Category: News

DC Showcase Returns with Sgt. Rock, Adam Strange, Death, Phantom Stranger

BURBANK, CA (May 7, 2019) – Warner Bros. Animation and Warner Bros. Home Entertainment, in partnership with DC, are currently in production on five new DC Showcase animated shorts for release in 2019-2020.

Inspired by characters and stories from DC’s robust portfolio, the all-new series of shorts will be included on upcoming DC Universe Movies releases, with exception of an innovative Batman: Death in the Family long-form animated short, which will anchor a compilation set for distribution in late 2020.

Each of the five shorts – entitled Sgt. Rock, Adam Strange, Death, The Phantom Stranger and Batman: Death in the Family – opens with a new, live-action branding sequence that features a few Easter Eggs specially added for observant fans.

Sgt. Rock is executive produced and directed by Bruce Timm (Batman: The Animated Series) from a script by award-winning comics writers Louise Simonson & Walter Simonson and Tim Sheridan (Reign of the Supermen). The original tale finds battle-weary Sgt. Rock thinking he has seen everything that World War II can dish out. But he is in for the surprise of his life when he is assigned to lead a company consisting of legendary monsters into battle against an unstoppable platoon of Nazi zombies. Karl Urban (Star Trek & Lord of the Rings film franchises) provides the voice of Sgt. Rock. Also voicing characters in Sgt. Rock are Keith Ferguson, William Salyers and Audrey Wasilewski.

Adam Strange is produced and directed by Butch Lukic (Batman Unlimited franchise), who also conceived the original story – which is written by J.M. DeMatteis (Constantine: City of Demons). On a rugged asteroid mining colony, few of the toiling workers are aware that their town drunk was ever anything but an interplanetary derelict. But when the miners open a fissure into the home of a horde of deadly alien insects, his true identity is exposed. He is space adventurer Adam Strange, whose heroic backstory is played out in flashbacks as he struggles to save the very people who have scorned him for so long. Charlie Weber (How To Get Away with Murder) provides the voice of Adam Strange, alongside with Roger R. Cross, Kimberly Brooks, Ray Chase and Fred Tatasciore.

Inspired by Neil Gaiman’s “The Sandman,” Death is produced & directed by Sam Liu (Justice League vs. The Fatal Five) and written by J.M. DeMatteis (Batman: Bad Blood). In the story, Vincent, an artist with unresolved inner demons, meets a mysterious girl who helps him come to terms with his creative legacy … and eventual death. Leonardo Nam (Westworld) provides the voice of Vincent, and Jamie Chung (The Gifted, Big Hero 6) is the voice of Death. The cast includes Darin De Paul, Keith Szarabajka and Kari Wahlgren.

The Phantom Stranger has Bruce Timm (Batman: The Killing Joke) at the helm as executive producer & director, and the short is written by Ernie Altbacker (Teen Titans: The Judas Contract). Set in the 1970s, the short follows young adult Jess as she joins her friends at a party in a dilapidated mansion hosted by the mysterious Seth. When odd things begin to happen to Jess and her friends, the Phantom Stranger intervenes to save her from a dreary fate. Peter Serafinowicz (The Tick) gives voice to The Phantom Stranger, and Michael Rosenbaum (Smallville, Impastor) provides the voice of Seth. The Phantom Stranger also features the voices of Natalie Lander, Grey Griffin and Roger Craig Smith.

More information regarding Batman: Death In The Family will be available in 2020.

All five new DC Showcase shorts credits include Jim Krieg as co-producer, Amy McKenna as producer, and Sam Register as executive producer.

Initially launched in 2010, DC Showcase was originally comprised of four animated shorts produced by Bruce Timm and directed by Joaquim Dos Santos: The Spectre (released on 2/23/2010), Jonah Hex (7/27/2010), Green Arrow (9/28/2010) and Superman/Shazam: The Return of Black Adam (11/9/2010). An additional short, Catwoman (10/18/2011), was attached the following year to the release of Batman: Year One, and was directed by Lauren Montgomery and executive produced by Bruce Timm. Screenwriters on the initial quintet were Steve Niles (The Spectre), Joe Lansdale (Jonah Hex), Greg Weisman (Green Arrow), Michael Jelenic (Superman/Shazam: The Return of Black Adam) and Paul Dini (Catwoman).

Actors featured on the first five shorts were Malcolm McDowell, James Garner (in his final performance), Jerry O’Connell, Linda Hamilton, Gary Cole, Alyssa Milano, Thomas Jane, Michael Rooker, Eliza Dushku, Neal McDonough, Ariel Winter, Danica McKeller, George Newbern, Michelle Trachtenberg and Arnold Vosloo, as well as Jon Polito, Rob Paulsen, Jeff Bennett, Steve Blum, Grey Delisle, John DiMaggio, Josh Keaton, Zach Callison, Jason Marsden, Liliana Mumy, Tara Strong, Cree Summer and Kevin Michael Richardson.

THE LAW IS A ASS Installment # 440: DID SUPERMAN BOUNCE A CHECK

…And then he ducks the guns.

Last column we discussed what happens to those criminals on Adventures of Superman who shoot at Superman only to have their bullets bounce off him. Bottom line, they get charged with some crimes. But that’s just for shooting at Superman. There are still two very important questions that remain unanswered.

First, why did the invulnerable Superman, who already had bullets bounce off of him, duck when the bad guys threw their guns at him? Actually, we need to answer a question before that one – hey, if airplanes can pre-board, I can pre-first – namely did Superman actually duck a thrown gun?

From my research, inextensive though it was, I can say it definitely did happen. Once. In the first season episode “The Mind Machine.”

Theories abound, as to why Superman ducked but the one I think the best is that in parts of said scene, Superman wasn’t being played by George Reeves but by a stunt double named Dale Van Sickle. Van Sickle bore a slight resemblance to Reeves, but it wasn’t enough to survive close scrutiny. Or even the level of scrutiny you could get on those small, grainy, not-hi def, cathode-ray TVs of the 50s. If you study the scene, you’ll note that after the gunshots, Superman is standing erect and smoke obscures his face. That’s because it was the stunt double who nobody wanted you to see very well. Then, when the bad guy winds up to throw his gun at Superman, the Man of Steel avoidance ducked, again hiding his face. I think Superman ducked so that no one would notice the stunt double or that “Superman” wasn’t Superman.

The more-important question is this: if one of those bullets ricocheted off Superman and rabbitted into an innocent bystander could the criminals be brought up on charges for that injury? For once I have an easy answer for you. Yes.

With what crime could the criminals be charged? Okay, now we’re back to our usual complicated answers.

Before we can answer that question, we must answer another question or three. Such as, did the poor bystander die, or only get injured? Meaning is it homicide or assault? Then there’s, did the criminals know the bullets would bounce off of Superman? (Yes that again.) And finally, what were the criminals doing before Superman confronted them?

Let’s take the easy question first. If the bystander is only injured, then, irrespective of whether the criminals knew the bullets would bounce, the crime is going to be what the Model Penal Code calls aggravated assault.

Aggravated assault is knowingly causing bodily injury with a deadly weapon. A quick show of hands, how many of you think a gun is a deadly weapon? (Come on, it’s not a trick question, even Wayne LaPierre cops to that one.) But there’s a second prong to the definition, aggravated assault can also be recklessly causing serious bodily injury while showing indifference to others.

If the criminals knew the bullets would bounce off Superman, they knew a rebounding injury was as likely here as in a Basketball game. The law dictates that people intend the reasonably foreseeable consequence of their acts. So if the criminals knew the bullets would bounce like an inflated Bumble, they knowingly caused the reasonably foreseeable physical harm resulting from a bouncing bullet.

Even if the criminals didn’t foresee the bouncing bullets might hit another person, firing at something, or someone, that is going to make the bullets bounce when other people were around would be a reckless act showing indifference to others. Which constitutes an aggravated assault under the second definition.

If the criminals didn’t know the bullets would bounce then they thought they’d injure Superman and shooting at Superman would be aggravated assault. But, the bullets didn’t hurt Superman, they hurt a bystander. Ha! The law covers that possibility. The law may be an ass, but sometimes it’s smart enough to anticipate things.

The law anticipated this possibility with the transferred intent doctrine. If criminals intend to cause harm to person A but end up harming person B instead, the criminals’ intent to hurt A is transferred to the injury to B and the criminals are guilty of assaulting B. Because our criminals knowingly tried to injure Superman their criminal intent transfers to harming the bystander and they’re guilty of aggravated assault of the bystander.

What if the bystander dies? Obviously, we’re talking a homicide, but which homicide?

If the criminals didn’t know the bullets would bounce off Superman and thought they would kill him, then the criminals are guilty of aggravated murder or murder in the first degree; whatever that crime is called in Metropolis, other than antisocial. That’s because the criminals tried to kill Superman but ended up killing another person. Once again the transferred intend doctrine transfers the intent to kill Superman onto the unintended killing of the bystander.

If the criminals did know the bullets would bounce, then we have to know what the criminals were doing that attracted Superman’s attention. It’s not like Superman was flying around until he got bored then decided to go hassle some guys to see whether they’d shoot at him. No, true to their names, the bad guys were doing something bad and Superman was trying to stop them.

If the criminal were committing a major felony when Superman intervened, then the felony murder rule comes into play. Criminals who cause a death while committing a major felony like armed robbery or kidnapping – and most of the crimes in Adventures of Superman involved one or both of those; especially kidnapping Lois Lane (Adventures_of_Superman) or Jimmy Olsen (Adventures_of_Superman) – commit first degree murder under the felony murder rule. This is true whether the deceased is the original victim or a bystander.

If the underlying crime was a lesser crime that wouldn’t trigger the felony murder rule, we’re in the realm of manslaughter. In some states, like Ohio, causing a death while committing a felony or misdemeanor that didn’t trigger the felony murder rule is an involuntary manslaughter. So if the criminals were committing a minor crime and killed someone by shooting at Superman, the criminals would be guilty of an involuntary manslaughter.

But what about Superman? Can he be brought up on charges for allowing bullets to bounce off of him and strike a bystander? A criminal charge of negligent homicide could apply to a person who allows another person to die through negligence. Superman allowing bullets to bounce off him without checking to make sure other people weren’t around is probably negligent homicide, provided a prosecutor wanted to risk reelection by bringing Superman up on charges. Nowadays, to prevent the possibility of Superman negligently killing someone, Superman either melts the bullets with heat vision or plucks them out of the air.

But what if Superman intentionally kills someone by, say, snapping his neck in battle?Oh no! Once was enough. I’m not going there again!

Thought-provoking Us comes to Home Video June 4

Universal City, California, April 30, 2019 – Academy Award® winner Jordan Peele follows the success of his blockbuster hit, GET OUT, with the masterfully executed and viscerally terrifying US. Certified Fresh on Rotten Tomatoes with a score of 94%, the film is being hailed as “a colossal cinematic achievement” (Richard Brody, The New Yorker) and is “meant to be watched over and over” (Emily Yoshida, New York Magazine/Vulture). Fans around the world can now untether the truth with more than 50 minutes of bonus features delving deep into the mind of Jordan Peele, his filmmaking process and the symbolism behind US. The global sensation arrives on Digital on June 4, 2019, as well as on 4K Ultra HD, Blu-rayTM, DVD and On Demand on June 18, 2019.
 
Featuring incredible must-see performances from Academy Award® winner Lupita Nyong’o (Black Panther, 12 Years a Slave), Winston Duke (Black Panther), Emmy® winner Elisabeth Moss (“The Handmaid’s Tale,” “Mad Men”) and Tim Heidecker (The Comedy, “Tim & Eric’s Bedtime Stories”), US is “the most out-of-the-box horror film of the past decade,” (Nathaniel Brail, Heroic Hollywood). Movie enthusiasts and horror fans alike can watch US again and again to unravel its darkest secrets. Doppelgängers. Hands Across America. The Nutcracker. Rabbits. 11:11. The key themes and imagery from US are unpacked and explained in exceptional bonus content such as The Duality of US featurette where Jordan Peele talks in-depth about many of the ideas behind the film.
 
Set along the North California coastline, Adelaide Wilson (Nyong’o) reluctantly returns to her beachside childhood home with her family and finds that she is haunted by unresolved trauma from her past along with a string of eerie coincidences. As darkness falls after a tense day at the beach, the Wilsons discover four figures standing in their driveway. They soon realize this is only the beginning of their troubles as they find that the four figures are terrifying and uncanny opponents: doppelgängers of themselves.

EXCLUSIVE BONUS FEATURE ON 4K ULTRA HD, BLU-RAYTM & DIGITAL:

  • Scene Explorations – The making of three iconic scenes from the film including the Tyler house massacre, Jason’s abduction, and Adelaide’s underground flashback.
    • Seven Second Massacre
    • It’s a Trap
    • I Just Want My Little Girl Back

BONUS FEATURES on 4K ULTRA HD, BLU-RAYTM, DVD & DIGITAL:

  • The Duality of US – Jordan Peele goes in-depth on some of the key themes and imagery in US – including Doppelgängers, Hands Across America, The Nutcracker dance scene, rabbits and the infamous 11:11 coincidence.
  • The Monsters Within US – Examine how the great cast was able to find their characters, whether they were playing one of the Wilsons or their sinister doppelgängers.
  • Tethered Together: Making US Twice – Making of a movie is hard. Making a movie where all the main cast play dual roles can be downright mind-bending. In this piece, filmmakers, cast, and crew discuss some of the technical challenges to making the film, as well as some of the design choices for the characters.
  • Redefining a Genre: Jordan Peele’s Brand of Horror – In the space of two films, Jordan Peele has set himself apart as an invaluable artistic voice. Hear cast and filmmakers highlight what makes him so unique, as well as Jordan’s own thoughts on his inspirations and the relationship between horror and comedy.
  • Becoming Red – Using behind-the-scenes footage from between takes, we take a closer look at Lupita Nyong’o’s intense and mesmerizing performance as “Red.”
  • Deleted Scenes
    • I Am Not Even Near You
    • Rabbit Season
    • That’s Badass
    • Driftwood
    • The P is Silent
    • I Wanna Go Home
  • We’re All Dying – Hilarious outtakes from the conversation between Winston Duke and Tim Heidecker on the beach.
  • As Above, So Below: Grand Pas de Deux – An extended version of the dance sequence from the film, cutting between adolescent Adelaide at her recital to Red in the Underpass.


The film will be available on 4K Ultra HD in a combo pack (4K Ultra HD+ Blu-rayTM + Digital). Bonus features on the 4K Ultra HD will all be delivered in stunning 4K resolution.

  • 4K Ultra HD is the ultimate movie watching experience. 4K Ultra HD features the combination of 4K resolution for 4X sharper picture than HD, the color brilliance of High Dynamic Range (HDR) with immersive audio.
  • Blu-rayTM delivers a pristine HD picture and theater-quality surround sound.
  • Digital lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download.

FILMMAKERS:
Cast: Lupita Nyong’O, Winston Duke, Elisabeth Moss, and Tim Heidecker
Music By: Michael Abels
Costume Designer: Kym Barrett
Editor: Nicholas Monsour
Production Designer: Ruth De Jong
Director of Photography: Michael Gioulakis
Executive Producers: Daniel Lupi and Beatriz Sequeira
Produced By: Sean McKittrick, p.g.a,, Jason Blum, and Ian Cooper, p.g.a.
Written, Produced, and Directed By: Jordan Peele 

TECHNICAL INFORMATION 4K ULTRA HD:
Street Date: June 18, 2019 
Selection Number: 61201558 (US) / 61201863 (CDN)
Layers: BD 100 / Aspect Ratio: 16.9 2.39:1 Widescreen 
Rating: Rated R for violence/terror, and language 
Video: 2160p UHD Dolby Vision/HDR10 
Subtitles: English SDH, French and Spanish 
Languages/Sound: English Dolby Atmos, English Dolby Digital 2.0, French and Spanish Dolby Digital Plus 7.1
Run Time: Sean McKittrick, p.g.a,, Jason Blum, and Ian Cooper, p.g.a.

DOLBY VISION:

US 4K Ultra HD is available in Dolby Vision™. Leveraging the HDR innovation that powers Dolby’s most advanced cinemas around the world, Dolby Vision transforms the TV experience in the home by delivering greater brightness and contrast, as well as a fuller palette of rich colors.
TECHNICAL INFORMATION BLU-RAYTM:
Street Date: June 18, 2019
Selection Number: 61201423 (US) / 61201427 (CDN)
Layers: BD 50 / Aspect Ratio: 16:9 2.39:1 Widescreen
Rating: Rated R for violence/terror, and language.
Subtitles: English SDH, French and Spanish
Languages/Sound: English Dolby Atmos, English Dolby Digital 2.0, French and Spanish Dolby Digital Plus 7.1
Run Time: 1 Hour and 56 Minutes

TECHNICAL INFORMATION DVD:
Street Date: June 18, 2019
Selection Number: 61200733 (US) / 61201426 (CDN)
Layers: DVD 9 / Aspect Ratio: 16:9 2.39:1 Anamorphic Widescreen
Rating: Rated R for violence/terror, and language.
Subtitles: English SDH, French and Spanish
Languages/Sound: English, French, and Spanish Dolby Digital 5.1, English Dolby Digital 2.0
Run Time: 1 Hour and 56 Minutes 

First Clip from Batman vs. Teenage Mutant Ninja Turtles

Batman vs. Teenage Mutant Ninja Turtles finds Gotham City reaching new levels of danger when Shredder joins forces with Ra’s al Ghul to enact a nefarious plan – leading to the team-up of the Dark Knight and the Turtles to combat the combined might of the Foot Clan and League of Assassins!

The Batman vs. Teenage Mutant Ninja Turtles all-star cast is led by Troy Baker (Batman: Arkham Origins, The Last of Us) as the voice of both Batman and the Joker – making Baker the first actor to ever play both roles in the same film. Opposite Baker are the Ninja Turtles themselves – Emmy Award/Golden Globe Award/SAG Award winner Darren Criss (American Crime Story: The Assassination of Gianni Versace, Glee) as Raphael, Kyle Mooney (Saturday Night Live) as Michelangelo, Baron Vaughn (Grace and Frankie) as Donatello, and Eric Bauza (Looney Tunes Cartoons, The Woody Woodpecker Show) as Leonardo.

The first official clip is actually the opening scene of the film, where the Foot Clan descends upon Powers Industrial at the same time Barbara Gordon, aka Batgirl (voiced by Rachel Bloom of Crazy Ex-Girlfriend fame) is touring the facility, getting a first-hand look at an important power generator.

Batman vs. Teenage Mutant Ninja Turtles Enhanced Content

Ultra HD Blu-ray Combo Pack, Blu-ray Combo Pack and Digital

Cowabunga, Batman! When Comic Worlds Collide (Featurette)– Super hero crossovers have inspired some of the most unique comics of all time. Explore the concept of the crossover, and see the creativity that ensues when the worlds of Batman and the Teenage Mutant Ninja Turtles meet.

Fight Night in Gotham (Featurette) – DC animated movies have continued to push the realism of hand-to-hand combat on-screen. Take an exciting look at both Batman’s and the Ninja Turtles’ fighting styles, and how the creators make it feel like you’re in the fight!

A Sneak Peek at the next DC Universe Movie, Batman: Hush – An advance look at the next animated film in the popular DC Universe Movies collection.

The 4K Ultra HD Blu-ray disc of Batman vs. Teenage Mutant Ninja Turtles will feature Dolby VisionTM HDR that dramatically expands the color palette and contrast range and uses dynamic metadata to automatically optimize the picture for every screen, frame by frame. The 4K Ultra HD Blu-ray disc of Batman vs. Teenage Mutant Ninja Turtles will also feature a Dolby Atmos® soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar. Dolby Atmos soundtracks are also fully backward compatible with traditional audio configurations and legacy home entertainment equipment.

Batman vs. Teenage Mutant Ninja Turtles will also be available on Movies Anywhere. Using the free Movies Anywhere app and website, consumers can access all their eligible movies by connecting their Movies Anywhere account with their participating digital retailer accounts.

Fans can also own Batman vs. Teenage Mutant Ninja Turtles via purchase from digital retailers beginning May 14, 2019.

USC Gets Collection of 180,000 Comics With First Avengers, Justice League, X-Men

University of South Carolina Gets Collection of 180,000 Comics With First Appearances of Avengers, Justice League, X-Men

And you thought you had a large collection to organize…

The collection, worth an estimated $2.5 million, includes first editions and first appearances from the Avengers, Justice League, X-Men, Iron Man, Spider-Man, and the Hulk as well as a number of comics rom the so-called Golden Age covering the 1930s through the 1950s.

The collection contains non-superhero comics from romances (Boy Meets Girl) to religious stories (He’s The Greatest), science fiction magazines and Mutt and Jeff books that date back to the early 20th century.

University library officials have gone through about 100 of the 500 long boxes donated by Gary Watson, a retired Columbus, Ohio, nurse who has never visited USC but whose life’s work now sits in a vault inside the school’s library.

Originally at www.free-times.com

So yeah, you’re not getting access to all of it right away. On the other hand, if you were considering whether or not to accept that admission to USC, this may be an important factor to consider.

UPDATE: Michael Davis victim of prank death hoax

UPDATE: Michael was hacked badly, with messages sent out to family and friends. He’s alive and well.

We are incredibly sad to report that Michael Davis, longtime columnist for ComicMix, committed suicide one day before his birthday.

We can list all his accomplishments in the comics field and go through his history and impact in the field, from his mentoring of numerous up and comers in the industry to his co-founding of Milestone Media and Motown Animation & Filmworks AND The Guardian Line AND The Black Panel at San Diego Comic-Con AND… but the best way to hope to understand and know Michael is through his words and his works.

There will be more to say later about him, but right now we’re too shocked to be coherent. Please, if you or someone you care about are considering self-harm or suicide, contact the Suicide Prevention Hotline.

We’re sorry we couldn’t have helped you more, Michael. Rest easy.


AVENGERS: ENDGAME Just Earned An Astonishing $1.2B At The Worldwide Box Office

AVENGERS: ENDGAME Earns $350MM Domestic Opening Weekend

However, as Dan Slott noted, “To be fair, the only reason Avengers: Endgame broke all those box office records is because Doctor Strange alone watched it 14,000,605 times.” At $25 a ticket, it must have been IMAX in New York City.

Avengers: Endgame opened to $350M at the domestic box office, shattering the record previously established by Avengers: Infinity War (which opened to $257.6M last year) and a number of other opening-weekend records in the process. In other words: not only did the Russo Brothers and Marvel Studios top themselves, they did so by almost $100M.

Originally at birthmoviesdeath.com

Netflix’s Lost in Space finds a DVD Home in June

LOS ANGELES — Twentieth Century Fox Home Entertainment presents LOST IN SPACE, The Complete First Season, arriving on Blu-ray™ and DVD June 4.

Set thirty years in the future, this epic reimagining of the original family space adventure ­finds the Robinsons torn off course en route to what they hoped would be a fresh start on a distant space colony. Against all odds, but with endless hope and extensive training, the family bands together to survive on a dangerous alien planet.

(more…)

Eisner Award Nominees For 2019 Announced!

  • News
  • April 26, 2019

The Eisner Award nominees have been announced! Congratulations to every single person and publisher that received these prestigious nominations!

As per the SDCC website, “Voting for the awards is held online, and the ballot will be available at www.eisnervote.com. All professionals in the comic book industry are eligible to vote. The deadline for voting is June 14. The results of the voting will be announced in a gala awards ceremony on the evening of Friday, July 19 at a gala awards ceremony at the Hilton San Diego Bayfront Hotel. Jackie Estrada is the Eisner Awards Administrator.”

If you are a comic book industry professional, please make it a point to vote in these awards. Every vote counts! Voting opens on Monday, April 29th.

Here’s the list of every category with their respective nominations below:

(more…)
New ‘Grateful Dead Origins’ Graphic Novel to Come with Unreleased Early Music

‘Grateful Dead Origins’ Graphic Novel to Come with Unreleased Early Music

  • News
  • April 18, 2019

Z2 Comics has announced it is teaming up with the Grateful Dead to release a new graphic novel chronicling the band’s early days, Grateful Dead Origins, which will come with an accompanying selection of Dead music, including previously unreleased early-era material that will ship with a deluxe edition of the comic.

Z2—which has previously partnered on projects with The Black Keys’ Dan Auerbach, Japan’s BabyMetal, DJ Paul Oakenfold and more—writes in a press release that Grateful Dead Origins will feature an original story, written by Chris Miskiewicz and illustrated by Noah Van Sciver, that presents “an in-depth and personal look at the formation of one of the most important American rock bands of all time, exploring the early days of Jerry Garcia, Phil Lesh, Bob Weir, Pigpen, Bill Kreutzmann and Mickey Hart…the story of the band’s transformation from a bar band performing as the Warlocks to becoming the creators of their own sound and forefathers for the jamband culture.”

Originally at jambands.com

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