Category: Obituaries

Fred Fredericks, 1929 – 2015

Legendary comics artist Fred Fredericks died this week.

After attending New York’s School of Visual Arts in the period following the Korean War, Fredericks started drawing historical comics that attracted the attention of comic book editors. Before long, Fred was a regular at Western Publishing (Dell, Gold Key), where he drew such titles as The Twilight Zone, The Munsters, Mighty Mouse, Rocky and Bullwinkle, Mister Ed, Nancy, and Snuffy Smith. After working on several short-lived Civil War newspaper strips, Fredericks created the comics feature Rebel for Scholastic Scope, which ran for 30 years.

Mandrake the MagicianIn 1965, the year following the start of Rebel, Fred was selected by writer / playwright Lee Falk to take over the art chores on his daily and Sunday Mandrake The Magician newspaper strip. Fred drew Mandrake until the Sundays ended in 2002, but he continued drawing the daily feature until his retirement in 2013. Fredericks took over the writing chores when Falk died in 1999; he already had been lettering the strip. Overall, his stint on Mandrake ran nearly a half-century.

For 10 years Fred also inked George Olesen’s pencils on Lee Falk’s The Phantom Sundays, until Graham Nolan took over following Olesen’s retirement.

Fredericks returned to comic books in 1987, inking Alex Saviuk’s pencils on Marvel’s adaptation of the animated series Defenders of the Earth – a show that featured Mandrake, The Phantom and Flash Gordon. He went on to work on such Marvel titles as Punisher War Journal, Daredevil, Quasar, G.I. Joe, and Nth Man: the Ultimate Ninja. Around this time Fred also did a fair amount of work for DC Comics, including Who’s Who, Secret Origins, Showcase, and Black Lightning.

After his retirement in 2013, King Features put Mandrake The Magician into reruns, reprinting Fred Frederick’s work.

A personal note.

Around the time the Sunday Mandrake was coming to an end, I received a phone call from Lee Falk asking me if I knew where Fred might land some assignments. I gave him a few ideas, and later told Fred of a few more. As a “reward”, Fred sent me a package of original Mandrake art. Quite frankly, his entertaining me for decades was more than enough, but I was greatly moved by his generosity.

A man of great kindness and skill, Fred Fredericks played an important role in the world of post-WWII American comics, both strips and books. He kept Mandrake The Magician alive when all but a small handful of adventure strips fell by the wayside. Fred Fredericks will be missed by his great many fans worldwide.

(Photo above, left to right: Lee Falk, Lothar, Mandrake, Fred Fredericks)

 

 

 

 

 

Leonard Nimoy: 1931-2015

Leonard Nimoy: 1931-2015

Leonard Nimoy, best know to the world for his role as Mr. Spock in  Star Trek, died on Friday morning at his home in the Bel Air section of Los Angeles from end-stage chronic obstructive pulmonary disease. He was 83.

Our thoughts and condolences go out to his family, friends, and fans.

Photo by State Library and Archives of Florida

Ed Summer’s Comics and Movies

Ed Summerby Mike Gold and Martha Thomases

Ed Summer, the man who opened one of America’s first comic book stores and went on to a varied and significant media career, died Thursday from cancer.

A graduate of the New York University School of the Arts (his classmates included Oliver Stone, Jonathan Kaplan and Alan Arkush), Summer opened the Supersnipe Comic Book Emporium on Manhattan’s upper east side in 1971. The store was named after the Street and Smith comic book character who owned more comic books than anybody else in the world. In the late 1970s he opened a comic art gallery, also one of the first, near his store. His friend George Lucas was an investor.

Moving on to motion pictures, Ed wrote or co-wrote Conan the Barbarian (and also was associate producer), Mickey Mouse and Donald Duck cartoons for Disney, and Shinsha (a anime take on Little Nemo). He  was marketing and script consultant for Star Wars: A New Hope and advised Lucasfilm Ltd on numerous projects over the years.

Summer also wrote comics for Gold Key, DC and Marvel and he wrote numerous articles for a wide variety of magazines, including Time, Skeptical Inquirer (a science magazine) and Video Watchdog. He also edited and published Walt Disney’s Uncle $crooge McDuck: His Life and Times, one of the first detailed retrospectives on the work of master storyteller Carl Barks, and was an adjunct professor at New York’s School of Visual Arts.

And that just scratches the surface of Ed’s vast media career.

A native of Buffalo New York, In 2005 Ed started the Buffalo International Film Festival, one of his proudest achievements. He told ComicMix’s Martha Thomases he did it not only to bring some tourism to his hometown, but also because there were so many fabulous old movie palaces there. The Festival continues to this day.

Ed truly loved the movies.

 

Jay Maeder, 1947 – 2014

Jay MaederLittle Orphan Annie writer, newspaper columnist and comics historian Jay Maeder died of cancer this morning.

Jay wrote the Annie strip from 2000 to its demise in 2010, working with artists Andrew Pepoy, Alan Kupperberg and Ted Slampyak. He felt it was the crowning achievement of his long career, which included writing columns and features for both the Miami Herald and the New York Daily News after starting off at the Lorain Ohio Morning Journal. His People column was a page-two staple of the Miami Herald for 15 years. He then moved on to the Daily News, where he edited and often wrote the Big Town NYC / Big Town Biography columns as well as the Lounge Lizard column and the NewsReel feature.Annie cover

In addition to his work on Annie, Jay is best known to the comics community as the author of Dick Tracy: The Official Biography and a contributor to The Encyclopedia of American Comics and to Dean Mullaney’s Library of American Comics.

Shortly before he was diagnosed with cancer, Jay successfully pitched a graphic novel concept to ComicMix. Sadly, this book, a collaboration with Rick Burchett, will not come to pass.

I had known Jay for upwards of 30 years. Influenced by the great newspaper writers of the first half of the 20th Century, in Miami he took the spirit and the energy of Walter Winchell and updated it to both the times and to the Miami environment. We both grew up fascinated by the legends of American newspaper history. Jay’s style was contemporary, but no less identifiable than Winchell’s. Jay often wore a white suit and hat and he could get away with it even in a shit storm.

I think my fondest memory of Jay revolves around a summer day at his home in Greenwood Lake, NY, one shared by ComicMix’s Glenn Hauman and Martha Thomases. His library looked frighteningly like my own, and we each coveted the other’s exclusives. The two of us just sat there discussing pop history, sharing stories about legends like Col. McCormick and the great comics creators… as well as the not-so-great.

Jay Maeder is survived by his companion, Amanda Hass, his sons Jordan and Christopher, four grandchildren, and two former wives. He was 67.

 

C.J. Henderson: 1951-2014

CJ Henderson

Chris “C.J.” Henderson, writer of numerous comics for DC, Marvel, Tekno, Eternity, and Moonstone, as well as a prose writer of hard-boiled mysteries and science fiction and a staple at many conventions, died July 4th at the age of 62 from cancer.

He started writing comics in 1986 for Eternity’s Ninja and Reign Of The Dragonlord, later going on to write the Punisher, Clive Barker’s Hellraiser, and Batman. He wrote most notably on Tekno’s Neil Gaiman’s Lady Justice.

His prose works included his own characters such as his hard-boiled detective Jack Hagee series, his supernatural detective Teddy London series, and his Brooklyn Museum curator Piers Knight series. He also worked with William Shatner on his novel Man Of War, and wrote a few novels of Kolchak, the Night Stalker.

He also occasionally collaborated with his artist daughter, Erica Henderson, with our personal favorite collaboration being Baby’s First Mythos, a Cthulhu children’s book. (For the record, CJ was always immensely proud of his daughter.)

A fundraiser has been set up to help his family defray the costs of medical and funeral expenses, along with the book. For those who wish to send condolences, the address is:

CJ Henderson
1944 W. 11th St.
Brooklyn, NY 11223

Our deepest condolences to his wife, Grace, and his daughter, Erica. He will be deeply missed.

For those who wish to send condolences the address is:CJ Henderson
1944 W. 11th St.
Brooklyn, NY 11223 – See more at: http://www.youcaring.com/medical-fundraiser/society-for-the-preservation-of-cj-henderson/87881#sthash.7JAJaglJ.dpufhttp://
For those who wish to send condolences the address is:CJ Henderson
1944 W. 11th St.
Brooklyn, NY 11223 – See more at: http://www.youcaring.com/medical-fundraiser/society-for-the-preservation-of-cj-henderson/87881#sthash.7JAJaglJ.dpufhttp://
For those who wish to send condolences the address is:CJ Henderson
1944 W. 11th St.
Brooklyn, NY 11223 – See more at: http://www.youcaring.com/medical-fundraiser/society-for-the-preservation-of-cj-henderson/87881#sthash.7JAJaglJ.dpufhttp://
In Gratitude

In Gratitude

It’s easy to define the best part of making it into your geriatric years: you are still alive. The worst part of making it into your geriatric years is also easy to define: people are dying all around you. That sucks, but you’re still alive so maybe when its time to get past your mourning you shouldn’t think the world has taken a crap on you in particular.

But… you know… it really has.

More than thirty years ago, Mike Nesmith, of Monkees fame, said “growing old is a bitch, and our generation is totally not prepared for it.” That’s true; the baby boomers are indeed the first generation to be raised in the luxury of Peter Pan’s shadow. Death has a habit of shouting “It’s time to grow up.”

I don’t believe I ever met Michael Davis’ mother, and that’s a shame. I think the most difficult part of motherhood isn’t childbirth, although that’s hardly a walk in the part. It is taking on and fulfilling the responsibility of raising your child to be a decent human being. After doing just that, Michael’s mom, Jean Harlow Davis Lawrence (and that’s a cool name), passed away Saturday morning.

I owe her… big time.

She raised a great kid – clever, intelligent, funny, and a person who genuinely understands the holiness of friendship. I put that all on Jean. Michael was too young to do it himself. He’s written lovingly about her so much that I feel I really know her. But I think I really know Michael, and that’s about the closest thing.

Michael, you are surrounded by the love of your many, many friends. Your loss makes you feel lonely, and that is fair and proper. But, my friend, you are not alone.

And you are loved.

Dick Ayers: 1924-2014

Dick Ayers

Avengers comics sales history -- five decades, assembled!“Daring” Dick Ayers, an Eisner Award Hall-Of-Famer best known as an inker for Jack Kirby during the 50’s and 60’s during Marvel’s rebirth in the Silver Age, has passed away. He had just turned 90 last week.

Ayers may be best known for inking some of the earliest issues of Fantastic Four, and he was the signature penciler of Marvel’s World War II comic Sgt. Fury And His Howling Commandos. Ayers started as a artist in the 40’s (where he co-created the original Ghost Rider), later teaming up with Kirby in 1959 over at Marvel. Ayers went on to ink scores of Kirby Western and monster stories, including such much-reprinted tales as “I Created The Colossus!” from Tales of Suspense #14, “Goom! The Thing From Planet X!” from Tales of Suspense #15, and the immortal “Fin Fang Foom!” from Strange Tales #89.

As Marvel Comics introduced superheroes in the early 1960s, Ayers inked Kirby on the first appearances of Ant-Man (Tales to Astonish #27 and 35, Jan. and Sept. 1962), Sgt. Fury and his Howling Commandos (#1-3, May-Sept. 1963), and the revamped Rawhide Kid (beginning with The Rawhide Kid #17, Aug. 1960). He inked Kirby on the second and several subsequent early appearances of Thor (Journey into Mystery #84-89), plus others; on Fantastic Four #6-20  and the spin-off Human Torch solo series in Strange Tales (starting with its debut in issue #101); and Avengers #1. He also inked Steve Ditko on Iron Man, The Amazing Spider-Man and The Incredible Hulk, among many many others.

Ayers took over from Kirby as Sgt. Fury penciler with issue #8 (July 1964), beginning a 10-year run that — except for #13 (which he inked over Kirby’s pencils), and five issues by other pencilers – continued virtually unbroken through #120 (with the series running Ayers reprints every-other-issue through most but not all from #79 on).

He was a frequent convention guest in recent years, and was one of the last living creators of the Marvel era. Our condolences to his family, friends, and fans.

Al Feldstein, 1925 – 2014

Feldstein ArtComics legend Al Feldstein died yesterday at his Montana home, at the age of 88.

Best known for his work as editor of Mad Magazine from 1956 to 1984, Al co-created, wrote and drew for most of the classic EC comics, including Tales From The Crypt, Weird Science, Panic and Shock SuspenStories. Prior to signing on with EC, Feldstein was a prolific comics artist with work appearing in comics published by Fiction House, Fox, and ACG, among many others.

Taking Mad over from co-creator Harvey Kurtzman, Al introduced many of the magazine’s most popular features, including Don Martin’s irrepressible pages, Antonio Prohias’ Spy Vs. Spy, Dave Berg’s Lighter Side, and Al Jaffee’s fold-ins. He also increased the visibility of company mascot Alfred E. Neuman.

A man of strong progressive political beliefs, he was the subject of an FBI investigation following his publication of satirical criticism of notorious FBI director J. Edgar Hoover. According to USA Today, two FBI agents demanded an apology for “sullying” Hoover’s reputation by using his name in Mad. No such apology was issued by Feldstein.

Over the years, Feldstein’s work at EC Comics inspired quite a number of movies, television shows, cartoons and Broadway musicals. The level of outrageousness set by the editor and his staff inspired later satirists such as Mike Judge, Matt Groening, Trey Parker and Matt Stone.

Al devoted his retirement years to western painting, as well as the occasional “flashback” painting of the EC horror hosts, 1950s science-fiction themes and his late EC/Mad boss, Bill Gaines. He also appeared at numerous comics conventions where he  signed autographs and sold prints of his painted work.

Last August, IDW published Grant Geissman’s definitive autobiography of the cartoonist, Feldstein: The Mad Life and Fantastic Art of Al Feldstein! 

That final exclamation point in the title tells it all.

ComicMix Quick Picks: April 2, 2014

ComicMix Quick Picks: April 2, 2014

A Wednesday Window Closing Wrap-Up™ for y’all. Here we go:

Anything else? Consider this an open thread.
(Poster art by Tom Whalen)

In Memoriam: Bill Hicks

[[[Bill Hicks]]] died twenty years ago today, February 26, 1994. Most comic book fans know him from his appearance in Preacher #31, by Garth Ennis and Steve Dillon:

Here’s the man at work, in a segment that David Letterman removed from his show:

This was his final statement:

February 7, 1994 –

     I was born William Melvin Hicks on December 16, 1961 in Valdosta, Georgia. Ugh. Melvin Hicks from Georgia. Yee Har! I already had gotten off to life on the wrong foot. I was always “awake,” I guess you’d say. Some part of me clamoring for new insights and new ways to make the world a better place.

     All of this came out years down the line, in my multitude of creative interests that are the tools I now bring to the Party. Writing, acting, music, comedy. A deep love of literature and books. Thank God for all the artists who’ve helped me. I’d read these words and off I went – dreaming my own imaginative dreams. Exercising them at will, eventually to form bands, comedy, more bands, movies, anything creative. This is the coin of the realm I use in my words – Vision.

     On June 16, 1993 I was diagnosed with having “liver cancer that had spread from the pancreas.” One of life’s weirdest and worst jokes imaginable. I’d been making such progress recently in my attitude, my career and realizing my dreams that it just stood me on my head for a while. “Why me!?” I would cry out, and “Why now!?”

     Well, I know now there may never be any answers to those particular questions, but maybe in telling a little about myself, we can find some other answers to other questions. That might help our way down our own particular paths, towards realizing my dream of New Hope and New Happiness.

Amen

     I left in love, in laughter, and in truth and wherever truth, love and laughter abide, I am there in spirit.

More power to you, buddy. Hope you enjoyed the ride.