REVIEW: The Lost Adventures of James Bond
It sometimes feels like that for every James Bond film made, there are several others that never get before the cameras. We hear of actors, writers, and directors coming and going, which sometimes explains the long gap between films. And with an unexpected delay for No Time to Die (please open in 2021), we could use a dose of 007.
Mark Edlitz delivers with his latest deep dive into pop culture. His self-published The Lost Adventures of James Bond covers the films, novels, comic books, and other media complete with fresh interviews with many who were actively developing stories we’ll never see.
While I knew comics writer Cary Bates wrote an unsolicited treatment, which he sold, I had no idea John Landis, fresh off Schlock, was invited by Bond impresario Cubby Broccoli to write a screenplay for Roger Moore. (It’s worth reading just for his anecdote about Queen Elizabeth.) Nor was I aware that there was active development of at least three different Bond films for Timothy Dalton, who lasted a mere two outings.
We learn how times change, audience tastes change, and sometimes it was hard for Eon Productions to keep up. Or the things that excited some writers didn’t excite Eon. And yet, elements from many an unused story found their way into other productions throughout the years, so little went to waste.
With his exhaustive research, he has unearthed details on the films, but also does a deep dive into the James Bond Junior television series, covering almost every angle. Even television commercials get their due.
While many interviewed here never got to see their ideas fully realized, they almost all give credit to Richard Maibaum, the screenwriter who set the cinematic template in the 1960s, going on to pen a dozen missions. Apparently, he wrote a series of essays about Bond, a rare book I’d like to find and read.
His appendixes include a comprehensive catalog of everyone to portray the secret agent in all media, far more than you would realize. There’s also a guide to all the stories in print and on film. Finally, the treatments to the unproduced A Silent Armageddon and “A Deadly Prodigal” are presented in their entirety.
Edlitz supplements his interviews and narrative with fine illustrations from Pat Carbajal along with imagery from international comic books and comic strips through the years.
This is a worthy addition to anyone’s Bond library and certainly alongside Edlitz’s earlier The Many Lives of James Bond.