Author: Rick Marshall

ComicMix at New York Comic Con

ComicMix at New York Comic Con

Yeah, so there’s this comic convention "thing" going on in Manhattan this weekend… or so we’re told.

Here’s where you can find the ComicMix crew throughout the weekend (when we’re not cavorting at the three-day party in our official "ComicMix HQ" conference room, of course):

The weekend kicks off with ComicMix Managing Editor Rick Marshall (who also likes to refer to himself in third-person while writing roundups) engaging in a thoughtful (only if he doesn’t open his mouth) discussion with a cadre of other InterWebs-based comics journalists at Friday’s "Choosing the News: The Changing Face of Online Journalism" panel:

It’s a fact – journalism has changed. With more outlets than ever, more demands from news sources, and comics increasingly covered by the mainstream, how do comics news sites navigate the uncharted waters? Join Matt Brady (Newsarama), Richard George (IGN), Rick Marshall (ComicMix), Brian Heater (Daily Cross Hatch) and others for this engaging discussion, moderated by The Beat’s Heidi MacDonald.

Friday, 2:00 -3:00 PM : Room 1E09

Later that day, ComicMix Editor-in-Chief Mike Gold and columnist Michael Davis will be among the panelists at this year’s "Black Panel – NYCC Style" discussion:

Witness true black power—the power of black content in the entertainment marketplace. This lively panel will look at how black content is influencing entertainment and discuss how to increase its output in the mainstream.

Friday, 7:30-8:30 PM : Room 1E12-13-14

(more…)

What’s All This About a Comic Convention in New York?

What’s All This About a Comic Convention in New York?

Anybody know anything about this little get-together of a few comic book fans that’s supposed to happen in New York at some point soon?

No? Me neither.

Luckily for you, there are a few people who are paying very close attention (bordering on obsessive, in some cases) to all of the New York Comic Con hub-bubbery. Sure, you can check the official NYCC website, but where’s the fun in that?

If you really want to suffer the slings and arrows of outrageous lists of events, Heidi MacDonald over at The Beat is compiling an impressive list of everything that’s anything related to the New York Con. Not only will you be able to stay up-todate with all of the latest NYCC happenings, but you can also witness her descent into madness. Big convention chaos will do that to the best of ’em, I guess.

Once you get tired of watching Heidi’s sanity slip-slide away, check out the YouTube profile of ItsJustsomeRandomGuy, the creator of those "Marvel vs. DC" videos that have managed to meme themselves around the comics scene in recent years. The popular online filmmaker was commissioned to do some NYCC-themed shorts for the show, and has his very own panel on Saturday. (Also, I think he stole my "Thorbuster Iron Man" action figure, as it disappeared a few months back… right about the time he posted NYCC Video #3.) I’m watching you, mister.

Finally, keep an eye here on ComicMix tomorrow for a comprehensive list of all the places you’ll be able to find our news team, comics creators and assorted ComicMix roadies throughout the show.

‘Star Blazers’ Superfans Interviewed

‘Star Blazers’ Superfans Interviewed

ComicMix pals Michael Pinto and Brian Cirulnick were recently interviewed by the crew at StarBlazers.com, the official website of the Star Blazers animated series, and the conversation is an interesting read even if you’re someone who’s (*gasp*) not very familiar with the series — like me, for instance.

Along with running the show over at Anime.com and Fanboy.com, Pinto and Cirulnick were also the creators of the first official Star Blazers fan organization and the very first Star Blazers fan film, respectively. How’s that for fanboy cred, eh?

In the interview, Pinto and Cirulnick discuss the ins and outs of the superfan scene, the evolution of fan organizations through the years and how a mutual obsession admiration for a series can turn into a career.

Here, Pinto discusses the "duping parties" that made it possible for American anime fans to get their fix:

I hate to say it but in the early 80s most of our fan activity was trading video tapes from Japan. It’s funny that people talk about illegal downloads as something new, but without tape-trading, anime fandom would never have gotten started in the United States. People would have pen pals from Japan send them tapes and they would makes copies of those for other friends. Being an analogue medium, the quality of the tapes got pretty bad pretty quickly. Most of my early anime memories were of 5th generation VHS tapes, chock-full of static, noise distortion and tracking issues. At many conventions we’d have tape-duping parties where we would daisy-chain VHS decks together to make copies. These sessions would run an entire weekend and were the only source of anime for many fans.

 

Interview: Josh Blaylock on ‘Voltron: A Legend Forged’

Interview: Josh Blaylock on ‘Voltron: A Legend Forged’

For the record, I’m a child of the giant robot generation. I grew up pondering the life lessons of 1980s cartoon series such as Robotech and Transformers, and formulated complex theories regarding the place of Go Bots and Tranzor Z in the hierarchy of the universe’s massive mechas. Looking back on it now, I’m fairly certain I had the makings of a fairly impressive thesis on the subject of giant robots completed before I was 10 years old.

However, there was always one wildcard in my studies: Voltron.

The 1984 series Voltron: Defender of the Universe featured a giant mecha composed of five smaller lion-shaped robots. Each lion controlled by a young pilot. Voltron and the "Lion Force" pilots defended the universe against a host of threats that often took the form of monsters launched into battle via coffin-shaped shuttles. The forces at play in the series were equal parts magic and science, and the title character’s ever-changing list of powers and abilities called upon during the series’ long run caused me endless frustration in my attempts to rank Voltron alongside his peers.

In 2003, I found myself thinking about Voltron (and humming the series’ theme song) once again when Devil’s Due Publishing began producing comics based on the Voltron series. Despite its highly praised development of the characters and mythos of the Voltron universe (including contributions from noted creators such as Mark Waid, Kaare Andrews and Dan Jolley), the series was cancelled in 2005 without concluding its final storyline.

Nostalgia for the character has endured, however, and it now appears as if 2008 will be another big year for Voltron and the Lion Force. Earlier this year, DDP released the Voltron Omnibus, a collection of the entire DDP run that includes the previously unpublished final issue of the 2003-2005 series. The Devil’s Due crew also announced the July release of Voltron: A Legend Forged, a five-issue miniseries that promises to take readers on "a spectacular quest, 1200 years into the past." The series will be written by DDP President Josh Blaylock, and feature interior art by G.I. Joe: America’s Elite artist Mike Bear.

I spoke with Blaylock about the new Voltron series and its place in the character’s complicated history, and picked his brain about the character’s role in the world of giant robots.  DDP also provided ComicMix with new art from the series, including both an inked and full-color version of the first issue’s Tim Seeley cover, as well as an E.J. Su variant cover featuring Voltron in its popular "Lion Force" form. Full-size versions of each cover are posted at the end of the interview.

COMICMIX: First, let me get the most general pair of questions out of the way: Why Voltron and why now?

JOSH BLAYLOCK: It’s been a while since we played with Voltron, but lately there seems to be something in the air. The DVDs are selling like crazy, the Reeboks shoes, the streetwear. All that, combined with the movie buzz, and it seems like a great time to kickstart a new Voltron miniseries, and who knows, maybe more.

(more…)

R.I.P. ‘Confessions of a Cereal Eater’ Writer Rob Maisch

R.I.P. ‘Confessions of a Cereal Eater’ Writer Rob Maisch

Illustrator and ComicMix pal Bo Hampton recently passed along the following thoughts on this week’s death of Rob Maisch, the celebrated author of Confessions of a Cereal Eater:

Rob Maisch, the extraordinary raconteur who wrote 1995’s Harvey and Eisner nominated "Confessions of a Cereal Eater," published by NBM and illustrated by Rob’s friends, Bo Hampton and Scott Hampton, Rand Holmes and Sandy Plunkett, died this week unexpectedly of cardiac problems in Copley, Ohio.

According to his long-time friends, the Hamptons, his hilarious stories, energetic teasing, and love of life will keep him vividly alive for them forever.

 

Interview: Steven Cloud on ‘Boy on a Stick and Slither’

Interview: Steven Cloud on ‘Boy on a Stick and Slither’

Boy on a Stick and Slither creator Steven Cloud claims that he’s been publishing his webcomic since 1999, but one gets the impression that BoaSaS has been around quite a bit longer than that, growing in the margins of sketch pads, notebooks and crumpled pieces of paper discarded long ago.

The structure is fairly simple, with only two major characters in essentially the same position from one strip to the next, but the subject matter, well… that’s another story. The topics of conversations for the primary characters, Boy on a Stick (a stick with a boy’s head, just like the name implies) and Slither (a green snake), range from simple observation to complicated existential analysis. One strip will contain dialogue that could just as easily be found in a supermarket checkout line, while another will directly address complicated sociopolitical debates of the modern era.

So, yes, it’s a bit hard to "sum up" BoaSaS… and it seems like Cloud intended it that way.

In fact, it’s probably best to let my conversation with Cloud speak for itself as the best description of the strip, its creator and why it should be a part of your weekly reading list, as we discuss the origins of BoaSaS, the current debate over profitability in print- versus web-based comics, and his upcoming participation in a road rally that spans several continents.

COMICMIX: Thanks for taking some time to talk with me, Steven. What are you working on tonight?

STEVEN CLOUD: Honestly, I was just goofing off, surfing some old sites I’d bookmarked but forgotten. But my intention was to start drawing comics. I have the file open. That’s half the battle.

CMix: What’s the plan for the comic you’re working on tonight? Do you already have it thought out and need to work on the art, or are you still brainstorming a bit?

SC: I still need to brainstorm. I have it 90-percent drawn and maybe 50-percent written. I have a vague notion and I’m trying to turn it into an idea.

CMix: Is that how things normally work with BoaSaS? What’s the creative process normally like for you?

SC: I work probably four hours a day on average, including weekends. I have a full-time job that pays the rent. I have to draw comics during my off-hours. I normally just sit at the computer and draw fun backgrounds while surfing and IM’ing. Then I try to think of a clever premise/joke and lay it on top of the background.

It’s very free-form. Sometimes the background inspires the idea. Other times an idea will strike and drive the process. I just go with the flow and have fun with it.

(more…)

‘Wesley Wyndham-Price’ Warns Salt Lake City Council of Zombie Attack

‘Wesley Wyndham-Price’ Warns Salt Lake City Council of Zombie Attack

Hopefully you’ve already read the April Fools Day Round-Up we put together (with some help from ComicMix readers), but even if you did, here’s one we missed.

From the April 6 edition of The Salt Lake Tribune, City Council report:

Georgia transplant Wesley Wyndham-Price calmly stood before the City Council, cautioning members about downtown’s derelict emergency-preparedness plan. City elders are "insouciantly" unaware of risks to City Creek Center, he warned.

Wyndham-Price even paused to joke that Georgia’s saltwater taffy is better than Utah’s. "I hope that is not an ad hominem," he shrugged.

Then he got specific and all reason helicoptered into the ether.

City Creek needs an emergency-preparedness plan, he demanded, against zombies.

"Zombies are fierce," he said as a crammed council chamber laughed nervously. "They are going to catch us in there."

Yes, in addition to continuing their adventures in the pages of Dark Horse and IDW comics, your favorite characters from Buffy the Vampire Slayer and Angel are apparently still preaching the gospel of undead threats… to Mormons.

 

(via Whedonesque)

More Viral Marketing For ‘The Dark Knight’

More Viral Marketing For ‘The Dark Knight’

Face it, folks. You cannot stop the marketing team of The Dark Knight, you can only hope to contain them.

A website for the Gotham Police Department Major Crimes Unit has popped up on the ‘Net recently, featuring a shot of Gary Oldman’s returning character, Lieutenant James Gordon, and a quote that provides a nice wink-wink, nudge-nudge moment to fans of the comic:

Lieutenant James Gordon has been tapped to head this unit. Long recognized as an exemplary officer, Gordon has an unblemished reputation for fairness and honesty. Police Commissioner Loeb says, "With the establishment of the new Gotham Major Crimes Unit, we join the ranks of the major cities of this country and the world in modern police strategies and tactics."

"Commissioner Loeb," eh?

A video of Maggie Gyllenhaal’s character in the film, Rachel Dawes, speaking in support of future Two-Face, Harvey Dent (Aaron Eckhart), is also making the rounds.

For more on the massive viral marketing campaign currently in play for The Dark Knight, check out some of our recent coverage:

‘The Dark Knight’ Viral Marketing Prizes Revealed

‘The Dark Knight’ Viral Marketing Strikes Again!

Harvey Dent and the ‘Dark Knight’ Marketing Campaign

 

(via SHH)

 

The ‘Paper Comics Deathwatch’ Continues

The ‘Paper Comics Deathwatch’ Continues

In the recurring "Paper Comics Deathwatch" feature over at Flashback Universe, the blog’s authors chronicle the events they believe to be hastening the demise of comics in printed form. It’s an interesting read occasionally, and I can’t help but laugh at the way "PCDW Points" are assigned to each event.

Recent subject matter for PCDW includes all of the love publishers are showing MySpace around the comics scene, an analysis of Joe Field’s address at the recent Comics Pro retailers conference and the Wizard crew pimping an advertising partner’s scanner as "Comic Book Collectors’ Heaven."

Heck, they’ve found so much fodder for this feature that they’re taking art submissions for a PCDW logo and awarding some prizes for the winner.

(DISCLOSURE: Readers can always get free, online comics published every every day of the week here at ComicMix, so there’s a distinct possibility that we might be showing up in that PCDW feature at some point, too.)

In related news, Vaneta Rogers recently tackled the best ways to attract new readers to comics in her always interesting Q&A feature over at Newsarama. A variety of industry creators weighed in with their thoughts on how to get a foot in the door with readers outside of the hardcore comics scene.

Christos Gage offers up some of his thoughts:

Like, if you rented a film noir movie, then there would be an ad at the beginning of the DVD, just like you have ads for other movies, but it would be for Criminal by Ed Brubaker, or something like that. I’d like to see ads that tie-in not only with comic book movies — like if you enjoy the Iron Man movie, then you’ll like Iron Man comics. But something where it says, "Hey, if you like James Ellroy, you’ll like Criminal."

Chuck Dixon also makes a nice point:

I wish someone other than Archie would make a digest-sized comic for the "impulse" aisle at the supermarket. A Batman/Superman or Spider-Man or Star Wars comic would go nicely in the pocket recently vacated by the cancelled Disney Adventures digest in thousands of market checkout lines. Disney cancelled their book because it was only selling a million copies a month!

 

(semi-via Journalista)

Why ‘Little Lulu’ Works

Why ‘Little Lulu’ Works

Over at Comixology, Shaenon K. Garrity offers up her thanks to Dark Horse Comics for publishing Little Lulu reprint volumes en masse, and provides a great analysis of what made the comic strip work.

Simply put, I’m quite certain this is a quality piece of commentary because it actually made me want to hunt down a few volumes of Little Lulu, a strip that never really piqued my interest in the past.

The thing about the Little Lulu reprint project is that, brilliant as Little Lulu is, no one really needs 19 volumes of it. It’s a very repetitive comic. The adventures of Lulu Moppet, Tubby Tompkins, and their many small neighbors were published in a time when kids read their comics and threw them away; a month later, they were ready for more of the same. John Stanley and his nameless assistants worked out a series of reliable formulas which play out, often with only slight variations, in issue after issue after issue:

Garrity goes on to describe each of those "reliable formulas" in detail, explaining the typical set-up inherent to each formula, the payoffs readers could expect to see, and why the strips kept readers coming back. The author also provides examples of the small slices of zen served up by many of the strips:

Although Tubby was unable to carry his own spinoff comic for long, the Tubby-centric stories in Little Lulu are some of the best, and many of them feel autobiographical. When Tubby saves up his pennies to eat at a diner on the outskirts of town because real live truck drivers eat there, and he eagerly asks every man at the counter if he’s a truck driver until—joy of joys!—a bunch of truck drivers come in and sit down right next to him, the story transcends the formulas of kids’ gag comics and becomes a perfect moment drawn from life.

 

 

(via Journalista)