The rumors have been kicking around for a while, and we’ve even made jokes about it in the past, but now Rich Johnston reports that there’s a possibility that there may be more stories set in the Watchmen universe.
I was told before New York Comic Con that it might be back on and that DC were drawing up a wishlist of creators for a series of Watchmen prequel comics.. Well, I’ve now heard a lot more. Darwyn Cooke’s name is at the very top, linked to drawing two mini-series and writing another, followed by the likes of JMS, JG Jones, Andy Kubert and Brian Azzarello. Whether or not they have been approached, I don’t know, and no one’s talking, but it gives you an idea of the scale. I would also expect Dave Gibbons and John Higgins to be involved in some way.
It looks like The Lone Ranger will ride after all: TheWrap has confirmed that Disney is close to a deal to revive the Johnny Depp movie. In August, the company halted production on the big-budget project, which stars Depp as Tonto and Armie Hammer as the masked man. Gore Verbinski is directing and Jerry Bruckheimer is producing. An individual close to the project told TheWrap on Tuesday that while a deal to get the project back in production is not yet finalized, it appears imminent.
In our era of Existential angst, ain’t it time that we make time to laugh at our messy human selves? If you’re ready for a good dose of some of that and just in time for New York Comic Con this weekend, join the folks at the much-lauded Brick Theater in Williamsburg, Brooklyn with the award-winning Impetuous Theater Group’s production of Crystal Skillman’s [[[Action Philosophers!]]], directed by John Hurley, based upon the comic books of the same name written by Fred Van Lente (married to the playwright) and illustrated by Ryan Dunlavey (reviewed here plus interview with Fred last year). First mounted for the Comic Book Theater Festival in June, this retooled upgrade has 50% new cast.
You’d think that turning a truly comic book into a comedy would be a piece of cake! Wrong-o-roonie! As the dynamic duo of Skillman & Hurley discovered, it’s a challenge. But they kept this Philosophy professor very happy (they could pass my mid-term!). The result: it’s philosophical history a la Monty Python on Crack. Fasten your safety belts and keep your arms in the ride at all times.
Universal must like what it sees in its upcoming thriller “Contraband,” as the studio is in negotiations to reteam helmer Baltasar Kormakur with the pic’s star, Mark Wahlberg, on the actioner “2 Guns.”
Pic follows a DEA agent and an undercover naval intelligence officer who unwittingly investigate each other as each steals mob money.
David O. Russell rewrote a script penned by Blake Masters, who adapted Steven Grant’s graphic novel.
Marc Platt is producing with Boom! Studios’s Andrew Cosby and Ross Richie.
CANNES — Scott Adkins (“The Expendables 2”) and Michael Jai White (“Black Dynamite”) have joined the international cast of sci-fi TV series “Metal Hurlant Chronicles.”
Rutger Hauer (“Blade Runner”), Joe Flanigan (“Stargate Atlantis) and James Marsters (“Buffy”) will also star in the TV show’s first season.
“Metal Hurlant Chronicles” is based on the French sci-fi and fantasy comics anthology that was published in the U.S. as “Heavy Metal.” The first season will be delivered in April and the second will bow in November 2012. Each episode will adapt stories from the original graphic novels. Created by comic artists Jean Giraud (aka Moebius) and Philippe Druillet in 1974, “Metal Hurlant” became a sci-fi phenom in the 1980s.
Please take a look at last week’s installment before continuing on…
As I said, I’ve had a very interesting career in comics.
Denys Cowan and I were biding time until the premier of Mike Grell’s Jon Sable series on television. I’d been invited to watch it in Mike Grell’s hotel room and I invited Denys.
We were wandering around the 1987 Mid Ohio Con and I was on Cloud 9 thanks to John Ostrander, who issued the invite. While Denys was looking at comics at a retailer booth I moseyed over to a creator’s booth. As I mentioned before I talk to everyone and the thought of looking at someone’s work while they stand there and watch me look at their work is just crazy to me.
So, being me, I started asking questions about the copies of what looked like a quickly Xeroxed and even more quickly stapled comic book. One of my pet peeves is presentation. I don’t care how good an artist you are if the presentation of your work sucks I simply don’t want to look at it.
Hey, I don’t care how good a chef is in the kitchen or how good the food is, if I see a roach I’m not eating in the restaurant. I mean who the Hell wants a haircut from a barber who’s own hair is a mess?
Not me my friend, not me.
The book I was gazing at looked homemade – but – the two guys behind the table were cool as shit and the comic was the most original thing I had ever seen in comics before.
The artist and writer I was talking too were Kevin Eastman & Peter Laird and the book was Teenage Ninja Mutant Turtles.
Summit Entertainment just acquired screen rights to Area 52, and will develop a live action adaptation based on the four-issue comic book series from Brian Haberlin published by Image Comics in 2001.
Lorenzo di Bonaventura and Mark Vahradian will produce, and JC Spink will be executive producer through Benderspink. The comic focused on a top secret warehouse in Antarctica called Area 52, a government storage dump for otherworldly discoveries, manned by a ragtag group of misfits who have been exiled to the middle of nowhere to staff it. When an alien killing machine is accidentally hatched in this repository, the group must band together and use the stored mythological weapons and artifacts to save themselves and the world.
Not long ago, I was chatting with a movie guy (yes, that was me, riding shotgun in the gold Ferrari, tooling down Rodeo Drive, heading for Brad and Angie’s…) and he said that the summer of ’11 could be make-it-or-break-it time for superhero flicks.
As you know by now, there have been four – count ‘em four – such entertainments released in the past several months, raising the question: Have we had enough?
Hard to say. Three of the four films were solid profit-makers and the last will probably limp into the black eventually, if it hasn’t already. So the chair-fillers aren’t reacting against super-doers, but if you squint, you might be able to detect signs that the honeymoon is over. A hundred and ten minutes of a dude in a funny suit doing grandiose stunts and bashing other dudes, also in funny suits, is no longer box-office surety. The novelty value is gone.
Remember when kung fu flicks first hit the U.S.? (Okay, most of you don’t because that happened before you were born, but indulge me.) For some of us, including me and my post-toddler son, any martial arts movie was the right martial arts movie and we spent a lot of afternoons in sticky-floored theaters watching them. The new approach to action-melodrama, the exotic casts, and – oh yeah! – the nifty fight-acrobatics (and whatever amusement could be gotten from bad dubbing) were enough to engross us, regardless of these Asian imports’ other merits or demerits. Then along came Bruce Lee and Enter the Dragon and then Jackie Chan and…
And, eventually, kung fu became just another genre, like westerns and war and romance and family comedies and raunchy comedies… Another genre. I still watch and enjoy martial arts films, particularly those with acrobatics, particularly acrobatics as practiced by performers from Thailand, and you can enjoy them, too, because your local Blockbuster has a goodly selection for rent and you don’t have to troll too far on your cable TV hookup to find one or two or…
Another genre, yes, but one that comes in a lot of sizes and shapes and languages and one you might patronize because of the virtues of a particular movie, not because of that movie’s label.
Superhero movies are, I shyly contend, undergoing a similar evolution. Already, perhaps, some of you don’t go to see a Marvel flick, you go to see Robert Downey, Jr., doing his Iron Man, and it’s well worth the trip. The acting is improving, the themes becoming more complex and the special effects…well, sometimes you aren’t aware of them as effects; they exist to serve the narrative, not to make us ohhh and ahhh as though we’re watching a spectacular fireworks display. It’s about story, not spectacle.
Spectacle is fine, but narrative offers other rewards, and most movies are narratives. The best special effect I’ve seen all summer happened early in Captain America, when somehow the cinematic wizards grafted Chris Evans’s head onto someone else’s body – seamlessly, perfectly realizing a plot element. No explosions, no shattered planets, just splendid storytelling.
This is a milestone: it was announced at San Diego Comic-Con that a live-action adaptation of Last Blood, a webcomic first published on Keenspot back in 2006, is in the works with Simon Hunter (The Mutant Chronicles) directing with an anticipated 2012 release. To our knowledge, this is the furthest any webcomic has gone towards being adapted into a feature film.
The premise is amazingly simple: After zombies take over the Earth, vampires must protect the last surviving humans so they can live off their blood. Wackiness, as they say, ensues.
Last Blood will be produced by Ironclad exec producer Christian Arnold-Beutel as well as Red Giant Media’s Aimee Schoof, Isen Robbins and Benny R. Powell, and Chris and Bobby Crosby. The Crosby siblings created the graphic novel with illustrator Owen Gieni, and Bobby Crosby wrote the script with Nick V. Sterling.
Variety reports that Blood of the Innocent, based on the graphic novel series setting Dracula against Jack the Ripper written by Rickey Shanklin & EZ Street and Lone Justice co-creator Mark Wheatley, drawn by Munden’s Bar artist Marc Hempel & Mark Wheatley, and published by Warp in 1985, is being funded as a full length feature.
Inferno has acquired underlying rights to the series and is funding development and production of the feature, which is being co-produced with Circle of Confusion. Jim Siebel, Marc Butan and Bill Johnson are producing for Inferno; Circle of Confusion partner David Engel and VP Stephen Emery are also producing along with Ksana Golod.
“Blood” has been in development at the production/management banner since last year. Breck Eisner (“The Crazies”) is attached to direct and Bill Marsilii (“Deja Vu”) is writing.
Congrats to Rickey, Mark, and Marc. Save us aisle seats at the premiere.
The rumors have been kicking around for a while, and we’ve even made jokes about it in the past, but now Rich Johnston reports that there’s a possibility that there may be more stories set in the Watchmen universe.
