Category: News

Mix March Madness 2015 Webcomics Tournament Elite Eight!

It’s Round 5, starring the Elite Eight of ComicMix’s April Armageddon 2015 Webcomic Tournament. Driving forces in webcomics standing toe to toe, going head to head. Being pitted against each other, fans standing together voting for their favorite until there is just one winner. Who will it be?

Stand Still. Stay Silent, The Property of Hate, and Shotgun Shuffle having an excellent show from their fans this week, But every survivor has chance at the brass ring. All they need is your vote.

Speaking of votes…give yourself a round of applause for the strong support for The Hero Initiative, with donations totaling $81.00 in round 4.

The Elite Eight will narrow the field yet again, So vote soon and vote often… and tell your friends. Polls close 12 midnight, April 30th EDT!

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Ed Catto: Leading…by Getting Out of the Way

Back in business school I learned that there are many different styles of leadership. A good leader has several different styles at his or her fingertips and employs them based on the particular situations at hand. But this week I’d like to focus on two people who lead in a manner that’s generally not easily recognized. They lead, and in doing so contribute to their community and help build character by getting out of the way.

lcvExAKvtdNZSRZmjnAOKFD8Pq1Y2ClwBWLiaSJxrEEBrave New World Comics is a California based store run by two engaging and effervescent women named Portlyn Polston and Autumn Glading. Like most comic shop owners, they are energetic entrepreneurs who work hard to keep their customers happy, attract new shoppers and have a little fun along the way. One thing that sets them apart is their commitment to fanning the flames of geek-focusd interest in women and girls. But as you’ll see, it’s much more than that.

At their comic store, they don’t have a “Girl’s Section.” When I asked, they laughed at me and explained how absurd it would be to create some sort of cordoned off area, painted pink, with girly things for sale. In fact, they couldn’t even come up with specific product that would be ‘more appropriate for girls.’ Instead, their strategy is to create a clean, well-lit, open space were everyone feels comfortable. Then they just let consumers find what they want. Oh sure, they offer suggestions and guidance, but that’s based on the individual. In fact, they joke that their favorite thing to sell is the last thing they sold. “We don’t have an agenda,” says Portlyn. “Girls can read anything.”

JOC4XYEBO8TNv9wQWecMGjZuDvWXp42fBQil21afkPEIn addition to running the store, they plan some very creative activities. Geek Girls Night is a quarterly get-together designed to encourage women of all ages to fly their Geek Flag. And there aren’t a lot of rules or guidelines about what constitutes a geek passion. It can be comics or Doctor Who or steampunk or Alice-in-Wonderland. The explained that one girl attended who only liked Michael Jackson. But she was deep into it. The group chewed on that for a bit, nodded, and then agreed, “That’s fine.”

These events often include a trivia contest and a panel. And at the panels, given the spirit of the events, the questions are entirely freewheeling. Several groups attend, including, but not limited to, cosplay groups, writing groups and girls doing-live-action video games. I’m still not sure what that means. Furthermore, Autumn and Portlyn devilishly boast they are “really good” at getting vendors and publishers to contribute “good stuff.”

Geek Girl Society Logo. pngTheir Geek Girls Society is kind of like the Girl Scouts for only the coolest and nerdiest girls. It’s an after school program designed for girls 8 to 16, and is meant to be a place where can girls can enjoy their own geeky pursuits and be exposed to the geeky passions of others. Respect is the watchword here. The organization’s mantra stresses that whatever you like is great, and whatever anybody else likes is great too.

The ‘mean girl’ phenomenon isn’t limited to girls in middle school. It often starts earlier and lasts way too long into adulthood. And one could argue that it’s not only about girls, either. At the Geek Girls Society, their foundational thinking is one of respect and non-judgmentalism. Is that a real word? If not, it should be soon, as it’s imbedded into the DNA of this outstanding group. Autumn explained, “We teach them that you don’t have to hate. Every event is about respecting.”

Autumn and PortlynPortlyn and Autumn talked about their personal passions, and how when they were younger, they were unaware that other young girls liked the geeky things they did. There was no internet when back then, so they struggled to like what they liked, and keep liking it. They wanted to combat the unfortunate natural way of things, as young girls grow up and then eschew the things they like for fear that their peers or society will label them or look down upon them. That’s where the Geek Girl Society comes in – a place where girls can enjoy their passions, and keep on enjoying them.

New York Times columnist Nickolas Kristof often talks about how the best way to end poverty, especially in regions of extreme economic distress, is to give a girl a book and teach a girl to read. In the local environs of Brave New World Comics, it’s not that dire, but they are applying many of the same principles to helping girls build positive self-esteem and contributing their community.

Brave New World StorefrontHow far comic shops have come. Back in the 70’s, so many of those early comic shops seemed to be just one-step above the local head shop in the retail pecking order, resolutely shaking a metaphorical fist at their local communities screaming, “Leave us alone! This is our thing and we don’t want anything to do with the establishment!” Now we have stores like this one, where two women make a living selling stuff, and satisfy a sense of purpose by not only contributing to the local community, but leading. They’re helping others fly by giving them a little bit of runway. More proof of the incredible influence of Geek Culture and the local comic shop.

For more on Brave New World and the Geek Girls Society, please visit their site.

 

The Point Radio: Burn Gorman Is THAT Guy

The Point Radio: Burn Gorman Is THAT Guy

Here’s a voice to go with a face we’re sure you are familiar with. You’ve seen actor Burn Gorman in DARK KNIGHT RISES, GAME OF THRONES and now in AMC’s TURN:WASHINGTON’S SPIES. He talks about his varied acting jobs and even how much fun it was on the set of TORCHWOOD plus what his dream acting job would be.

Christian Kane (THE LIBRARIANS, ANGEL) joins us in a few days to talk about his new movie and why we thunk he should be the next Wolverine.  Be sure to follow us on Twitter @ThePointRadio.

Mix March Madness 2015 Webcomics Tournament Sweet 16!

Round 4: Sweet Sixteen? Never!!! April Armageddon is a webcomic battle royale. We are down to the best of the best battling to see who will be the winner and bring home the bragging rights for 2015.

We had a couple of upsets in this round: XKCD losing to Misfile, Twokinds pulled ahead of Girls With Slingshots, and in a battle that went down to the wire, Two Guys and Guy beat Paranatural by two votes. Of course, the big winner in this round is the Hero Initiative with $127.00 in paid votes.

Narrowing the field in this head to head webcomic combat… be sure to vote for your favorite, now. The polls close April 28th at Midnight EDT!

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The Point Radio: Lisa Loeb Flies High Again

This weekend, HELICOPTER MOM opens in select theaters with music (and an appearance) from singer/song writer, Lisa Loeb. Lisa talks about this and her many new projects, plus recalls what it as like hearing her music on the radio for the first time. Meanwhile, one of NBC’s biggest successes this season has been their prime time crossovers. This week CHICAGO PD, CHICAGO FIRE and LAW & ORDER:SVU together for one epic story and the show runners give us an exclusive sneak peek.

We’re back in a few days with a voice to match a familiar face. Actor Burn Gorman talk about this season of TURN:WASHINGTON’S SPIES, his love for TORCHWOOD and more. Be sure to follow us on Twitter @ThePointRadio.

2015 Eisner Award nominations

2015 Eisner Award nominations

eisnerawards_logo_2Comic-Con International has announced the nominations for the Will Eisner Comic Industry Awards for 2015. The nominees, chosen by a blue-ribbon panel of judges, highlight the wide range of material being published in comics and graphic novel form today, from companies big and small, in print and on line. The awards will be given out during a gala ceremony on Friday, July 10 during Comic-Con International: San Diego.

Best Short Story

Beginning’s End,” by Rina Ayuyang, muthamagazine.com
Corpse on the Imjin!” by Peter Kuper, in Masterful Marks: Cartoonists Who Changed the World (Simon & Schuster)
Rule Number One,” by Lee Bermejo, in Batman Black and White #3 (DC)
The Sound of One Hand Clapping,” by Max Landis & Jock, in Adventures of Superman #14 (DC)
“When the Darkness Presses,” by Emily Carroll, http://emcarroll.com/comics/darkness/


Best Single Issue (or One-Shot)

Astro City #16: “Wish I May” by Kurt Busiek & Brent Anderson (Vertigo/DC)
Beasts of Burden: Hunters and Gatherers, by Evan Dorkin & Jill Thompson (Dark Horse)
Madman in Your Face 3D Special, by Mike Allred (Image)
Marvel 75th Anniversary Celebration #1 (Marvel)
The Multiversity: Pax Americana #1, by Grant Morrison & Frank Quitely (DC)


Best Continuing Series

Astro City, by Kurt Busiek & Brent Anderson (Vertigo)
Bandette, by Paul Tobin & Colleen Coover (Monkeybrain)
Hawkeye, by Matt Fraction, David Aja, & Annie Wu (Marvel)
Saga, by Brian K. Vaughan & Fiona Staples (Image)
Southern Bastards, by Jason Aaron & Jason Latour (Image)
The Walking Dead, by Robert Kirkman, Charlie Adlard, & Stefano Gaudiano (Image/Skybound)


Best Limited Series

Daredevil: Road Warrior, by Mark Waid & Peter Krause (Marvel Infinite Comics)
Little Nemo: Return to Slumberland, by Eric Shanower & Gabriel Rodriguez (IDW)
The Multiversity, by Grant Morrison et al. (DC)
The Private Eye, by Brian K. Vaughan & Marcos Martin (Panel Syndicate)
The Sandman: Overture, by Neil Gaiman & J. H. Williams III (Vertigo/DC)


Best New Series

The Fade Out, by Ed Brubaker & Sean Phillips (Image)
Lumberjanes, by Shannon Watters, Grace Ellis, Noelle Stevenson, & Brooke A. Allen (BOOM! Box)
Ms. Marvel, by G. Willow Wilson & Adrian Alphona (Marvel)
Rocket Raccoon, by Skottie Young (Marvel)
The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)


Best Publication for Early Readers (up to age 7)

BirdCatDog, by Lee Nordling & Meritxell Bosch (Lerner/Graphic Universe)
A Cat Named Tim And Other Stories, by John Martz (Koyama Press)
Hello Kitty, Hello 40: A Celebration in 40 Stories, edited by Traci N. Todd & Elizabeth Kawasaki (VIZ)
Mermin, Book 3: Deep Dives, by Joey Weiser (Oni)
The Zoo Box, by Ariel Cohn & Aron Nels Steinke (First Second)


Best Publication for Kids (ages 8-12)

Batman Li’l Gotham, vol. 2, by Derek Fridolfs & Dustin Nguyen (DC)
El Deafo, by Cece Bell (Amulet/Abrams)
I Was the Cat, by Paul Tobin & Benjamin Dewey (Oni)
Little Nemo: Return to Slumberland, by Eric Shanower & Gabriel Rodriguez (IDW)
Tiny Titans: Return to the Treehouse, by Art Baltazar & Franco (DC)


Best Publication for Teens (ages 13-17)

Doomboy, by Tony Sandoval (Magnetic Press)
The Dumbest Idea Ever, by Jimmy Gownley (Graphix/Scholastic)
Lumberjanes, by Shannon Watters, Grace Ellis, Noelle Stevenson, & Brooke A. Allen (BOOM! Box)
Meteor Men, by Jeff Parker & Sandy Jarrell (Oni)
The Shadow Hero, by Gene Luen Yang & Sonny Liew (First Second)
The Wrenchies, by Farel Dalrymple (First Second)


Best Humor Publication

The Complete Cul de Sac, by Richard Thompson (Andrews McMeel)
Dog Butts and Love. And Stuff Like That. And Cats. by Jim Benton (NBM)
Groo vs. Conan, by Sergio Aragonés, Mark Evanier, & Tom Yeates (Dark Horse)
Rocket Raccoon, by Skottie Young (Marvel)
Superior Foes of Spider-Man, by Nick Spencer & Steve Lieber (Marvel)


Best Digital/Web Comic

Bandette, by Paul Tobin & Colleen Coover, Monkeybrain/comiXology.com
Failing Sky by Dax Tran-Caffee, http://failingsky.com
The Last Mechanical Monster, by Brian Fies, http://lastmechanicalmonster.blogspot.com
Nimona, by Noelle Stephenson, http://gingerhaze.com/nimona/comic
The Private Eye by Brian Vaughan & Marcos Martin http://panelsyndicate.com/


Best Anthology

In the Dark: A Horror Anthology, edited by Rachel Deering (Tiny Behemoth Press/IDW)
Little Nemo: Dream Another Dream, edited by Josh O’Neill, Andrew Carl, & Chris Stevens (Locust Moon)
Massive: Gay Erotic Manga and the Men Who Make It, edited by Anne Ishii, Chip Kidd, & Graham Kolbeins (Fantagraphics)
Masterful Marks: Cartoonists Who Changed the World, edited by Monte Beauchamp (Simon & Schuster)
To End All Wars: The Graphic Anthology of The First World War, edited by Jonathan Clode & John Stuart Clark (Soaring Penguin)


Best Reality-Based Work

Can’t We Talk About Something More Pleasant? by Roz Chast (Bloomsbury)
Dragon’s Breath and Other True Stories, by MariNaomi (2d Cloud/Uncivilized Books)
El Deafo, by Cece Bell (Amulet/Abrams)
Hip Hop Family Tree, vol. 2, by Ed Piskor (Fantagraphics)
Nathan Hale’s Hazardous Tales: Treaties, Trenches, Mud, and Blood, by Nathan Hale (Abrams)
To End All Wars: The Graphic Anthology of The First World War, edited by Jonathan Clode & John Stuart Clark (Soaring Penguin)


Best Graphic Album—New

The Gigantic Beard That Was Evil, by Stephen Collins (Picador)
Here, by Richard McGuire (Pantheon)
Kill My Mother, by Jules Feiffer (Liveright)
The Motherless Oven, by Rob Davis (SelfMadeHero)
Seconds, by Bryan Lee O’Malley (Ballantine Books)
This One Summer, by Mariko Tamaki & Jillian Tamaki (First Second)


Best Graphic Album—Reprint

Dave Dorman’s Wasted Lands Omnibus (Magnetic Press)
How to Be Happy, by Eleanor Davis (Fantagraphics)
Jim, by Jim Woodring (Fantagraphics)
Sock Monkey Treasury, by Tony Millionaire (Fantagraphics)
Through the Woods, by Emily Carroll (McElderry Books)


Best Archival Collection/Project—Strips (at least 20 years old)

Winsor McCay’s Complete Little Nemo, edited by Alexander Braun (TASCHEN)
Edgar Rice Burroughs’s Tarzan: The Sunday Comics, 1933–1935, by Hal Foster, edited by Brendan Wright (Dark Horse)
Moomin: The Deluxe Anniversary Edition, by Tove Jansson, edited by Tom Devlin (Drawn & Quarterly)
Pogo, vol. 3: Evidence to the Contrary, by Walt Kelly, edited by Carolyn Kelly & Eric Reynolds (Fantagraphics)
Walt Disney’s Mickey Mouse, vols. 5-6, by Floyd Gottfredson, edited by David Gerstein & Gary Groth (Fantagraphics)


Best Archival Collection/Project—Comic Books (at least 20 Years Old)

The Complete ZAP Comix Box Set, edited by Gary Groth, with Mike Catron (Fantagraphics)
Steranko Nick Fury Agent of S.H.I.E.L.D. Artist’s Edition, edited by Scott Dunbier (IDW)
Walt Disney’s Donald Duck: Trail of the Unicorn, by Carl Barks, edited by Gary Groth (Fantagraphics)
Walt Disney’s Uncle Scrooge and Donald Duck: The Son of the Son, by Don Rosa, edited by David Gerstein (Fantagraphics)
Walt Kelly’s Pogo: The Complete Dell Comics, vols. 1–2, edited by Daniel Herman (Hermes)
Witzend, by Wallace Wood et al., edited by Gary Groth, with Mike Catron (Fantagraphics)


Best U.S. Edition of International Material

Beautiful Darkness, by Fabien Vehlmann & Kerascoët (Drawn & Quarterly)
Blacksad: Amarillo, by Juan Díaz Canales & Juanjo Guarnido (Dark Horse)
Corto Maltese: Under the Sign of Capricorn, by Hugo Pratt (IDW/Euro Comics)
Jaybird, by Lauri & Jaakko Ahonen (Dark Horse/SAF)
The Leaning Girl, by Benoît Peeters & François Schuiten (Alaxis Press)


Best U.S. Edition of International Material—Asia

All You Need Is Kill, by Hiroshi Sakurazaka, Ryosuke Takeuchi, Takeshi Obata & yoshitoshi ABe (VIZ)
In Clothes Called Fat, by Moyoco Anno (Vertical)
Master Keaton, vol 1, by Naoki Urasawa, Hokusei Katsushika, & Takashi Nagasaki (VIZ)
One-Punch Man, by One & Yusuke Murata (VIZ)
Showa 1939–1944 and Showa 1944–1953: A History of Japan, by Shigeru Mizuki (Drawn & Quarterly)
Wolf Children: Ame & Yuki, by Mamoru Hosada & Yu (Yen Press)


Best Writer

Jason Aaron, Original Sin, Thor, Men of Wrath (Marvel); Southern Bastards (Image)
Kelly Sue DeConnick, Captain Marvel (Marvel); Pretty Deadly (Image)
Grant Morrison, The Multiversity (DC); Annihilator (Legendary Comics)
Brian K. Vaughan, Saga (Image); Private Eye (Panel Syndicate)
G. Willow Wilson, Ms. Marvel (Marvel)
Gene Luen Yang, Avatar: The Last Airbender (Dark Horse); The Shadow Hero (First Second)


Best Writer/Artist

Sergio Aragonés, Sergio Aragonés Funnies (Bongo); Groo vs. Conan (Dark Horse)
Charles Burns, Sugar Skull (Pantheon)
Stephen Collins, The Giant Beard That Was Evil (Picador)
Richard McGuire, Here (Pantheon)
Stan Sakai, Usagi Yojimbo: Senso, Usagi Yojimbo Color Special: The Artist (Dark Horse)
Raina Telgemeier, Sisters (Graphix/Scholastic)


Best Penciller/Inker

Adrian Alphona, Ms. Marvel (Marvel)
Mike Allred, Silver Surfer (Marvel); Madman in Your Face 3D Special (Image)
Frank Quitely, Multiversity (DC)
François Schuiten, The Leaning Girl (Alaxis Press)
Fiona Staples, Saga (Image)
Babs Tarr, Batgirl (DC)


Best Painter/Multimedia Artist (interior art)

Lauri & Jaakko Ahonen, Jaybird (Dark Horse)
Colleen Coover, Bandette (Monkeybrain)
Mike Del Mundo, Elektra (Marvel)
Juanjo Guarnido, Blacksad: Amarillo (Dark Horse)
J. H. Williams III, The Sandman: Overture (Vertigo/DC)


Best Cover Artist

Darwyn Cooke, DC Comics Darwyn Cooke Month Variant Covers (DC)
Mike Del Mundo, Elektra, X-Men: Legacy, A+X, Dexter, Dexter Down Under (Marvel)
Francesco Francavilla, Afterlife with Archie (Archie); Grindhouse: Doors Open at Midnight (Dark Horse); The Twilight Zone, Django/Zorro (Dynamite); X-Files (IDW)
Jamie McKelvie/Matthew Wilson, The Wicked + The Divine (Image); Ms. Marvel (Marvel)
Phil Noto, Black Widow (Marvel)
Alex Ross, Astro City (Vertigo/DC); Batman 66: The Lost Episode, Batman 66 Meets Green Hornet (DC/Dynamite)


Best Coloring

Laura Allred, Silver Surfer (Marvel); Madman in Your Face 3D Special (Image)
Nelson Daniel, Little Nemo: Return to Slumberland, Judge Dredd, Wild Blue Yonder (IDW)
Lovern Kindzierski, The Graveyard Book, vols. 1-2 (Harper)
Matthew Petz, The Leg (Blue Creek Creative/Top Shelf)
Dave Stewart, Hellboy in Hell, BPRD, Abe Sapien, Baltimore, Lobster Johnson, Witchfinder, Shaolin Cowboy, Aliens: Fire and Stone, DHP (Dark Horse)
Matthew Wilson, Adventures of Superman (DC); The Wicked + The Divine (Image), Daredevil, Thor (Marvel)


Best Lettering

Joe Caramagna, Ms. Marvel, Daredevil (Marvel)
Todd Klein, Fables, The Sandman: Overture, The Unwritten (Vertigo/DC); Nemo: The Roses of Berlin (Top Shelf)
Max, Vapor (Fantagraphics)
Jack Morelli, Afterlife with Archie, Archie, Betty and Veronica, etc. (Archie)
Stan Sakai, Usagi Yojimbo: Senso, Usagi Yojimbo Color Special: The Artist (Dark Horse)


Best Comics-Related Periodical/Journalism

Alter Ego, edited by Roy Thomas (TwoMorrows)
Comic Book Creator, edited by Jon B. Cooke (TwoMorrows)
Comic Book Resources, edited by Jonah Weiland, www.comicbookresources.com (link is external)
Comics Alliance, edited by Andy Khouri, Caleb Goellner, Andrew Wheeler, & Joe Hughes, www.comicsalliance.com (link is external)
tcj.com, (link is external) edited by Dan Nadel & Timothy Hodler (Fantagraphics)


Best Comics-Related Book

Comics Through Time: A History of Icons, Idols, and Ideas (4 vols.), edited by M. Keith Booker (ABC-CLIO)
Creeping Death from Neptune: The Life and Comics of Basil Wolverton, by Greg Sadowski (Fantagraphics)
Genius Animated: The Cartoon Art of Alex Toth, vol. 3, by Dean Mullaney & Bruce Canwell (IDW/LOAC)
What Fools These Mortals Be: The Story of Puck, by Michael Alexander Kahn & Richard Samuel West (IDW/LOAC)
75 Years of Marvel Comics: From the Golden Age to the Silver Screen, by Roy Thomas & Josh Baker (TASCHEN)


Best Scholarly/Academic Work

American Comics, Literary Theory, and Religion: The Superhero Afterlife, by A. David Lewis (Palgrave Macmillan)
Considering Watchmen: Poetics, Property, Politics, by Andrew Hoberek (Rutgers University Press)
Funnybooks: The Improbable Glories of the Best American Comic Books, by Michael Barrier (University of California Press)
Graphic Details: Jewish Women’s Confessional Comics in Essays and Interviews, edited by Sarah Lightman (McFarland)
The Origins of Comics: From William Hogarth to Winsor McCay, by Thierry Smolderen, tr. by Bart Beaty & Nick Nguyen (University Press of Mississippi)
Wide Awake in Slumberland: Fantasy, Mass Culture, and Modernism in the Art of Winsor McCay, by Katherine Roeder (University Press of Mississippi)


Best Publication Design

Batman: Kelley Jones Gallery Edition, designed by Josh Beatman/Brainchild Studios (Graphitti/DC)
The Complete ZAP Comix Box Set, designed by Tony Ong (Fantagraphics)
Little Nemo: Dream Another Dream, designed by Jim Rugg (Locust Moon)
Street View, designed by Pascal Rabate (NBM/Comics Lit)
Winsor McCay’s Complete Little Nemo, designed by Anna Tina Kessler (TASCHEN)

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The Point Radio: Playing The IDIOTEST And ????

The highly rated series, IDIOTEST, is back for a second season on the Game Show Network. Host Ben Gleib let’s us prove just how bright we are by playing an (unedited) round here plus meet the man that put the first Nike shoe on a big name NBA plater and started a 13 billion dollar a year phenomenon. Meet Sonny Vaccaro, subject of a new ESPN documentary.

NBC is setting up another prime time cross over event and we talk to the shows that will tie it all together.  Be sure to follow us on Twitter @ThePointRadio.

Bruce Timm Returns for Justice League: Gods & Monsters in July

Justice League Gods & MonstersBURBANK, CA (April 16, 2015) – Warner Bros. Home Entertainment, Warner Bros Animation and DC Entertainment present an all-new animated feature film from the innovative vision of renowned producer and animator Bruce Timm, Justice League: Gods & Monsters, on July 28, 2015.  The DC Universe Original Movie, which will include never-before-seen bonus content, will be available on Blu-Ray™ Deluxe Edition, Blu-Ray™ Combo Pack, DVD and Digital HD.

Witness a divergent reality where the Justice League protects the planet – but answers to no one but themselves. Employing methods of intimidation and fear, this Superman, Batman and Wonder Woman deal brute force in the name of justice. From the creative genius of executive producer Bruce Timm and co-producer Alan Burnett comes an original story where the world’s greatest triumvirate of super heroes has distinctly different origins. Superman was not raised by the Kents in Smallville, the Caped Crusader is not Bruce Wayne, and Wonder Woman is not an Amazon warrior of Themyscira. They are as likely the world’s saviors as Earth’s despotic rulers. When a group of famed scientists experience untimely “accidents,” a government task force follows the trail of clues to the Justice League – but is there a more powerful player operating from the shadows?  It’s a high stakes game of intrigue, mystery and action that asks the question: How do you serve justice to those above the law?

With a twist on your favorite Justice League characters, this film is full of thrilling new adventures and jam-packed with a celebrity voice cast which includes Michael C. Hall (Dexter) as Batman, Benjamin Bratt (Law & Order, 24) as Superman, Tamara Taylor (Bones) as Wonder Woman, Paget Brewster (Criminal Minds) as Lois Lane, Jason Isaacs (Harry Potter films, Dig) as Lex Luthor and C. Thomas Howell (E.T., Southland) as Dr. Will Magnus.

Sam Liu (Batman: Year One) directed Justice League: Gods & Monsters from an original story by Bruce Timm (Batman: The Dark Knight Returns) and Co-Producer Alan Burnett (The Batman), who also wrote the screenplay. Executive Producers are Sam Register and Bruce Timm. Benjamin Melniker and Michael Uslan are Co-Executive Producers.

Justice League: Gods & Monsters will be available on Blu-rayTM Deluxe Edition for $29.96 SRP, Blu-rayTM Combo Pack for $24.98 SRP and on DVD for $19.98 SRP. The Blu-rayTM Combo Pack includes a digital version of the movie on Digital HD with UltraViolet. The Blu-ray™ Deluxe Edition will include the Blu-Ray™ Combo Pack, along with an exclusive Wonder Woman figurine in a numbered limited edition gift set. Fans can also own Justice League: Gods & Monsters in Digital HD on July 28 via purchase from digital retailers.

“We are thrilled to announce this new and totally unique DC Universe Original Movie,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “With Bruce Timm presenting his distinctive take on the alternate universe of Justice League: Gods & Monsters, we know fans will be gripped by the plot twists and the question of whether we are dealing with heroes or villains.”

BLU-RAY AND DVD BONUS CONTENT

Justice League: Gods & Monsters Blu-rayTM and Blu-rayTM Deluxe Edition contain the following special features:

  • ALTERNATE REALITIES: Infinite Possibilities – Justice League: Gods & Monsters falls into a category of storytelling where our well-known characters and the worlds they inhabit are re-imagined. This documentary explores the various attempts by writers to have a little fun and tinker with the characters, resulting in exceptional storytelling that posed thought-provoking questions to audiences.
  • CALCULATED RISKS: The Making of Gods and Monsters – Justice League: Gods & Monsters was an idea that pushed the boundaries.  It began with that challenging question writers face: “What haven’t we seen before?”  Bruce Timm and Alan Burnett audaciously answered that challenge, resulting in a fresh and exciting film that forces us to think differently about the DC Universe.
  • The New Gods – Encore presentation of 2010 documentary about Jack Kirby’s New Gods.
  • A Sneak Peak at DC Universe’s Next Animated Movie – An advance look at the next DC Universe Original Movie.
  • Bonus cartoons from the DC Comics Vault

Justice League: Gods & Monsters DVD contains the following special features:

  • A Sneak Peak at DC Universe’s Next Animated Movie – An advance look at the next DC Universe Original Movie.

Sequart goes Ape in a Galaxy Far, Far Away with 5 New Books

Apes Comics CoverWith the success of last year’s analysis of Star Trek’s entire comics history, Sequart is proud to announce that work has commenced on three Star Wars books and two POTA books.

Over the next three years, Sequart will release essay anthologies analyzing all aspects of the Star Wars mythos:

  • First up will be 2015’s A Long Time Ago: Exploring the Star Wars Cinematic Universe: Edited by Rich Handley and Joseph F. Berenato, this book will examine the entire big- / small-screen saga that is Star Wars. From theatrical films to TV movies, from cartoons and commercials to variety shows and video-based amusement-park rides, the mythos continues to keep audiences glued to their seats. This anthology features insightful, analytic essays about the franchise’s long history from popular film historians, novelists, bloggers, and subject-matter experts, exploring why the films proved so immediately popular, where the movies and TV shows have succeeded and faltered, and why we all keep going back for more.
  • Next will be 2016’s A Galaxy Far, Far Away: Exploring Star Wars Comics: Editors Joseph F. Berenato and Rich Handley pick up where their previous volume left off. Over a thousand comics have been produced from a variety of publishers, including Blackthorne Publishing, the L.A. Times Syndicate, Dark Horse Comics, Scholastic, Tokyopop, and more. They’ve spanned the history of the franchise, from millennia before Anakin Skywalker’s birth to beyond Luke Skywalker’s death, and they’ve focused on every aspect of the Star Wars This anthology features insightful, analytic essays examining the Star Wars comics, written by popular comic historians, novelists, bloggers, and subject-matter experts — plus, a foreword by fan-favorite Star Wars comics writer John Ostrander. From Jaxxon to Cody Sunn-Childe, from Ulic Quel-Droma to Lady Lumiya, find out how comics helped to keep the Star Wars Universe alive, and why you’re missing out if you’re not reading them.
  • Finally there’ll be 2017’s A More Civilized Age: Exploring the Star Wars Expanded Universe: More than 250 Star Wars novels have been published by Del Rey, Bantam Books, Ballantine Books, and others, aimed at both young and adult readers. Spanning the decades before, during, and after the films’ events, the books have spawned new galactic governments, explored the nature of the Jedi and the Sith, and developed the Star Wars mythos well beyond merely a series of films and television shows. Editors Rich Handley and Joseph F. Berenato complete their trilogy with a look back at not only the Star Wars novels but also video games, radio shows, role-playing games, and more.  This volume offers insightful, analytic essays examining the Star Wars U., written by popular film historians, novelists, bloggers, and subject-matter experts — including fan-favorite Star Wars novelists Timothy Zahn and Ryder Windham. The films were just the beginning; find out how the universe expanded.

And the sci-fi fun continues! Over the next 18 months, Sequart and the editing dynamic duo of Handley and Berenato will deliver two Planet of the Apes essay anthologies:

  • Coming out in just a few months will be The Sacred Scrolls: Comics on the Planet of the Apes: More than 150 POTA comics have been published during the past four decades, from Gold Key, Marvel Comics, Power Records, Brown Watson Books, Editorial Pa.Sa., Malibu Graphics, Dark Horse, Mr. Comics, and BOOM! Studios. Writers have explored the settings, concepts, and characters from the films (and occasionally the TV series), while introducing an array of new characters and scenarios. Back stories have been revealed, plot holes filled in, and histories extrapolated upon. The comics have employed multiple genres and styles, taking readers to distant villages, ruined cities, and oceanic civilizations — and have even seen the apes battle alien invaders from War of the Worlds and Alien Nation. It’s been quite the madhouse, to be sure. But by and large, the Apes comics have remained true to novelist Pierre Boulle’s simian spirit. This anthology will feature insightful, analytic essays about the franchise’s four-color continuation, from popular comic historians, novelists, bloggers and subject-matter experts.
  • And 2016 will see Bright Eyes, Ape City: Examining the Planet of the Apes Mythos: The Planet of the Apes franchise has spawned eight films, with a ninth currently in the works, as well as two television series and several novels. It’s one of the most respected franchises in film history. This anthology will examine every Apes film, TV show, and novel, from 1968 to present. Like the first volume, this anthology will feature insightful, analytic essays about the franchise’s long history, from popular film historians, novelists, bloggers, and subject-matter experts. If you’re eager to learn more about Apes lore, then you’ll need to get your stinkin’ paws on this book.

The Point Radio: Farewell To LOST GIRL

It’s the fifth and final season for the SyFy supernatural show, LOST GIRL. Series star Anna Silk talks about her favorite moments (and the things she grabbed from the set on the last day) plus BITTEN’s Laura Vandervoort talks more about her show’s new season and what it was like to be TV’s first Supergirl.

We are back in just a few days and so is the hit Game Show Network series, THE IDIOTEST. We take the test – here – no holds barred!   Be sure to follow us on Twitter @ThePointRadio.