Author: Van Jensen

Dash Shaw’s ‘Bottomless Belly Button’ Trailer

I’m usually not a fan of comic book trailers — ooh, a collection of still images shown in quick succession, how dramatic! — but the newly unveiled one by Dash Shaw for his graphic novel Bottomless Belly Button is worth a watch.

It’s at Fantagraphics’ Web site, right here.

Shaw created the animated trailer through a sort of rough series of drawings that interweave elements of the book. While it would work better with music, it’s a beautiful-if-simple video.

I reviewed Bottomless Belly Button earlier this summer. You can read that right here.

‘Fanboy’ Officially Joins Lexicon

Say what you will about the term "fanboy," it’s not going anywhere soon.

CBC is reporting "fanboy" is among the 100 terms just accepted into the Merriam-Webster dictionary. Surely "Ka-THOOM" can’t be far behind.

The wordsmiths at the Springfield, Mass.-based publishing house say they picked the new entries after monitoring their use over years in publications ranging from newspapers to technical manuals.

"As soon as we see the word used without explanation or translation or gloss, we consider it a naturalized citizen of the English language," said Peter Sokolowski, an editor-at-large for Merriam-Webster.

"If somebody is using it to convey a specific idea and that idea is successfully conveyed in that word, it’s ready to go in the dictionary."

The story goes on to explain fanboy’s lineage: …"’fanboy’ dates back to 1919 and describes a boy who is an enthusiastic devotee of such things as comics or movies."

(via Blog@)

Early Reviews for ‘Dark Knight’

Early Reviews for ‘Dark Knight’

The latest Batman incarnation, The Dark Knight, doesn’t come out for another couple weeks, but the love is already streaming from critics. We’ve also had buzz about a posthumous Oscar for Heath Ledger and his supposedly terrifying take on the Joker.

Rolling Stone was one of the first out of the gate to lay honors at director Christopher Nolan’s feet, calling the movie "a potent provocation decked out as a comic-book movie. Feverish action? Check. Dazzling spectacle? Check. Devilish fun? Check. But Nolan is just warming up."

Over at MTV, the sequel was given a 10 out of 10 for "Wow Factor."

Variety jumps on the batwagon, praising the whole operation: "…this is seriously brainy pop entertainment that satisfies every expectation raised by its hit predecessor and then some."

The Hollywood Reporter praises Christian Bale: "Bale again brilliantly personifies all the deep traumas and misgivings of Batman’s alter ego, Bruce Wayne. A bit of Hamlet is in this Batman."

An early review at AICN says, "Just go see it."

And an Associated Press review says, "Running just over two and a half hours, "The Dark Knight" is a true crime epic. Throughout, the Joker’s bag of tricks is bottomless, twisted to the point of horror-flick sick."

‘Wolverine’ Movie: Kevin Durand Talks Blob

Fans of Lost and 3:10 to Yuma know well how good Kevin Durand is at playing one mean prick. And soon we’ll all get to see how he fares at playing a mean, fat prick, as Durand is starring as Blob opposite Hugh Jackman in the upcoming Wolverine movie.

Durant recently chewed the fat (HA!) with Thunder Bay’s Source newspaper about the film.

"I wasn’t a comic book kid because I was busy playing hockey here in Thunder Bay. That’s all I wanted to do and all I dreamed of really. But when I saw the first (X-Men film), I was just in awe and the second one (X2: X-Men United) just blew me away," he said.

When he heard the news a new installment was in the works, he was hoping the producers would consider him for a part and luckily for Durand, they already knew his name and called for him to take a look at the part.

And to get the larger than life Blob ready for the cameras, it took six months of costume and special effects preparation.

"I have a feeling people are going to like him," Durand said.

Wolverine is planned for a fall 2009 release.

‘Hellboy: Wild Hunt’ Preview on MySpace

With Hellboy 2: The Golden Army coming out on Friday, it’s probably no coincidence that Dark Horse just posted a preview of the next Hellboy comics series online.

Head over to MySpace to see the cover (at right) and first six pages to Hellboy: Wild Hunt #1, which is set to debut in December. The series once again pairs Mike Mignola with artist Duncan Fegredo.

Here’s what the story’s about:

When ancient giants begin to rise from their graves across England, Hellboy is invited to join a mysterious group called The Wild Hunt and help bring them down. But the hunt leads to betrayal and death, and Hellboy is forced to face the consequences of his past actions—actions that now threaten the survival of all mankind. "The fading children of the earth" gather in the shadows, awaiting the promised return of the "Queen of Blood" and a chance to shake the trees, crack mountains, and make the daytime world weep for fear."

‘Pulp Tales’ to Benefit Josh Medors

Boom! Studios just announced that its upcoming Pulp Tales one-shot will benefit artist Josh Medors, who was recently diagnosed with cancer.

The book is set to debut in limited number at San Diego Comic Con later this month before a full retail run (though no date on the public release was given).

Two covers will be available, one by Ben Templesmith for $3.99 and one by Medors for $9.99. The comic features stories by Steve Niles, B. Clay Moore and others.

Boom editor in chief Mark Waid had this to say:

"Comics are tricky when it comes to real issues like cancer," said BOOM! Studios Editor-in-Chief Mark Waid. "This is an industry that deals with men and women who are larger than life, who by all rights could cure cancer in an afternoon. But those heroes can’t do that, even in a world of limitless possibility – they are powerless because we are. Using PULP TALES to raise money for Josh Medors proves just how powerful comics and their fans can be in the face of adversity, and the important thing here is showing Josh and his family how true that is."

Zune Arts: Looks Great, Doesn’t Work

Zune Arts: Looks Great, Doesn’t Work

Zune Arts, the creative wing of Microsoft’s Zune team, has debuted its Lost Ones comic, which is available free online and will later be available in printed form.

I went over to Zune’s Web site to check it out, and it’s quite a fancy operation, but there’s one major problem: You can’t actually read the comic.

Sure, you can pull it up and see the pages (it’s written by Steve Niles and illustrated by Gary Panter and others). But you can’t read them. They’re too small.

And maybe this was just my computer or me being the resident luddite, but when I used the zoom function it made the pages so blurry it was even more impossible to read. Call me crazy, but I think the days of everyone reading comics on their cell phone is not just around the corner.

Oh, and if you’re curious why there’s no art with this story, it’s because that function of Zune’s site also wasn’t working. At least they have fancy videos about making the comic…

James Lipton Meets Hellboy

James Lipton Meets Hellboy

James Lipton, host of Bravo’s Inside the Actors Studio, ever more closely resembles the caricature Will Ferrell once played of Lipton. After self-aggrandizing turns on Arrested Development and in a Geico commercial, Lipton’s now turned up in a comic movie promo.

Check out the below ad for the quickly approaching Hellboy 2: The Golden Army, featuring an interview with Ron Perlman in full Hellboy gear. "Boo yah," indeed.

 

(via The Beat)

How Comics Helped Create the Internet

Leonard Kleinrock was one of the men who helped create the Internet, and on his Web site at UCLA he gives the following anecdote that Superman played a big role in the whole undertaking.

It all began with a comic book! At the age of 6, Leonard Kleinrock was reading a Superman comic at his apartment in Manhattan, when, in the centerfold, he found plans for building a crystal radio. To do so, he needed his father’s used razor blade, a piece of pencil lead, an empty toilet paper roll, and some wire, all of which he had no trouble obtaining. In addition, he needed an earphone which he promptly appropriated from a public telephone booth. The one remaining part was something called a "variable capacitor". For this, he convinced his mother to take him on the subway down to Canal Street, the center for radio electronics. Upon arrival to one of the shops, he boldly walked up to the clerk and proudly asked to purchase a variable capacitor, whereupon the clerk replied with, "what size do you want?". This blew his cover, and he confessed that he not only had no idea what size, but he also had no idea what the part was for in the first place. After explaining why he wanted one, the clerk sold him just what he needed. Kleinrock built the crystal radio and was totally hooked when "free" music came through the earphones – no batteries, no power, all free! An engineer was born.

Due to Kleinrock’s fundamental role in establishing data networking technology over the preceding decade, ARPA decided that UCLA, under Kleinrock’s leadership, would become the first node to join the ARPANET. This meant that the first switch (known as an Interface Message Processor – IMP) would arrive on the Labor Day weekend, 1969, and the UCLA team of 40 people that Kleinrock organized would have to provide the ability to connect the first (host) computer to the IMP. This was a challenging task since no such connection had ever been attempted. (This minicomputer had just been released in 1968 and Honeywell displayed it at the 1968 Fall Joint Computer Conference where Kleinrock saw the machine suspended by its hooks at the conference; while running, there was this brute whacking it with a sledge hammer just to show it was robust. Kleinrock suspects that that particular machine is the one that was delivered by BBN to UCLA.) As it turns out, BBN was running two weeks late (much to Kleinrock’s delight, since he and his team badly needed the extra development time); BBN, however, shipped the IMP on an airplane instead of on a truck, and it arrived on time. Aware of the pending arrival date, Kleinrock and his team worked around the clock to meet the schedule. On the day after the IMP arrived (the Tuesday after Labor Day), the circus began – everyone who had any imaginable excuse to be there, was there. Kleinrock and his team were there; BBN was there; Honeywell was there (the IMP was built out of a Honeywell minicomputer); Scientific Data Systems was there (the UCLA host machine was an SDS machine); AT&T long lines was there (we were attaching to their network); GTE was there (they were the local telephone company); ARPA was there; the UCLA Computer Science Dept. administration was there; the UCLA campus administration was there; plus an army of Computer Science graduate students was there. Expectations and anxieties were high because, everyone was concerned that their piece might fail. Fortunately, the team had done its job well and bits began moving between the UCLA computer and the IMP that same day. By the next day they had messages moving between the machines. THUS WAS BORN THE ARPANET, AND THE COMMUNITY WHICH HAS NOW BECOME THE INTERNET! …

From a comic book to cyberspace; an interesting journey indeed!

(via Wired)

Canada Helps Take Comic to Screen

Canada has developed into a go-to spot for making movies over the past several years, and now it could become the go-to place for turning comic books into movies.

Telefilm Canada, the government-sponsored corporation designed to create distinctly Canadian properties, is sponsoring the writers of The Clockwork Girl comic book series to develop a script for an animated feature film based on the book, according to a Vancouver Sun story posted to the government’s Web site.

Terms weren’t disclosed. Clockwork Girl is published by Arcana Studio and written by Arcana president Sean O’Reilly and Kevin Hanna.

John Dippong, Telefilm Canada’s regional executive in charge of feature film, said he was very excited about this project, because O’Reilly’s treatment was a good one, and because it will have appeal on many levels.

"One of the things we’re trying to build is a multi-platform approach," said Dippong in a telephone interview. "We’re interested in finding projects that can either come from the digital world and go to the film world, or vice versa. Sean’s company has been successful with the Clockwork Girl comic, publishing it in many countries."