Author: Alexandra Honigsberg

NYAF/NYCC ’10 Recap: The Hybrid Behemoth Strikes! Can it be Tamed?

NYAF/NYCC ’10 Recap: The Hybrid Behemoth Strikes! Can it be Tamed?

It would’ve been hard to’ve topped my peak experience of my first NYAF (The New York Anime Festival), last year. And much has changed in the past year, since I’ve become co-chair of Animinicon SoHo and president of the SoHo Host Club and am working with various colleagues on playing and promoting Japanese music here in the States (from rock to jazz and latin) and collaborating with other Japanese musicians. So my perspective is…different. But I’m still a Philosopher.

Recalling the crammed chaos that’d been Saturday of the con last year, I anticipated with terror what a combined NYAF/NYCC would be like for someone with mild claustrophobia like me. With nearly 100K in attendance at peak, covering the full convention center, it was daunting. My single corner booth with the Host Club on the dealer’s floor 3100 aisle with Mar Creation was on the far Uptown end of Javits and the Anime/Manga ghetto was on the farthest Downtown end. It took you about 30 minutes to walk anywhere and finding your way amidst the crowds and roped-off habitrails of certain areas was a feat, in itself. The staff worked very hard under combat conditions and, with few exceptions, were competent and cheerful, including both the NYAF/NYCC/Reed Expo people and the Javits people. The fans, too, took things in stride and with good nature. But with such crowds and every room and event filled, lines were long, tech glitches were numerous, especially for credit card machines and cell phones, and few extra courtesies were given to press—rarely any reserved seating or moving to the front of the line. That meant getting to anything you wanted to see about an hour early…which meant you got to see/cover much less but there was more than twice as much to cover!  Impossible task.  More triage. I never got to Artists’ Alley. Blew by the Cosplay Café. Didn’t cover one whole dealer’s room and only selectively covered the one I was ensconced in. Didn’t make any screenings. Kept missing people I was trying to meet up with. It was frustrating. It did feel as though NYCC got the lion’s share of space and attention and that NYAF was encapsulated, though Lance Fensterman and Peter Tatara gave stats that support that NYAF had the same coverage and space it had last year and I believe them. But it didn’t FEEL that way.

There were hints of the happy community I’d experienced last year, but they were harder to discern amidst the crush of Stuff and Humanity.  Some of the cosplay was, indeed, awesome and some, as usual, was…unfortunate.  There was less room for dancing and singing and spontaneity, but it did, indeed, happen.

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NYCC/NYAF After-Concerts: Tales of HYDE, K.A.Z., the Beauty and their ‘Beast’

NYCC/NYAF After-Concerts: Tales of HYDE, K.A.Z., the Beauty and their ‘Beast’

Japan’s nicest bad boys are, as one of their new album cuts says, causing “Trouble,” out on their first world tour, appearing to frenzied fans. And they’re stopping at NYC’s Roseland Ballroom for only the second time in their 6-year history of music-making together on Saturday, October 9th to rock our world.

The concert is part of a weekend here that begins with their
appearance at NYAF on Friday 10/8 at 4:30 p.m. Long associated with the genre,
Hyde, via L’Arc and solo, can be heard on the opening themes to popular animes such as Fullmetal
Alchemist
(second season’s opening, “Ready, Steady, Go!”), Moribito (“Shine”), and Blood+ (second season’s opening,
“Season’s Call”).

L-Arc~en~Ciel’s HYDE and Oblivion Dust’s K.A.Z. are back as Vamps, with their second full album together, Beast. The album is more of what the guys of this Japanese supergroup are famous for over their decade of music making… from the
delicious crunch of the darkest cuts from Hyde’s 2006 solo album (his first
full-collaboration album with K.A.Z., who was co-producer on HYDE’s 666 in 2004), Faith,
such as “Jesus Christ” and “Countdown,” with the trebly, joy-filled,
optimism of “Season’s Call,” and pure emotions of “Evergreen” on new
tracks like “Devil Side,” “Angel Trip,” and “Get Up”. They are driven by
K.A.Z.’s guitar that is very much in the world of U2’s The Edge, with a
rhythm section that is at once lyrical and full of quirky cross-rhythms
that keep
things interesting, all very tight and energetic. And above it all soars
and
snarls, with promises worthy of a vampy vampire that True Blood’s Lafayette might describe as “sex on a stick,” is
Hyde’s unmistakable voice that just gets better with age – he’s
40-something and is a tattooed, leather-clad, pouty Peter Pan, in perfect
shape, lately sporting blond hair that is at once striking and strange. Darkly
fey. K.A.Z. is all spikey hair, sunglasses, and guitar hero.

The chemistry of
this collaboration is totally apparent and fun to see and hear on the tracks
and production and live-concert videos. This album may not be my favourite of
Hyde’s work to date (that’s still Faith
and L’Arc cuts such as “Ready, Steady, Go!” and “Shine”). Lyrically, it’s not
up to the power and beauty of past work and the English can be rather raw,
though some of the playful double-entendres
do tempt and tease as they ought. Nonetheless, it is a fun album, a dancin’,
jammin’, party album, worth having in a fan’s collection and a good entry piece
for those new to the HYDE-K.A.Z. multi-verse. I anticipate an electric atmosphere
for the show with NY audiences who rarely get to hear their fav J-Rockers live,
stoked and hungry and rarin’ to go!

I’ll return with a review of
the show and backstage goings-on sometime after the event. Stay tuned!

Review: ‘Color Bleach+: The Bleach Official Bootleg’

Review: ‘Color Bleach+: The Bleach Official Bootleg’

Color Bleach+: The Bleach Official Bootleg

Viz Media; $14.99

Tite Kubo’s [[[Bleach]]]
franchise is vast and never-ending, at once very
playful and utterly serious. The latest addition to it to be translated into
English by Viz Media is [[[Color Bleach:
Bleach Official Bootleg]]]
(U.S., July ’10, Japan ’07). The conceit of this
jam-packed volume, presented in a sort of oversized Japanese-style trade format
with colorful dustcover and the like, is that the fans put out a tell-all book
about the world, the characters, the writer, behind-the-scenes and secret info,
and the like. The colors pop, the artwork is wonderfully exaggerated and
in-your-face like the best doujinshi
(fan-produced manga that Japanese publishers tolerate as part of the landscape
even in such a tight-rights state), and it makes fun of the thing we love, we
Bleach Bums, as only insiders can—so there are a lot of inside jokes. But if
you’re new to the franchise, you’ll still laugh out loud in spots and learn a
lot from this. It fills in a lot of gaps and previews things that haven’t yet
come out in the translated volumes (about 10 volumes behind what’s out in
Japan) or dubbed anime (about 120 episodes behind with backstory and filler
arcs resuming on Cartoon Network’s Adult Swim, starting last weekend after a nine-month
wait).

Some of the tidbits in the book, like details on all the
squad captains and their lieutenants and other seated subordinate officers,
come directly from extras on the American-release DVDs (up to Season 5, which
is Season 6 in Japan, the end of the endless filler arc of the Bounts’ attack
on the Sereitei, ending at ep. 109). Others
were bonus features in the Japanese Weekly
Shonen Jump
issues where it’s serialized over there, or from our monthly
American version [[[Shonen Jump]]]. And
still others are manga-ized versions of the Shinigami
Encyclopedia
anime extras that you don’t get on the Cartoon Network
versions, only on the versions aired in Japan. There are ads, faux and real,
for things such as the video games, other schwag like jewelry and accessories,
CDs and radio shows, and idol-like photobooks of your fav captains, like
fashion plates Histugaya Toushiro (Squad 10) and Kuchiki Byakuya (Squad 6)—very
popular with the otaku in Japan for
all their rock stars, and the captains certainly are treated that way by the
fans! Very amusing are the entrance exam for the Shinigami academy and personal messages from some of the stars in
full character, but with little hints of their personalities that you don’t
often see—such as running jokes about 9th Company’s acting-taichou Hisagi’s bad electric guitar playing. There are few
outright spoilers (e.g., you know that certain captains and lieutenants are
“missing,” but you don’t know why or what the outcome is…so if you haven’t seen
past ep. 60 or so in the third season, you won’t lose any of the impact of that
stunning reveal).

This is a happy bonus well worth acquiring for any fan of
the series. It amuses and informs and you’ll pick it up again and again and it
seems that the binding will hold up to repeated thumbings-through.

Interview: Fred Van Lente on ‘Action Philosphers’ Tested by Philosophy Professor

Fred Van Lente is the New York Times bestselling author of Incredible Hercules
(with Greg Pak) and three entries in the Marvel Zombies series, as well as the American Library Association award-winning Action Philosophers. His original graphic novel Cowboys & Aliens (co-written with Andrew Foley) is being adapted into motion picture form by Dreamworks and Universal, starring Daniel Craig. Van Lente’s other comics include Comic Book Comics, MODOK’s 11, X Men Noir and Amazing Spider-Man. Wizard magazine nominated him for 2008 Breakout Talent (Writer). Comics Should Be Good named Fred one of the 365 Reasons to Love Comics. He’s been called “one of the most idiosyncratic and insightful new voices in comics.”

With the release of the even bigger (4 superheroes added and the original heroes now arranged in chronological order), The More Than Complete Action Philosophers by Fred and his partner-in-crime, illustrator Ryan Dunlavey, from his very own imprint, Evil Twin Comics, back in November, I went back and re-read the Philosophers’ stories I’d reviewed about a year ago.  Being a Philosopher, myself, and therefore the very curious type, and always looking for new ways to connect with my undergrads, I sat down, keyboard-to-keyboard, and had a chat with Fred about this latest incarnation of his intrepid endeavor.


ComicMix: To start off with the basics and the obvious but perhaps not-so-obvious, why Philosophy in Comics?
Fred Van Lente: They used to do an anthology every year for the Small Press Expo (SPX) in Bethesda, Maryland, which Ryan Dunlavey and I go to a lot. One year the book’s theme was biographies. Ryan wanted to submit a story, and I volunteered — well, more like bullied my way into writing it, because Ryan originally asked my wife, Crystal Skillman, who’s a playwright.

I had been reading a lot of Nietzsche, just for fun (because that’s how I roll), and it occurred to me a funny, short comics bio of Nietzsche would be just in the wheelhouse for Ryan’s style. 

CM: So then that begs the question, with your inspiration being the very cerebral Nietzsche, why “Action” Philosophers?
FVL: For the past couple SPX’s, I’d been writing little mini-comics for us to sell out our table with my buddy, Harvey Award-winning artist Steve Ellis.

They were satires of different kinds of comics; for example, we did a strip called “Rightwing,” about a conservative superhero published by the Republican Party: http://www.fredvanlente.com/rightwing.html

And the following year, we made fun of Jack Chick, the famous religious tract publisher, by doing an evangelist strip for HP Lovecraft’s Cthulhu (this one’s become pretty big on the Internet): http://www.fredvanlente.com/cthulhutract/

To continue the trend, I thought it’d be funny to pretend there were action figures of philosophers (interviewer’s note: there are!), and so we did the Nietzsche strip in the style of a little comic you’d get bundled in with your Nietzsche action figure. Hence the title, “Action” Philosophers.

The punch line is we got rejected from the anthology but found we enjoyed doing philosophy comics. We did a couple more for a start-up magazine that never started up, and eventually we got a grant from the Xeric Foundation to self-publish our own AP comic … and here we are today.

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Review: ‘Ouran High School Host Club’

Review: ‘Ouran High School Host Club’

Last October, a horn player and otaku friend recommended a
shojo anime. OMG. Cute. I don’t do cute. But she persisted and I was
curious – a smart, geeky, poor girl gets into an elite academy for rich
kids on a full scholarship, feels totally out of place, and accidentally
becomes associated with the six smartest, most gorgeous, richest, blue-blooded
and most well-connected guys in the school…hmmm…been there, done that. No
really! My life is an anime! So I
looked. And I was hooked.

I had to wait ‘til the end of March for the
complete Ouran High School Host Club collection from Funimation (4 disks, extras like commentaries from the
American cast, about $50 retail, standard and blu-ray). But it was worth it.
And what could make a hard-core, anti-kawaii viewer like me get involved?
Simple – beautiful art, music, performances, writing and, most
importantly, characters and storylines that will make you laugh and cry and
care. In short, as I’ve said so many times before – it’s human!

And it does so by delighting all
the senses – the eye is treated to architectural renderings both
ridiculous and lush (English academy style in pink with cherry blossoms), the
music composed and performed flawlessly with elements of Bach Brandenburg
Concerti, Strauss Waltzes, and Chopin Nocturnes that will have you swearing
they’d been written by the great masters, but by Yoshihisha Hirano (Death Note), believable dialogue even at
its most outrageous, and glimpses into Japanese pop culture and history in
fascinating detail.

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Review: ‘Daria’

Released on May 11th, eight years after we’d
bid our
misanthropic heroine escapee from [[[Beavis & Butthead]]] and beloved
Lawndale adieu,
we have Daria: The Complete Animated Series
on DVD.

Well, almost complete. They did not get the rights to all
the
really cool songs that had once perfectly punctuated every episode – too
expensive and the main reason for the long delay. So what we have are
large
chunks of the series that have no musical background at all and parts
that have
some generic music inserted to fill the gaps – though they did include
all of Mystik Spiral’s songs, thankfully! So as I watched the five seasons
of
merriment and mayhem, yeah, I could not escape the feeling that
something was
missing, ‘cause it was. But don’t despair. [[[Daria]]], Janey, and the rest
of the
crew are there in all their cartoony glory, and that’s something to
raise an
amused eyebrow about.

The opening sequence, where Daria just stands there
and puts
one hand out during volleyball, sums up her character perfectly (only
shown
once per disk). So I tried to mainline this series multiple seasons in
one
sitting. Don’t try this at home, kids. The extended deadpan will kill
you.

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‘Bleach: The Diamond Dust Rebellion’: The Trials of Toushiro and Why I Watch, part 2

‘Bleach: The Diamond Dust Rebellion’: The Trials of Toushiro and Why I Watch, part 2

For part 1 of this article, click here.

The Soul Reaper Academy (every society needs an academy – see Plato, Aristotle, Hogwarts), founded 1000+ years ago by Commander-General Yamamoto, graduated the youngest person to ever become a captain, Hitsugaya Toushiro. Serious in countenance, sharp of mind, fierce in battle, child-like in stature (brilliantly voiced by seiyuu Romi Park and by English voice actor Steve Staley), with spikey white hair and turquoise eyes that made him an outcast in his rural Rukongai district (where most souls live; the Sereitei, Court of Pure Souls, is for the shinigami and nobility), and thus a loner, he nonetheless mastered the strongest ice-based Zanpakutou ever in its full bankai form, Hyourinmaru (manifests as an ice dragon and a regal humanoid). He stands tall amongst the captains, despite his relative youth, respected and well loved. But his soul knows only hard work and justice, unlike those who had defected and nearly killed him and everything he loves. Toushiro, too, knows loss, and he and Ichigo had seen battle together and they are friends, though opposites: Toushiro the samurai dubbed a “snotty brat” by Ichigo who is…well…15. When we meet Toshiro in this story, he and his lieutenant, Matsumoto Rangiku (who’d discovered him in the Rukongai), and soldiers of Squad 10 are guarding the royal family and the magical artifact, the Ouin, when the entourage is attacked, the Ouin stolen. The forces suffer heavy losses and Toushiro is seriously wounded. He sees his masked attacker, who says, “You haven’t changed,” and thus knows him by voice and leaves his post to go after him.

When a law becomes unjust, it is our duty to defy it and rewrite it. Ichigo taught Captain Kuchiki Byakuya (Rukia’s noble brother by adoption) this during the ordeal of Rukia’s execution and Byakuya eventually thanked him for it. Our Founding Fathers and the revolutionaries before them who’d inspired them voiced such axioms, schooled in the classics back to Plato. The Japanese constitution is based upon ours, framed by MacArthur at the armistice after WWII. We share an ideal and thus Bleach speaks on both sides of the world. And like much Japanese literature, though it shows many fierce battles, it counsels that battles are to be avoided whenever possible between people of reason – a hallmark of Philosophy, Just War Theory (Aristotle, Augustine, Aquinas). Ichigo gets all this because he’s the outsider of the Soul Society, 17th vs. 21st C. The others are slower to defy even seemingly unjust laws and decisions, finding injustice in their midst so hard to believe due to their resolve, their utter certainty that what they risk their lives to do every day is Good, that all life on both sides of the veil depends on them (think Sorkin’s Marines in A Few Good Men).

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‘Bleach: The Diamond Dust Rebellion’: The Trials of Toushiro and Why I Watch

‘Bleach: The Diamond Dust Rebellion’: The Trials of Toushiro and Why I Watch

Being a Philosopher, I see Philosophy everywhere and talk
about it all the time. But sometimes I am surprised by where I find it and in
what abundance. And rarely do I find in one body of work ideals that cover Aristotle’s
thoughts on friendship and justice (Nicomachean
Ethics
), Confucius’ ideas of Right Association (Great Learning), Kant’s Deontological Ethics (law, duty, rules) of
the Categorical Imperative (universal laws without exceptions), and the Rule
Utilitarianism perpetuated by Sidgwick (merciful exceptions in extraordinary
circumstances) and embedded in our seminal national documents via Jefferson and
his cohorts, and even Plato’s The Republic.
Plus there are the metaphysical ideas such as how does memory define and/or
reveal us (a la Locke, Hume —
respectively) and how do the dead live on? Amazingly enough, it’s all in this cartoon
universe.

The Japanese franchise that is Bleach is vast: 40+ volumes of manga, 2 character books (Souls translated, Vibe not), one art book (All
Colour But the Black
), 249+ episodes of anime, 2 OVAs, 3 movies, 4 rock
musicals and 2 Live Bankai shows, many
soundtrack and character CDs, 3+ video games for the Nintendo DS and Sony Wii,
and more merchandise than you can shake a Zanpakutou
at. And it is now a bonafide phenomenon in the US, as well, with 167 dubbed
episodes aired and 109 episodes, up to the first half of season 4: The Bounts,
released in deluxe DVD boxed sets, thanks to the folks at Cartoon Network and
Funimation, with 29 volumes of Tite Kubo’s (story and art) manga in English
from Viz Media and Shonen Jump where
it is serialized and translated, and 2 of the 3 movies now out on DVD here in
the States.

On a holiday break from new episodes since Thanksgiving
between seasons 8 and 9, CN gave the US premiere of the 2nd movie: The Diamond Dust Rebellion (2007) on Adult
Swim on 12/5, and the 2-disc DVD with subbed and dubbed versions and some cute
little extras (including original trailers, behind-the-scenes, and an English
version of the Japanese movie premiere program booklet) was released in
September here in the States. It has not had any screenings in US theatres,
unlike the 1st movie, Memories
of Nobody
(2006), which had special NY screenings of the dubbed and subbed
versions 6/11-12/08. The 3rd movie, Fade to Black, I Call Your Name, which premiered in Japan last
December, is not yet available legally in the States, dubbed, subbed, or
otherwise. The story told in DDR takes place after episode 167. The various
anime writers’ attention to detail and continuities in this vast and ever-expanding
universe is amazing. You will see tiny important details from this movie’s
story played out in later episodes that involve these characters. The Soul
Society is a busy place, full of conflict, most of the time being caused by
choices from its past coming back to haunt it.

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When Vampires Suck: a review of ‘How to Catch and Keep a Vampire’

When Vampires Suck: a review of ‘How to Catch and Keep a Vampire’

Diana Laurence’s How to Catch and Keep a Vampire: A Step-By-Step Guide to Loving the Bad and the Beautiful
(Sellers Publishing, 10/23/09, $14.95 trade
paperback) is advertised as non-fiction and humor. It’s 160 pages, complete
with FAQs, myth busting, case studies, cutesiness with perhaps a nod to Sex and the City, references to the
latest vampire crazes (True Blood and
Twilight), and an underlying
cautionary tale (the danger of the serial-killer-turned-vamp-professor, Dr.
John Grey) of female stupidity, to-turn-or-not-to-turn angst between Diana and
her vamp paramour Connor, and redemption. It tries to be many things. 

I kept
wanting to like it. I love vamp lit. I’m published in the sub-genre several
times over and love to play in that playground. I’ve watched the suckers ever
since I was a little girl and first saw Bela Lugosi as The Count and said,
“Oooh! He’s cool! He wears capes and goes to the opera!” and lusted after
Frank Langella and loved Rice’s The
Vampire Lestat
(and I’m an adult, so I despise Twilight – vampires don’t sparkle!) and can geeble with the best of
them over Vampire Bill and his delicious-but-inaccurate accent! So I get the
whole fascination-not-fear idea and how that can be played for amusement. We
are not amused.

Laurence’s vamps tend toward the True Blood variety, but with added bonuses. Yes, they drink real
blood and synthblood, but they can also eat and they have a drink called Light
Shade that enables them to walk in the sun plus an elixir that makes their pale
skin more normal looking. They aren’t damned, but are immortal (societal
prejudice smear campaign). Flying is merely hypnosis on their victims – they
don’t do it. They used to sleep in coffins out of superstition but don’t,
anymore. They don’t shape shift – more myth and hypnosis. The worst parts
about being a vamp seem to be that they can’t use mirrors and the alienation
they have from loved ones due to prejudice and the mere fact that the vamp will
live forever (barring staking) and other types of humans won’t (oh yeah,
they’re human…they have souls!). Oh, and if you drink a vamp’s blood but are
caught in time, you can be drained of all your now tainted blood, have it
replaced with synth blood ‘til they can get your proper blood type, and prevent
a turning before it’s acted upon all your blood cells and they’ve acted upon
the rest of the cells in your body. But it has to be done fast.

It’s all just a bit too neat and tidy and convenient
and…well…flat. It should be seductive, like its subject. It’s not. Dry. How
can you make talking about vampires, one of the most fun subjects in the world
(every culture has a type of vampire myth!), boring? This manages. Not quite
sure how. But it does. And that sucks. Excuse the bad pun. I just couldn’t
help myself.

New York Anime Festival 2009 Wrap-up

New York Anime Festival 2009 Wrap-up

Picture a world where people gather and interact in joy and
harmony, where groups of gaily-clad youths break into spontaneous song and
dance at regular intervals, where spontaneous conga lines of diverse peoples
stretch for blocks and wind through the market stalls, where merchants sell and
people buy with easy affability and business is brisk, where people debate the
topics of the day with great thoughtfulness and passion and the powers-that-be
listen to the people-at-large. The Twilight Zone? Are you some sort of philosopher,
or something? Well…no and yes. I just spent a weekend at my first New York
Anime Festival at the Javitz Center in Manhattan and I found myself
intermittently amused, bemused, overwhelmed, and overjoyed.

Think about it. Everyone has watched an animated something
in their lifetime, no matter how old. From Looney Tunes to Disney to
Hanna-Barbera to Pixar, we’ve experienced this media and it has been used for
everything from pure entertainment to social commentary. Much of what was seen
in America during the ‘60s and ‘70s was actually from Japan – Speed
Racer, Kimba the White Lion, Astro Boy, Gigantor, Tobor the 8th Man
– some of which are now known to a new generation only via CGI-heavy
feature films. Yet this is far from past-tense kiddie land. With the global
economy, the on-line connecting of the worlds, and all the ways we
cross-pollinate each other’s cultures, just as Americans seem to be everywhere,
so are the Japanese and the growing connections between East and West, from
McDonald’s to manga.

My professional friends, The Anime Chicks, brought me into
the anime fold only about three years ago with Rose of Versailles and The
Legend of Basara
, and a wise one passed along to me the original Full Metal Alchemist (also see subbed on
hulu and other sites the new Full Metal
Alchemist: Brotherhood
, now up to ep 26 in Japan, which follows the manga
more closely as anime and manga had diverged with the common delays between the
two medias), which is sometimes too great for words and, as I’ve happily
discovered, it’s consistently named in the top 5 anime ever in many fan and
professional polls. This encouraged me to explore more: Death Note, Trinity Blood
and, God help me, the never-ending Bleach,
all enabled by my colleagues, our very own Scooby Gang. This lead to Saturday all-nighters on Cartoon Network with Moribito, Ghost in the Shell: 2nd
Gig
, Code Geass: LeLouche of the
Rebellion
, Blood+, Big O (2nd season), and Cowboy BeBop.

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