Author: Van Jensen

The Long Goodbye to ‘Y: the Last Man’

As fans of Brian K. Vaughan drool in anticipation of the purported awesomeness of his movie spec script for Roundtable, Vertigo offered a last, wistful look at BKV’s Y: The Last Man by releasing the 10th and final collection, Whys and Wherefores.

It didn’t get much attention, in no small part because of the outpouring of attention that greeted the series’ final issue last year. There was even quite a party.

I took part in quite a bit of the celebrating/mourning, reminiscing on favorite moments and interviewing BKV. One of my favorite notes from that interview was Vaughan’s reluctance to read the final issue that he’d picked up from a comics shop. Like many others, he couldn’t bear to say goodbye.

But that’s the thing about successful comics. They never really go away.

Even though all 10 trades of Last Man are now out, odds are good we’ll see more before long. There’ll be anniversary editions and movie editions (assuming it gets made).

More likely than not we’ll see an "Absolute" version.

So, don’t fret. Yorick’s not gone for good. He’s just waiting for the next chance to cash in.

Random Video: ‘Riki Oh’ – The Most Awesome Movie Ever?

Random Video: ‘Riki Oh’ – The Most Awesome Movie Ever?

The most awesome movie in the world features a villain with a hook hand and a glass eye that’s full of breathmints. It has extreme violence and horrific English dubbing. And it has Ricky, the real one-man army corps.

I happened across Riki Oh (also called The Story of Ricky) a couple years ago. It’s a little-known 1991 martial arts flick set in a futuristic prison run by gangs. If I had to guess, I’d say three quarters of the movie’s budget went to fake blood. Sure, it’s not comics, but it certainly qualifies as "comic book-esque."

You can now see this wonder in its entirety on YouTube – but be warned, it’s extremely graphic in a not-quite-believable Evil Dead sort of way. File it under my highest recommendation.

[NOTE: This film also provided the crazy head-smashing scene used during The Daily Show‘s "Moment of Zen" feature for several seasons. -RM]

Here’s one of my favorite scenes:

 

 

 

Comic Book Heroine Returns in Tap Opera

If you’ve been enjoying Andrew Pepoy’s The Adventures of Simone & Ajax, published here at ComicMix, you’ll want to check out another of his comic book-related projects: A superhero tap dance opera.

While that phrase might seem like a Googlenope, the recently debuted The Hourglass and the Poisoned Pen is a sequel to The Hourglass in the Stop-Time Chronicles. The show is put on by the Chicago Tap Theatre, and is running at the Athenaeum Theatre in Chicago. (Show dates at the link.)

From an article at the My Dance Place blog:

Kendra Jorstad, who played the role of the Hourglass last year, has suited up again for a production that promises success even greater than that of the original show.

While speaking with DanceHere right before the show’s opening, [artistic director Mark] Yonally said that this year’s budget for Hourglass sets and costumes was more than twice what it was last year. And, they devoted twice the amount of time on developing the new story. "The good news," Yonally said of the increases, "is you see all of that on the stage."

The Hourglass set, alone, is stunning. Designed with comic book artist and Hourglass co-creator Andrew Pepoy, the set pulls audiences into the super-heroine’s world, where the good–in the form of a young woman wearing canary-yellow go-go boots–can subdue all wrongdoers. With the new set, costumes, story, and his company of dancers, Yonally thinks that The Hourglass and the Poisoned Pen is CTT’s "best story show by far."

Happy Fourth of July

Happy Independence Day, comicdom!

Here’s hoping everyone out there is well stocked with food to grill, beers (preferably Yuengling, from "America’s Oldest Brewery") to down and fireworks to potentially blow off your fingers. All that, a few Uncle Sam or Captain America comics, and you’re well stocked.

And make sure you wear that American flag lapel pin, lest you be mistaken for a terrorist. In a pinch, a Texas flag works too.

It’s a big day for me, but not for any comics reason. Or any patriotic reason either.

My wife and I first met while watching the big Fourth display during a break from our newspaper jobs. Fireworks.

Review: This Week in ‘Trinity’ #5

First things first: I actually, gasp, liked this issue.

For the first time ever, Kurt Busiek pulled the storylines together and gave a sense of the big things ahead. Not perfect, but much better than the past few.

What happened?

The fight against Konvikt finally reached an end, as Batman’s smarts helped the big three devise a clever knockout punch. Batman was the star of the issue, also nabbing one of Morgaine Le Fey’s underlings (which look like the rat creatures from Bone), after it had branded Wonder Woman with an omega symbol.

During a brief interrogation (ended by the rat creature self combusting), it says, "You are the trinity. But you are weakened. Breaking. Soon, you will fall." Buh, buh, BUM!

There’s a little character moment that shines, as Batman and Superman are reluctant to advise Diana to see a doctor, and she points out the inconsistencies of gender relations. It makes her character a little more interesting, which is something plenty of other writers have failed to do.

In the backup, a trio of lame villains (Whiteout!?!) try to kidnap Tarot, who has started to see the trinity in her cards (as justice, strength and the devil — guess which hero goes to which card).

They fail, not unpredictably, in large part thanks to the reappearance of Gangbuster. Which, I’ve got to say, is pretty awesome. At the end, we see Morgaine Le Fey’s creatures after Tarot.

Like I said, everything’s coming together nicely, and we have dire warnings galore. So, hope returns, although I’m still curious as to why Busiek feels the need to include only the lamest villains.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) comicmix (dot) com.

Amid Controversy, Platinum Studios Announces ‘Challenge’ Top 50

Amid Controversy, Platinum Studios Announces ‘Challenge’ Top 50

You have to at least admire the resilience of Platinum Studios. Even as they’re raked over the coals for not paying the winner of a past Comic Book Challenge, they push ahead with the 2008 event.

At the Comic Book Challenge Web site, they’ve announced the top 50 in this year’s competition, who will fight on for the right to have their book published by Platinum.

The top 50 entrants, who include people from as far away as India, Singapore and Argentina, will now submit video pitches to be judged by a celebrity panel of industry and Hollywood insiders at a secret location in early August. Platinum Studios will sign the winner to a publishing deal, which will include print, online and mobile. In addition, the company will seek opportunities to develop the property for film and television.

“Moving the contest completely online this year opened it up to many more people, truly making this a worldwide event in which anyone can participate,” notes Scott Mitchell Rosenberg, chairman and CEO of Platinum Studios. “And the wide geographic diversity of the Top 50 is a testament to that.”

Meanwhile, Hero by Night creator DJ Coffman, who won an earlier challenge, writes on his blog that he finally got paid what he was due from Platinum. All it took was dragging Platinum’s lack of payment into public, where the publisher was denigrated en masse.

Fed Ex showed up with a check from Platinum paying me up to date anything that was owed to me, so that whole issue is over with. I’m glad they paid me, and honestly none of this would have blown up for me if I hadn’t nearly lost my house and life banking on or trusting that money would show up on time. It is what it is though, and I learned a valuable lesson that there is no job security anywhere, no matter what a piece of paper says. The envelope included a letter saying my “consultant” agreement with them was terminated as of today, which is fine with me, because in my mind it was terminated when checks never really showed up on time in the terms of that agreement.

Joss Whedon Talks ‘Buffy the Vampire Slayer’ Future

Over at MTV, Buffy the Vampire Slayer creator Joss Whedon talks about the big new direction for the comic book series, which sees Buffy and crew going off into the future.

In case, like me, you don’t hold a Ph.D. from Whedon University, it’s a good primer on all the implications that take hold with issue 16 (cover at right). In the issue, Buffy and Willow go to New York as a mystic event messes with time, into the world of Fray.

"The world of Fray has been a huge influence, in fact, the influence on season eight," Whedon said. "At the end of the series, I had something that categorically did not connect, and rather than throw out continuity, I used that. The present is so interesting with tons of slayers, and the future as we know it is quite the opposite. So why is that? And is that the death of magic?"

There’s also this, which is sure to set some nerdy hearts aflutter:

Also, we’ll be seeing a naked Willow soon.

"I had my fiancee pose for that one," [artist Karl] Moline said of the drawing. "It’ll be a nice, special-looking pose."

"It’ll be tasteful, unless he does it the way I wrote it," Whedon laughed. Don’t assume it’s another sex scene with Buffy, but something is about to happen that will rock the Scoobies’ world. "Things really start to change after the Fray story arc," Whedon said, "and the next thing we’ll be doing is seeing that from various points of view, with stand-alone issues dealing with larger issues of the world of the slayer and Twilight. There’s someone in the picture who hasn’t been there before, and the trick is, what’s the most unexpected, and who’s the most obvious and where’s the most pain?"

Animated ‘The Goon’ in the Works?

David Fincher must love comic books, judging by the number of properties he’s optioned recently. Now add one more, as Slash Film is reporting that Fincher has picked up the rights to Eric Powell’s The Goon and plans to make a CG animated feature of it.

The Goon is a mob heavy living in a nameless town who fights against zombies, robots, giant lizards and other assorted nastiness. It’s gained quite a bit of popularity — and some awards — for its mix of horror and humor.

Fincher likely will just be a producer on the project, as he has quite a bit else to keep him busy.

It wasn’t specified whether Fincher, who is expected to lock up the Oscars with December’s The Curious Case of Benjamin Button, would direct. One would assume not, but clearly his interest in genre fare is strong. He remains attached to direct a live-action adaptation of the STD-horror graphic novel Black Hole from screenwriters Neil Gaiman and Roger Avary. Farther back in Fincher’s fridge is Image Comics’ Torso.

According to the story, Blur Studio will be handling the animation.

The Weekly Haul: Comics Reviews for July 3, 2008

Things looked dour headed into the comics shop this week, but several books came out of left field and left me impressed. Rare that happens anymore when books get chewed over ad nauseum before they even hit shelves.

So let’s celebrate this special little week, when the comics followed in the tradition of the grand U.S. of A. and liberated themselves from suckiness.

Book of the Week: Joker’s Asylum #1 — When it comes to the Joker, there are a few staple stories. And probably the most generic is Joker taking over a giant game show and threatening the kidnapped contestants with death.

So when this book — which comes across like a clear cash-in on the upcoming Dark Knight film — started off with that premise, I could only think, "Not again." That obvious bent is all set up, though, and writer Arvid Nelson swings the story in a direction that’s not only surprising, it’s also genuinely subversive.

The Joker’s target is the "innocent," just not the contestants. He spares them (despite their idiocy), instead taking aim at a malevolent producer and the audience at home.

For anyone who bemoans the fact that thoughtful quiz shows are being swiftly pushed out of prominence by the like of Deal or No Deal, this is a story you’ll love. Alex Sanchez also offers a very new art style that’s scrawling but effective.

And the climactic line is a doozy: "Who’s the real sicko, America?" Indeed.

Runners-Up:

High Rollers #1 and Station #1 — Two new series from Boom! Studios, and both really shine. Station is a horror story set on an international space station, but at least so far there are no monsters or science fiction. The sizzle is all of the interpersonal type, as regional differences burn like a solar flare and one astronaut ends up killed.

High Rollers, from mystery writer Gary Phillips, is a Sopranos-like look at the rise of an L.A. crime lord. While the art in the first issue is too clean for the source material, Phillips keeps the story humming along as his antihero CQ starts to see the ugly side of a life in crime.

Astonishing X-Men #25 — After the disappointing dragging-on-forever conclusion to Joss Whedon’s run, I was all set to give up on this book, especially after learning it would be part of the listless X-Men’s current continuity. Then I started reading it. Credit Warren Ellis with taking this book back to the characters, focusing skillfully on their relationships and putting together a great comic, even though nothing much really happens.

I’m still not sure about Simone Bianchi’s take on the art, though I love how experimental he’s being with design. And if the words, "Chaparanga, where alien spaceships go to die," doesn’t make you excited for next issue, I don’t think we can be friends.

(more…)

‘Final Crisis’ tanks; WildStorm Sales Worst Ever

There’s a lengthy breakdown of DC’s May sales up at The Beat, and it only serves as further notice that the ol’ warship is taking on copious amounts of water.

The big story, of course, is the soft debut of Final Crisis, which couldn’t even crack 145,000 issues, a paltry sum for any big comics event. It’s not only well south of the 250,000 issues of Secret Invasion #1 that sold, but even the 178,000 from the much less ballyhooed World War Hulk #1. Not good.

The problem, according to Marc-Oliver Frisch, is mainly one of marketing:

One reason that may have led to this loss of faith in DC’s product is the publisher’s recent string of high-level failures. … Retailers had learned their lessons, and I suppose there was no reason to presume that they were going to forget them when it came to ordering Final Crisis. DC would have to put out all the stops to convince them that this was going to be different.

Which they emphatically did not do. Crucially, DC never bothered to tell anyone what Final Crisis was going to be about. … The slogan with which DC chose to advertise the content of Final Crisis when pressed for it, “The Day Evil Won,” doesn’t really address the problem. I mean, congratulations, so you’ve got a second act in there somewhere, at the end of which the bad guys temporarily win, which they always do.

In short, there is no hook.

Which sounds an awful lot like what I had to say about the first issue.

Things go from worse to, well, worse for DC, as its WildStorm line is basically not selling any comics. The average units sold for the line was a shade over 9,800, which is its worst ever mark, Frisch writes.

All told, sales are down everywhere and a whopping 11 series have been canceled because of poor sales.

The only good point was Vertigo’s new House of Mystery series, which debuted at well more than 20,000 copies.

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