Author: Robert Greenberger

Review: ‘Incredible Hulk’ DVD

025195039918-z-incrdcrfu-21-2312374Ang Lee’s [[[Hulk]]] film failed because he spent too much time on the Jekyll/Hyde aspects, the very ones that inspired Stan Lee.  After all these years, people wanted to see the Hulk leap and smash things.  When he leapt, we cheered, but there just wasn’t enough of it.

Director Louis Leterrier achieved a far better balance in this year’s [[[Incredible Hulk]]] which builds on the mythos while firmly settling into the new Marvel Cinema Universe. He wisely covers the obligatory origin materials during the title sequence and then gives us a story.

Unfortunately, the story just wasn’t as gripping as we had hoped.  The film, arriving Tuesday on DVD, is largely the Army hunting the Hulk as Bruce Banner searches for a cure.  While that worked fine in the 12-page [[[Tales to Astonish]]] stories, it’s not nearly enough for a feature film.  The biggest problem with Zak Snyder’s story is that the Super Soldier formula that is now linked to the Hulk and the Abomination is clearly able to turn people into weapons of mass destruction and all the military sees is a weapon.  Not a single person in uniform saw it as anything else and frankly, we’ve seen this theme before and done better elsewhere.

The notion that Emil Blonsky is a soldier towards the end of his career, with nothing to lose, and therefore more than willing to become the Abomination is a nice way to integrate the character from the comics to the film.  But, he’s as single-minded as everyone else in the story, which is a shame.

Penn’s script lifts the Mr. Blue character from Bruce Jones’ celebrated run on the title but reveals him to be Dr. Samuel Sterns, and frankly, I just didn’t buy their connection or the way Sterns suddenly switches from dedicated scientist to Colin Clive in [[[Frankenstein]]]. The fact that in the comics Stearns evolves into the Leader complete with big green head means he’s around should the movie franchise continue so hopefully he’ll be rounded out.

As presented, Leterrier’s film is pretty much A to B to C with pauses for Hulking out and destroying things until the climactic fight in Harlem.  I’ve certainly seen worse, but had hoped for something better considering [[[Iron Man]]], released just weeks prior, showed that serious issues could be addressed through fantastic means.
 

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Interview: Bryan Talbot on 30 Years of ‘Luther Arkwright’, Part Two

  • Uncategorized
  • October 19, 2008

Yesterday, we began chatting with British creator Bryan Talbot about the creation of The Adventures of Luther Arkwright, now celebrating its 30th anniversary. Today, we look at the remastered edition and more.

hofe-frontispiece-mid-1-7304433CMix: You actually went back after 20 years and did a sequel, Heart of Empire, but that doesn’t seem to resonate in the same way.  How do you view it today?

BT: I’m very proud of the story and the way I  told it. I wasn’t interested in repeating Arkwright. I wanted to use the sequel to tell a different story in a different way. Perhaps, if I do another Arkwright, I’ll go back to experimental mode and just let rip. Any sophistication in the storytelling techniques of Heart of Empire is beneath the surface, not in your face. It shouldn’t be consciously visible.

CMix: Luther Arkwright has endured and you even adapted it for BBC radio with a Pre-Doctor Who David Tennant as the lead.  Was it easy to adapt?

BT: I didn’t adapt it. They used their own scriptwriter. I sent a list of suggestions as to how they could make it work better as audio but when I eventually met the writer, after it was produced, they hadn’t passed the suggestions along. I still quite enjoyed it though. David Tennant and the other actors were great, the music and sound FX were fine. My only criticism is that it was too faithful to the original. Most of the dialogue was my speech balloons word-for-word. While these work fine on the comic page I feel that they should have made them more naturalistic for the spoken word.

Big Finish have also bought the rights to adapt Heart of Empire and Tennant has agreed to reprise his role as Arkwright but they’rehaving to fit into his now busy schedule.

CMix: There’s been talk for years about a film adaptation. What’s taking so long?

BT: That’s the film industry for you. Things seem to move at a glacial pace.

There’s always something supposed to be just about to happen, some big name writer’s become involved or a big production company is desperately interested but nothing seems to actually happen. Hollywood people seem to suffer from verbal diarrhea. About a year ago a producer got in touch with me to say how passionate he was about The Tale of One Bad Rat and how he had a director on board who loved it and so forth. I’ve never heard a thing from him since.

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‘Sarah Connor’ gets Full Season Order

  • News
  • October 19, 2008

After all the hubbub in recent weeks, it’s somewhat of a surprise to see Fox quietly announcing the full-season pickup for Terminator: The Sarah Connor Chronicles. Just last week, the show was given a sign of hope when additional scripts were ordered but now the full complement of nine episodes have been ordered bringing the full season total to 22.

According to The Hollywood Reporter, the Monday night series has seen only modest ratings in a tough time slot. Just 5.7 million viewers saw the most recent episode which sounds like a lot but in television terms is not.

Details will be formally announced Monday.  Speaking of tomorrow, the show’s blog has a post from Denise Thé, who wrote the episode and says, “’The Tower’ is the first of our episodes to be directed by a woman – the very talented Tawnia McKiernan. In the episode, Cameron fights a female Terminator – our first female-on-female Terminator fight. It’s a knock down, blow-your-hair back, jab-your-eye out (literally) fight scene. Be sure to watch closely – the arm and leg twists are not special effects! It’s also the first peek at The Turk since Samson and Delilah. The first insight into Weaver’s relationship with her daughter, Savannah. And at long last… the first time we address the mystery of who killed Sarkissian.”
 

‘Doctor Who’ Director Named

  • News
  • October 19, 2008

Two tidbits for Doctor Who fans.  First up, James Strong has been announced as director for the Easter Doctor Who Special for 2009. He will be working from a script by Gareth Roberts ("The Unicorn and the Wasp").

"We’re so happy that he’s returning to the fold," Russell T. Davies told Doctor Who Magazine. "James has handled Daleks in sewers, hordes of Adipose and Satan himself, as well as a Titanic with Kylie on board. But believe me, none of that will have prepared him for what we’re about to unleash in this next script!"

The soundtrack CD to the fourth season of the current Doctor Who will be released by Silva Screen Records on November 17. The disc will carry 27 tracks taken from throughout the season, which completed airing during the first half of 2008.

Those interested in downloading the album from the company can obtain it sooner.

The track listing is as follows:

1. Doctor Who Season Four Opening Credits (0:46)
2. A Noble Girl About Town (2:14)
3. Life Among the Distant Stars (2:30)
4. Corridors and Fire Escapes (1:12)
5. The Sybilline Sisterhood (1:53)
6. Songs of Captivity and Freedom (4:03)
7. UNIT Rocks (1:11)
8. The Doctor’s Daughter (1:38)
9. The Source (3:21)
10. The Unicorn and the Wasp (3:11)
11. The Doctor’s Theme Season Four (2:47)
12. Voyage of the Damned Suite (10:21)
13. The Girl With No Name (2:45)
14. The Song of Song (2:14)
15. All in the Mind (1:18)
16. Silence In The Library (2:57)
17. The Greatest Story Never Told (6:17)
18. Midnight (3:07)
19. Turn Left (2:20)
20. A Dazzling End (2:22)
21. The Rueful Fate of Donna Noble (2:44)
22. Davros (2:07)
23. The Dark and Endless Dalek Night (3:44)
24. A Pressing Need to Save the World (4:55)
25. Hanging On The Tablaphone (1:07)
26. Song of Freedom (2:51)
27. Doctor Who Season Four Closing Credits (1:07)

GoComics Adds iGoogle Gadget

  • News
  • October 18, 2008

People who enjoy customization, will be delighted to know that Uclick has launched a gadget for iGoogle.  Over 350 comic strips can be selected to appear on your homepage.  According to a release, the gadget, which was launched Thursday, will also contain comments, tagds, and posts from people who visit the GoComics.com site.

"Our new GoComics gadget for iGoogle is part of our strategy to expand the cartooning medium to readers old and new through digital media," said Uclick CEO Douglas Edwards in a statement. "We deliver daily entertainment features wherever our readers want their comics."
 

Iris Wildthyme Back for Second Season in February

  • News
  • October 18, 2008

iris-wildthyme-8711333Big Finish, the British audio producer, announced this week that four new Doctor Who pastiches will be released featuring their own character, Iris Wildthyme.  She was created by writer Paul Magrs and she’s described as “Bracing the temporal winds in her trusty bus and accompanied by the ever-loyal Panda (a ten inch tall stuffed bear), Iris travels from the depths of space to the gates of Wonderland and beyond. Iris and Panda will bamboozle and befuddle a host of new friends and enemies while always having time to mix a sharp Gin and Tonic.”

Katy Manning, a former companion of The Doctor, will reprise her role as the voice of Iris in this second season of adventures. David Benson also returns as the voice of Panda.

The new season kicks off in February with The Sound of Fear, written by Mark Michalowski. “Iris and Panda encounter the deadly Naxians aboard space station Radio Yesterday, along with Iris’s ex-husband, Sam.”

The second installment, Land of Wonder, from Magrs, features “Iris exiled to Earth and working with top-secret organization MIAOW to investigate dark happenings in the Underground.”

Simon Guerrier writes The Two Irises and “Panda has not only the return of the Naxians to deal with, but there’s a new Iris aboard the bus – an Iris who is decidedly male…”

The concluding escapade will be Mark Margs’ The Panda Invasion. “As San Francisco celebrates the millennium, Iris must save the world from destruction, while Panda faces his evil twin, and all because somebody spilt their gin and tonic…”

Big Finish intends to release the four dramas as single CDs, available monthly beginning in February, or a single box set.

Interview: Bryan Talbot on 30 Years of ‘Luther Arkwright’, Part One

  • News
  • October 18, 2008








Bryan Talbot emerged from Britain’s underground comix to become one of the most innovative creators in the UK.  He’s the creator of the critically acclaimed graphic novels The Adventures of Luther Arkwright and A Tale of One Bad Rat.  He remains a creative force, most recently producing Alice in Sunderland, a graphic novel released last year form Dark Horse and Cherubs!, with Mark Stafford, which Desperado released this summer.

Warren Ellis said, “Luther Arkwright is probably the single most influential graphic novel to have come out of Britain to date.” This month, Bryan Talbot’s seminal work is celebrating its thirtieth anniversary.  It was first serialized in Near Myths, a British title, before being collected as a miniseries and graphic novel through the years.  A new edition, using digitally remastered pages from the Czech edition, is being released by Dark Horse.

Talbot graciously agreed to chat with us about the work and its influence on graphic novels. Part one will focus on Luther Arkwright and tomorrow’s second part will explore Talbot’s career.

CMix: Bryan, thanks for taking the time to sit with us.

Bryan Talbot: Thanks for inviting me.

CMix: Do you agree with Warren’s assessment?

BT: Er…yes, it probably is the most influential UK graphic novel as I can’t think of another that’s comparable in that respect. Most of the "Brit pack", including Alan Moore and Neil Gaiman, were fans of it years before they started writing comics professionally. Writers such as Warren, Garth Ennis, Grant Morrison and Rick Veitch have acknowledged its influence. According to Steve Bissette and Michael Zulli, it inspired them to want to draw comics.

CMix: He went on to say, "He took from everywhere – the films of Nick Roeg, head shop culture, 19th Century magazine illustrated, medieval woodcuts, classical portraiture, Sixties collage, Mal Dean and the New Worlds illustrators, anything and bloody everything, and adapted it all to work in the special environment of comics." Was there one element that started the process?

BT: Two years before starting on the graphic novel I wrote and drew a one-off eight page strip called "The Papist Affair" in my Brainstorm Comix series of underground comics. It was an excuse to do a Richard Corben-style line and wash strip and I invented the character of Arkwright for that, inspired by Michael Moorcock’s Jerry Cornelius novels. Mike created Cornelius and offered him as a template hero. So that was the starting point. After finishing the strip I started to think about fulfilling a long-standing desire I had to produce what we now call a graphic novel and started to develop it based around Arkwright.

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Kevin Smith to Make Sci-Fi Comedy

  • News
  • October 17, 2008

During the promotion for his new film, Zack & Miri Make a Porno, Kevin Smith began talking up a science fiction comedy he had in mind.  In fact, he was riffing for reporters about how it was going to be dark and different for him as a filmmaker.

This morning The Hollywood Reporter runs the story that Smith will do this as his next project after Red State, which he will shoot next spring. He anticipates the film to run in the $45-50 million budget range. The trade says the new feature “will reference other sci-fi movies and revolves around a father-son relationship.”

Smith will produce with View Askew partner Scott Mosier and The Weinstein Company is the most likely studio to handle the project. The trade reports Harvey and Bob Weinstein have already read a draft of the film’s script.

"The moment someone steps out of the spaceship, it’s going to cost a little more," Smith said of the budget, his largest ever.

"All the relationships in the flicks I’ve done have been done before, have been either a guy falling for a girl or two dudes hanging out in a ‘bromantic’ comedy," he said. "I wanted to explore a father and son."
 

TV Tidbits

  • News
  • October 17, 2008

Michael Ausiello writes at Entertainment Weekly, "Good news: A Sci Fi source confirms to me exclusively that the last half of season 4 premieres on Friday, January 16, at 10 p.m. Which, by my calculations, puts the series finale (boo-hoo!) at Friday, March 20." This means the network will not skip the three-day weekend i nFebruary as they normally have in the past, which is good news for one and all.

CBS has given a full season order to The Mentalist starring Simon Baker. The freshman series has garnered good ratings and positive reviews encouraging the Eye Network.

NBC has ordered three additional scripts for its midseason drama Medium. The peacock network may be forced to add the series to its schedule before the end of the year given some weaker than expected ratings for its lineup.

AMC has ordered a third season of the wonderful Mad Men.  Creator Matthew Weiner and Lionsgate, though, are still talking contracts with the studio hoping to sign the creator/producer to a two year deal which would encourage AMC to green-light a fourth season sooner than later.  Regardless, the second season of the award-winning drama will reach its conclusion October 26.

Brian Cox has been cast opposite Katee Sackhoff in the NBC pilot Lost and Found. He will play her character’s fractious partner Burt Macey, described by The Hollywood Reporter as "a foul-mouthed, racist dinosaur of a cop who does things the old-fashioned way: with blunt force and bigoted rants." The two are assigned to the worst possible cases after Sackhoff’s Tessa pisses off her Los Angeles Police Department superiors. Cox has also been cast for a multiple-episode story arc for the network’s midseason replacement, Kings.

Anime ‘Witchblade’ Episode Available for Free

  • News
  • October 17, 2008

Fans of FUNmation’s anime Witchblade series can download the first episodes from Apple’s iTunes store for free through October 26.  The other episodes retail for $1.99 each or $38.99 for the entire season.

Witchblade, of course, is the star character from Top Cow and headed for a feature film after also having been seen as a live-action television character. In Japan, Gonzo Digitmation introduced an anime version complete with new host for the mystical artifact. The young girl, Masane, starred in a 24-episode run in 2006. Animation writer Yasuko Kobayashi crafted an entirely different story and host for a series of Manga, also from Gonzo.

Witchblade: Takeru began its run in March 2006 in Champion Red from publisher Akita Shoten with art by Kazyuasa Sumita.

Witchblade AnimeTokuma Shoten and Uno Majoto, Witchblade anime veterans, also produced Witchblade Lost Generation: Midori no Shōjo, beginning in August 2006. The host, Yuri Miyazono, has inherited the artifact from Takeru Ibaraki.
 

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