I had a meeting yesterday with a company that is going to change the game on the net and can change for comics and creators. I’ve haven’t been this excited since I was 17 and my very first real girlfriend Yvonne Stallworth said, “My parents won’t be home until the morning.”
At 17you know what that means, right fellas?
Or in my case spending the night saying; “Please…please…please.” Before you think I was begging for poon tang; “Please, Please, Please” is the title of a James Brown song I was singing… as I was begging for poon tang.
I can’t talk about the company or what they are doing…no that’s not true, I can talk about it but I’m hedging my bets just in case I’m wrong…which, by the way, I’m not.
That way if they crash and burn I’m protected and if they succeed I’m golden!
All the above said, I’m at a lost as to what was the last game changing moment in comics.
I guess it was the New 52 from DC.
I’m not sure because to say something is a game changer is a big deal. Because it’s such a big deal I started thinking, what does it take to be a real game changer?
This is what I came up with. Areal game changer is a person or event that creates a new way of looking at things and years later that way has become the way.
So, with my personal criteria noted what follows are what I consider the most important game change decisions or people who have done so since I’ve been reading comics. You may disagree and if so feel free to amend, add or challenge some or all of my choices.
This list is in NO particular order.
Todd McFarlane’s Spider-Man
Death of Captain Marvel
Death of Superman
The New 52
The Killing Joke
Crisis on Infinite Earths
Death of Barry Allen
Neil Gaiman’s Sandman
Kirby’s fourth world
Death of Gwen Stacy
San Diego Comic Con International
Teenage Ninja Mutant Turtles
The A.P.E convention
Like I said the above list is in no particular order. Don’t send me comments about McFarlane being before Stan Lee, the list is in no particular order.
A few weeks ago my dear friend Lisha invited me to a dinner party.
I hate dinner parties.
I especially hate those where I don’t know the majority of people at the table. I hate them with a passion. I’d rather sit at home alone with a bowl of Frosted Flakes watching movies than attend 99.9% of the dinner parties I’ve been invited to.
I don’t care if they are serving my three favorite foods in the world, steak, lobster or bacon.
I’d do anything for bacon, but as Meat Loaf says “I won’t do that.”
At most dinner parties it’s always the same kind of people. Boring. Boring people.
I just cannot abide people sitting around a table getting drunk and talking smack about things I just could give two cents about. I always end up in a debate with someone over something and the person who invited me in the first place always ends up apologizing for me pimp slapping someone verbally.
Case in point: the last dinner party I attended was around four years ago. If that seems like a long time it is, now consider this, I’m invited to a dinner party at least at the very least 5-10 times a month. That’s a lot of dinner parties, is to not?
The previous dinner party I went to I got into it with a woman on, of all things, being black. She thought I didn’t know how to be black.
She was a white wasp in her mid-fifties and she just could not understand why I was not supporting Obama. This was during the Democratic primary season and at the time I was a Hillary supporter. This woman could not imagine a black person who was not prepared to vote for Obama. I tried to explain to her that I supported Hillary because I thought she was a better candidate and I just wasn’t prepared to vote for Obama just because he was black.
She didn’t get it. She refused to get it. After a good 20 minutes of her telling me how ignorant I was I had had enough so I went… here… “Voting for Obama just because he’s black would be like marrying a women just because she’s a Ugly Bitch. It makes no sense to me, but clearly it made sense to your husband.”
Like I said. I went there.
She went away.
That sort of things always happens to me at dinner parties, so I simply do not go.
This occasion, I did go. I went because lovely Lisha invited me. Truth be told, I trust Lisha like I trust few people. I figured if the people there were Lisha’s friends I was in good hands…and there might be bacon!
The party started at 7:30 pm and I didn’t get to the house until 8:30. I had a few challenges finding the home and more than once I considered just going home. Home to my Frosted Flakes, movies… and bacon.
Right when I decided to go home I found the residence (guided by Lisha’s phone call) so I walked in to the Lion’s Den trusting that Lisha had not put me in the middle of a Herman Cain rally.
Everyone in the party was ultra cool. Well except for this one black guy who kept eyeing me… (It’s a Black Man thing; you wouldn’t understand) but discounting him these were all great people.
At the party I noticed a young lady who was breathtakingly beautiful. I mean she was stunning. She also had a great smile and there was an empty seat next to her so
I ended up sitting next to her… what???
Her name was Paige, she was beautiful, smart and she was also something that almost knocked me off my feet…
She was 14.
I was amazed that she was 14, not because she was attractive but because she was so well spoken and she was smart. I’m talking real smart. Paige was sitting next to a woman whom at first I thought was her sister but turned out to be her mom. I knew it was her mom not because I was told but because she was giving me the “I’ve killed before and I’ll kill again” look only a mom can give when defending their children.
Paige, her mom and I hit it off pretty well mostly because they both have a sense of humor and, as most people know, I’m a funny guy.
Now here’s the kicker… Paige is not just pretty, smart and mature. She’s… wait for it… wait for it… an artist.
She’s a fantastic artist. She showed me some of her work and again, the level of sophistication to what she was showing me was wonderfully beyond her years.
Paige and I spent most of the party talking about art. She loves to draw and is going to a prestigious high school for the arts.
Paige wants to be an interior designer.
That’s a problem.
Don’t misunderstand me, Paige would be an incredible interior designer, in fact she already is. Her mom told me Paige designed their home and it looks fabulous.
The problem is I want Paige in the comic and related industries and I’m trying to figure out a way to get her interested in such. Not too long ago I wrote an article about what it takes to make it in this industry. Paige at 14 has everything I was talking about.
Did you hear me, industry? She’s 14 and more professional than some artists I’ve met who are twice her age. We need people like Paige in the industry; we want people like Paige in the industry.
Over the weekend I attended Wonder Con and caught up with my dear friend Barbara Randall Kesel. She was sitting with a few other women artists signing this incredible book from IDW called Womanthology / Heroic.
It’s a hard cover anthology featuring women artist. I brought two, one for myself and one for my girl Tatiana. The book is simply wonderful. I need to buy another one because even though the artist signed my book to me, I’m giving my copy to Paige.
If anything can cause her to take a look at comics as a career it’s this book!
Paige is going to be my guest at Comic Con. I’ll take the time to introduce her to the playa’s in the industry and hopefully she will take an interest. Who knows maybe she will decide to be a comic book creator and an interior designer? I’m sure she could do both-she’s that talented.
No idea if Paige will see this as I’m sending it to her mom first to make sure it’s OK. If you are seeing this, Paige, I hope you consider becoming a creator in an industry that is great and can use new blood like you.
If not-I want my book back and I’m spreading a rumor on Facebook that you have been in and out of jail since you were three.
I am the proud owner of two, that’s right two original pieces of Moebius art.
It’s a big deal and it’s not a big deal. It’s a big deal because Moebius is one of the greatest artists ever. Period.
It’s not a big deal because hundreds, maybe even thousands, have an original piece of Moebius art.
That’s because he gave them away.
At comic conventions he would sit and do free sketches for people. So there is a multitude of people who all have original Moebius art.
Think about that for a second. Moebius one of the greatest artist ever, gave away sketches for free. And he did the drawings just for you.
That boggled my mind then and it boggles my mind now.
I was fan from the second I saw his work in Heavy Metal magazine way back when. Huge fan.
I had – and still have – a Moebius pen and ink style. I also give away free art at conventions, because no one would pay me, and I do those drawings in a Moebius pen and ink style.
When asked (rare as it may be) to do a drawing I still do them for free and, yes, if you catch me somewhere and I have a moment and you would like a Michael Davis drawing I will be happy to do one for you. But…
I only draw one thing… a drunken fat Batman. Long story and I will share… but not now. Now, I must digress for a moment before retuning to Moebius.
Many (I’d say most) of you just know me from my weekly rants here at ComicMix or for my f-word laced rants on my site. I’ve had a weird career in comics. That’s also a story for another time but take my word for it most of the stuff I’ve done has been behind the scenes.
I make deals. That’s what I do. That’s yet another story for another time but that’s pretty much my career in comics I’m a deal maker and I’m talking big deals also.
I’m real good at deal making, Hell I’m the freakin’ best at it if you ask me. I’m not bragging. It’s not bragging if you can do it.
I can do it.
I’m co-founder of Milestone Media and once during one of our San Diego convention trips in the mid 90s my three partners, the late Dwayne McDuffie, Denys Cowan and Derek Dingle and I, were manning the Milestone booth in shifts.
On this day, during my brake from the Milestone booth I stood on a very long line to get my second Moebius drawing. The day before I stood on line during my break for the first. When I got back to the booth I proudly showed off my new Moebius drawing.
Denys looked at it like he was going to punch me and take it. Dwayne was just as impressed, I think Derek was scaring some kid away. How? Derek took his role as President of Milestone Media very seriously. He wore tailored suits everywhere, even comic conventions. He looked like a Fed and that scares people. Really, it does.
While we were looking at the drawing Denys and I started taking about Moebius and just how cool it would be to get him to do some Milestone covers…
“That will never happen.” Dwayne said in that Dwayne is always right tone of voice, because, well, he was always right.
“Why not?” I asked. “He’s one of the biggest artists in the industry, one of the biggest artist in the world. He’s swamped and impossible to get to.” Dwayne retorted.
“I got to him twice, today and yesterday.” I dead paned.
We all laughed at that and after that moment passed I told Dwayne I was going to ask Moebius. He said, and I’ll never forget it, “If you can get him then I’ll believe the hype.”
I got him.
Moebius did four covers for us and we then turned those covers into posters.
It was quite a coup for Milestone and me.
Moebius passed away Saturday and it really messed me up for most of the day. I not only admired his work I was a fan of the way he lived his life. Never a bad word about anyone or anything, always took the time to talk (and draw!) to his fans. He was just a wonderful man.
All these years I thought the reason Moebius did those covers was because I was such a hot shot dealmaker.
He did those covers because he was the real deal just a wonderful, wonderful, person.
He didn’t see Michael Davis, fast talking dealmaker. No, Moebius saw a fan that stood in two very long lines twice to get those drawing. He did those covers for the fan boy who really loved his work not the executive from Milestone.
That realization came to me like a brick to my forehead this morning when I heard the news. I’m now certain the answer would have been “no” if he didn’t know I was such a fan. Don’t ask me how I know, I just do.
Nevertheless, I did get a coup. Four coups, actually.
I have two Moebius drawings, I spent some time with him and he drew characters I co-created.
Not bad for a fanboy eh?
Rest in peace, dear Moebius, you were one of the greats, as an artist and as a man.
In February 2013, I will have the honor of curating a galley show called Milestones: African Americans in Comics. Pop Culture and Beyond. The show will held at the Geppi Entertainment Museum in Baltimore, Maryland.
It’s my goal to make this the most comprehensive showing of black comic and related content ever assembled.
The Geppi Museum is nothing short of fantastic and as mentioned I am indeed honored to be creating this show for them. The best of the best will be showcased… but that’s not what I’m writing about today. Today I’m looking for a few good artists.
A few good new artists.
Soon the process will begin to select the professional artists for the show. Some will be invited others will be asked to submit work for jury selection. Consider this my ComicMix reader jump start for any new artist out there who may want to submit work for the show before the official call for entries.
I want to showcase new creators who may not be published yet. The show will have a worldwide audience as it will be up for a year and the press coverage will be massive. The opening of the show will surely attract comics elite and powerful and will be a grand way for a new artist to have his or her work showcased.
The show is not just open to black creators. It’s a show about African-American impact in pop culture. I’m open to any art that features or has been influenced by the African-American experience.
To put it another way, the Black Panther was created by Jack Kirby and Stan Lee.
I’m looking for creativity, excellence and above all voices with something to say.
In the months ahead, the Geppi Museum will be releasing information on submissions and updates on the show as it progressives.
If you can, try and see the show while it’s up. There will be punch and pie.
Every year for almost 20 years (since I was 5, Jean) like clockwork I give a party at Comic Con.
Every year like clockwork I host a dinner at Comic Con.
Every year like clockwork I host The Black Panel at Comic Con.
Every year like clockwork I hear from people I have not heard from since last year looking for an invite to my party.
Every year like clockwork I hear from people I have not heard from since last year looking for an invite to my dinner.
Every year like clockwork I hear from people I have not heard from since last year looking for me to put them on The Black Panel.
Every year like clockwork I hear from people I have not heard from since last year looking for me to get them a hotel room or a pass to Comic Con.
Comic Con is in July. It’s only February. The requests don’t usually start until a couple of weeks before Comic Con so I’m a few months ahead of the game.
Well, this year I’m nipping all that bullshit in the bud.
The answer is no.
No. No. No.
No, if I don’t know you, you cannot come to my party or my dinner and you certainty cannot not be on the Black Panel.
Regarding the party and dinner, I don’t care who told you they could get you in. You can’t.
Let me explain something to those who are among the many who ask of me the above. Like I said in last week’s article, the Comic book industry is a business. It’s part of the entertainment business. Comic Con is not a place where those who are serious about business come just to hang out.
Comic Con is where deals get done, relationships are cemented, partnerships are explored, opportunities are exploited and money is made.
When you operate at a certain level Comic Con is not a place where you hang out with friends and look for that copy of Spider-Man you had as a kid.
No, Comic Con is a place where you come to solidify and grow your business.
So, no, you cannot come to my annual party, person I don’t know, because it’s business.
Do you think the club my party is at is free?
No, no it’s not. So why, person I don’t know, should I grant you admittance when you don’t even know what I do? What possible reason is there for me to do that?
Do you think the dinner I have is free?
No, it’s not. That dinner costs thousands of freakin’ dollars.
Do you think that the ash can book you drew makes you worthy to sit on The Black Panel?
Go to www.theblackpanel.com and check out the alumni. Once you do, ask yourself if you really think you belong in that group.
I’ll help you out with that one, no.
Like I said last week, comics are a business. Yes, I have fun at Comic Con. That fun is usually at around midnight while sitting at the bar at the top of the Hyatt with 30 or so other hard working comic professionals getting blazed on shots of tequila.
But before I can have that fun I have to spend months setting up the party, the dinner and the panel and that is not fun.
So the answer is no.
However, if Mark Turner (Yes you, Mark) is at Comic Con this year he is invited to anything I’m doing because he gets it.
Please take a moment to look at the graphic that accompanies this article. Chances are you seen it before on the net or right here on ComicMix when Glenn posted it a few days ago.
I’ll admit it’s clever as shit. It’s interesting as shit. It’s thought provoking as shit.
I came across this on Facebook and I must admit I was mad as shit when I read it. I was even madder when I saw it was a marketing ploy. Don’t get me wrong. It’s a great marketing ploy and I freely admit that shit.
I went to the website and the Facebook page of the person who put it up. After reading some of the stuff on the Facebook page I was disappointed that I was so upset. Why? Because this is the sort of person I should like. We share a great many thing with regards to politics and he seems like a great guy.
But I know a wee bit about the comic book industry and I know a wee bit more about building franchises and a wee bit more about mentoring talent.
I also know you do not do any of that shit with fear.
In any and I mean any part of the entertainment business you will find incredible success and dismal failure. That’s not the industry’s fault. The industry was not set up for you to be either an incredible success or a dismal failure.
That shit is on you.
Are there barriers to entry?
Yes. Tell me, what profession does not have barriers to entry? There are barriers to entry for everything.
That’s what school is for. That’s what working on your craft is for. That’s what life experience is for. That’s what you go to comic conventions for.
If you want to work in comics, you go to comic book conventions to learn the industry not to hang out with your 20 friends in one hotel room with the sole intention of going to the Twilight panel to kiss the ass of the movie company so they will give you a glimpse of that bullshit movie which is the same movie as the previous 15 but “this time it’s personal.”
Yeah, I called the Twilight movies bullshit. That’s my opinion.
The Twilight franchise?
I don’t have to love a thing to respect a thing and I respect the shit out of the Twilight franchise. When it comes to how they run that shit I’m Team Edward all the way.
Instead of going to a portfolio review or a small press panel the young creators who will fall for that “call me” ploy from the comic industry poster spend their time trying to catch a glimpse of Jim Lee at the DC Comics panel. Jim is not there to talk to you about getting into DC he’s there to sell you the books you are already buying.
So, how does any of the above help your career?
The graphic depicts the comic book industry as an industry of people who will try and stab you in the back. Really? You think Jim Lee wants to stab you in the back so he can steal your idea? That great idea that you drew with a ballpoint pen, inked with a magic marker, colored with Photoshop 0.1 in tones of nothing but blue?
You know why Jim Lee does not want your great idea, which all your family and friends have convinced you will be bigger than Superman?
I’ll tell you why, because if you have been reading comics and using that as your only education and attending Twilight like and not career oriented panels at comics conventions then most likely your idea is shit.
Why would all your family and friends tell you had created the greatest thing since Star Wars? I’ll tell you why; your family and friends love you. They are bias as shit.
Think of what you say to that fat ass 300-pound girlfriend when she’s asking you if she looks fat in that dress.
Fat 300-pound girlfriend: Do I look fat in this dress?
You lie. You lie because you want to tap some of that fat ass. Guess what? She knows you are lying. She’s 300 pounds, dude. She would look fat in stranded in the middle of the ocean.
Your family and friends are yourfamily and friends; they are supposed to lie to you. Your family and friends they don’t know shit about what makes a concept a good idea.
Secondly, your “bigger than Superman” concept was drawn with a ball point pen, inked with a magic marker, colored with Photoshop 0.1 in tones of nothing but blue and your can’t spell so your lettering sucks also.
Is the comic book industry fair?
Does some projects that suck get published?
Is there an “old boy” network at many publishers?
Are there people who don’t want you to succeed?
Welcome to Earth, motherfucker. Or more specifically, welcome to the real world of grown-up business.
In every single business on the planet there are unfair policies, projects that suck that get green lit, cliques of people who won’t let you in and people who do not want you to succeed.
Fuck that shit and fuck them.
Learn the game before you hook up with somebody who claims he can help you with your “franchise.”
Give me a fucking break. Learn to write, learn to draw. Ask Jim Lee for advice not an autograph. Stand in line to hear Marv Wolfman or Harlan Ellison talk about writing. Stop standing in line to see clips from a movie you are going to see anyway.
Comic creators like giving advice. You will be surprised to see how much you can learn from an conversation about that creators craft. Set realistic goals for yourself. Seek criticism from people that know what they are talking about.
Here’s a hint. Make appointments with people you would like to talk to. All they can say is “no” but would not a “yes” make your day and help you?
Take classes, go to school make an effort to learn the industry.
Yes, think about your own Franchise!
Yes, build, your own Franchise!
But before you call someone to help you do something that they have not done, do the work that’s needed to achieve your goal. Yours – not someone else’s.
When you do all of that and more, when you have gotten to a place of excellence in your craft and still don’t succeed, try again and again and then again.
Frankly, if you are that good you won’t have to keep trying because you will succeed.
Anything less, anything quick, anything that does not involve the kind of commitment to your the craft is just bullshit.
Officially, I’ve worked in comics since 1983. In all that time I think I’ve only met one black woman who was involved in comics in a decision-making capacity. I’ve known black woman receptionists and assistants but I can only think of one who had a job in which she was part of the comic book hierarchy.
Before I set the wrong tone, this is not a piece on how comics have discriminated against women of color. It just may be that African-American women don’t want to work in comic books, for whatever reason. I have no idea why there are not a lot of black women in comics and I’m not about to speculate. There may be dozens of black woman in the industry that I just haven’t met.
I doubt that, because as you know, all black people know each other. At least that’s what more than a few white people have said to me over my lifetime.
The following conversation from a woman I met at a club last week. A real pretty, but short white girl at the bar was having trouble getting the bartenders attention. I caught his eye and asked her what she wanted to drink.
“That’s so nice of you, thank you very much.”
“Do you know Leroy Washington?”
Really? I swear I almost asked her if she knew Bilbo Baggins. She was that short.
The one black woman I know who has worked in comics on the corporate level is Tammy Brown. I met Tammy sometime in the 80s (yes I was working in comics when I was in grade school, Jean) I don’t remember how we met or where we met. Most likely at DC where she worked.
I do remember that Tammy hated me. Tammy did not like me at all. I mean if looks could kill I’d be dead and random members of my family and my pets would be dead also.
It was not just her looks that clued me in to Tammy’s loathing of me. It was also how she spoke to me. Tammy would talk to me in short and to the point sentences like “I hate you Michael Davis.”
I never heard her say those exact words, but no matter what she said that’s what I heard.
She may not have really hated me but it sure felt that way.
I’m sure Tammy thought of me as a loud mouth, in your face, guy and she had no time for loud mouth in your face people. Tammy was all business and ultra professional.
I was a loud mouth, in your face, guy.
I know that…now.
I’ve mellowed out considerably since my loud mouth, in your face, days. You may not think so from some of the rants I write on my www.MichaelDavisWorld.com or some of my old ComicMix stuff but I’m so much calmer now.
I’ve always been up front with my readers when it comes to my considerable shortcomings, I admit freely I’ve made a lot of mistakes in my career.
That said, when it comes to business I’ve learned not to take anything personally. I categorically live by two set of rules the first is: “It’s not personal, it’s business;” the second is “Nothing too good to do for my friends, nothing to bad to do to my enemies.”
It was with that first rule in mine that Tammy’s name came up when I was looking for someone to run the day to day operations at Motown Film & Television where I was President and Chief Executive Officer.
She was on a very short list, and I had my Chief Operating Officer contact her. I thought she would be perfect for the gig and even if she still hated me Tammy was a no-joke professional so she would put any issues with me aside if she were interested in the position. After talking to Tammy my COO, told me she would not be a good fit. I never followed up or even called Tammy.
I realized just the other day that was a mistake.
Motown Records is the most famous record company in the world. Most music superstars are bigger brands than their record company. Motown had (has) some of the biggest superstar artists the world has ever known and they are still identified as Motown artists.
Don’t think so? Without Google tell me what record label Sting is on. Now, without Goggle tell me what record label Stevie Wonder is on.
Hell, name a record label besides Motown.
Motown was one of the greatest African-American business success stories. The company has a wonderful history of hiring African-Americans and has (yes, white people have always worked at Motown and still do) become the model for many companies of color even today.
I should have called Tammy.
There may have been something I could have said or found out what my COO’s issue with her was. Maybe there was a way around it. Maybe my COO was threatened by her. That may sound to you like paranoia but I assure you dear reader, paranoia runs wild in Hollywood and I’m not joking.
I’m convinced now; if we could have gotten Tammy to Motown I’m sure she would have been great.
A few days ago Tammy, who is always positive, posted on Facebook that she was having a bad day.
The moment I read that, it hit me like a brick what a terrible mistake I’d made more than a decade ago that I did not call Tammy. Over the last few years Tammy and I have become close. I have not seen her in, I don’t know how many years, but we reconnected on Facebook and I really value her friendship.
I have not thought about Tammy coming to Motown since it happened. Tammy and I have never even spoken about it but for some reason when I read she was having a bad day my mind went right there.
My mind went there and to the realization that there exist very few women of color in the comics industry.
Why I thought about Tammy and Motown now I have no idea. Why that led me to the lack of black women in the industry, again, no idea.
This I do know, having Tammy Brown run anything is a good idea. Having more black women in the industry is a good idea. If I ever get the chance to work with Tammy again I won’t make the same mistake twice.
As far as black women in the industry, I’m working on that. Why I haven’t been working on it before?
Like I said, I’ve made a lot of mistakes in my career but seldom do I make the same mistake twice.
Tammy, I’m sorry you were having a bad day. I’m sorry someone caused that for you. I leave you with these words of wisdom:
I like long walks, especially when they are taken by people who annoy me.
– Noel Coward
You are the best Tammy. Don’t let anyone tell you different.
When I was a kid around 12 years old I met another kid around the same age while at the library. This was a big deal because I was black and he was white and I had no white friends, so at the time this was an historic meeting for me at the time.
We were both at the same table at the library both working on a book report. We regarded each other only with sly looks while trying to avoid eye contact with each other. I lived in a housing project and I just knew that David lived in the real nice houses that were not to far from the projects in distance but light years away in lifestyle. For about an hour we played that cat and mouse “look, don’t look” game.
We played that game until David put away his notebook and replaced them with a stack of comics that could choke a horse. I’d never seen that many comics outside of my home. Never had I seen anyone carry that many comics around.
Then I noticed something incredible. All the comics were brand new. I’ve carried comics around with me on many an occasion: grandma’s house, dentist’s office, car trip (which I only did once because I can’t read in a car; it gives me the worst headache, even now) or to a friend’s house to trade.
Whenever I’ve carried comics around, they were never a stack of new comics – never. At 12 I don’t think I’ve ever brought more than three comics at one time. Not that I didn’t want too; I just could not afford it. Now, here in front of me were at least 30 brand new comics that this snot nose white kid was showing off.
I did not want to stare but I could not help it. I was mesmerized by the wealth of comics this kid had in his possession.
I hated that kid.
I hated that I had one comic on me that had no cover.
In fact, I’m so far away from being a prude the next level in my open mindedness would be to become a prude.
I’ve met a lot of prudes in my life and nothing makes a prude more prudish than their views on sex.
Me? As long as it does not include kids or animals I say what ever floats your boat sexually, have at it. You would have to be into some sick shit (kids, animals, Republicans) to disgust me.
I’m not quite at the point that I’m disgusted by the depiction of some women in superhero comics but I’m far from all right with it and have not been all right with it for a while now. It’s just a real turn off to me and it’s also one of the reasons a lot of people still think comics are juvenile fare at best.
The depiction of super titty women is not something I consider as important to be concerned about like some sicko who’s into gerbil love or some other crazy action. I guess for the most part absolutely unrealizable depictions of women with breasts as big as a weather balloons is harmless, except for giving young men a bullshit unrealistic view of women and demeaning women in all sorts of ways. But other than that, it’s harmless.
But-that does seem to be what the audience wants, though it seems to me the 38 double-D tits, tiny waist and banging booty that appear to be the preeminent portrayal of women in comics is just silly in this day and age. Yeah, I can hear the decades old ridiculous argument “they are drawn that way for the 15-year-old boy audience.”
Really? So those 15-year old boys are not into the guys in tights that beat up on other guys in tights, which is the reason most superhero comics exist? So doing away with the big titty women would result in those 15-year old boys no longer reading about the men in tights who like to pound other men in tights?
Oh, wait a sec.
Perhaps the reason for the big titty women is to insure that no conservative family value group complains that comics are nothing but guys in tights pounding each other.
That can’t happen. It would destroy the sanity of marriage.
So I guess we are stuck with the 15-year-old boy defense for the reason that big titty superhero women are on the rag…I mean all the rage!
That defense is weaker than OJ’s but it’s working just as well I guess. It’s the cop out of all cop-outs and artists who spin that line are just wrong or really horny.
I mean really.
The only thing that’s possibly worst than comic’s big titty women are the big titty women in some video games. Have you seen Catwoman in Mortal Combat VS. The DC Universe? She looks like a porn star that has seen way too many one eyed monsters. I mean…damn.
I often wonder what the wives and girlfriends of the artists who draw big titty super women think. But then again, maybe that’s the problem. Maybe most of these guys have no wife or girlfriend. Maybe they just need to get laid.
Well if that’s the case I’m not here to judge, I’m here to help. Follow the steps below and your pent up frustrations will soon be a thing of the past.
Step 1. Go to a bar.
Step 2: Buy the ugliest or the fattest girl a drink or seven.
Step 3. Get real drunk yourself.
Step 4. Take her home.
Step 5. Tap that.
Note: for even faster action, buy a fat and ugly girl the drinks.
This works. Trust me. How do I know? It’s in the Newt Gingrich and Herman Cain handbook and just look how much tail those guys are getting.
On the very, very slim chance there is a woman artist out there drawing big titty women in comics the followings are steps that you can use to get laid.
Step 1. Go to a bar
Step 2. Look for the guy trying to get a fat or ugly woman (or both) drunk.
Step 3. Go up to him and just say “yes.”
Step 4. Let him take you home and “tap that.”
Step 5. In about two minutes after he is “tapped out,” leave and go home and work.
By the way, shame on you for being such a slut.
Look, kidding aside, I’m a big a fan of big titty women with tiny waist and banging booty as the next guy but I prefer real and not plastic.
That’s the problem with the way some artists depict woman. Their depictions just do not ring true.
Yes, I know that neither does a guy who comes from another planet and can bend steel in his bare hands and who, disguised as Clark Kent is tapping the ass of one of the few female characters who is not a big titty woman. I know that does not ring true either but that’s a non-truth I can live with.
The new guys would do well to take a page from some of the masters of comic book art. They took the time and effort to draw women with grace, style and attitude and those women were hot!
Gwen Stacy as drawn by John Romita Sr. is the hottest comic book woman character ever created bar none.
Who’s hotter? Nobody.
Gwen Stacy was not a superhero but she was still a piece of ass to beat any other piece of ass.
Female agents of SHIELD as drawn by Jim Steranko – hot!!! Nick Fury’s girlfriend Contessa Valentina Allegra de la Fontaine as drawn by Jim was sexy beyond words.
Jack Kirby’s Sue Storm was so fine that she was my second pretend girlfriend. The first was Gwen Stacy and the third was Laurie Partridge.
Yeah, I had a thing for white girls. I had to have a thing for white girls; there were no black women in comics or on TV for my 10-year-old self to develop a crush on.
I’m proud to say as a proud African American man, all my crushes now are of women of color…Asian.
I don’t expect anything to change anytime soon with regards to super big titty woman but maybe some artist will read this and check out how the greats did women.
Give that a sec.
You know, if those comic book artists who draw those outlandish women would simply draw less big titty women the big titty women they did draw would become that much more of a sex symbol because she would be rare.
That would be sexy.
I miss you Gwen Stacy. I’m sad that the Green Goblin broke your neck.
It’s not a black or white world. The world is made up of many shades of gray.
Yet somehow when something happens to a black character “racism” always clings to the debate.
There has been a flurry of activity since DC cancelled StaticShock. The DC official line is the book was cancelled because of sales. Some fans think DC should have kept the book alive by whatever means necessary and only canceled the book because they did not think enough of the character to change direction.
Some think that DC cancelled the book because Static was black.
What do I, co-creator of Static, think?
I don’t care why they cancelled the book. I care that they cancelled the book.
A guy once put a gun to my head and pulled the trigger. The gun jammed. I didn’t care why the gun jammed, I cared that the gun jammed.
Sometimes the reason for something is not nearly as important as the thing.
In the almost 20 years that Milestone, I company I co-founded, has been around I’ve never publicly commented on the direction of the Milestone universe. Never a word on the management rather I was with the company or not. I’ll do it here, but just to make a point.
I did not like the book.
I mentioned in a post on ComicMix last week that there are some who think that DC cancelled the book because Static was black but somehow fail to acknowledge that DC published the book in the first place. I love people who don’t let little things like the facts get in the way of a good conspiracy theory.
Over on my website, Danny Donovan wrote an amazing piece about the cancellation called “Not shocked.” A reader wrote a wonderful comment making the case that DC’s actions regarding the Static cancellation had strong overtones or racism.
I do not believe DC cancelled the book because of some racist agenda.
So why do I say the writer’s comments were “wonderful?” Because he presented his case, backed up his thoughts and wrote them in a clear concise way. I don’t have to agree with someone to acknowledge they make a good case.
A few years ago during The Black Panel at Comic Con International I addressed one of the many rumors about Milestone Media by telling the audience how Denys Cowan started Milestone and I co-signed, period. Milestone was Deny’s baby and without Denys Milestone never would have happened.
Soon after Comic Con, a blogger went on line and wrote that “his sources” told him that my “version” of Milestone’s origin was not the way Milestone started and because Denys (who was on the panel with me) didn’t say anything after I made my comments, somehow that meant I was lying.
Like I said, I love people who don’t let little things like the facts get in the way of a good conspiracy theory.
So, me being me, I went online and told this guy that his “sources” were wrong. He came back with “these are very good sources” and he was standing behind them.
He was standing behind “very good sources” instead of giving me (who was there) the benefit of the doubt. What I did next was tell him I’d give him ten thousand dollars if he could prove what he was telling thousands of people on the net. If he didn’t prove it then he should give me ten grand or shut the fuck up.
He shut the fuck up.
The comment on MDW made by the guy who suggests racism had a hand in the cancellation of Static gave a few examples of DC purposive prejudice towards black characters and creators.
And… he made some good points. I know of one instance when he was on the right track. He did not give particulars so I cannot say for a fact that he was talking about the following incident but it fits the general description.
When Milestone started negotiations with DC there was one meeting in which an important high-ranking DC executive said that when it came to black characters in the market place, black meant death. He went on to suggest we don’t show the characters in any ads so as not to turn off the public. He finished once again with, “black means death.”
At that moment one more racist word out of his mouth may have meant death if the looks on the faces of Dwayne McDuffie, Denys Cowan, Derek Dingle and myself meant anything.
Here’s my two cents. That guy was an asshole and people in the industry generally accept that he was out of touch and yes I felt at the time he was racist. I was in his office once admiring a photo of a sports car he had on the wall. “Maybe one day with a lot of hard work you can have a car like that,” he said with a smile.
I reached into my pocket and showed him my car keys. “I already have one.”
The look on his face was well worth the distain he showed me from that moment on. He never spoke to me again unless he had to.
I believe he was racist and because he was a high-ranking member of the DC staff I believe he could be a problem. Was he a problem? I can’t say for sure.
Jenette Kahn and Paul Levitz were his bosses and they believed in Milestone from day one, so fuck him. I saw him once after he left DC, he was very pleasant and so was I. Why be decent?
As Denys says, “too small, throw it back.”
That was then, this is now…
Hey Bruce! How you living? Guess how many sports cars I have now!
Here’d something that’s never addressed in these “DC is racist claims” concerning Milestone.
No founder of Milestone would stand for any Jim Crow shit. Not now, not then.
It will never happen and if some people would just look at the backgrounds and resumes of the founders they would know that Milestone is made up of people that Ice Cube famously said are ‘the wrong niggas to fuck with.’
Has race been an issue at DC? Yes! Race is an issue everywhere. The question is when race becomes racism. DC did not cancel Static because they were racist; they cancelled Static because the fans did not want to see one of the greatest characters ever created fighting a giant fish.
A giant fish??
Lastly, DC took a risk with Milestone but almost twenty years later Milestone is still here, still a topic of conversation still a great universe with great characters and I’m sure that Static is a risk they will take again.
As Captain Kirk said, “Risk? Risk, is our business!”