (that is not defined as offensive or profane by law) has led to a subjective decision to restrict access to said material. These policies, therefore, are based on personal ideologies, not law, and are in violation of a national canon of free expression.

Similar outcries and boycotts have been made by special interest groups, such as One Million Moms, against the comic industry for its depiction of gay characters. In February, One Million Moms lobbied to have an Archie comic removed from shelves and encouraged people to boycott the comic.

From a CBLDF article by Betsy Gomez:

One Million Moms — a division of the American Family Association, a conservative non-profit organization that ‘promotes traditional family values’ — recently made news over their boycott of retailer JC Penney over hiring lesbian TV host Ellen DeGeneres as a spokesperson. They are in the news again with recent reports that they will be boycotting Toys ‘R’ Us over the display and sale of Life with Archie #16, which features the marriage of openly gay character Kevin Keller.

Despite the group’s efforts, the comic stayed on the shelves and even sold out.

More recently, the group has taken similar actions against Marvel’s Astonishing X-men #51, featuring the marriage of the mutant Northstar to his same-sex partner, and DC’s “outing” of the Green Lantern, according to an ICv2.com article.

From the ICv2 article:

American Family Association ‘project’ One Million Moms has added Marvel and DC to the list of comic publishers that it opposes because of their inclusion of gay characters. The group argues that the companies ‘want to indoctrate [sic] impressionable young minds by placing these gay characters on pedestals in a positive light.’ The group was reacting to the announcement by Marvel that its character Northstar would marry his same sex partner in Astonishing X-Men #51 (see A Gay Wedding for Marvel). DC announced this week that a major, iconic DC character would be revealed as gay next month (see DC Character to Come Out). ‘These companies are heavily influencing our youth by using children’s superheroes to desensitize and brainwash them in thinking that a gay lifestyle choice is normal and desirable,’ the group said.”

Though One Million Moms public objections are constitutionally protected speech, banning comics and books (as in the case of Texas schools banning In Our Mothers’ House) due to moral, political or religious ideologies violate these First Amendment rights.

From the First Amendment Center’s website FAQs concerning speech, schools and books:

School officials cannot pull books off library shelves simply because they dislike the ideas in those books. In Board of Education v. Pico, the Supreme Court ruled that school officials in New York violated the First Amendment by removing several books from junior high school library shelves for being too controversial.

The Court said the First Amendment protects students’ right to receive information and ideas and that the principal place for such information is the library.

However, in Pico, the Supreme Court also said school officials could remove books from library shelves if they were ‘pervasively vulgar.’ The Court noted that its decision did not involve school officials’ control over the curriculum or even the acquisition of books for school libraries.
•••
School districts should develop policies on how to handle challenges to books, and how to ensure that decisions regarding removal of books from the library or the curriculum respect the Constitution and reflect sound educational policy. School officials must also ensure that a book is not removed simply because a concerned parent or special-interest group dislikes its content.”

Visit the non-profit organization First Amendment Center’s website for more information.

LGBT publications, from books to comics, are often challenged, banned or subject to restrictive access policies in libraries. These materials are legal, non-obscene, and protected speech, but they often suffer the consequences of personal, religious, and moral dogmas that infringe on free speech and free access.

Please help support CBLDF’s important First Amendment work and reporting on issues such as this by making a donation or becoming a member of the CBLDF!

Justin Brown is a journalism graduate of the Indiana University of Pennsylvania.

Archie Comics CEOs end their court fight… for now

News
June 10, 2012

Have we achieved peace in our time? The Associated Press piece is skeptical…

The two CEOs of the company that publishes Archie Comics on Wednesday ended their court feud over control of the comics kingdom, but now some relatives are accusing both sides of funny business.

A judge on Wednesday signed off on a settlement between Nancy Silberkleit and Jon Goldwater, the co-CEOs of Archie Comic Publications, even as Goldwater’s nieces told the judge in court papers that they think both chief executives’ “hands are dirty.”

Manhattan state Supreme Court Justice Shirley Kornreich said the nieces weren’t in a legal position to weigh in on the settlement, but she noted that they could file a suit of their own. A lawyer for the nieces’ trust, Charles W. Grimes, said it “will be pursuing the requisite steps to protect the interests of the trust and its beneficiaries.”

The settlement ends — at least for now— a bitter and sometimes bizarre fight at the company that produces the congenial, more than 70-year-old comic that follows Archie, Betty, Veronica, Jughead and others through dating and other teenage adventures.

via The Associated Press: Archie comics’ 2 CEOs end their NY court fight.

Mike Gold: Truth, Justice, and Spinelessness

Columns
June 6, 2012

Just as life is drifting into a lull, I can always count on Fox News to provide entertainment by going disproportionately apeshit. Case in point:

DC Comics made a big whoopdeedoo about one of their top characters coming out of the closet. Immediately, our friends at Fox said “It’s the end of the world! Superman is gay! Superman is gay!”

They were subsequently told Superman is not gay. Don’t tell Rick Santorum, but that caped dude Lois Lane’s been sleeping with is actually a strange visitor from another planet.

So Fox thought about it for a nanosecond and started braying “It’s the end of the world! Batman is gay! Batman is gay!”

They were subsequently told Batman is not gay. Perhaps they were also informed that psychiatrist Fredric Wertham beat them to that bullshit story over 60 years ago.

DC finally came clean and, as you undoubtedly know – particularly those of you who have been to your friendly neighborhood comic shop today – it’s Green Lantern who is gay. No, not the guy from last year’s unwatchable movie or the guy from this year’s better-than-expected CGI teevee series, not the black guy who was in the Justice League teevee show and has his own comic book and has been around for several decades, and not the guy with the Moe Howard reject haircut who was in the Brave and the Bold teevee show and also has his own comic book. Nor is it one of the hundred thousand or so space alien Greens Lantern. Nope. None of them.

It’s Alan Scott. The original Green Lantern. So original he predated the Green Lantern Corps by almost 20 years. The old dude who was ret-conned out of existence last year. Now he’s been reintroduced as a gay man.

The story received some press, much of it just shy of ridicule. Each piece I read was careful to point out that Alan Scott was not the guy in the comic books or in the movie. Each piece I read tried to justify its newsworthiness but came short. For good reason.

Showing the fourth-string (at best) Green Lantern to be gay is less than no big deal. Hal Jordan, yes. That would be a big deal. Barry (Flash) Allen, certainly. Wonder Woman, absolutely. Any one of what Warner Bros. refers to as the “family jewels” would have been newsworthy.

Gay characters in comics are no big deal. We introduced an ongoing, major gay character in Jon Sable Freelance in the early 1980s; having super-macho Sable deal with the revelation was unique for its time. A few years later, Marvel’s Northstar came out. Not a household name (nor was Alpha Flight – but the X-Men were), but a big deal for the time. Last week, Northstar got engaged, which was pretty cool. Over at Archie Comics, they introduced a gay character that Veronica Lodge fell for. That was an amazing story, a very courageous move for Archie because it is almost totally dependent upon newsstand sales and therefore was taking a risk of tainting its brand. Quite the opposite happened: Kevin Keller graduated from supporting character to mini-series star to his own title, all within a year.

In the face of growing acceptance of same-sex relationships, DC revealed its spinelessness by outing a character few people have heard of (you’d have to have been collecting social security for years for you to have been a reader of All-American Comics) and even fewer people care about. There was no risk of an Alan Scott movie or television series, no action figures at Toys R Us or Wal-Mart, no ancillary revenues put in jeopardy.

This is not a knock on the creative talent involved: James Robinson has been one of the best writers practicing the craft today and he’s held that status in my fanboy brainpan for quite a while. I don’t know if Alan Scott’s still got those kids; there’s no reason why he shouldn’t but that would show more guts than DC has offered thus far.

It is not DC Comics’ job to bring truth and justice to the American way. But making such a big deal over such a small event is just pandering.

THURSDAY: Dennis O’Neil talks comics’ survival

Emily S. Whitten: Getting Started in the Comics Industry

Columns
May 22, 2012

I love comics. I love reading them, thinking about them, discussing them, and even critiquing them. I also love writing them, something I’ve discovered in the last couple of years as I started writing a series of webcomics about characters in upcoming comic book-related movies, which were then published on movie news websites like MTV Splash Page and ReelzChannel. Since that time, I’ve realized that I’d really like to keep writing comics, including, hopefully someday soon, full issues for a major company, to be seen by all the worrrrrrld [insert maniacal laugh here].

That may seem like a big leap, but it could happen. After all, most of the people who are or have been involved in professional comics started out just as I did: as ridiculously huge fans of the medium and the characters and stories. I mean, sure, maybe a few here or there got pulled into a job and then discovered they liked it, but for the most part, the people making comics do it because they were fans who, basically, landed their dream jobs through expressing their love of or thoughts on comics.

There are some great public examples of this amongst the current Big Names in comics. They include Geoff Johns, who wrote in to DC Comics as a kid with suggestions for the Superboy storyline. There’s also Kevin Smith, whose lifelong comics fandom landed him a number of roles in comics-writing after he’d already made a name for himself with movies (and he also owns Jay and Silent Bob’s Secret Stash, the first comic book store I ever went to, being a Jersey gal). There’s also Gail Simone, who came to the attention of comics publishers through her website Women in Refrigerators, which critiqued the treatment of female characters in comics, and has since written a weekly column on Comic Book Resources and a lot of great comics about both male and female characters, including well-received stints on the all-female group comic Birds of Prey. (I mention this comic in particular because I think it’s great that after Simone expressed her opinion on a certain issue in comics, she had the opportunity to address that issue by writing a number of female characters.) And let’s not forget Mark Waid, whose studio tour on Comic Book Resources reveals just how much of a fan collector he is, as well as giving us this quote about a three-page sequence from Flash #0 that hangs on his wall: “[it’s] the scene where the adult Wally West meets his ten-year-old self and tells the boy that no matter how rotten his young life seems or how hard the days are to get through, when he grows up, every wish he’s ever wished for will come true. It’s hands-down my favorite sequence I have ever written because – and I say this in all sincerity – I often dream about being able to travel back in time and tell young Mark Waid that same thing.”

Aw.

Of course, compared to these greats and all of their former-fan-now-professional companions, including my esteemed fellow columnists at ComicMix, I wouldn’t say I’ve had too much of a “career in comics” to date. But like, I suspect, at least a few big names today, I have gone from being “just a fan” to being much closer to where I’d like to be in the industry, and have high hopes of continuing along that trajectory in the future. I know that a lot of other fans have similar hopes. So I thought I’d take a couple of minutes to look back at my own experience with comics so far and see how it’s progressed.

As a kid I hadn’t read many comics, and didn’t even know there were such things as “comic book stores” devoted to (gasp) just that medium. There were a few comics in the house that belonged to my oldest sister – the ones I remember being some old collections of Archie and some individual issues of Richie Rich – and I did read those few books countless times, and remember being enamored of both the funny and entertaining stories and the way the illustrations complimented and enhanced them. But I didn’t lack for reading materials, with an English teacher for a mom and two older sisters who loved books, so I never went looking for more comics.

Television, however, was a different matter. You didn’t have to go out and find television shows – they came to you! So I grew up on a healthy mix of cartoons like Teenage Mutant Ninja Turtles, ThunderCats, X-Men: The Animated Series (I still love the theme song!), DuckTales and Darkwing Duck, Batman: The Animated Series, and countless others, most of which either started as or ran concurrently with comic books (although I didn’t know it at the time). I also, thanks to my dad, got a healthy dose from an early age of adventure and comics-related shows and movies he loved, including Sky King, The Lone Ranger, The Green Hornet, and the Christopher Reeve Superman movies. Fast forward a few years, and I was addicted to Lois and Clark: The New Adventures of Superman (and even later, I got hooked on Smallville. Apparently I can’t resist on-screen Clark Kent). So comics have always been a part of my life, and I’ve always been a fan, but I didn’t realize it.

In 2008, that all changed. Thanks to an ex who suggested we go to the local comic book store for Free Comic Book Day, I started getting interested in collecting paper comics. On that fateful day he recommended a character that “I think you’ll like,” i.e. Deadpool; and after flipping through a couple of issues, I was completely hooked. In the following month I acquired and read all the Deadpool books I could find (as well as a slew of other comics, both new and old), and, in a joking conversation with the ex in which I was pretending to answer questions as Deadpool, I think I said something like, “wouldn’t it be funny if Deadpool was online answering questions?” and he said, “You should totally do that,” and thus, the first entry of Ask Deadpool was born. I made up the first few questions myself; and by the next day, people were writing in. I’ve now been regularly answering questions online as Deadpool for four years.

I’ve never had much of an interest in writing fanfiction generally, but with comics, it feels a little different. In a strange way, the comics industry could be looked at as the ultimate repository for quality fanfic (except that as it’s published, it becomes canon). There are so many professionals that got their start playing in sandboxes that were built by previous professionals that writing a comic book character non-professionally feels less like fanfic and more like practicing to join the fun. Sure, my Ask Deadpool writing is still fanfic (until I take over Deadpool at Marvel and write it for the next 20 years, mwahahaaaaa), but it’s different than someone writing about a closed universe such as, say, the Harry Potter series. Not only is writing comics fanfic a great way to practice writing previously published characters’ voices, but there’s actually the chance that all that practice might someday be put to use, professionally.

And there’s also the chance that in writing about something you love, you will accidentally become known as a gigantic Deadpool fan to everyone you know and many people you don’t, which will result in a friend getting a cool Deadpool print signed to you by one of the best inkers in the business (hey-oh, Nathan Massengill!), and you will be so excited about it that you will get it framed, and send a thank you email and photo of the framed print to the inker, and subsequently become friends with the inker, who incidentally convinces you to go to a comic con and introduces you to a bunch of other cool people in comics, and soon other fans and all these people who actually work in comics will know you as the biggest Deadpool fan ever, and this turns out to be a pretty good thing.

Because then you will turn out to be “the most passionate Deadpool fan” that a movie news site has encountered, and will be asked to write a fan article about Deadpool for them, at the same time that you just so happened to have started writing comic strip scripts using Deadpool and other characters to commentate on current pop-culture news, and have found another fan who’s a great artist and has agreed to draw the comics, and it turns out that you’ve already written a script that exactly fits the topic of the article. And the news site likes it, and want to see more.

That’s how I ended up having webcomics published on popular movie news websites. (Although it’s also important to know your own value and not be afraid to pitch something. My Avengers three-part series ran on MTV Splash Page because I actually pitched it to the editor, rather than him finding me.) The same passion for comics and network of people and happenstances has also led to me meeting the folks here at ComicMix and being invited to write a weekly column; and to me meeting another writer who has already had several comic scripts published professionally, and with whom I am now plotting out the greatest comic series ever created (well we think so, anyway). And although I can’t predict the future, I have high hopes that for me, it will hold an abundance of work in comics.

The interesting thing here is, until recently I didn’t really sit down and think to myself, “hey, maybe I could actually write comics. Like, professionally.” Instead, I was just having fun with something I enjoy, and expressing a passion for characters and a medium I’ve come to love. As it turns out (I think, and evidence suggests), this is a pretty good way to get started in comics, and the more I think about what I’d like to write in comics, the more ideas I have. Along with the greatest comic series ever created, I’d love to write Deadpool for Marvel someday (after much more practice, perhaps!) and I’ve got a Superman story in my head that I think would knock people’s socks off. And that’s just what’s percolating in my brain right now. But really, whatever happens in my future, I’m overjoyed that I am where I am today, writing about a medium I love and interacting with people who keep me inspired, and plan to continue to write columns, and webcomics, and anything else people will let me write professionally, for as long as I can. And maybe, if you’re a passionate fan like me, you can do that too! Servo Lectio!

Wednesday Morning: Mike Gold Covers Covers