Monthly Archive: June 2011

DC’s Official #1 Solicitations For September 2011

Making it all official, here are all 52 of the #1 solicits from DC Comics for September.

JUSTICE LEAGUE #1
Written by GEOFF JOHNS
Art and cover by JIM LEE and SCOTT WILLIAMS
1:25 Variant cover by DAVID FINCH
RETROSOLICITED • On sale AUGUST 31 • 40 pg, FC, $3.99 US RATED T • Combo pack edition: $4.99 US
Retailers: This issue will ship with two covers. Please see the order form for more information.
Comics superstars Geoff Johns and Jim Lee make history! In a universe where super heroes are strange and new, Batman has discovered a dark evil that requires him to unite the World Greatest Heroes!

This spectacular debut issue is also offered as a special combo pack edition, polybagged with a redemption code for a digital download of the issue.

(more…)

Ryan Reynolds Slips Into Green Lantern

This week, DC steps into the Box Office arena with the movie debut of one of their most iconic characters – GREEN LANTERN.  Can Ryan Reynolds hold his own against THOR and X-MEN? We talk to him about the pressures in doing the role, plus what it was like to NOT wear that suit. And would you like to be in a super hero film? Grab a ticket to Cleveland (or Pittsburgh) and you just might be!

Can GREEN LANTERN make it as a film, or is it too “CGI heavy”?  Drop us a comment below!

MOONSTONE MONDAY-CHILLS AND THRILLS IN OCTOBER!

MOONSTONE MONDAY-CHILLS AND THRILLS IN OCTOBER!

OCT ’11 releases
RETURN OF THE MONSTERS: The Spider vs Werewolf
Story: Martin Powell
Art: Jay Piscopo
Cover: Dan Brereton
40pgs, grayscale, $3.99
A Return of the Originals event!
A seething, ferocious nightmare from the Spider’s dark past invades New York City, preying upon the innocent and the helpless. Mutilated victims are strewn in the blood-slick streets, and once normal men have become murderous monsters. The Master of Men must face the deadly demons alone. Not even his beloved Nita Van Sloan can be trusted when everyone—including the Spider himself—may not be what they seem.
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RETURN OF THE MONSTERS: BLACK BAT vs Dracula
Story: Mike Bullock
Art: Eric Johns
Cover: Dan Brereton
40pgs, grayscale, $3.99
A Return of the Originals event!
For the first time in history three eras collide in one place as Pulp Fiction’s newest heroine, Death Angel joins forces with Pulp’s enduring vigilante The Black Bat to battle the eternal face of horror, Dracula. Mike (The Phantom) Bullock and rising star Eric Johns bring this spine-tingling tale of darkness, lust and fear to you, wrapped in a visceral cover crafted by horror comic legend Dan Brereton.
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RETURN OF THE MONSTERS: DOMINO LADY vs Mummy
Story: Nancy Holder, Bobby Nash
Art: Rock Baker, Jeff Austin
Cover: Dan Brereton
40pgs, grayscale, $3.99
A Return of the Originals event!
The Egyptian sorceress Nephthys has promised to build her mummified mistress the perfect mate. Together, they cut a bloody swath across 1930’s Hollywood in search of the last few perfect bodies to harvest to complete the process. The last thing Nepthys or the mummy expected to run across was The Domino Lady, a perfect body that fights back.
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RETURN OF THE MONSTERS: PHANTOM DETECTIVE vs Frankenstein
Story: Aaron Shaps
Art: Andrew Froedge
Cover: Dan Brereton
40pgs, grayscale, $3.99
A Return of the Originals event!
“THE PHANTOM DETECTIVE: THE BLOOD OF FRANKENSTEIN”
One of the greatest crimefighters in pulp history crosses paths with the most iconic monster in all of pop culture! Frankenstein’s monster is on a rampage in New York, leaving a trail of destruction—and dead bodies—in his wake, but before the Phantom Detective can stop him, the World’s Greatest Sleuth must contend with the insidious, occult Nazi brotherhood known as the Order of the Black Sun!
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Justice Machine #2
Writer: Mark Ellis
Art: David Enebral/Mar Degano
Cover: Jeff Slemons
32 Pages, color, $3.99
The Justice Machine: Object of Power #2 (of 3)
DARKFORCE RISING!
As The Justice Machine battles to survive in a shocking new reality, they are torn by personal horrors and tragedies…but the countdown to enslave all of humanity has begun and the Machine must face their most implacable foe—Darkforce! Their demonic arch-enemy has returned for a deadly confrontation that will remake the Earth or ensure its final destruction!
The saga of the legendary super-team continues!
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Airboy presents the Airfighters
Story: Jeff Limke
Art: Giovanni Timpano
Cover: Tom Grindberg
40pgs, grayscale, $3.99
Air Fighters: Insurrection.
Starring Airboy, Sky Wolf, Flying Dutchman, Black Angel, and Flying Fool!
A botched mission forces the Air Fighters into a standoff against
Vichy soldiers, leaving the fate of concentration camp prisoners
teetering in the balance.
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ZOMBIES vs CHEERLEADERS #5
(W) Steven L Frank and Pals (A) Various
32pgs, color, $3.99
Each issue features killer stories by some of the top indie writers and artists out there. This anthology, and the awesome covers that showcase it, is a read not to be missed if you enjoy horror or humor, or both (humror?)! See what all the buzz is about in the pages of ZvC!
Bill McKay (50%) Ryan Kincaid/Jason Worthington (20%) Pasquale Qualano (20%) Ben Hansen (10%)
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Vampire, PA: Pittsburgh Noir Limited HC
J.C. Vaughn, Brendon Fraim, Brian Fraim
Full Color / 104 Pages / Hardcover, $34.95
ISBN: 978-1-936814-13-8
Vampires in suburbia? Dean Marklin didn’t believe in vampires until a beautiful one tried to kill him! Now he’s a vampire hunter trying to hold onto what’s left of normal life. How do you think that’s working out for him? This new limited edition hardcover collects Moonstone’s three-issue Vampire, PA mini-series, bonus story pages, and the prose short story that inspired it, from the writer of Zombie-Proof and Bedtime Stories for Impressionable Children. Visit Western Pennsylvania’s oddly vampire-rich environment! Cover by Mark Wheatley.
*Note: All copies ordered on initial orders come with a signed bookplate.
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CAPTAIN ACTION: Season 2 HC
Story: Steven Grant
Art: Reno Maniquis, Manual Martin
Cover: Art Thibert
120pgs, Color, 7” x 10”, HC, $36.95
978-1-936814-12-1
The new adventures of the original super-hero action figure continue as the original Captain Action, and his son Cole, the new Captain Action, face the insidious challenges of the Red Crawl. And along the way they encounter Lady Action, Patriot Power, Crescent and…Dr. Eville! The full story arc from “Season 2” including the epilogue is collected here.
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OMEGA PARADOX #1
(story) Ian Ng
(Art) Mark Sparacio
(Colors) Abe Melendez
32pgs, color, $2.99

Julian and Solarra face off against mercenaries to rescue a man from their grasp, leading to a tenuous partnership. The enigmatic man leads them into the bowels of antiquity in search of a fearful artifact.
Moonstone introduces a creator-owned effort from Mark
Sparacio (Captain Action, Jonah Hex) and newcomer Ian Ng, in full color.
Two Covers (75/25 split)

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Moonstone’s Modern Myths – The Blackest Terror #1
(W) Eric M Esquivel (A) Ander Sarabia
32pgs, B&W, $2.99
The Blackest Terror is a pioneer in what sociologists have dubbed “the super hero subculture”, a collection of racial and social minorities who feel underserved by the mainstream legal system and have decided to take matters into their own costumed hands.
How will the world react to these benevolent outlaws? Will they become celebrated symbols of humankind’s capacity for good or hated catalysts of a bloody revolution? This is a new breakout series not to be missed.
Reviews from the 86th Floor: Barry Reese looks at The Last Phantom

Reviews from the 86th Floor: Barry Reese looks at The Last Phantom


THE LAST PHANTOM VOLUME ONE:
GHOSTWALK
Beatty/Ferigato
Dynamite Entertainment
ISBN 1-60690-201-6

Like many hardcore Phantom fans, I was disappointed when Moonstone lost the comics license. They had handled the character very well over the years, managing to both pay respect to his origins while also updating him to the 21st Century. When images began to filter out about the Dynamite version, complete with a new look, a more violent tone and a potentially revised origin, I was not pleased. So now I’ve finally gotten around to reading the first trade… and I have to say, it’s not bad.

In this story, the 22nd Phantom (not the 21st who is seen in most Phantom materials) has decided to retire the family business. He still plans to save the world but he’s doing it through philanthropy, not firearms. But someone close to him has motives that aren’t so pure and they arrange for Kit Walker to die in a plane crash, at the same time as his wife and son are murdered. Kit survives, learning that his family’s legacy of death isn’t one that can easily be broken. The bizarre look featured on the cover and in promotional images is actually a temporary one, used while Kit is recovering his Phantom gear. He does update the suit, using one now that can bend light around it so he appears to be a literal ghost. From the point at which Kit returns to the suit, things are much more traditional, though the violence is still raised a notch over the usual Phantom fare.

The art ranges from great to simply serviceable but for the most part it’s dynamic and tells the story well. The story is good and actually seems like a good way to update The Phantom to a modern audience: it wouldn’t make a bad movie. I hated to see Kit’s wife and son die (it’s so cliche) but it certainly sets the tone and explains the title (though Kit looks young enough that there could be more heirs in his future).

Was this so good that it makes up for losing the Moonstone versions? No… but I do wish we could have somehow had both on the stands. This is a smart updating of the mythos and if it hadn’t been mismarketed to fans at the beginning, I think it would have been embraced more.

I give it 4 out of 5 stars.

POLL: Which New DC Comics #1’s Will You Buy?

POLL: Which New DC Comics #1’s Will You Buy?

All of the DC Comics post-Flashpoint titles and creative teams have been announced. But now the real question is: which ones are people actually going to buy?

A lot rides on the answer to that question. Nobody knows how all of these new titles are going to perform, particularly with DC releasing all these comics day-and-date online as well. Retailers are going to be ordering blindly for a while, even though they’ll be returnable for the first few months. So they need your help.

Please take a minute to answer this poll– the comic book shop you save could be your own. And please, just check off the ones you expect to be buying in paper– nothing against digital editions, lord knows, but this is to try and gauge reader interest in the stores.

[poll id=”82″]

NEW DOC SAVAGE AUDIO PULP FROM RADIO ARCHIVES AND WILL MURRAY!

RadioArchives.com
1402 S Kahuna Drive
Spokane Valley, WA 99212-3258
Service@RadioArchives.com
800-886-0551
June 10, 2011
For Immediate Release
Pulp Hero Doc Savage Returns in Exciting Audiobook Adventure
The greatest pulp fiction hero of the 1930s is back in the first of a new series of thrilling audiobooks!
DOC SAVAGE Creator
Lester Dent
For over 80 years, the name Doc Savage has meant thrills and excitement to millions of readers worldwide. Now, for the very first time, the legendary Man of Bronze comes to vivid life in “Python Isle”, the first audiobook adventure from RadioArchives.com.
PYTHON ISLE Author
Will Murray
In “Python Isle”, a long-lost pioneer flyer returns to civilization accompanied by an exotic woman who speaks in a lost tongue. From his towering skyscraper headquarters in New York, through a dangerous Zeppelin journey to Cape Town, climaxing on a serpent-haunted island in the forbidden reaches of the Indian Ocean, Doc Savage and his iron comrades race to untangle a weird puzzle so deep that the only clues can be found in the Bible!
PYTHON ISLE Producer/Director
Roger Rittner
Written by Will Murray and produced and directed by Roger Rittner – the same team that created “The Adventures of Doc Savage” radio series – “Python Isle” features dramatic narration by Michael McConnohie, cover art by Joe DeVito, and two exclusive audio interviews with Will Murray on the history of Doc Savage and the discovery of Doc Savage creator Lester Dent’s long lost manuscripts.
PYTHON ISLE Narrator
Michale McConnohie

“Python Isle”, available as an 8-CD set priced at $25.98 or as an 8-hour digital download priced at $17.98, is the first in a new pulp fiction audiobook series from RadioArchives.com. Upcoming releases will feature the classic adventures of The Spider, Secret Agent “X”, and all seven of Will Murray’s exciting Doc Savage adventures.

 

RadioArchives.com is one of the largest creators and distributors of old time radio and pulp fiction entertainment in the United States. Specializing in fully restored radio programs, remastered from original recordings, they are known for their outstanding audio fidelity, impressive packaging, and commitment to top quality customer service.
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For review copies. interviews, wholesale opportunities, or additional information, contact:
Harlan Zinck
www.RadioArchives.com
1402 S Kahuna Drive
Spokane Valley, WA 99212-3258
Service@RadioArchives.com
800-886-0551
Attachments:
Creative Team Biographies & Photographs
ISBN Information
Doc Savage Python Isle Graphics
Audio Trailer
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Doc Savage “Python Isle” Creative Team Biographies
Will Murray (author) is the literary agent for the estate of Lester Dent, and the author of over 50 novels, including several posthumous Doc Savage collaborations with series originator Lester Dent, among them “Python Isle”, “White Eyes”, and his latest novel “Desert Demons”.
Roger Rittner (producer, director) has written, produced, and directed specials and multi-part series for National Public Radio, including the drama series “Darkness”, the mystery/macabre series “Midnight”, “The Adventures of Doc Savage”, and the musical special “Charlie Sent Me!” Other radio projects have been heard on stations KMPC, KFI, and KGBS in Los Angeles. Roger created and directed The Variety Arts Radio Theatre, live recreations of classic radio drama, for 10 years at the Variety Arts Center in Los Angeles.
Michael McConnohie (narrator) began reading at a very early age, and developed a lifelong relationship with the written and spoken word. As an actor, he has appeared in soap operas, cartoons, prime-time TV, and in stage productions.  His audiobook narrations range from true crime to history, biography, science, self-help and poetry. He is an Earphones award winner for fiction.
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Python Isle – Unabridged Audiobook
Written by Will Murray, based on a concept by Lester Dent
Narrated by Michael McConnohie
Produced and Directed by Roger Rittner
Cover Art by Joe DeVito
ISBN: 978-161081-401-0
8 Audio Compact Disc Set $25.98
8 Hour Digital Download $17.98

Sharon Osbourne – Superwoman

She is considered the “Godmother Of Reality Television” and now Sharon Osbourne has reinvented herself again with her part in AMERICA’S GOT TALENT and a daytime talk show. She tells us how to live the 24 hour day, plus we get some disturbing news from DC on Vertigo.

 

Is the DC Relaunch a mistake or comics’ “last chance”??  Drop us a comment below!

20th Century Home Entertainment Spoofs Their Classics

20th Century Home Entertainment Spoofs Their Classics

Yesterday, we covered 20th Century Fox Home Entertainment’s dad-centric video offerings as a part of their A Year Of A Million Moments. Now, they have unveiled we some brand new spoofs of Taken and the classic  Rocky. Both satires come from the people that brought you the Office Space the Musical and Fight Club in the nursing home skits.

[youtube]http://www.youtube.com/watch?v=RJAloJxrB6Y&feature=youtu.be[/youtube]

Both of these brand new pieces take Fox’s popular films of yesterday and today with Liam Neeson’s 2008 thriller and the classic film that catapulted Sylvester Stallone to critical acclaim and stardom. The two videos feature our favorite cast of characters from the Fight Club bit that went viral last year! The nursing home gang continues its love of film, and I hope you can post a piece about these hilarious spoofs for your audience online.

[youtube]http://www.youtube.com/watch?v=FLEUyCtK3UU&feature=youtu.be[/youtube]

20th century Home Entertainment Makes Father’s Day Easier

Twentieth Century Fox and MGM Home Entertainment have come up with some cool packages that will make shopping for Father’s Day a lot easier. Below is their press release detailing the television series and feature films that are part of their library and aimed squarely at dads of all ages.  Here are the details:

Twentieth Century Fox Home Entertainment and MGM Home Entertainment’s twelve-month campaign, Year of A Million Moments, continues by recognizing heroes during the month of June. Between heroes from movies like Oliver Stone’s masterpiece PLATOON, the underdog fighter in ROCKY, or the comedic spy father in TV’s AMERICAN DAD, pay tribute by logging on to www.YearOfAMillionMoments.com for the opportunity to win $1 million dollars!

As an added bonus for Father’s Day gifts, up to $12.00 ‘Hollywood Movie Money’ to see X-MEN: FIRST CLASS will be available for consumers to print at home to use towards the purchase of a movie ticket. This exclusive offer is only available with the purchase of select Blu-ray titles including Quantum of Solace, Mad Max, Escape From New York, X-Men Origins: Wolverine, Live Free Die Hard and Max Payne. (more…)

INTERVIEW WITH WRITER MARTIN POWELL ABOUT MONSTERS!!

AP:  Martin, thanks for joining ALL PULP once again for an interview.  Can you catch us up to speed on some of the things you’ve been doing since your last visit?
POWELL:  Thanks for asking me back.  It’s been a crazily busy time since we last spoke.  I’m writing several new comics, graphic novels, and co-writing a screenplay, as well as a top secret new pulp prose novel featuring a very famous classic character.  Also, I have a new novella for teens about to be published.  There’s a lot going on here.  I’m not sure where to begin.
AP:  You are involved in a very special project, one that means a lot to you both professionally and personally.  Talk a bit, if you would, about the professional aspects of FRANKENSTEIN MEETS THE WOLF MAN, how you became involved, the process of getting the project going, etc.?
POWELL:  I’ve written a vintage-style “filmbook” treatment of the classic Universal movie FRANKENSTEIN MEETS THE WOLF MAN for the newly resurrected Famous Monsters of Filmland magazine.  Fans of the magazine will know exactly what I mean, but to clarify, this will be a pulpy prose version of the story as adapted from Curt Siodmak’s original screenplay, profusely illustrated with photos from the film.  This is one of the secret projects I’ve been teasing about on Facebook for the past few months.  I pitched the proposal around last Halloween to editor Jessie Lilley, and she was wild about it.  Next, we approached Joe Jusko for the cover.  There was no other artist better suited and we were absolutely thrilled when he enthusiastically agreed.  Joe loves this stuff as much as we do, and he created a magnificently monstrous cover painting.
AP:  One question is why?  Why does a classic monster movie need the sort of adaptation you’re giving it decades after it was released?
POWELL:  Because this version of the movie has never been seen before, containing several scenes that were cut from the released film.  In my filmbook, Bela Lugosi’s Frankenstein Monster is blind, and will speak, as Siodmak originally intended. Think of it as a sort of “Director’s Cut” of a long-cherished classic monster movie.  Today, there are almost always novelized paperbacks of current hit movies, and FRANKENSTEIN MEETS THE WOLF MAN was a ground-breaking blockbuster at the box office, and deserves the very same attention today.
AP:  How do you as a writer take this entire concept, including the very classic, but also in some views very stereotypical portrayals of these monsters and make it appeal to a modern audience?
POWELL:  In no way do I consider these characters “stereotypical.”  Someone might as well say Superman, Sherlock Holmes, or Tarzan are stereotypes.  The Frankenstein Monster and the Wolf Man are legendary archetypes of the cinema, and will far outlive the soulless slashers and the zombie-glut of today.  I doubt there are very many kids over the age of six, anywhere in this country, who can’t name the classic monsters by sight, even if they’ve never seen one of the old movies.
AP:  What does this being a feature in a magazine add to the concept, if anything?  Why this particular medium?
 POWELL:  It’s not just any magazine—this is Famous Monsters of Filmland!  As co-created by the late, great Forrest J Ackerman, it’s been the single most influential publication of my life.  This is a national magazine with a tremendous readership, and there’s no greater home for this project.  I can hardly express how exciting it is to be the writer of a cover feature in this iconic magazine!
AP:  All right, now let’s talk about your personal affection for these characters.  Why do these monsters mean so much to you?
POWELL:  That’s tough to describe, but I’ll try.  I was sick a lot as a little kid and Famous Monsters of Filmland magazine served as a sort of security blanket for me every dreaded time I went to the doctor’s office. FM never, ever failed to make me feel better.  I was a monster movie fanatic, and my older brothers have told me that Boris Karloff and Bela Lugosi were the first movie stars I recognized on TV.  FRANKENSTEIN MEETS THE WOLF MAN was only the second Frankenstein film I ever saw—and also was my first encounter with the Wolf Man—when I was six years old, and I was utterly fascinated.  When I first read Mary Shelley’s Frankenstein novel at the age of eleven, it was a life-defining moment.  That book, and especially the Boris Karloff films, changed me forever and I’ve never been the same since.
AP:  Horror in recent years has moved away from Frankenstein, Wolf Man, Dracula, etc., and more to the visceral slasher type killers and the torture types.  Why do you think this has occurred?  And can the classic monsters and the stories those movies told be made viable again?
 POWELL:  Personally, I feel these slasher/torture movies represent lazy storytelling.  Somewhere, somehow, the horror film became the gross-out film, with visceral effects replacing story and performance.  To each his own, but I don’t find that sort of thing very entertaining.  The classic monster movies have their peaks and valleys, but they’ve always returned to the screen and to new popularity.  It’s happening again already.  I recently read in Variety that no less than a half-dozen new Frankenstein films are currently in production in Hollywood.  Plus, there’s The National Theatre’s brilliant new Frankenstein stage play by Danny Boyle and Nick Dear, where actors Benedict Cumberbatch and Jonny Lee Miller alternated the roles of Victor Frankenstein and the Creature.  The play was a huge critical success and a phenomenal sell-out hit.  Audiences are always ready for something done exceptionally well.
AP:  This is a Pulp news site.  Some would, and actually have, argued that things such as movie adaptations of classic monster tales and other such things don’t qualify as Pulp.  How would you respond to that?
 POWELL:  ‘Pulp’, at least as I understand it, is difficult to contain with such a narrow view, and by its nature has a very broad definition.
AP:  You’ve also got a ton of other projects going.  Care to share any information on what you can talk about?
 POWELL:  Well, I’m the writer for the continuing comic book series of THE SPIDER, for Moonstone, including a Halloween Special issue with artist Jay Piscopo, whom I’m very excited to be working with again.  And speaking of my favorite holiday, my teen-readers mystery novella THE HALLOWEEN LEGION will be published later in the summer, and is probably the most personal project I’ve ever written.  Also, I’ve just been contracted for a number of graphic novels coming from Sequential Pulp Comics, an imprint of Dark Horse Comics, including an exciting collaboration with my favorite author, Edgar Rice Burroughs, which will be happily teaming me again with my good friend, and Golden Lion Award Winner, illustrator Tom Floyd.  Very shortly, I’ll be co-writing the screenplay for a new murder mystery set in the 1920s, but there’s not much more I can say about that right now.  Most importantly, I’m surrounded by the things I love, which is the luckiest place for any writer to be.
AP: Martin, it’s been absolutely great to have you back on ALL PULP!
POWELL:  Thank you very much.  I always appreciate your interest in what I’m doing.