Author: John Ostrander

I’m Dreaming of a Celluloid Christmas, Part 1, by John Ostrander

News
December 6, 2007

Having learned nothing from my last list of favorite films other than how to start a few fights, I’ve decided to go at it again, this time with a list of my favorite Christmas films. T’is the season to really annoy people, after all.

A few words as I begin. This is my list of favorite films. I’m not saying they are the best. Well, some of them are. They just may not be your favorites. Omission of a certain film doesn’t mean I don’t know it or don’t like it. It’s just not on my list. Anyone attempting to see more into the list will be drowned in eggnog and buried with a stake of mistletoe through the heart. Hostile? Sure. T’is the season.

Here we go.

A Christmas Carol – I’m something of A Christmas Carol-aholic. It’s an inspired combination – Dickens creates a ghost story not for Halloween but for Christmas. Brilliant!

I read the story as a boy, the scene around the Cratchit family table was read at my house every Christmas Eve when I was growing up, and it was the last play I performed (where I played such vital roles as Mr. Round, Fred’s friend #3, Dancing Man, and Ensemble) before giving up my sputtering acting career. So I have very definite ideas of what the movie version should be. I own three different versions on DVD – all of which I will have seen before Christmas Day this year.

(more…)

Medium Rare, by John Ostrander

News
November 29, 2007

You can learn the damnedest things in the most unexpected places

I was paging through last week’s Entertainment Weekly, the one where they anoint their entertainers of the year, and came across four women – Glenn Close, Mary Louise Parker, Kyra Sedgewick, and Holly Hunter – all grouped together by the fact that they are over 40, that they are starring in their own TV shows on cable channels, and all had a uniting reason for doing so: the work simply wasn’t out there in movies for them.

Okay, that’s not news. And that’s what wrong. Pop culture is a reflection of our society and the way that it chooses to show certain demographics of people – including sometimes their omission – says a great deal about our society and what and who we value. While the article made me think of older women, the same point can be made for other minorities. We’re talking not only of movies and television but comic books and other entertainments as well. It is not only the portrayal of these groups – to which there is some increased sensitivity – but their omission that reveals how our society sees itself.

(more…)

Persons of story, by John Ostrander

News
November 22, 2007

Today is Thanksgiving and a hearty Happy Thanksgiving to you all.

As it turns out, it’s also the birthday of my late wife, Kimberly Ann Yale, who would have been 54 today. This is a day for stopping and giving thanks for the good things in your life and so I’ll ask your indulgence while I remember one of the best things in mine, which was Kim.

For those who don’t know her, never met her, how do I describe her to you? My god, where do I begin? Physically – heart shaped face, megawatt smile, big blue eyes. Champagne blonde hair which, in her later years, she decided should be red. That decision was pure Kimmie. She looked good, too, but she also looked good bald. More on that in a few moments. She was buxom and damn proud of it. Referred to her breasts as “the girls” and was fond of showing them off. She was about 5’8” so that when she was in heels we were about the same height. Basically had an hourglass figure although sometimes there were a few more seconds packed into that hourglass than maybe there should have been. We both fought weight problems and I still do.

All that, however, is mere physical description. Photographs could tell you as much and more and still tell you so little about Kim. Not who she was. Kim was an extrovert to the point of being an exhibitionist. She was flamboyant sometimes; I have described her at times as the world’s most innocent narcissist. She loved the spotlight but with the delight of a child. Yet, she also loved nothing better than to be in the corner of a tea shoppe or coffee house, drinking her cuppa, writing in her journal, totally absorbed into herself and the moment.

(more…)

The Golden Compass and the Golden Rule, by John Ostrander

News
November 15, 2007

Well, the film adaptation of the novel The Golden Compass hasn’t even opened yet and the Christian right-wing is already foaming at the mouth about it. The book is the first in a children’s fantasy trilogy called His Dark Materials by British author Phillip Pullman. Pullman is an agnostic/atheist (depending on the article that you read) and has said he is promoting his views through books to children, much as C.S. Lewis did promoting Christianity with The Chronicles of Narnia.

You’ve probably already seen the previews and commercials for The Golden Compass at the movies or on the TV. It’s got Nicole Kidman and a pretty cool looking armored polar bear (which may disturb Stephen Colbert even more than the atheist slant – assuming the writer’s strike ends in a timely fashion for him to comment on it). It’s also got Bill Donohue, president of the Catholic League, upset. That’s another point in its favor, insofar as I’m concerned, since I really dislike Donohue.

A note or two about the League and Donohue. The League’s full name is The Catholic League for Civil and Religious Rights. From their own website: “Founded in 1973 by the late Father Virgil C. Blum, S.J., the Catholic League defends the right of Catholics – lay and clergy alike – to participate in American public life without defamation or discrimination.” The League’s office is located in the headquarters of the New York archdiocese. Donohue is its main and some say virtually only employee. The site claims "The league wishes to be neither left nor right, liberal or conservative, revolutionary or reactionary.” Donohue, however, is an adjunct scholar at the conservative Heritage Foundation and his frequently bombastic statements link him with the blowhards on the Right.

(more…)

Mix Picks Chicks Flix, by John Ostrander

News
November 8, 2007

Generally speaking, I’m a guy. When I get dressed, I’m usually not worried about the ensemble, just about whether it’s relatively clean. I’m not concerned about my “looks,” considering that at my age I haven’t got many looks left to consider. My sweetie Mary likes how I look and that’s good enough for me.

Thing is – I’m not really a “guy’s guy.” I don’t follow sports all that closely but that’s because I’m mostly interested in my home teams. Because I’m at heart a Chicago boy, that means that – with the exception of certain comparatively rare periods of time – following sports is an exercise in masochism, especially as I am a Northsider, which makes me a Cubs’ fan.

I’m not into the whole “alpha male” thing, either. Never was, never will be. If “winning” is that big a deal to the other guy and it’s not over anything important to me – fine, I don’t care. He wins. If the jerk in the other car HAS to zoom around me, cut me off, and gain 2.5 seconds – okay. I continue on, generally catch up at the next stoplight, pull in behind him and then mime laughing at him, pointing at his car, so he can see me in the rear view mirror. I never said I wasn’t petty.

I also don’t always give in. People who assume that get a surprise when it’s on something that matters to me – or I’m just feeling contrary and cranky.

(more…)

Getting Good and Scared, by John Ostrander

News
November 1, 2007

Have a nice Hallowe’en? Was the Great Pumpkin good to you? Did you grab a few treats, pull a few tricks? Watched a nice scary movie or two? Seen a few Saws? Are you ready to get back to the real world?

The real world has gotten a lot scarier than anything Stephen King is putting out or that Hollywood is dreaming up. Crude oil is hitting record highs. Drinking water is drying up on both a national and an international level. The American housing market is in the toilet and likely to remain there. About a year from now we’ll be electing a new president and a new Congress, which means that we’re about to hit the hardcore election season during which little or nothing of substance will be done in Washington.

“Old news,” right? Heard it all before. Maybe we should summarize what it all means quickly and simply, the way Americans like it. Unless there are drastic changes made, America is going into its decline. Unless you’re in that upper small percentile of Americans that are really rich, the quality of your life is going to decline as well and not get better.

Fact? Not yet. By the time it’s a fact, it’ll be way too late to change. No, this is a projection based on facts. When I was a teacher at the Joe Kubert School, teaching writing to artists (an interesting task), one exercise I would give teams of students was to create a future based on facts derived from the research. The scenario had to be a reasonable extrapolation from existing facts or events and they had to explain the reasoning.

(more…)

Whose Story Is It, Anyway? by John Ostrander

News
October 25, 2007

In any given story, one of the primary questions that must be answered by the writer is – whose story is it? For example – in any Batman/Joker story, we assume that the story is going to be about Batman. He is the title character, after all. However, the story can be about the Joker – taken from his perspective, with the Joker as the protagonist and the Batman as his antagonist. A protagonist, after all, is not always a hero.

Sometimes, when I’m having problems with a story, I’ll go back to that simple, basic question – whose story is it? The answer sometimes surprises me. When I was writing my historical western for DC, The Kents, I assumed for a long time that the story was about Nate Kent, who was the direct ancestor of Pa Kent, Clark’s adoptive father. It was only when I was deep into the story that it occurred to me that the story was actually about Nate’s younger brother Jeb, who takes a wrong road, shoots his brother in the back at one point, becomes an outlaw, and eventually has to make things right.

The story may not always be about a person. When I wrote Gotham Nights, the focus of the story was the city itself, and the city was comprised not only of its buildings and roadways but, more importantly, the people who lived there, of whom I tried to give a cross-sampling. Batman was a part of all that because he is a part of Gotham City but the miniseries didn’t focus on him. It was Gotham City’s story.

(more…)

Writing Under the Influence, by John Ostrander

News
October 18, 2007

Nothing is created in a vacuum. Though the artist may like to think that the work springs forth Zeus-like full blown from their brow, the truth is any number of different other works influence your own. The works that move and affect us as artists also teach and guide us in our own expression.

We prize originality but it is said there’s only x amount of plots when you boil them all down (the number has varied according to who is defining it, but it’s usually low) and they were all created by the Greeks. The greatest writer in the English language – William Shakespeare – rarely came up with original plots, most usually re-working older plays or tales from history. What is original often is how you combine the elements.

Imitation is the starting point for what you eventually become. In writing, you become influenced by certain writers because of the types of stories they tell, or their command of language, or the depth of their themes and thought or even just their success or all of it together. It is through imitation, I think, that we truly learn such things as structure. With writing, you can take all the classes and read all the books but, ultimately, you really only learn how to write by writing. Hopefully, as you grow older and wiser – better – you discard the overt forms that you imitate to find your own voice, your own style. What starts out as something that you borrow has to become something that you own.

GrimJack began that way. As a writer, I very much fall into the camp of wanting to write because of the pleasure I’ve had in reading, especially certain writers. I’ve noted elsewhere that GrimJack was created as a cross between hard-boiled detectives and sword-and-sorcery heroes (making him what I sometimes laughingly refer to as a “hard-boiled barbarian”) but I haven’t talked about which sword-and-sorcery heroes went into the mix. Some might assume Robert E. Howard’s Conan but I’ve always been more drawn to Solomon Kane, Howard’s Puritan wanderer/adventurer. Conan as a character isn’t very reflective; Kane was, even though he was driven by a wanderlust that he couldn’t explain.

(more…)

John Ostrander: Obit the Living

News
October 11, 2007

Obits – obituaries – are tough things to write. Their purpose is to commemorate the life of someone recently deceased, to list their accomplishments and achievements, to take note that someone has passed out of our lives. A last fanfare to the life of someone who is gone. Generally speaking, they are valedictory and complimentary.

Why do we wait until after a person has passed away to stand up and say these things? Okay, it might embarrass the person we’re talking about to hear the nice things we might say – and mean – about them but they’ll get over it. And they might like to hear them.

All of which is prelude to the fact that I am about to embarrass someone – a fellow member of ComicMix. Ladies and germs, let’s talk about Mr. Dennis O’Neil.

ComicMix readers tend to be a pretty knowledgeable lot, I’ve discovered. Unlike some comic book fans, they know their comic book history and know it extends prior to Marvel’s Civil War or DC’s Infinite Crisis. If you already know most of what I’m about to tell you, sorry – but I’m speaking for the record and for people who may not know Denny as well as they might or should.

(more…)

JOHN OSTRANDER: Genius and Barbecue

News
October 4, 2007

There are ways of getting ComicMix E-I-C Mike Gold to do what you want. Most of them involve barbeque. It has to be good barbeque, mind you, and we’re talking beef rather than pork. Smoky brisket, a sharp sauce, maybe some hushpuppies (forget the cole slaw), fries, and a coke – get these into him and he becomes remarkably malleable.

Another really good way is talent. Mike is seduced by talent. I’m not talking big names; Mike knows plenty of people who are “names” and it’s no big deal. I’m talking about talent. He loves being a part of what happens when talented people do things; hell, Mike’s plenty talented in his own right. But he really enjoys how creative minds work.

It’s how I got him to originally go for Munden’s Bar. The character that Tim Truman and I created, GrimJack, had proven such a hit in the back of Starslayer that he was being promoted into his own book. Given the page count of comics at the time, it meant we needed an eight page back-up feature. I wanted GrimJack to be all set in the pandimensional city of Cynosure where the main feature itself was set so I proposed that we do an anthology series of eight page stories set in Munden’s, the bar that GrimJack owned and used as his office. Each story would be complete unto itself, each could have a different artist, and maybe I’d even let another writer in. Occasionally. Maybe.

Mike wasn’t sold. His objections were that anthologies could be a lot more work, they didn’t always sell very well, the company liked to use back-ups as launching pads for new series which Munden’s Bar was unlikely to do, and the idea with backups was to have something separate from the main feature that would draw in a crowd perhaps on its own, as GrimJack had done for Starslayer.

These were all reasonable objections. I couldn’t really dispute any of them so instead I fought dirty and appealed to Mike’s love of talent.

I told him I thought I could get Del Close to co-write some of them with me.

Let me tell you about Del. He was an actor, a teacher, and most of all he was the director at Second City in Chicago for twenty-plus years. He was teacher and mentor to some of the biggest names who came out of Second City and later founded, with Charna Halpern, ImprovOlypics – out of which came more students who became important people in comedy. Like who? John Belushi, Dan Ackroyd, Bill Murray, John Candy, Betty Thomas, Stephen Colbert, Mike Meyers, Steve Carell, and so many others that I could spend the rest of the column just listing them.

Simply put – Del Close is one of the greatest influences on late twentieth century comedy and humor in America and, thus, the world. He influenced his students and they in turn are influencing others. Del shaped the sensibility of Second City for two decades. Without it, there is no Saturday Night Live, no SCTV (Del created the format for that show), none of the other improv groups that have also fed American humor in all its forms.

Hyperbole? If anything, I think I’m understating it. Del is perhaps the only individual I have ever personally met whom I would call a genius. It’s not just a matter of intellect although Del had a considerable brain; it wasn’t just a matter of knowledge – Del was enormously well read on a multitude of different subjects. It was perception; he knew how it worked because he saw the patterns. I think Einstein knew what the answers were; he had to then find the proof. Same thing with Del.

(more…)

Author: John Ostrander

I’m Dreaming of a Celluloid Christmas, Part 1, by John Ostrander

Medium Rare, by John Ostrander

Persons of story, by John Ostrander

The Golden Compass and the Golden Rule, by John Ostrander

Mix Picks Chicks Flix, by John Ostrander

Getting Good and Scared, by John Ostrander

Whose Story Is It, Anyway? by John Ostrander

Writing Under the Influence, by John Ostrander

John Ostrander: Obit the Living

JOHN OSTRANDER: Genius and Barbecue

Categories

Archives

Everything you need to make great comics!

Nucleus X

Bookshop Zaks