Tagged: Andrew Wheeler

Review: Hellboy Franchise Hits #8 With ‘Darkness Calls’ and ‘Killing Ground’

Review: Hellboy Franchise Hits #8 With ‘Darkness Calls’ and ‘Killing Ground’

In the last few weeks, both of Mike Mignola’s related series for Dark Horse have hit their eighth collected volumes. So, while the second movie – prominently advertised on both covers – is still forthcoming, let’s see what’s going on with the Hellboy of the printed world.

Hellboy, Vol. 8: Darkness Calls
Written by Mike Mignola; art by Duncan Fegredo
Dark Horse, May 2008, $19.95

Hellboy has been wandering alone for about six years now — as one character remarks helpfully, late in this volume — since he walked away from the Bureau of Paranormal Research and Defense. He’s hasn’t particularly been looking for trouble, unlike his [[[B.P.R.D.]]] days, but trouble and [[[Hellboy]]] are never that far from each other.

After some adventures and a shipwreck on the coast of Africa — in the last volume, [[[The Troll Witch and Others]]] — Hellboy has turned up at the home of his old friend Harry Middleton, who was part of the old B.P.R.D. team of the ’50s with Hellboy and Professor Bruttenholm. Hellboy is hoping to rest, but how likely is that?

Meanwhile, a minor villain named Igor Bromhead attempts to harness the power of the witch-goddess Hecate — who Hellboy beat up, but didn’t completely destroy, several books ago — and the witches of the world plot their own revenge against Hellboy. These two separate sub-plots are more connected than they first appear to be, of course…

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ComicMix Columns for the Week Ending June 1, 2008

ComicMix Columns for the Week Ending June 1, 2008

As readers doubtless have noticed, we’ve been adding a lot of regular features to ComicMix in addition to our columnists.  So it’s time to add Van’s Weekly Haul comic reviews to our rotation!  Here’s what we’ve done for you this past week:

In addition, here’s the listing of all the ComicMix Six fun we’ve come up with so far:

  1. April 2: Alan Kistler – Worst Moments in Skrull ‘Invasion’ History
  2. April 9: Alan Kistler – Why Marvel’s ‘Secret Wars’ Was Better Than ‘Civil War’
  3. April 17: Martha Thomases – Top Political Campaigns in Comics
  4. April 24: Alan Kistler – The Worst Superhero Names in Comics
  5. May 6: Chris Ullrich – The Worst Movies Adapted from Comic Books
  6. May 14: Alan Kistler – The Worst Supervillain Names in Comics
  7. May 21: Chris Ullrich – The Best Movies Adapted from Comic Books
  8. May 28: Martha Thomases – Biggest Tease in Comics (Male)

And with that, we bid our numbering goodbye!  Next week we’ll start adding in our Doctor Who and Battlestar Galactica reviews (from Rick Marshall and Chris Ullrich respectively) to the roundup…

Manga Friday: Zombies and Gods and Sexy Teens

Manga Friday: Zombies and Gods and Sexy Teens

This is another one of those weeks when we’re heading back over territory we’ve seen before – I’ve got three follow-up volumes today, all from Yen Press, of somewhat different manga series. So let’s take the zombies first, shall we?

Zombie-Loan, Vol. 3
By Peach-Pit
Yen Press, June 2008, $10.99

This volume starts off very confusingly, with the attractive blonde and brunette guys running somewhere at top speed while the mousy girl with glasses and the other, not-so-mousy girl are having dinner with a group of people who are creepier and creepier the more we see them.

If one has just read the first two volumes, one presumably remembers who all of these people are. For me, it had been two months since I saw Vol. 2, and I’ve read a lot of other things in between. So it took me quite a while to figure out who any of these people were, and I’m not entirely sure I did work out precisely what was going on.

But, to recap from the last time: three teenagers are “zombies” and have to work for “Ferryman,” the head of the Z Loan office, to work off their so-you’re-not-quite-dead loans. More explanation is given for the supernatural workings of this world later on in this volume, but I could only understand part of it, and even that didn’t make much sense.

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Review: ‘Batman Grendel’ by Matt Wagner

Review: ‘Batman Grendel’ by Matt Wagner

 Batman Grendel
By Matt Wagner
DC Comics/Dark Horse, February 2008, $19.95

[[[Batman Grendel]]] collects two short series – each one was just two 50-page issues long – originally titled [[[Batman/Grendel]]] and [[[Batman/Grendel II]]]. The slash has disappeared for the collected edition – perhaps because now the names of two male characters separated by a slash brings with it entirely different expectations?

(I’m reminded of Terry Pratchett’s never-quite-named character, from a tribe who are called after the first thing the mother sees after birth, who wished, desperately, that his name was Two Dogs Fighting.)

(And the very small “Vs.” on all of the online bookshots does not actually appear on the book itself, which is simply titled Batman Grendel, as if it were the product of some comic-book equivalent of a corporate merger.)

So what we have first is a 1993 story with Batman battling the original Grendel, Hunter Rose – who is in many ways something like an evil Batman, or a twisted mirror image. Rose is a self-made man, master of arcane fighting arts, and the scourge of the underworld in his hometown…although that’s because he took over in his town. Rose is incredibly violent in a very comic-booky way – he has the typical nonpowered superhero’s utter control of violence and movement, but uses it to slaughter at will.

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Review: ‘How to Love’ from Actus Comics

Review: ‘How to Love’ from Actus Comics

How to Love
By Batia Kolton, David Polonsky, Mira Friedmann, Itzik Rennert, Rutu Modan, and Yirmi Pinkus; translated by Ishai Mishory
Actus/distributed by Top Shelf, August 2008, $29.95

Actus is an Israeli comics collective that publishes one joint project annually; their members are the six contributors to this book. This book was published in Israel by Actus, but is being distributed on this side of the Atlantic by Top Shelf Comics. (And was translated by Ishai Mishory, implying that there was a prior edition in Hebrew.) It’s officially publishing in August, but I can’t find it on any of the US online booksellers, and I got my copy several months ago – so it’s anyone’s guess when it will show up in your local comics shop (if ever). Top Shelf is selling it directly, so there’s at least that way to get it.

[[[How to Love]]] has six stories, one by each of the contributors, each about twenty pages long. (The subtitle calls them “graphic novellas,” which stretches a bit too far for my taste – is there anything wrong with short stories?)

It opens with Batia Kolton’s “Summer Story,” in which pre-teen Dorit watches her nameless older neighbor kissing a boyfriend on the street, then has the neighbor accompany her family on a trip to the beach. It’s a very slice-of-life story; Dorit is clearly learning about relationships through the neighbor, but the story doesn’t get inside her head; we see everything from outside, so we don’t know what Dorit thinks about any of it. The art is a clean-line style, very reminiscent of Actus’s most famous member, Rutu Modan.

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Review: The Complete Peanuts, 1967 to 1968 by Charles M. Shulz

Review: The Complete Peanuts, 1967 to 1968 by Charles M. Shulz

The Complete Peanuts, 1967-1968
By Charles M. Schulz; foreword by John Waters
Fantagraphics, February 2008, $28.95

By 1967, [[[Peanuts]]] wasn’t just another comic strip in the local newspaper, it was a media phenomenon. The first TV special, A Charlie Brown Christmas, had won an Emmy amid universal acclaim two years earlier, and You’re a Good Man, Charlie Brown was about to open on Broadway. It was the epitome of mainstream entertainment – on May 24th, California Governor Ronald Reagan and the state legislature even proclaimed it “Charles Schulz Day.” The strip hadn’t quite hit its ‘70s mega-merchandising heyday, but it was getting there.

At the same time, not all that far from Schulz’s Santa Rosa home, Berkley was roiling with anti-war fervor and the Summer of Love had hit San Francisco. Peanuts had been seen as an edgy, almost countercultural strip in the early 1950s, but those days were long past, and Peanuts was the Establishment. In those days, you were with the pigs or with the longhairs, right? And where did Peanuts stand?

From the evidence here, Peanuts stood where it had always stood: on its own, only rarely commenting on specific issues of the day (such as the “bird-hippie” who would become Woodstock in another year or two), but talking around those issues in ways that most of America could laugh at… some more uncomfortably than others. Schulz was never one to declare himself on one side of an issue or the other; he’d just write and draw his cartoons, and let others make their interpretations.

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ComicMix Columns for the Week Ending May 25, 2008

ComicMix Columns for the Week Ending May 25, 2008

Hope everyone’s having a nice three-day weekend, and that we all remember that the real focus on Memorial Day ought to be putting an end to the sheer folly of war, so that someday we won’t have to mourn all those whose lives have been lost in its perpetuation.  Oh, and of course, outdoor grilling and summer movies and retail sales. 

Here’s what our columnists have been selling you — for free! — this past week:

Remember the barbecue sauce!

Manga Friday: Done in One

Manga Friday: Done in One

One of the differences – I won’t say “advantages,” since opinion differs on that subject – of manga from Western-style superhero comics is that manga stories all have endings, eventually. Oh, “eventually” can be a long, long time coming – two decades, in some cases – but manga are created by one person or set of people, and all eventually come to an end, unlike corporate-owned characters, who live as long as their revenue stream does.

Some manga, though, end more quickly than others. Some even end in a couple of hundred pages – a story short enough to fit into one volume. And, by luck, I have two stories just like that in front of me this week.

Haridama: Magic Cram School
By Atasushi Suzumi
Del Rey Manga, May 2008, $10.95

Kokuyo and Harika are childhood friends who both ended up at the Sekiei Magic Cram School – named after its founder and apparently only teacher – studying to be magicians (who, once they’ve climbed the magic ladder as far as they can, we’re told are qualified to open cram schools of their own, which makes the whole thing seem like a pointless pyramid scheme). They’re “Obsidians,” people with only Yin or Yang power – instead of both, like proper magicians – and so they need swords with stones in the hilt to channel their lesser powers.

The other two main characters of this story are Sekiei, their young teacher – there don’t seem to be any other students in the school, in fact – and Nekome, a third-level sorcerer who recently graduated from the rival Torame school. Sekiei pushes Kokuyo and Harika to work harder and achieve more, while Nekome mildly torments them and puts down their abilities.

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Review: ‘The Rabbi’s Cat 2’ by Joann Sfar

Review: ‘The Rabbi’s Cat 2’ by Joann Sfar

Joann Sfar, one of the major lights of the current European graphic novel scene, has written or collaborated on more than one hundred books, but probably his most famous and acclaimed work is the original [[[The Rabbi’s Cat]]], which won the prestigious Jury Prize at the Festival International de la BD d’Angouleme (Angouleme International Comics Festival).

Sadly, I still haven’t read it. Luckily, that means that I can review this sequel with an eye towards the new reader – since I was one myself.

The Rabbi’s Cat 2
By Joann Sfar
Pantheon, April 2008, $22.95

The title character is a nameless talking cat in Algiers in the 1930s, the pet of Rabbi Sfar – or perhaps of his beautiful, frustrated daughter Zlabya and her husband, a younger, urbane rabbi from Paris. I say “talking cat,” but most of the characters can’t tell that he talks – and it’s not clear what the difference is between those who can and those who can’t. (But the reader can always understand, which is the most important thing.) [[[The Rabbi’s Cat 2]]] collects what were the fourth and fifth French albums in the series, as the original Rabbi’s Cat collected the first three.

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‘Dungeon Monstres, Vol. 1: The Crying Giant’ Review

‘Dungeon Monstres, Vol. 1: The Crying Giant’ Review

The “Dungeon” series has gotten so full of stories, so complicated, that there’s a diagram on the back of this book to explain how all of the sub-series relate to each other.

Up top are the three main sequences – The Early Years (the creation), Zenith (the height), and Twilight (the downfall), as it says here – and below that are explanations of the other three clusters: Parade, Bonus, and Monstres. All are set in a giant castle in a standard fantasy world – the castle was set up by “the Keeper” as a habitat for various monsters, who could kill and devour the inevitable wandering adventurers. (So it’s a hack-n-slash D&D campaign turned on its head; the monsters win every time.)

Dungeon Monstres, Vol. 1: The Crying Giant
By Johann Sfar, Lewis Trondheim, Mazan, and Jean-Cristophe Menu
NBM, June 2008, $12.95

 

This particular subseries focuses on, as the back cover says, “great adventures of secondary characters.” So Monstres is the Cable & Deadpool of the “Dungeon” world, I guess…

The other different thing about Monstres is that the stories are illustrated by guest artists, not by series creators Johann [that’s how he’s credited on this book; though I’ve never seen the “h” in his name before] Sfar and Lewis Trondheim. In this case, the first story, “John-John the Terror,” has art by Mazan while the title story is illustrated by Jean-Cristophe Menu, head of the alternative comics publisher L’Association.

 

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