Monthly Archive: June 2011

ALL PULP INTERVIEWS ANDREW SALMON ON iPULP RELEASE!

Andrew Salmon Secret Agent X iPulp Launch Interview
With the upcoming June 27 release of his Secret Agent X tale, The Icarus Terror, All Pulp sat down with Andrew Salmon to get the skinny on Secret Agent X and the digital revolution.
AP: Tell us a little about yourself and where readers can find out more about you and your work?
AS: All right. I was born in Montreal, Canada but my wife and I now live in Vancouver. I’ve been writing pulp for more than three years now and really feel at home in the genre. I’ve had the great good fortune to have picked up three award nominations for my pulp work in the last couple of years and am still amazed I actually won a Pulp Factory Award for Best Pulp Short Story in ’09 for my contribution to Airship 27’s Sherlock Holmes Consulting Detective Volume One. Folks interested in my output to date can check out my author page on amazon. It’s got it all. Plus you’ll find almost all of my stuff on Airship 27’s various sites.
AP: How did you become involved with Secret Agent X?
AS: When I first hooked up with Airship 27 I was completely new to the pulp genre having read three or four Shadows and a couple dozen Docs. But I fell in love with the genre immediately and leapt at the chance to try my hand writing it. Well, my inexperience led Airship’s Ron Fortier to assign me a Jim Anthony tale since Anthony was a Doc Savage clone and I’d read more Docs than anything else at that point. So I banged out an Anthony tale and had a ball doing it! So much so that when I was done, I was hungry for more! Around the same time, Airship 27 was re-issuing the titles they had originally published with Wild Cat Books during their brief association and their first Secret Agent X anthology was on deck. Thing was, one of the contributors to that release decided, for whatever reason, to bow out of Airship 27’s re-issue of the book. My Anthony tale had not been released at this point and X was the next book they had on the flight deck. Ron knew I was chomping at the bit to officially become part of what has now become the New Pulp movement and offered me the slot – if I could bang out a Secret Agent X tale quickly. I did . They loved it. And I got the spot! I made my pulp debut with Secret Agent X and have loved the Agent ever since! 
AP: Who is Secret Agent X? What makes pulp characters like Secret Agent X appeal to you as a writer and a reader?
AS: X is just a great character! He can be anyone and the fun in writing and reading X tales is to discover where he’s going to turn up next. The mysterious element to the character is what really drew me in. Along with his abilities as a master of disguise, readers are never sure who he really is as his true identity is never revealed. That’s a lot for a pulp writer to play around with and makes X novels and stories a delight to read. X is the Bond of his time and yet has a selfless dedication to duty. He has no time for martinis and fair ladies. He’s got a job to do and he does whatever it takes to get that job done. Also, in a way, he’s the quintessence of what pulp is all about. Very little time is spent on X’s background. Oh, he’s got a regular cast and a love interest, but X tales are all about action, misdirection, gadgets and disguises. Bond meets Mission: Impossible – that’s Secret Agent X!
AP: Digital content has changed the publishing landscape. As a creator, what excites you about digital content? As a reader?
AS: Well, this is the burning question of our time – right across the publishing landscape. The digital world has exploded traditional publishing in a good way. It’s easy to get stuff out there and doing so digitally means you can keep prices down. Everyone is pinching pennies these days and folks are careful about what they spend their money on. People want bang for their buck and tend to stick with content and creators they know to be, in their minds, a sure investment.
However, with digital publishing, readers can now branch out. Whether it be with a tablet, an e-reader or their cell phones thanks to iPulp, content, both good and bad, is now readily available at a great price. Pulp creators and fans have seen the impact the internet has had on creating the New Pulp revolution. Now with the surge in e-readers and the like, it’s not so big a gamble to try something other than whatever is on the Best Seller’s list at any given moment. What once was a $15-$30 roll of the dice can now be had for $3 or even $1 with iPulp. There are a lot of really great writers out there and their voices can now be heard thanks to the digital revolution. Readers can take chances now, branch out and it won’t break the bank. It’s great! I can’t tell you the number of writers I now read regularly that I’d have never heard of if not for the digital explosion. Or, if I’d heard of them, I probably couldn’t afford to take a chance on. No more! Now dabbling is easier than ever and it’s just great to wade into the tidal wave of New Pulp authors and artists. For avid readers, the digital boom is a dream come true!
AP: Your Secret Agent X story, “THE ICARUS TERROR” is currently available in print and as an eBook from Airship 27, and soon to be released individually at iPulp Fiction. What can you tell us about this story?
AS: My simple rule for an X tale is to have the thing start pedal to the metal and not let up for a heartbeat. That’s what I did for “The Icarus Terror” and the result is a wild ride. Imagine 1930s New York and an airship festival – airships and blimps hovering over the city, blocking out the sun. Then imagine those ships descending, squeezing between the towering, concrete spires of the city and before anyone can figure out what’s happening, the helium-filled airships begin to explode! How is it being done? Is some evil genius behind it? Is the city being held hostage? Can Secret Agent X get to the bottom of the mystery before more of the airships explode? Talk about bang for your buck! With iPulp offering “The Icarus Terror” for only $1, truer words were never spoken. Edge of your seat thrills await!  
AP: Airship 27 currently has three Secret Agent X anthologies in print and available as eBooks with several of those stories soon to be released individually at iPulp Fiction. What’s next for these pulp heroes?
AS: I’ve got a Secret Agent X tale in the third Airship anthology and I’m hoping it will one day make its way to iPulp along with the other X tales they’ve done to date. X is made for this format. The stories are fast-paced, action-packed – just the sort of thing to read on the go or during brief breaks or down time on the job. They will get your heart pumping! As for the future of the great pulp heroes, the sky really is the limit. Back in the Golden Age of pulp fiction, the exploits of these great heroes were great escapism from the everyday. Folks in the 1930s craved these kinds of adventures and nothing has really changed. Action movies, books, video games and the like are still as popular as ever. Pulp fiction and the great pulp heroes of yesterday and today can still thrill while providing that much needed escapism we all need from time to time. Getting pulp tales out in all different formats means that readers looking for a white-knuckle thrill ride can access these tales however they prefer. A Mount Everest of pulp thrills was compiled during the heyday of pulp fiction and millions of readers enjoyed the terrific exploits of these timeless characters. Most of that stuff is becoming available for today’s readers. But, more importantly, a sister peak is being compiled of New Pulp tales, characters, exploits with a modern sensibility, currently created by talented writers and artists for today’s readers. It’s all breaking at the same time. Tons of great reading you do not want to miss! Whether you’re an old pulp fan or someone coming to the genre for the first time, you will find something you like. I guarantee it. Get your feet wet digitally if your wallet is a little light. Try an Airship PDF for $3 or an iPulp tale for $1. For less than the cost of a cup of coffee, you’re in for a real treat! Once you see what a wonderful reading experience one can have with pulp, you can upgrade to printed books to stock your library if you want or fill up the memory on your tablet with as much pulp as it’ll hold. You won’t be sorry.



Andrew Salmon (on left)



AP: Any upcoming projects you would like to plug?
AS: I’m currently working feverishly on a pulp novel featuring German pulp heroes called All-Men: The Shadow-Line. The book, if I can ever get the darn thing finished, is going to be something very different and, I hope, very eye-opening for pulp fans. I’m going out on more limbs than I can keep track of but I’m risking the fall in the hopes of providing readers with a reading experience they’ve not encountered with pulp to date. The novel is taking up almost all of my writing time these days but that doesn’t mean I don’t have other irons in the fire. I’ve contributed an easter-egg laden, hardboiled detective tale for an anthology Airship 27 is putting together featuring a PI named Rick Ruby and that was a lot of fun. I also collaborated with Mark Halegua crafting the first tale with his hero, the Red Badge, which is forthcoming as part of Airship 27’s Mystery Men & Women Volume Two which should be out before the end of the year. There are a lot of other things on the horizon both with Airship 27 and Pro Se that I’m not at liberty to talk about at the moment. Let’s just say that the pulp world hasn’t seen the last of me yet and leave it at that. I’m having a ton of fun writing pulp and it’s my hope that readers are having as much run reading what I’ve churned out so far. Hang on to your fedoras folks, you ain’t seen nothing yet!
AP: Thanks, Andrew.
For more information on iPulp Fiction’s offerings, please visit www.ipulpfiction.com
For more information on Airship 27 Productions’ offerings, please visit www.gopulp.info

NEW PODCAST FOCUSED ON NEW PULP DEBUTS-Go Get PULPED!

Press Release-
Four New Pulp creators and proclaimed members of what some are calling The New Pulp Movement, announced today that they have united to present the world with the first official New Pulp Podcast!  PULPED!, a podcast focused on the works and trends that comprise and contribute to works created after the heyday of the Pulps that have the sensibilities of classic Pulp works and yet are new tales, debuted with its first episode on June 20th.
Tommy Hancock, Barry Reese, Derrick Ferguson, and Ron Fortier, all noted pulp authors and personalities within New Pulp, make up the core circle behind PULPED!  Functioning as a rotating circle of hosts, the PULPED! Four will spotlight different creators and New Pulp works each week as well as discussing trends in the sub genre.  There will be a News section of the podcast, but it will be slightly different than traditional newscasts.  Each co-host will bring a topic of New Pulp news to the table and then the assembled hosts will discuss and/or debate it.  Also, PULPED! will be the home of reviews done by THE PULPTRESS, the spokesperson for New Pulp!  Each week, she will deliver a review of current New Pulp books, audio, movies, tv, and other things that qualify as New Pulp.
“New Pulp,” said Tommy Hancock, “is a vibrant, relevant part of the fiction Pulp fans love and enjoy.  Edgy at times, traditional at others, New Pulp shows that the fantastic heroic adventure fiction enjoyed by so many in the early 20th Century is not only still alive and well, but is on the verge of being an important part of literature of the 21st Century.  PULPED!’s focus will not simply be on books, but on all aspects of how New Pulp permeates our society. It will also focus on everyone from major players in publishing and other fields right down to the small press publishers and independent creators that truly are the lifeblood of this movement.”
PULPED! will post a new episode every Monday at http://www.pulped.libsyn.com/ and will be available in the coming weeks via ITunes and other providers.
“Anyone who is a writer, artist, publisher,” Hancock stated, “that wants to be a guest on PULPED!, all they need to do is to send an email to braedenalex@centurytel.net or contact any of the four hosts.”
The first episode is now available at http://www.pulped.libsyn.com/ and its description is as follows-
PULPED! The Official New Pulp Podcast-Episode 1-PULPED! For The First Time!

PULPED! is a Podcast dedicated to the creators and fans of New Pulp!  New Pulp, heroic fiction by modern artists written with the sensibility and in the tradition of the Pulp genre!  Pulp creators Barry Reese, Derrick Ferguson, Ron Fortier, and Tommy Hancock kick off this podcast dedicated to the promotion of The New Pulp Movement by explaining what the podcast is about, defining and discussing New Pulp, and letting know listeners what they’re in store for. 

Then Tommy and Barry take off their hosts hats and climb in the guest spotlight to discuss Barry’s latest book, THE ROOK-VOLUME SIX, published by Hancock through the company he’s a partner in, Pro Se Productions.  The origins of the Rook, Reese’s inspirations, and the logic behind Pro Se acquiring the Rook as well as future plans for the well known character are discussed in length.  Following that, our intrepid co-hosts take on the PULPED! News.  Each week, the co-hosts will bring one topic of New Pulp news to the table and they will discuss, analyze, explore, and debate it!  If you like your fiction heroic, if you seek adventure and action in every word you read, then come on in, take a seat, and get PULPED!

PULPED! will post each Monday!

Check out PULPED! and the New Pulp Movement at www.newpulpfiction.com and at the New Pulp forum hosted by Comic Related at
http://www.comicrelated.com/forums/ under NEW PULP!  Also, like New Pulp on Facebook!

Batman Artist Lew Sayre Schwartz Dead at 84

lew-detective-300x410-4944089Lew Sayre Schwartz, one of the lesser known Bob Kane ghosts on Batman, died on June 7 at age 84 after a fall according to his son, Andrew. Schwartz began working for Kane as a ghost in 1948 and remained the principal artist under Kane’s name on the Batman features in Batman and Detective Comics until 1953. Art historians believe he produced at least 120 stories during this period.

Kane signed a new deal with DC in 1948 and hired Schwartz to help handle the workload. Schwartz’s work began with penciling the stories, letting Kane do the actual Batman and Robin faces, then ink the lettered pages. Kane was understood to have made frequent changes to the artwork, altering the main heroic figures and secondary characters.

Without benefit of credits in the stories, art experts can usually identify Schwartz work given the detailed backgrounds and his frequent staging of the action that carried less impact than the ones Kane himself composed. Some, including Eddie Campbell, consider Schwartz one of the finest practitioners ever to work for Kane’s shop.

Schwartz toured Korea in the aftermath of the Korean War, visiting the troops and returned feeling he no longer wanted to draw comic book stories. After leaving Kane’s studio, Schwartz went on to teach at what is now known as the School for Visual Arts.  During this period, he also did ghosting work on several comic strips such as Secret Agent X-9 spelling artist Mel Graff, as well as several weeks of The Saint.

In 1961, Schwartz helped form Ferro, Mogubgub and Schwartz which produced live and animated commercials, earning the company four Emmy Awards and six Clio Awards. Schwartz began drawing storyboards and expanded his creative role over time. They may be best remembered for their animated title design work on Stanley Kubrick’s 1964 masterpiece Dr. Strangelove. Schwartz even went on to direct a Barbra Streisand television special. (more…)

TUNE INTO PULP RETURNS ON A TRIP TO ‘PYTHON ISLE’!

First, some housekeeping.  Yes, it’s been a while since I debuted this column and due to a variety of reasons, this is the first one in awhile.  Do not worry, pulpsters, there will be one a week after this ad infinitum!  Audio Pulp is not only an important part of Pulp history that many are not aware of, but its a growing facet of the genre even today, as you will see in this column today and weeks to come.

You’ll notice an addition to our logo.  Yes, its true, Radio Archives has stepped forward, noticing the trend toward Audio Pulp and entered into an arrangement with All Pulp to sponsor this column.  RA produces top of the line audio material bringing old time classic radio of all varieties to a modern audience.  Fantastic sound quality, tremendous effort to not only preserve material, but also provide new and interesting information on material, and awesome packaging make RA’s offerings top notch.  RA as well is readying itself to be one of the leaders in New Audio Pulp with its foray into audiobooks based on Pulp characters starring in new stories, just like the one I’m about to leap into the middle of.  I will continue to cover all aspects of New Pulp Audio, not simply RA’s contributions, but I do want to thank Harlan Zinck and RA for the support and material and willingness to see the importance of this column enough to sponsor it.

PYTHON ISLE-A Doc Savage Audiobook
Written by Will Murray based on a concept By Lester Dent
Narrated by Michael McConnohie
Directed and Produced by Roger Rittner
Published by Radio Archives (www.radioarchives.com)

Not only has Radio Archives decided to move into New Pulp audio, They have done it by taking giant steps.  The first RA offering in their Pulp Audiobook lineup is not only no lightweight when it comes to Pulp, but instead it is probably the top of the heap, the primo of premium pulp.  And, not to telegraph this review or anything, Radio Archives meets that challenge just the way Doc Savage would have.

PYTHON ISLE is an audiobook version of the novel written in 1991 by Will Murray, based on a concept by Lester Dent.  Directed and produced by Roger Rittner for RA and narrated by Michael Mcconnohie.  The story opens with diamond smugglers catching sight of a plane they believe to be the authorities.  Once the plane is downed, the smugglers discover that not only are there two strangely garbed people aboard, but the plane, once damaged, had been patched and repaired with what appears to be soft, pure gold.  One of the plane passengers, a man who can speak English, is desperate to protect a bamboo tube he has and to make contact with only one man-Doc Savage!



Author Will Murray

 What ensues from this tense, in your face opening is the stuff pulp dreams are made of.  From fist fights and gun battles to harrowing chases in various locales all the way to a ride and epic conflict aboard a Zeppelin, PYTHON ISLE delivers all the thrills and chills anyone could want.  Add into that that this is a Doc Savage tale complete with Doc’s stoic presence, supreme intelligence, and skills honed finer than any blade as well as three of the five aides in their finest form ever and what you have in PYTHON ISLE is more than a treat, better than a nice surprise.  It is simply New Pulp storytelling at its best. 



Narrator Michael McConnohie

 With material like this, one would think that it would be difficult for an audiobook version to add anything at all to it.  Boy, one would be wrong.  PYTHON ISLE from Radio Archives takes this story from the pinnacle it already reaches in prose to an unbelievable high mark as an audiobook.  Michael McConnohie is more than the ‘reader’ or ‘narrator’ of this adventure.  He brings the exact intensity and passion to this story that any well crafted Doc tale would command.  His mastery of his own voice is phenomenal, switching back and forth from Monk’s high pitched affectation to Renny’s thunderous rumblings and then to Bull Pizano’s gravelly retort.  McConnohie makes this feel like a full cast audio drama and that brings the listener completely into the folds of the story.



Director/Producer Roger Rittner

 One issue many audiobooks have, and this is in part due to the fact that they are based on written prose, not scripts, is pacing.  At times, audiobooks lag in the middle and whatever gait had been set previously is lost.  This is definitely an issue with Pulp stories due to the naturally frenetic pacing good Pulp should have.  PYTHON ISLE does not fall victim to this.  Due to McConnohie’s voicing as well as Roger Rittner’s directing, this tale moves along at a good clip from beginning to end.  There are points that I, being both an avid Pulp reader and an audio fan, predicted were going to be those spots where things started to plod and slow down, but every single time due to either a musical sting or a change in inflection or even the speed at which the words were delivered, that plodding never came, nothing slowed down.  Rittner produced a fine piece of roller coaster up and down drama, probably the finest I’ve ever listened to.

Could PYTHON ISLE be better?  Usually I would say that any audiobook could be improved by adding voices and sound effects and changing the leopard’s spots, so to speak, from audiobook to full cast drama.  And don’t get me wrong, I would love to hear this story given that treatment.  Having said that, though, I think that in this case, it would not improve what has been done to make it a full cast drama. I feel like that this audiobook would sit on a shelf right alongside the best possible version of this story as a full drama and still hold its own.   The feeling I got from listening to PYTHON ISLE was much akin to what it must have felt like sitting in a darkened theater in the 1940s waiting to see what Captain Marvel or Gene Autry would do in the next chapter of the latest serial.  It was nail biting, cliff hanging, and inspiring.

Radio Archives has announced that this is only the first of their Pulp Audio books and that future volumes would not only include Doc, but cover other characters as well.  If that’s the case, then I’m one heckuva happy Pulpster.

“100 Bullets” as a TV Series?

“100 Bullets” as a TV Series?

100 Bullets: First Shot, Last Call TPB (2000) ...

Image via Wikipedia

This weekend, Bleeding Cool found a potential slip by Geoff Johns that hinted the Eisner and Harvey Award-winning Vertigo comic [[[100 Bullets]]] by Brian Azzarello and Eduardo Risso was coming to TV as a series.

Now Deadline reports that screenwriter and comic writer David S. Goyer (Blade, The Dark Knight) is going to write and executive produce the show for Showtime .

If you aren’t familiar with the series, here’s the setup: a man comes to you and gives you a briefcase with a gun, 100 untracable bullets, and proof incriminating the person who done you wrong– offering you a chance to exact justice for themselves with no danger of being caught. What do you do?

(Incidentally, I’m impressed with Deadline’s comment threads– more bile than Newsarama comments, possibly because much more money is discussed than what you usually see spent on comics.)

M.A.S.K.: The Complete Original Series Arrives in August

One of the earliest comics series I inherited as an editor was M.A.S.K., based on the toys and cartoon series. I have no recollection how or why DC Comics acquired the comics rights but it was handed to Mike Gold shortly after he arrived on staff. He tapped the versatile Mike Fleisher as the writer, helping burn off contractual obligations. Better, he assigned the artwork to Curt Swan who needed something regular to produce after losing the Superman assignments. Inking was Kurt Schaffenberger so at least it looked good. I helped Mike get the series up and running then edited it a few issues before I handed it off to Mike Carlin to wrap up.

I never played with the toys or watched the cartoon, but thanks to Shout! Factory that can be rectified as seen in the following press release:

This Summer, loyal fans and collectors can finally bring home one of the most enduring animated adventures from the 80’s when the long-awaited M.A.S.K.: The Complete Original Series DVD box set debuts nationwide on August 9, 2011 from Shout! Factory, incollaboration with FremantleMedia Enterprises. Poised to attract an audience of kids, young adults and parents who grew up with this animated series, this 12-DVD box set contains all 65 action-packed episodes – known to fans as the original series aired in 1985, as well as insightful bonus features.  A must-have for collectors to complete their pop culture video library, M.A.S.K.: The Complete Original Series is available for pre-order now from Amazon.com and major retailers. (more…)

Review: “The Warrior’s Way”

Mixing genres can be fun. Take a traditional western story and set it in outer space. Take a submarine thriller and set it during the Civil War. Transplant a samurai to the western frontier. Should work, right?

The Warrior’s Way, a modestly budgeted flop from last year, is such a collection of joyless clichés that a sure-fire gimmick fails to impress, let alone entertain. The film, coming out this week from 20th Century Home Entertainment, had the makings of something fun or compelling or something instead of arriving limp

Yang (Jang Dong Gun) is an assassin for a clan in blood feud with a rival group. Without expression, he slices and dices his way through the opponents, turning the Japanese roads red with spilled blood. All that now remains is an infant girl and rather than kill her, he takes the babe with him and heads east to America. Somehow, other members of his clan find out this innocent child remains breathing and fear a renewal of the rivalry if she’s allowed to live, so they sail in search of Yang.

The stoic Asian arrives in a late nineteenth century town to seek a friend, who has died. Encouraged by Lynne (Kate Bosworth) to reopen the laundry, she teaches him how to wash clothing and a bond slowly forms. The oddball town has the local drunk with a past, Ron (Geoffrey Rush), and a carnival in residence, its misfit performers led by Eight Ball (Tony Cox). Life settles down and Yang becomes part of the fabric, enjoying the simple things such as planting a garden and delighting in the baby’s development.

Lynne, though, is a tortured soul, having seen her family gunned down by the corrupt ex-Army colonel (Danny Huston) who tried to rape her a decade earlier. When the Colonel returns to town, Lynne tries to exact revenge but is endangered. Yang is then forced to unseal his katana and defend her. The act, though, lets the sword sing, a sound heard leagues away by his clan who come seeking the baby.

After that it gets messily predicable until the end credits. We’ve seen the archetype characters before, all better written and the American cast has certainly done better work in similar roles. Even the wire work felt familiar and uninspiring. There’s little wonder the $42 million film grossed barely over $11 million worldwide. Been there, done that and done far better. This is neither clever or original, funny or a touching homage to what’s come before. This is just a clear misfire from the first frame forward.

I will give the video transfer props for looking great and the score sounds lovely. There are scant extras: a two minute production montage and 12 minutes of mildly interesting deleted scenes.

Review: “Vamped” and “ReVamped”

Summer will be here before we know it. That means vacation and beach reading time! And what summer would be complete without a vampire to cozy up with? (We remind you that [[[True Blood]]] season 4 premieres on HBO June 26th.)

This summer, let me recommend that you bring along installments 1 & 2 of Lucienne Diver’s Vamped series (Vamped, [[[ReVamped]]]; installment #3, [[[Fangtastic]]], comes in January, but watch for her urban adult fantasy Bad Blood out June 28th). They’re upper-level Young Adult novels, but I say, why should the kids get all the goodies? And these vamps do not sparkle, as if, thank-you-very-much! These books are the paperback equivalent of umbrella drinks – sweet, tasty, gone before you know it, go to your head, and can’t drink just one!

So, y’see, there’s Gina Covello (Hey! Diver’s Italian from the ‘burbs—she writes what she knows and kicks it—y’got-a-problem-wit-dat?!), the snarky, high school fashionista and, well, she has a bad day and suddenly she is, indeed, a vamp. Now what?! No mirrors—how do you do hair and make-up?! OMG! ‘Cause it is All About Gina—only it’s not. After all, she’s got a posse—and an anti-posse of evil to defeat! She may be snarky, but she’s a righteous chick! And, of course, she’s got a heart-throb BF by the name of Bobby Delvecchio (“of the old ones”…nice pun, that!) and the road to romance and adventure is full of twists and turns and…stakes! ‘Cause who wants to spend eternity being bored?! A whole lotta vampy goodness goin’ on.

(more…)