Monthly Archive: January 2009

Time Traveler Convention Advisory – May 7, 2005

WARNING: Denizens of Cynosure that are planning on attending the Time Traveler Convention held forty-four months ago are reminded that the Chronarch strictly forbids intentional time travel within Cynosure city limits; and that the early 21st Century is a generally unstable chronological era. Travelers should try the 100th anniversary convention in 2105 instead.

Yes, Rond Vidar and Michael Jon Carter, this means you.

Failure to heed this warning may result in a repeated time loop, possibly infinite.

Preview: ‘Watchmen: The End is Nigh’

watchmentheendisnigh-2-1059494As is typical with any comic to film adaptation, there’s bound to be a video game tie-in, and (sadly for some) Watchmen is no exception.  But this isn’t your typical cheap cash-in on the film or graphic novel’s name…at least, that’s what the developers, filmmakers, and even some of the comic’s creators would have you believe.  Watchmen: The End is Nigh takes place in 1972, over a decade before the events in the graphic novel and film, and tries to explore the days when Rorschach and Nite Owl were a crime fighting duo (just five years before the Keene act outlaws vigilantes and costumed heroes).  As such, don’t expect to see the events of the film or book here…but fans will definitely have something familiar to look forward to.
 
As detailed in last month’s issue of Electronic Gaming Monthly, Zack Snyder (the film’s director) and Dave Gibbons (the graphic novel’s co-creator and artist) are both involved in the making of the game on a purely collaborative level.  The game’s script itself is being penned by comic scribe (and creator Allan Moore’s mentor) Len Wein, who also served as editor on the graphic novel.  It’s these elements that the Denmark developer Deadline Games hopes will separate the title from other such games in the genre.  That and the fact that it won’t be sold in stores at all: the title will be available exclusively as an episodic download beginning in March for Xbox 360, Playstation 3 and the Steam network on PC.
 

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Whatever happened to Arne Starr?

In the 80’s and 90’s, one of the busiest inkers in the comics business was Arne Starr. A protege of Dick Giordano, Arne’s work graced the pages of The Legion of Super-Heroes, Nexus, Star Trek, and Sachs & Violens (who are now showing up in Fallen Angel), even doing uncredited work on Crisis On Infinite Earths, and he was a mainstay of a lot of east coast conventions, usually running the movie previews. Then he left the business in the mid-nineties recession.

So how come you haven’t seen him lately?

Well, you probably have seen him– just not in places where you expected.

Arne Starr packed up his bags and moved to Beverly (Hills, that is) and has been doing lots of work as an actor, finding himself doing tremendous amounts of background work all over TV and movies. Some of his more recognizable appearances are as an Attending Physician on Grey’s Anatomy, and an artist at the Sterling Cooper agency on Mad Men, in a clear case of typecasting.

If you keep your eyes open, you can also spot him in episodes of CSI, Medium, Jericho, Sleeper Cell, Bones and as a semi-regular at the Crab Shack in My Name Is Earl. In movies, he shows up in Bedtime Stories, Frost/Nixon, as the Citizen Kane cinematographer Gregg Toland inMan In The Chair, and in a nod to his comic book roots, Iron Man.

Here’s a shot from an appearnce on Grey’s Anatomy:

It’s great to see Arne doing well. But more than anything else, I’m just amazed I got to a Hollywood comic book story before Mark Evanier did.

Review: ‘Mary Poppins’ 45th Anniversary Edition

As new anniversary editions or Blu-ray releases of classic films continue to arrive, the question has to be asked each time: is it worth the upgrade?

In most cases, as with Paramount Home Video’s centennial series, the answer is always yes because the restoration work done to the film plus the extras make for a fine package.  I wish the same could be said for one of my all time favorite films, [[[Mary Poppins]]].

The 45th anniversary set comes out on Tuesday and is a two-disc celebration of Disney’s great musical. The 139 minute feature film continues to delight and enchant and is a must have for any serious movie collector or parent. But, coming five years after the last anniversary collection the answer has to be, if you have the 40th, you don’t need the 45th.

The film itself is technically the same.  Pristine in look, the film is at the original 1.66:1 aspect ratio and the color remains terrific. The audio remains available in Dolby Digital 2.0 or 5.1 surround sound and still sounds swell

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Handicapping the Best Costume Oscar

The Academy Awards are always a bit baffling in their nomination choices— who gets chosen, who gets overlooked— but the Best Costume category is a lot easier to predict. Historical dramas, unless they’ve really bollixed things up (think of the laughable attempts at historical garb in King Arthur or Robin Hood: Prince of Thieves), will invariably fill the nomination list.

This year we have Australia, a World War II epic; The Curious Case of Benjamin Button, in which Brad Pitt lives backwards from the early 20th century to the present day; The Duchess, set in 18th century England—I think everyone would have been shocked if this one hadn’t been nominated—Revolutionary Road, set in the 1950s; and…

Milk. Okay, apparently the 1970s are now long ago enough that they qualify for a historical costume drama. I feel old. Then again, looking back at the 1970s, much of the fashion was as outlandish in its own way as panniers and three-foot powdered wigs, so I suppose it’s really not that much of a stretch.

Shamefully overlooked were any of the year’s many science fiction, fantasy, and comic-book related movies. In particular, it is shocking that Hellboy II: The Golden Army did not get a Best Costume nomination for its visual feast of elves, trolls, demons, and fish-creatures. The Makeup nomination hardly seems adequate. But then, this is nothing new; none of the Star Wars prequels received so much as a nomination for their incredibly detailed and inventive costumes.

Which leads to an interesting question: why does the Academy tend to nominate and honor movies whose costumes are based on history over movies whose costumes are entirely invented—created (pardon the expression) out of whole cloth, rather than copied from the history books? There are exceptions, of course; The Fellowship of the Ring was nominated, and The Return of the King was not only nominated but actually took home the award. Still, one would think that the creativity and imagination that goes into designing an original fantasy or science fiction costume would trump historical recreation. (Though having done both I can say that to do either one well requires a fair amount of skill.)

To answer this, let’s take a look at each of the 2009 nominees. (more…)

Happy silver anniversary, Macintosh!

Twenty-five years ago today, on January 24, 1984, two days after the famous "1984" Super Bowl commercial directed by Ridley Scott right after Blade Runner, the first Apple Macintosh– the Macintosh 128– first went on sale.

From this humble beginning, the comics industry would never be the same. From the earliest experiements in MacPaint to the first comic created completely in a computer, Shatter (and First comic, for that matter) Macintoshes have evolved and are now used in every single aspect of comics today– and most times, you don’t even know it.

So if you still remember doing everything on a 400k 3.5" disk, black and white screen, no hard drive, no modem, no MS Word– man, don’t you feel old.

Here’s that original commercial:

The Fan’s Guide to the Oscars

The 2009 Oscar nominations are in, and they include a gratifying number of comic book adaptations and other geekly delights. First and most obvious is The Dark Knight. In addition to Heath Ledger’s highly anticipated posthumous Best Supporting Actor nod for his reinvention of the Joker, The Dark Knight has also gathered a slew of technical nominations: Best Art Direction, Best Cinematography, Best Sound Mixing and Sound Editing, Best Film Editing, and Best Visual Effects.

But the Batman isn’t the only comic hero to get Oscar’s nod. Iron Man was nominated for Best Sound Editing and Best Visual Effects (though sadly, Robert Downey Jr. received no recognition for his splendid portrayal of the eponymous douchebag hero. His nomination for Tropic Thunder is a small consolation, as comedies and comic roles get snubbed by the Academy almost as much as fantasy and science fiction.) Wanted, based on Mark Millar and J.G. Jones’ comic miniseries, was nominated for Best Sound Mixing. And Hellboy II: The Golden Army got a nod for Best Makeup. No nominations at all for The Incredible Hulk – thought I wouldn’t want to be the one breaking the news to Ed Norton.

You may notice a pattern here: except for Ledger’s Best Supporting Actor nomination, all the comic book movie nominations are for technical awards: music, sound, visual effects, makeup. And even those seem a bit skimpy – where is The Golden Army’s costume or visual effects nomination? Makeup alone does not begin to cover Guillermo del Toro’s stunning visual feast. It’s sad that in a year delivering so many knockout performances and stories from the comic book world, the Academy continues to marginalize them in favor of heavy real-world dramas. (more…)

Mark Wheatley painting ‘Lone Justice: Crash!’ video

Lone Justice: Crash! is the new graphic novel from the Harvey award nominated team of Robert Tinnell and Mark Wheatley. Regular visitors to ComicMix also know Mark Wheatley as the co-creator (also along with Robert Tinnell) of EZ Street, as well as Frankenstein Mobster on his own.

For many of Mark’s fans and admirers, it is his painting and color work that set his art apart from others– and Mark has set up video cameras in his studio sanctum to document exactly what arcane methods he uses to create his color comics and illustrations. We’ve already shown you his drawing technique, now see how he finishes the work. Feel free to comment– Mark will be on hand to answer any questions.

The Point – January 23rd, 2009

pt0123-3659630We head into the weekend with a celebration of the great Joe Kubert, a look at the under appreciated humor of Lord Buckley, how LOST celebrated their return to prime time and what new celebs are joining in the NY ComicCon celebration. 
 

 

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Is Laura Hudson of Comic Foundry newfound royalty?

It’s a fairy tale story that could only happen in comics.

Recent photographic evidence has come to ComicMix that shows that Laura Hudson, late of Comic Foundry and currently of Cerebus: A Diablog, is the long lost twin sister of Queen Beth Lowery of Waukau, Wisconsin.

Beth Lowery, according to America’s Finest News Source, was recently chosen as the consort of the Mattress King James Koepke III, Lord and Master of a vast bed and box-spring empire in central Wisconsin.

As we all know, there has been no true royal powers exercised in the industry since the passing of King Jacob in 1994. The lack of a royal presence in comics since that time has been long and bleak, with poverty, despair, and widespread variant covers roaming the land.

It is unclear what new privileges her connection to royalty will bestow unto Laura. Royal pardons do seem to be within her portfolio, and it is suspected that she may have the power to grant new royal charters to new comics distributors.

We here at ComicMIx are happy to pay homage to the newly-discovered princess, and hope that she doesn’t turn out to be one of those mad royals who runs around conventions with an axe screaming, "Off with their heads!" We got enough of that when Larry Hama used to carry swords around the Marvel bullpen.