Mike Gold: What Goes Around…
Having spent the past four days in Baltimore attending my favorite comics convention – the one that’s actually about comics – I had the opportunity to spend some serious conversation time with a lot of my friends. However, because the show is a four-hour-plus drive from La Casa Del Oro, the best conversation is with my daughter and ComicMix cohort Adriane Nash. Whereas much of her work is behind the scenes, Adriane is the one who kills here each year on April Fool’s Day and at least one of her hoaxes has graduated to the level of Urban Myth.
As her dad, this makes me very proud. But (sing along, folks), I digress.
After returning from Baltimore Monday night, while cuing TiVo for Ricky Gervais’ appearance on David Letterman, we had one of those “let’s tie-up everything we’ve been talking about” conversations. This one was about how, given time, them younger generations eventually discover the really great stuff that was done before they were born. Adriane started with Jack Kirby, which, of course, made me feel even older than my present dotage. Younger readers have to discover Kirby, the most influential creator in the history of American comics. And they do… with a little help from their friends.
There’s nothing wrong with that. When I was about half Adriane’s age, I interviewed disc jockey Bob Hale (WLS, NBC, and the guy who emceed the Iowa concert the day the music died). Bob said he didn’t despair for those kids who like crappy rock’n’roll because they eventually grow up and discover the Good Stuff. That was an important lesson (thanks, Bob!), one I’ve remembered for the past, ummm, well, 45 years. And so it is with comic books.
As it stands today, no less than three major comics publishers are reprinting various aspects of the canonical EC Comics. Will Eisner’s The Spirit stays out there on the racks, as well it should. Carl Barks – same thing. Because Jack Kirby’s output was so astonishingly massive, it seems there’s a new reprint of his stuff about every six weeks.
This is true with the classic newspaper strips (I define The Spirit as a comic book that was published in newspapers), these days largely through the efforts of the gifted and knowledgeable Dean Mullaney and our friends at IDW. Milton Caniff, Alex Raymond, Chester Gould, Al Capp… you can bust your back dragging out all those massive hardcover tomes of Terry and the Pirates, Flash Gordon, Dick Tracy, and Li’l Abner, and that’s a small price to pay for the thrill of such discovery. And then you go over to Fantagraphics for Walt Kelly’s Pogo, Roy Crane’s Captain Easy, Charles Shultz’s Peanuts and Elzie Segar’s Popeye.
So… as you age you’ve got a responsibility to pass along the good stuff, to educate the young’uns to the great stuff that provided not only the foundation for our great medium, but the first half-dozen floors as well. I guarantee you that just about every talented artist and writer impressing the hell out of you today has devoured these folks and many others possessing equal gift: Alex Toth, Joe Kubert, Mort Meskin… the Internet doesn’t have enough bandwidth for me to list them all.
It is our responsibility, our duty to pass along the good self.
That’s how art works.
THURSDAY MORNING: Dennis O’Neil
THURSDAY EVENING: Martin Pasko