Tagged: All Pulp

All Pulp Interviews: Moonstone’s Return of the Monsters – Mike Bullock

Cover Art: Dan Brereton

This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is The Black Bat vs. Dracula by Mike Bullock and Eric Johns. All Pulp sat down with the writer about this upcoming book.

All Pulp: Hi, Mike. Tell us a little about yourself and your pulp interests.

Mike Bullock: Well, I’m a guy who loves escapist fiction. Mostly the kind that goes on inside my head. I don’t have much time anymore to spend reading great books or watching thrilling movies, so that love burrows deep into my mind and sinks its fangs into the wellspring of imagination constantly flowing through my thoughts.

My pulp interests began with sword and sorcery stuff, then sci fi and space opera stuff. I was never much into the hard-boiled detective type stuff and somehow missed the boat on Doc Savage, but I love Conan, John Carter, Flash Gordon and the more fantastical stuff like Captain Future, Gladiator and the like.

Oh, and, I love pizza.

Art: Eric Johns

AP: Your story for the Return of the Monsters Halloween event is called The Black Bat vs. Dracula. What can we expect from this titanic throw down?

MB: It’s a game of cat and mouse and cat as Death Angel investigates a serial killing only to discover the killer is after her next and he doesn’t want to kill her, but to make her his eternal lover. A fateful game of huntsmanship through the historic Phaidor hotel, brought to life by the zealous pencils and pens of Eric Johns.

AP: The Black Bat vs. Dracula has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?

MB: I’m sure everyone has their own view of how to answer that, but since you’re asking me, here’s mine: Both pulp and the classic monster tales use some really imaginative characters that are far outside the ordinary and place them into situations that force the ordinary to become extraordinary. Frankenstein, Dracula, werewolves, mummies and zombies all seem to come from the same wellspring I mentioned above, and so do characters like Black Bat, Phantom Detective, Domino Lady, Spider and Death Angel.

I also think both “genres” (I use that word very, very loosely) appeal to a similar audience, people looking for escapism with a solid sense of right and wrong, the heroic and villainous. There aren’t many shades of grey in either, although characters on both sides of the table do have both human and monstrous sides to their personas.

AP: The Black Bat vs. Dracula also features your creation, Death Angel. How does this modern day creation hold her own against these two classic characters?

Art: Eric Johns

MB: I think that’s up to the readers to decide. I’d have to be pretty egotistical to think a character I came up with just a few years ago could compare to the likes of Dracula and Black Bat. Those are two creations that have stood the test of time for a very long time and will continue to do so. I can only hope ‘Angel is still remembered when she’s been around as long as those two heavyweights. Honestly, I’m just tickled that people seem to dig her as much as they do.

AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of Dracula compare and contrast to previous versions of the character?

MB: I haven’t seen all the previous versions, but my take on the Prince of Darkness is fairly ‘classic’ I think. He’s young in appearance, charismatic, self assured, powerful and someone who is very used to getting his way. Until this story, Death Angel had never met her equal in a fight and it’s made her a bit overconfident. After this encounter, if she survives, that confidence will be shaken to the core.

AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about pitting the Black Bat against the lord of the vampires?

MB: For me, it was a classic “Battle to Rule The Night” scenario. Black Bat, Death Angel and Dracula all exist in the shadows, stalking their prey through the darkness, using fear as a weapon. But, while their methods are all very similar, their motives and desired goals are definitely not. Black Bat wants justice, Death Angel wants revenge and Dracula wants blood. Aim those three at the same crossroads and get ready for the “big one”.

AP: You’ve been spearheading the Black Bat’s comic book adventures for Moonstone. What’s ahead for the book and character?

MB: At some point the second Black Bat graphic novel will come out, concluding the “Black Death” story begun in the first graphic novel. I also have a Black Bat/Spider crossover tale coming in the Spider prose anthology. After that, I think the majority of new Black Bat tales will come in prose form. I’d like to start building him ground up in a series of prose tales, but we’ll have to wait and see what the future holds.

Art: Eric Johns

AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at writing?

MB: Pulp – Conan, John Carter. Monster, more Dracula and possibly some Frankenstein. I wrote a Frankenstein tale years ago I might dust off, polish up and release in eBook format sometime. For comics, I’d love to write Moon Knight, Firestorm and Captain “Shazam” Marvel, and to a minor extent would love to do some Silver Surfer and eventually Batman.

AP: What does Mike Bullock do when he’s not writing?

MB: Spend entirely too much time on the phone discussing writing with clients, publishers, artists and friends. When not doing that, I love to spend time with my beautiful wife and awesome son.

Cover Art: Dan Brereton

AP: Where can readers learn more about you and your work?

MB; Read the tea leaves. They know everything. If not, roll the bones; the runes never lie. But, if you don’t have access to tea leaves and rune stones, you can check out my studios’ website at www.runemasterstudios.com and the sister site www.pulp.runemasterstudios.com/

AP: Any upcoming projects you would like to mention?

MB: Anyone out there who is into sword and sorcery should stay tuned for my first prose novel, coming from Airship 27 early next year, “The Runemaster.” It’s a Viking epic in the vein of Conan, Braveheart and Beowulf. After that, check out my second novel, coming from Pro Se entitled “Janus: Guardian of Worlds.” Janus exists in the late 1930s where he finds himself as the lone guardian between our world and an infinite number of others inhabited by all sorts of nasty creatures, unimaginable evil and supernatural forces all hell-bent on the destruction of everything we know. And you thought the Nazis were the only thing to worry about back then…

AP: Thanks, Mike.

MB: You’re welcome. Thanks for the interview and thanks for everything All Pulp does for those of us with an addiction to fiction.

The Black Bat vs. Dracula is solicited in August Previews for an October in store release.

IDW Wins Four Harvey Awards

IDW, who publishes several pulp and pulp-inspired books, won four Harvey Awards, presented at the 2011 Baltimore Comic Con.

From http://www.idwpublishing.com/:

IDW Publishing and its talented team of creators, editors and designers were honored with four prestigious Harvey Awards at the 2011 ceremony in Baltimore on Saturday, August 20th. IDW’s four wins ties as the most awards for any one publisher this year, and include two for famed creator, Darwyn Cooke.The Outfit

Starting off IDW’s impressive roster of wins, Cooke was voted both “Best Artist” and “Best Cartoonist” for his much-lauded work, RICHARD STARK’S PARKER: THE OUTFIT, a sequel to the first book in this series, THE HUNTER. At Long Beach Comic-Con in October, IDW and Cooke will release RICHARD STARK’S PARKER: THE MARTINI EDITION, collecting the first two, award-winning books in the series, plus all-new material in an oversized volume.

IDW’s hugely popular DAVE STEVENS’ THE ROCKETEER: ARTIST’S EDITION also won two categories. This first Artist’s Edition in IDW’s rapidly growing series was voted “Best Domestic Reprint Project,” as well as honored with the “Special Award for Excellence in Presentation.” DAVE STEVENS’ THE ROCKETEER: ARTIST’S EDITION was designed by Randall Dahlk, and edited by Parker Martini EditionIDW’s senior editor for special projects, Scott Dunbier, who edits all of the Artist’s Edition books. Currently, the series also includes WALTER SIMONSON’S THE MIGHTY THOR, which launched at San Diego Comic-Con. The Artist’s Edition series will expand impressively over the next year, with the release of WALLY WOOD’S EC STORIES in October, and JOHN ROMITA’S THE AMAZING SPIDER-MAN in December. As announced at Comic-Con, IDW will also release WILL EISNER’S THE SPIRIT: ARTIST’S EDITION in 2012. Rocketeer Artist Edition

Conceived to “recognize outstanding work in comics and sequential art,” voting in the Harvey Awards is open to all creative professionals in the comics industry. Nominees and winners for the Harvey Awards are both selected by comic book professionals.

For more information on IDW, please visit them online at http://www.idwpublishing.com/.

You can find a full list of winners at http://www.harveyawards.org/.

Talking GRIOTS With Milton Davis

GRIOTS is an anthology co-edited by Milton Davis and Charles Saunders featuring fantasy stories based on African mythology.  ALL PULP is pleased and proud to present an interview with Milton Davis so he can tell us first hand about this ambitious and exciting anthology.  Enjoy!

All Pulp:Let’s start with an easy question: who is Milton Davis?
Milton Davis: Milton Davis works as an R&D Chemist during the day in order to hide his identity as an obsessed speculative fiction writer during the night. He a husband of 25 years and father to two children, a boy and a girl. He currently resides in Fayetteville, GA.

AP: How long have you been writing?
MD: I’ve been dabbling at it since college but got serious in 2005.
AP: What writers have influenced your style and interests?
MD: The main two are Frank Herbert and James Baldwin. Herbert blew me away with Dune and its world building. James Baldwin captured me with his simple but powerful prose.
AP: From where do you draw your inspiration?
MD: I’m inspired by many things but the main inspirations are art and music. Of course I’m also inspired by history, specifically African history.
AP: Before we get deep into this, a bit of explanation first: what is a Griot and why did you choose GRIOTS for the title of the anthology?
MD: Griot (gree-oh) is a French word used for the traditional African storyteller/historian. There are many other words used among different African people; djeli, jali, gassere and gewel just to name a few. We chose GRIOTS because it fit what we were trying to accomplish.
AP: For those who are unfamiliar with the term what is Sword and Soul?
MD: Sword and Soul is fantasy, heroic fiction and sword and sorcery based on African culture, tradition, mythology and history.
AP: Tell us about some of the talented writers who are in this anthology.
MD: We have a wide variety of writers. Some are independent writers like me; others are mainstream published. Some have never been published before and others have been published in other genres. What we all have in common is an appreciation of Africa and a desire to based stories on this wonderful and diverse continent.
AP: Are there plans for GRIOTS to be a yearly event?
MD: I don’t know about yearly but there will be a GRIOTS II next year.
AP: Can you tell us what you learned about putting together an anthology like this? Was there a certain order you put the stories in?  Were there certain themes or stylistic choices on the part of the writers that took you by surprise?
MD: GRIOTS is my second anthology. I did the preliminary work for GENESIS, the Black Science Fiction Society anthology. So this wasn’t difficult to do. The main challenge was getting writers to meet deadlines. Creative people are allergic to deadlines. We hoped that the writers participating would expand the interpretation for Sword and Soul and they did. There are stories that stick close to the definition and there are others that hint at the source. I think readers are going to be very entertained.
AP: What was it like working with Charles Saunders?
MD: It was excellent. Charles is one of the nicest and most gracious people I know. We’re Sword and Soul brothers. We have a lot in common; we were even born in the same month. His excitement about this project was one of the main reasons it came to be.
AP: People of color haven’t been well represented in the genres of science fiction, fantasy and pulp adventure in the past.  Are you seeing a definite and hopefully lasting change in that representation through not only your work but that of other black writers and artists?
MD: I definitely see a change. In mainstream publishing folks like Nnedi Okorafor, N.K. Jemison, David Anthony Durham and others are making great progress. However I think the greatest changes have and are going to take place in independent publishing. With POD and e-books breaking down the gates to reader access we finally have a chance to expose everyone to our work and our perspective. Add to that the growing black middle class and readership, it’s a good time to be a writer of color if you’re willing to work hard to make it happen.
AP: What’s a typical Day In The Life Of Milton Davis like?
MD: I’m up early to cook (yes, cook) breakfast and do a little writing. Then it’s off to work. Once I get home I take a few hours rest then write some more.
AP: Here’s your chance for a shout-out or to plug something; Go.
MD: A special shout out to all the folks who kept encouraging me to pursue my passion. I hope I’m doing you proud. Oh yeah, buy GRIOTS. You’ll love it.
All Pulp: Anything else we should know?
Milton Davis: Sword and Soul is just getting started. 2012 is going to be a special year. I have a few surprises in store.  Peace!
  • Paperback: 292 pages
  • Publisher: MVmedia, LLC (August 7, 2011)
  • Language: English
  • ISBN-10: 0980084288
  • ISBN-13: 978-0980084283

Table Talk – Go behind the table with Mike Bullock, Barry Reese, and Bobby Nash

Table Talk – Go behind the table with Mike Bullock, Barry Reese, and Bobby Nash at http://www.newpulpfiction.com/.

From Mike Bullock’s opening comments:

When you get two or more creators sitting behind a table at a signing or convention, when no one is around, they inevitably start talking shop. I’ve now done more signings and conventions than I can remember at once but the one thing they all have in common is an opportunity to gab with other creators. Despite what anyone might think, this is the thing I love most about the events. Whether it’s comparing a common love of some old character or examining the ins and outs of the latest news or talking about our creative processes, it’s always an enjoyable conversation.

When I mentioned this one time to a non-creative friend, he replied “I bet a lot of people would love to hear those conversations.”

In response to that, we dreamed up Table Talk, a semi-regular column where you can read conversations between New Pulp creators discussing things we love. Since just about every conversation starts out with a compelling question or statement, that’s the format we’ll follow here.

I asked fellow writers Barry Reese and Bobby Nash to join me in this, as I feel a solid connection to these two guys, and can only imagine if the three of us spent a weekend sharing a booth at a convention, we’d have some sterling back-and-forths about everything from old pulps to action figures to Silver Age comics and New Pulp.

To start the inaugural column off, Barry Reese suggested someone throw out a question to get the ball rolling. Bobby and I quickly nominated Barry to come up with said question.
You can read the conversational back and forth at www.newpulpfiction.com/2011/08/table-talk-behind-table.html

Check back each week for a new installment.

Green Hornet: Still At Large Cover Art Revealed!

Green Hornet: Still At Large Cover Art Revealed!

Over at his blog, Win Scott Eckert posted the cover to the recently announced third volume of Green Hornet stories based on the 60’s TV series version of the characters. You can read the original post at http://woldnewton.blogspot.com/2011/07/green-hornet-still-at-large.html

The new volume will be titled The Green Hornet: Still at Large!

Says Win, “Yes, that’s right, folks… there will be a third volume of short stories from Moonstone Books about the 1960s Green Hornet and Kato. Feast your eyes on the cover by Rubén Procopio!”

Green Hornet: Still At Large Cover: Ruben Procopio

“This time around, Joe Gentile and I will be joined by Matthew Baugh in sharing the editorial duties. Our lineup of writers is complete and they are getting busy. Look for the book some time in 2012!”

The Green Hornet Casefiles, Volume Two in the series, will be available soon.

Green Hornet Casefiles coming soon

Keep checking All Pulp for more information as it is released.


ALL PULP (www.allpulp.blogspot.com) , a leading site for news related to Pulp fiction in any medium, announces today a talent search for open staff reporter/reviewer positions.  Started in September, 2010, ALL PULP quickly became the go to site for news, reviews, interviews, and columns related to Pulp fiction, both classic and New Pulp.  Started by a group of New Pulp creators that became known as The Spectacled Seven, All Pulp has strived to provide interesting, current, and topical news and views on a daily basis.   In order to continue the tradition and standards that the site has set for itself, the Spectacled Seven, headed up by Editor in Chief Tommy Hancock, have determined that ALL PULP is in need of additional staff to work as reporters, reviewers, and columnists to provide content for the site.

“We are looking for,” Hancock states, “3-5 individuals who have either an interest in the Pulp genre/field of writing, a background or interest in journalism, or a combination of the two.   In order to stay on top of all the news that happens in Pulp every day, an amount that is increasing on a weekly basis, ALL PULP needs a dedicated staff of field reporters collecting news releases, conducting interviews, and writing columns and reviews of the latest Pulp available as well as all the classic Pulp available to the public today.  We have the Spectacled Seven and a handful of other contributors who provide content as they acquire it or as they can, but what is needed is a small select group of people providing 3-5 pieces of news a week.  Length is not an issue, it can be a 5,000 word column or a 300 word newsbyte.  ALL PULP is about making sure the news is delivered to its readers consistently, concisely, and regularly.”

Hancock notes that there is currently no monetary compensation for these open positions or any position currently filled at ALL PULP, including his own.  “This is all volunteer at this time, but other benefit do exist.  The opportunity to be a part of known pop culture news site, to interact with publishers, writers, artists, and personalities in the Pulp field, and to expand the coverage ALL PULP already has are all advantages one would gain by being a part of ALL PULP.”

Anyone interested in applying for the open positions can submit a mock interview, review, column or news story (or an actual story written for another publication) to Hancock at allpulp@yahoo.com.



Due to several changes and additions going on as well as just general maintenance, ALL PULP will be inactive from this post until Monday, March 14th, 2011!   Catch up on your favorite ALL PULP stories until then and come back Monday to see what ALL PULP has in store!! but for now we are….

MONDAY, MARCH 14, 2011


ALL PULP is glad to announce today the addition of two new reporters/interviewers/reviewers to the ALL PULP family.   In recent weeks, the Bespectacled Seven, the brain trust behind ALL PULP have been running notices on Facebook and ALL PULP seeking staff members to help meet the great need that you as readers and fans have caused there to be for Pulp News.   ALL PULP is overwhelmed by the attention it has received and the fact that readers want more and more.   With the Bespectacled Seven being busy writers and creators in their own rights, not to mention having other lives to lead, the decision was made to reach out and bring in ‘staffers’, people to work as reporters and reviewers and such, just to add to the wealth of news Pulpdom demands.
Chuck Miller, creator of the Black Centipede (covered in various articles on ALL PULP) and Suzanne Fuller, an aspiring writer, submitted samples of writing to ALL PULP and met not only the skill requirements, but also showed a passion for pulp and pulp fans necessary to be a part of ALL PULP’s family!  Be on the lookout very soon for bylines from these two welcome additions!
Also, expect announcements about one-two more possible filled positions in the coming days, but if you are interested in one of these spots, just contact ALL PULP at allpulp@yahoo.com!
Tommy Hancock, Pulp Ark Coordinator, stated today that voting for the First Annual Pulp Ark Awards was nearing its close.  Hancock reported that no votes would be taken after 11:59 PM CST Monday, February 28, 2011 and winners would be announce on Tuesday, March 1st, 2011.   In order to be able to vote in the nine categories covered by the Pulp Ark Awards, interested parties had to nominate in at least one category during nomination time last year.   Hancock says that although most have voted, some still have not turned in their ballot as of yet.   Hancock and Pulp Ark extends their thanks and appreciation to all those who nominated, voted, and supported Pulp this year as well as to all the very worthy nominees!