Sat Jan 30, 2010 — by Marc Alan Fishman

Saturday Morning Cartoons: He-Man and the Master of What's Going On.

Eternia is a complicated land folks. When young Swedish looking princes have too many emotions bubbling up... Sometimes they need an outlet. Some, yes, will turn to their mystical sword, and say a little oath, and poof! Problems replaced with muscles and loin-cloths. But other times... when your little faceless floating buddy isn't there for you, when you mistake your father for the Burger King, and when you're tired of your pathetic excuse for pussy... It's time to bah-ring-it girlfriend.

It's time to let the world hear those amazing pipes you've hidden beneath your pink tunic all these years. Without further adieu, I give to you Four Minus Three Don Blondes' with his breakout hit...

What's going on?

Thanks to the hilarious folks at Slack Circus.

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Fri Jan 29, 2010 — by Glenn Hauman

The iPad costs too much? Compared to what?

One of the ongoing shibboleths coming out about the iPad, with prominent examples coming from Dirk Deppey, is that it won't change the game for comics because the iPad costs too much.

To which we have to ask: compared to what?

Let's take a simple example: Marvel's Siege crossover event. If you wanted the entire thing and were to pay full retail for the comics, at $2.99 an issue you're going to spend $100 or so on the full thing.

Now's let's assume the digital version of a series at 99 cents an issue. You end up with a savings of $60 over the life of the crossover series.

Or put it this way: If you normally buy an average of $30 of comics a week at a store, and you replace half of them with digital versions of the same books that cost 25% of their paper counterparts, you're going to save over $560 in a year. That's the price of a low-end iPad, plus tax and shipping.

I know a lot of people who would take that deal.

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Fri Jan 29, 2010 — by Robert Greenberger

Review: 'The Invention of Lying' on Blu-ray

Ricky Gervais is a terrific writer and comedian but since the success of The Office, he has struggled to fully realize his ideas in the limitations of a motion picture. Last year’s Ghost Town had terrific ideas that weren’t fully explored and the same fault spoils The Invention of Lying from being a more satisfying movie.

Now out on DVD from Warner Home Video, the movie stars Gervais in a parallel reality where no one knew how to lie. When he has a brain spark and tells the first lie, hilarity ensues. As we open, the world is not only colorless and devoid of joy, but people feel compelled to offer unsolicited information. As we meet Gervais’ loser of a screenwriter, he is picking up Jennifer Garner for a date only to have her greet him with the news that she was upstairs masturbating, a joke that’s overplayed in the following minutes.

Stuck writing about the 13th Century, Gervais apparently has struggled to make the Dark Ages interesting and is fired by his weak-willed boss (Jeffrey Tambor). Low on cash, he can’t pay the rent, until he suddenly is inspired to tell the Bank Teller that he has more money in his account than the computer records. Beginning here and throughout, the lie is never challenged, never verified, so he tells people things and they accept it on face value. Skepticism seems missing in this reality as well.

When his dying mother (Fionnula Flanagan) fears the great void of an afterlife, his newfound gift provides him with the words he needs to comfort her. Those overhearing him believe he knows things they do not and embrace the newfound truths. The world beats a path to his door, demanding to know what he knows. In one of the best scenes, Gervais composes ten rules about the Afterlife, tapes them to two pizza boxes and arrives bearing the equivalent of the Ten Commandments.

As his romance with Garner evolves, the movie loses track of how the world changes based on these new rules. A series of newspaper and magazine headlines give us a glimpse but it’s a missed opportunity. Instead, we focus on the odd triangle of Gervais, Garner, and Rob Lowe with Garner struggling to decide between optimal genetics or someone who will make her happy.

A humorous romantic comedy is spoiled by Gervais’ unwillingness to really see how things change as he becomes the world’s first liar. The unrealized opportunities would have made this a far richer and more enduring movie instead of this mildly entertaining bit of floss. Gervais surrounds himself with terrific comedians such as Tambor, Tina Fey and Jonah Hill then gives them nothing to do. Gervais is aptly cast in a film he co-wrote and directed. Garner is sweet in her simplicity and watching her evolution is one of the few highlights although is totally predictable.

The Blu-ray edition looks and sounds sharp, not that it needs to be at its best. The extras are a rich assortment, beginning with a nearly 18 minute feature on a Brit pal coming to America to appear as an extra in a scene that wound up cut and is included in the deleted scenes. The scene, the dawn of man, comes complete with narration from Sir Ian McKellen. Among the 13 minutes of deleted scenes we see some glimpses of a larger world but the cuts aren’t necessarily missed. A Truly “Honest” Making-of Featurette provides 7 minutes of humorous asides and not much real information. Better is the gag reel and forgettable are the four video podcasts. Following their new format, this comes complete with a digital copy.

Continue reading Review: 'The Invention of Lying' on Blu-ray ›

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Fri Jan 29, 2010 — by Mike Raub

The Point Radio: Dawson Lands On 'Mercy'

NBC has given their freshman medical drama MERCY  a jump start by adding James VanDerBeek to the cast,. "Dawson" is here to tell us about his place in the show, plus are you ready for a JOE DIRT cartoon and Media Mercenary Ric Meyers covers the new HUMAN TARGET.




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Fri Jan 29, 2010 — by Glenn Hauman

Only Imperial stormtroopers are so precise

Stormtroopers in Seoul with soul K-Pop:

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Thu Jan 28, 2010 — by Robert Greenberger

Ralph Bakshi 's 'Lord of the Rings' Coming to Blu-ray in April

All-New Extra Content Added to Combo Pack features Blu-Ray, DVD and Bonus Digital Copy

While we all knew to expect the Blu-ray debut of Peter Jackson's Lord of the Rings trilogy this spring, Warner Home Video issued a release regarding the previous film incarnation of the classic tale. Here's the release:

BURBANK, CA (January 27, 2010) – Journey back into the world of Hobbits, Humans, Elves and Dwarves in the all-new The Lord of the Rings Remastered Deluxe Edition coming April 6, 2010 from Warner Home Video.  This original animated classic from acclaimed director Ralph Bakshi and Academy Award Winning producer, Saul Zaentz, has been remastered with pristine New Dolby 5.1 audio and picture quality and will be distributed as a single disc DVD and Blu-ray combo which features a Blu-ray, DVD and bonus digital copy.  The film will also be available for Digital Download. This film is rated PG.

One of the great visionary animation directors of the modern era, Bakshi went to artistic extremes to meticulously bring the legendary world of J.R.R. Tolkien to animated life – adding yet another stunning title to the director’s canon of ground-breaking films. Bakshi’s animation accomplishments include Fritz the Cat, Heavy Traffic, American Pop, Wizards and Cool World.

All the magical adventure of the fantasy classic comes to life in Bakshi’s brilliantly animated tale of the enchanted land of Middle-earth – and the brave band of Hobbits, heroes and Wizards who set out to protect it. When a dangerous and powerful gold ring falls into his hands, a courageous Hobbit named Frodo embarks on an epic adventure. Along with the mighty Wizard Gandalf and some daring Elves, he defends his homeland from the Dark Power  who would destroy it. Set in a mystical age of magic, monsters and unlikely heroes on incredible journeys, The Lord of the Rings will cast its spell over the entire family!

The deluxe edition also features a never-before-seen, 30-minute in-depth interview  with legendary director Ralph Bakshi entitled Forging Through The Darkness: The Ralph Bakshi Vision for The Lord Of The Rings.  This special feature explores his concept for creating an illustrated film, his pioneering rotoscoping process, and inspirations for his visual storytelling.

“The Lord of the Rings is a timeless classic that continues to be a favorite for generation after generation,” said Amit Desai, WHV Vice President of Family, Animation & Partner Brands Marketing. “The theatrical release in 1978 had a domestic total gross of nearly $90 million at the box office and shipped 1.1 million net videos. We are looking forward to offering this remastered deluxe edition to the fans for their library collections and providing endless enjoyment for years to come.”

Continue reading Ralph Bakshi 's 'Lord of the Rings' Coming to Blu-ray in April ›

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Thu Jan 28, 2010 — by Glenn Hauman

Newsarama has a virus AGAIN?

Promoted from comments here:

I've gotten the same virus TWICE from The Rama in the past two days...I go to the site and my OneCare tells me that the software n.exe is trying to access the net and I tell it no and then my firewall, auto-updates, and virus protection fail, won't re-open and pop-ups start...I had to do a system restore. Done with the site over the computer. Accessed it on my phone and got a message saying there was a problem with it's security certif. Guess I'm onto a new Comics site! :(

Guys?

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Thu Jan 28, 2010 — by Glenn Hauman

Irredeemable #10: Boy, Mark Waid must've hated 'Action Comics' #442

Warning: We're discussing Irredeemable #10, out in stores this week, and we're probably going to spoil a minor plot point. You might want to read it first before you go any further.

Based on part of Irredeemable #10, I can tell that Mark Waid read Action Comics #442 at a very impressionable age-- specifically "The Midnight Murder Show" written by Cary Bates, with art by Curt Swan and Kurt Schaffenberger.

And he was struck by the sheer implausibilty of it all. And re-reading it, I can't blame him.

Let me recap the plot a bit: Late night talk show host Johnny Nevada, host of GBS's "The Midnight Show" has been kidnapped by the psychotic and trigger-happy "Touch" McCoy and his henchman, Louie, because all criminal henchmen in Superman stories are named Louie. 

Nevada is being held for ransom of ten million dollars. (In 1974, that was enough to stun a TV network-- in 2004, ABC spent more than that on the pilot of Lost, and today, there are pilots rumored to cost fifty million dollars. My, how times change.)

To catch the kidnapper, Superman hatches a plan to goad the kidnapper into shooting, which he will be able to hear with his super-hearing. So Superman goes on The Midnight Show and goads Touch into shooting his .45 at Carso-- er, Nevada, which Superman will hear fire from across the city, and can get there before the bullet travels the distance to hit Nevada.

All well and good, except that Superman has forgotten that a .45 caliber bullet travels at 800 feet per second. In a 20 foot room, it will take 1/40th of a second. 

In that time, the sound of the gunshot will only travel 28 feet. It's not going to matter if he's faster than a speeding bullet if he can't hear it before it hits the target.

We won't even get into the argument of how Superman knew how far away the shot was or the exact direction to fly off in-- suffice it to say that it's a completely implausible story.

I mean, really-- TV networks caring about the hosts of their late-night talk shows?

Continue reading Irredeemable #10: Boy, Mark Waid must've hated 'Action Comics' #442 ›

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Thu Jan 28, 2010 — by Robert Greenberger

Review: 'The Burning Plain' on Blu-ray

Screenwriter Guillermo Arriaga (21 Grams, Babel) was determined to take greater control over his stories by directing and made his debut in the well-intentioned The Burning Plain. The movie, out now on DVD from Magnolia Home Entertainment, played at various festivals before receiving an unsuccessful theatrical release. Starring Charlize Theron and Kim Basinger, the movie is told in Arriaga’s patented nonlinear manner, but keeps us at arm’s distance from the characters.

In short, the story is told in three parallel timelines that eventually begin to converge. Basinger plays Gina, an unhappy mother who is having an affair with Nick (Joaquim de Almeida) and doing a poor job of hiding it from her eldest daughter, Mariana (Jennifer Lawrence). In attempting to keep her family together, Mariana trails them to the trailer they use for their trysts, setting the gas line on fire, hoping to flush them out. Things don’t go well and later, at the funeral for the former lovers, Mariana catches the eye of Nick’s oldest, Santiago (Danny Pino) and the two teens begin an affair.

Years later, Mariana now calls herself Sylvia (Theron) and is a self-destructive, near-suicidal restaurateur in Portland. Her precarious life is thrown into turmoil when the daughter she abandoned is brought to her after Santiago is injured in a crop dusting accident.

Structurally, the movie is well crafted and fascinating to see things fall into place. On the other hand, because two of the three timelines are close in setting, there needed to be more visual cues which storyline we were watching. This is a strong drama about people engaging in happy pursuits but none take any pleasure in their acts and guilt is an overriding undercurrent to all the major players.

The greatest failing, though, is to explore any of the characters. Why was Nick so attractive Gina couldn’t resist? Why was Gina so unhappy at home? What prompted Mariana/Sylvia to abandon Santiago and her daughter? All the characters are there but none of them are deeply written to allow us to really feel for them.

This is a shame because the three main women – Theron, Basinger, and Lawrence – give riveting performances.  In fact, Lawrence justly earned the Marcello Mastroianni prize, for the best young emerging actor/actress at the Venice Film Festival. You want to know more about them, their worlds, and what drives them all but Arriaga lets us and them down. The film is rounded out with many other familiar faces in smaller roles including John Corbett, Robin Tunney, Rachel Ticotin, and Brett Cullen.

Beautifully photographed, it features a haunting soundtrack from Omar Rodríguez-López and Hans Zimmer. All the elements were there for a stronger film.

The Blu-ray comes complete with a 43 minute Making Of featurette where Arriaga goes to great pains to introduce us to all the major players behind the camera. Along the way, we see how the film was shot and the themes of earth, wind, fire, and water that he subtly assigned his characters. A 15 minute piece shows us the unusual collaboration between Rodríguez-López and Zimmer and there’s a four minute puff piece from HD Net.

Continue reading Review: 'The Burning Plain' on Blu-ray ›

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Wed Jan 27, 2010 — by Mike Gold

The Future of Media... Again

A ComicMix Think-Piece

After years of rumors, I finally understood what the playing field was going to look like when ComicBookLover released their viewer for the iPhone yesterday. I knew that Apple’s new iPad would run on the iPhone OS, that it would be high-resolution enough to read comic books on a 10” screen. I knew it was going to become the cool platform of choice for newspapers and magazines and books that need color and graphics support.

All stuff that had been generally predicted, along with a lot of other stuff. But what I didn’t know was the price. And I don’t know if people are even interested in reading newspapers any longer, although Apple chief Steve Jobs doesn’t know that either.

If the iPad price was too high, a whole lotta people in the media racket would be out of jobs. Magazines and newspapers, and to a slightly lesser extent book publishers, cannot survive with the present distribution models. Textbook publishers would be marginally more secure. So if I heard a figure with five nines in it, I knew there’s be quite a number of people on Sixth Avenue selling their pencils.

Apple always prices their products high under the belief that a BMW is worth more than a Toyota. But this time they took a turn. Pricing between $500 and $830 – the difference is in 3G connectivity and the amount of memory you get – even the high-end model is reasonably priced. AT&T’s service is low-priced; $15 a month for 250 MB of service, and only $30 for unlimited service. This includes full access to AT&T’s Wi-Fi hotspots, providing even faster service than 3G. And the iPad promises 10 hours of video use on a single charge.

Oh, and it weighs 1.5 pounds. Check out Marc Fishman's excellent piece with all the details here.

It’s got a large on-screen keyboard and it can use Apple’s Bluetooth keyboard. You can get Apple’s word processing, spreadsheet and presentation software – fully comparable with Microsoft Office – for $10 a module. Doubtlessly, Microsoft will offer their far more expensive versions of the same stuff before too long.

Lots of publishers have already signed up: Penguin, Harper-Collins, Hachette, Simon & Schuster, Gameloft, Electronic Arts, the New York Times, and Major League Baseball. And the iPad will run most all iPhone and iPod apps as well.

So. Will the media thrive? Maybe. Is this a lifeline? Absolutely. Will it be the cool thing to own? Probably. Will it save the comic book format? It will if I have anything to say about it. Will the streets of midtown Manhattan be splattered with mediaworkers’ blood?

No more than usual.

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Wed Jan 27, 2010 — by Marc Alan Fishman

Apple unveils iPad, prescribed newest tablet

Bruce Wayne, Steve Rogers Comes Back From Dead. Coincidence?

Once again, the mighty Steve Jobs took the stage in front of scads of Mac-o-philes to present them another device they need so bad it hurts. The iPad debuted to the standard “ooohs” and “oys”, and we here at ComicMix feel no need to wax poetic. We know you don't care about our awesome alliteration adeptness. How about a little meat n' potatoes:

• It's meant to bridge the gap between a smart phone (like that iPhone already collecting dust in your pocket) and a laptop (that horrendously underpowered Macbook Pro heating up your desk).
• It operates on a hybrid OS from the iPhone, on it's Apple A44 1ghz processor. Meaning you can use all 14.4 bajillion iPhone apps on it, right out of the box.
• iPhone apps will run at a pixel to pixel representation, or you can "double" the size at the same resolution for a faux-full screen effect.
• The aspect ratio is closer to 4:3 than 16:9... A 9.7" IPS Display.
• Has already won this season's American Idol (unconfirmed).
• The keyboard pops up like on an iPhone, though it's now close to lifesize (as in your normal keyboard.)

Continue reading Apple unveils iPad, prescribed newest tablet ›

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Wed Jan 27, 2010 — by Robert Greenberger

Review: 'Copper'

Copper
By Kazu Kibuishi
96 pages, Scholastic Graphix, $16.99

It’s often illuminating to look at a creator’s earlier works to see how they inspire and influence the later, better known works. Such is the case with Kazu Kibuishi’s Copper, now in a single volume collection from Scholastic. This webcomic, launched in 2002, was the first serious work the artist produced on a sustained basis and in his introduction; he talks about how this helped put him on a career path.

Copper is a young boy, accompanied by his dog Fred who is his best friend and constant companion. The classic duo, unlike Red & Rover, go on fantastical adventures that in reading them reminded me of Calvin & Hobbes mixed with Little Nemo’s inventive page design. I was pleased to see that Kibuishi cites both in a recent Newsarama interview. There are few recurring characters beyond these two, other than the girl in the bubble, who appears as Cooper’s unreachable object of desire (think Little Red-haired Girl).

The artist began producing the feature as a large format comic strip with numerous panels and designs which The New York Times criticized as forcing the reader to scroll up and down to follow each strip. The 9”x 9” book solves that problem and collects every strip and story. He worked on the feature sporadically as his career began to take off and he began his Amulet series (which we reviewed here) and edited the Flight anthologies to showcase his friends’ work and where longer Copper stories ran.

The strip has been largely placed on hiatus while Kibuishi focused on the Amulet series and other projects. Reading this book, though, shows his growing sense of pacing and storytelling, without losing the sense of whimsy. Often the strips feature one or the complaining about the journey until the goal is reached and the real fun begins. The longer stories, including the 18-page “Maiden Voyage” show a wonderful sense of design and detail, along with a strong command of composition and color.

Copper is all about warmth and friendship, taking the universal theme of a boy and his dog and unleashing them into a borderless world of imagination. Taken as a whole, these are entertaining stories that demonstrate that if you apply yourself, and create from the heart, magic can happen.

The book concludes with a detailed feature on how Kibuishi creates a Copper strip which is a marvelous How To for would-be real world Coppers just now discovering comics.

Continue reading Review: 'Copper' ›

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Tue Jan 26, 2010 — by Marc Alan Fishman

DC Rings in the Brightest Day with More Rings!

Rabid DC fans flocked to their local android dungeons to get their pudgy fingers on the infinitely collectable 'Blackest Night' promo rings. Soon thereafter the DC Nationites (Nationals? Nation-Zombies?) could create their very own rainbow brigade, all for the price of a new comic. Sure not every DC loyalist subscribed to every book that came with a ring... but hey, who doesn't need an extra copy of Superman/Batman? I used mine to sop up a glass of water I let slip at lunch the other day!

Not to be outdone by their own promotion, DC decided it wasn't too short a time to go right back to the well. Coming in April, packed with 'Brightest Day' bannered Green Lantern #53 and The Flash #1 comes ... more promo rings! The Flash comes with a newly minted in plastic Barry Allen ring. Green Lantern comes packed with yet another promo Green Lantern ring. Seriously... did they mint one for every living, dead, and legacy GL Corpsmen?

Your local comic emporium will have to order a minimum of 10 issues of each of the crimson and ivy hued heroes with the February previews issue. So, make sure to start whining now, so you can have yet another hunk of plastic to show off to your girlfriend mother.

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Tue Jan 26, 2010 — by Robert Greenberger

Review: 'Defying Gravity' on DVD

A prime time summer series launched during the dog days of August is never a good show of faith on the part of the network. Last August, ABC presented Defying Gravity , a thirteen episode science fiction series which lasted a mere eight weeks.

A noble effort, it failed to garner much interest and even fewer ratings. The series was said to be inspired by the BBC series Space Odyssey: Voyage to the Planets, and became an international effort co-produced by the BBC, Fox Television Studios, and Omni Film Productions in association with Canadian broadcasters CTV Television Network, SPACE, and German broadcaster ProSieben.

This misfire is now available as a complete season set on Fox Home Entertainment and you can decide for yourself what went wrong. The premise begins in 2052 with the launch of a six year mission throughout the solar system, making the first visits to several planets. Along the way, the eight-person crew is told the real secret behind the mission, then you add in the "Grey's Anatomy in space” aspect and you have a sprawling tale that truly lacked a compelling focus.

We’re introduced to the eight astronauts, an appealing cast led by Ron Livingston and Laura Harris plus the team at ground control and then other recurring figures including the dogged and totally dispensable reporter. Being a global production, the cast is international in background, which introduces us to new and unfamiliar performers in addition to showing us that reaching the stars will be one way to unite our cultures.

In attempting to make the characters more complex and available for the soap opera elements, many of them come across as people NASA would never accept as astronaut candidates. There was a reason the original seven were chosen, not only did they have the right stuff to handle a spacecraft, but they were dedicated career men who put mission and country first, making them a little less colorful and a lot more trustworthy.

Series creator James Parriott covered this flaw, though, by introducing an extraterrestrial, almost mystical, element that eventually reveals to us that they were chosen to be on this mission. And right there is the series’ greatest problem.

Continue reading Review: 'Defying Gravity' on DVD ›

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Tue Jan 26, 2010 — by Robert Greenberger

Review: 'Smile'

Smile
By Raina Telgemeier
Scholastic Graphix, 214 pages, $10.99

The adage says that you should write what you know and Raina Telgemeier knows more than a little about the awkwardness of adolescence, compounded by a dental problem. While in sixth grade, Raina fell and knocked out her two front teeth which meant surgery, braces, appliances, and feeling utterly weird while maneuvering through the ninth circle of hell that is middle school followed by the eighth circle, high school.

She channeled those feelings and experiences into Smile, a charming memoir coming out now from Scholastic’s Graphix imprint. The San Francisco-native bravely shared her fears and frustrations in this lively and heartfelt story that is perfectly aimed at 9-13 year old readers who just may be having image issues of their own.

Telgemeier is no stranger to the artform, having justly earned a following with her graphic stories featuring the enduring Baby-sitters Club. With her husband Dave Roman, she also cowrote X-Men: Misfits, a Manga-style story from DelRey. This is a woman who knows and understands the form and uses it with authority.

What’s interesting in this story is that Raina was not comforted when others turned up with braces, something that was all too common when my kids went through these years. The story uses her dental issues as the spine but you can see that she is also somewhat withdrawn, haunted by the harsh teasing of her social circle, all of whom appear clueless to her personal concerns. On more than one occasion, she is the butt of jokes and pranks and she endures them stoically, with no one but her supportive parents noticing how brave she has been throughout all this.

The dental and social issues receive a rude jolt of larger problems when Raina experiences the 1989 earthquake that shattered portions of the city and even postponed the World Series. It really isn’t until she’s in high school that she takes the bold steps necessary to find some measure of happiness.

She has younger siblings at home who find her annoying plus her somewhat cruel friends, but Raina also shares the heartache she felt for one student, something every reader will no doubt identify with. The 214 pages are broken into chapters that cover her school years in a breezy way, keeping the focus on her dental treatment and evolving relationship with friends. Other issues such as academics are merely window-dressing, adding context and flavor but not cluttering the story.

Her drawing is a delight, the storytelling straightforward, and nothing is left ambiguous. She’s frank and honest, using this story as an emotional catharsis of sorts, while letting her readers know that it’s okay to be shy or getting medical work done is just another part of growing up.

Continue reading Review: 'Smile' ›

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