Sat Nov 7, 2009 — by Robert Greenberger

Review: 'Justice League the Complete Series'

For those who only knew the Justice League of America as the Super Friends must have been in for a rude awakening when they sat to watch the Justice League animated series with their kids. From 2001 through 2006, the Cartoon Network offered up what has since gone on to be recognized as the greatest comics adaptation of all time.

Super-heroes moving from the printed page to animated film have had a checkered path from Filmation’s 1966 Superman through Ruby-Spears’ 1988 effort with the Man of Steel. In between, there were some highlights such as 1968’s Spider-Man and some really low moments including the 1977 Batman show. The problem is that super-heroes need conflict in which to use their powers and abilities. With every passing year, parents fretted over the amount of violence their children were expose to, coupled with concerns over the kids imitating the exploits in real life and causing themselves harm.

Any super-hero in the 1970s and early 1980s found that they could no longer duke it out with villains and their powers were used instead to stop natural disasters or rescue the proverbial kitten stuck in a tree. Some shows rose above the restrictions and proved entertaining but largely they were weak and short-lived.

That all changed thanks to Tim Burton. His 1989 Batman feature film reminded audiences what was good about comic books and their heroes. It forced everyone to re-examine comic book adaptations and prompted Warner Bros. to try a new Batman animated series. In the hands of producers Bruce Timm and Paul Dini, they rewrote the rule book and produced an amazing series.

That in turn gave us Superman so it was logical to follow with the Justice League. Along with James Tucker, Dan Riba, Dwayne McDuffie and others, the JLA never looked better. Now, all 91 episodes are collected for the first time in a two volume tin boxed set and it’s a joy to behold.

Warner Home Video essentially took the season sets and repackaged them for Justice League: The Complete Series , so the discs are broken down by season and disc number while the accompanying booklets count the discs from 1-14, so you have to carefully count discs to find a favorite episode. One nice aspect is that all the original extras are therefore included so there’s a rich amount of material to sift through. Unique to this set, on sale Tuesday, is a 15th disc containing “Unlimited Reserve: Exploring the Depths of the DC Universe”, a 16 minute chat with the producers discussing the joys of adapting the comics for a new generation of fans.

The nicest thing about the show, as either Justice League or Justice League Unlimited, is the fidelity it paid to the source material. Yes, they altered a great many things, but nothing felt gratuitously done. The heroes and villains looked and acted appropriately plus the comic book conventions of sub-plots and continuity carried over nicely. There was a strong emphasis on characterization, for all the players. As a result, many JLAers had nice arcs, notably Wonder Woman who went from rookie hero to a true Amazon Princess. Hawkgirl’s seeming betrayal and subsequent redemption played well, too.

There far more hits than misses and no doubt everyone has a favorite story or arc. The eight-episode arc of the League versus Cadmus holds up very well and shows many sides to the issue of, ahem, “Who Watches the Watchmen?”  During this, the Question quickly becomes a major player and wonderfully used. Similarly, the League’s rejection of the Huntress or Captain Marvel’s resignation show that not everyone is cut out to be a hero or a team player. All the characters have distinct personalities, which was most welcome.

The show is crammed full of super-heroes drawn from throughout the entire DC Universe from Spy Smasher to Aztek. Just about everyone is superbly voiced from the familiar Kevin Conroy as Batman to Jeffrey Coombs as The Question. Guest voices are also welcome, with some sly winks from the producers such as Jodi Benson’s Aquagirl or The Wonder Years’ Fred Savage and Jason Hervey as Hawk and Dove.

This is most definitely worth owning or finding under your Christmas tree this season.

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Fri Nov 6, 2009 — by Mike Raub

The Point Radio: Life on the set of 'Law & Order'

How They Really Lasted Two Decades In Primetime

Surviving two decades in primetime television is on easy task, especially if you are a drama. NBC's Law And Order has made it's mark in TV history, and the latest cast appreciates that as we sit down to talk about life on (and off) the set with Jeremy Sisto, Anthony Anderson and Alana De La Garza. Plus J.J. Abrams and Micronauts, V hits a home run that the Yankees would be proud of and Rob and Todd team up on Spawn.



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Fri Nov 6, 2009 — by Robert Greenberger

Review: 'Two Girls and a Guy' on Blu-ray

When an actor or director suddenly breaks out and gets hot, studios scour their vaults to see if there’s a way they can capitalize on this heat. Last year, Robert Downey, Jr. went from a troubled, gifted actor to a Super Star thanks to his performance in Iron Man. This week, 20th Century-Fox hopes to catch a break with the Blu-ray release of Downey’s 1998 film Two Girls and a Guy.

Written and direct by James Toback, the film is virtually a real time three-person stage play on a film. In his self-congratulatory 20 minute conversation on the Extras, Toback talks about how he came to write the film, by beginning to imagine a setting. In this case, that’s the spacious loft apartment which became the set his performances would use. After that, he populated the apartment with his players.

We open with Natasha Gregson Wagner’s Lou and Heather Graham’s Carla standing outside the apartment building waiting for their boyfriend to return from trip Very quickly, they determine that the boyfriend in question is the same man, Blake. Once Lou breaks a window to access the apartment, they bond while laying in wait.

Blake arrives and immediately calls his mother, then Carla, then Lou, placing them in the exact order of his affections although that doesn’t become obvious until later as his lies comes to haunt him. The audience gets to see him in has natural state before the women reveal their presence one at a time, catching him in his 10 month-long web of lies.

Carla and Lou are very attractive women in vastly different ways, with Carla soft, brainy, and traditional while Lou is edgier, street smart, and sharp tongued. What’s interesting to Toback was exploring how the same words could seduce such different women. In fact, he finds great humor in this, despite none of that mirth making it onto the screen.

The 1:25 length of the film should allow all three to shine and strut their stuff, but despite the histrionics, the film feels cold and uninvolving. At no point does Toback allow Downey’s Blake to show us any redeeming qualities to demonstrate why they fall for him. As a struggling actor, Blake should not be able to afford such nice digs or afford two women but that’s never addressed.

Instead, the characters reveal their true selves while dunning Blake for obfuscating the truth while he continually denied doing anything wrong. The truth is the overall theme of the film as is the importance of honesty. All too often, though the film’s momentum is interrupted with Blake’s obsessing over his mother, which shows where his heart truly lies.
 
Toback not too subtly shows his hand by decorating the apartment with a framed one-sheet for the classic French film Jules et Jim. Late in the story, Lou brings up a threesome relationship which excites Blake but seems to disinterest Carla. In fact, by this point, both women are drunk and begin to reveal their true feelings culminating with Carla taking Blake to his room for sex while Lou sits outside the door, listening.

The sex scene earned the film an NC-17 rating and Toback’s appeals were rejected so he made edits. Interestingly, both versions are on the Blu-ray disc and they are both steamy and erotically charged without any nudity.

The original DVD commentary is provided and between that and the Toback interview, we learn how much was improvised despite the writer claiming the script wrote itself in a mere four days. As a result, one longs to see deleted or alternate scenes to see how the cast found their characters but alas, none are provided.

As the credits roll, one hoped for a more satisfying ending. I was unmoved by this potentially fascinating set-up despite some solid performances.

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Fri Nov 6, 2009 — by Glenn Hauman

Add ComicMix to Twitter lists and get entered to win a free graphic novel!

Perhaps you've heard that Twitter has now added Twitter Lists to its offerings, as an easier way to negotiate your way around. Well, we'd like for you to see us there, so we're throwing in a little extra incentive.

Every person who adds ComicMix to a Twitter List will be entered in a random drawing. The winner will get their choice of:

The Dark Tower: The Gunslinger Born hardcover

or

EZ Street: Limited Baltimore Edition. Only 100 of these were printed.

Just include ComicMix on your Twitter List by November 15th. We'll announce the winner on the 16th.

And don't forget to follow ComicMix or the ComicMix team list!

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Fri Nov 6, 2009 — by Glenn Hauman

'Kick-Ass' posters revealed

IGN has four character posters for the Matthew Vaughn-directed comic book adaptation of Mark Millar and John Romita Jr.'s Kick-Ass, opening in theaters on April 16. Go look.

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Fri Nov 6, 2009 — by Glenn Hauman

J.J. Abrams takes on the Micronauts

J.J. Abrams (Star Trek, Lost, Alias) is reported to be in discussions to produce a feature film based on the Micronauts toy franchise, according to the Wall Street Journal.

The Micronauts toy line was created by Takara, later acquired by Tomy, and debuted in 1974 in Japan, where the line is known as Microman. Two years later the Mego Corporation introduced Micronauts to the US, and released five series of toys through 1980.  Palisades Toys acquired the right to reproduce the toys in 2002, and the entire line was recently acquired by Hasbro.  Additionally, Marvel Comics, Devil's Due and Image Comics published Micronauts comic books, with several paperback books based on the property published by Byron Preiss Visual Publications.

At one point, they were so tightly integrated with the Marvel Universe that they crossed over with the X-Men and spun out a character that has crossed over with most of the rest of the line, Captain Universe.

No word yet on who will actually write or direct the film. But should we worry about these robots being handled by a production company named Bad Robot?

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Thu Nov 5, 2009 — by Glenn Hauman

Remember, remember, the fifth of November, and the inspiration for 'V For Vendetta'

On this day in 1605, Sir Thomas Knyvet, a justice of the peace, found Guy Fawkes in a cellar below the English Parliament building, involved in a plot to blow up Parliament itself. The day was later known as "Guy Fawkes Day" and served as an inspiration for Alan Moore and David Lloyd's graphic novel, V for Vendetta.

Today the folks across the pond remember, remember the fifth of November in honor of a sense of independence and a shaking of fists at British authority. While we reserve fireworks for summery July 4th, today is their excuse to blow things up and set things on fire. Really, every country should follow some such tradition of blowing things up in good spirits, but in light of recent world politics, let's not go there. 

Or if we do, let's wear an awesome mask while we're at it.

Neil Gaiman, an ex-pat Brit, held an annual Guy Fawkes party at his home for many years. The late great John M. Ford, Neil's favorite writer and good friend, once decided to write directions to that party, with great wit and style...

AMERICAN GUY
(C'mon. You know the tune, whether or not you
remember all the words.)

A long, long time ago
But it should be remembered
How it fell out on November five
Some nobles and a guy named Guy
Thought they'd make their oppressors fly
And there'd be revolution, by and by . . .
The commissary must have shivered
When all those herrings were delivered
Barrels in the basement
For Parliament's effacement
It was a bold, quixotic dream
(Though some say Salisbury's scheme)
Explosive treason was the theme
The day the fuse went out

They started singing:
Remember, remember, the fifth of November
It was a night full of gunpowder, treason and plot
I see no reason
Why a gunpowder treason
Ever, ever should be forgot
Ever, ever should be forgot

One day with Lord Monteagle's bacon
A note says, bangers have been laid on
Take a powder, signed, A Friend
The sort of hint that starts you thinking
With leaks like this, we'll soon be sinking
Knot the rope that marks the end
They thought rebellion had a chance
But no one got up for the dance
Guy bent but didn't break
Until Salisbury's stake
The bottom line could not be plainer
A round of trials and attainder
Divide by four with no remainder
The day the fuse went out
They started singing. . . .

I miss Mr. Ford's writing a lot. Go visit Elise's LiveJournal for the last verse and say hi.

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Thu Nov 5, 2009 — by Robert Greenberger

Review: 'Zorro' The Complete First and Second Seasons

Walt Disney had a gift, an ability to take someone else’s property and recraft it for a modern audience. Just about every time he touched a fairy tale or legend, he struck paydirt.  Look what he did with Grimm’s fairy tales or A.A. Milne’s Winnie the Pooh. Largely overlooked these days is the incredibly popular 1950s television series based on Johnston McCulley’s pulp hero, Zorro.

The black and white series, starring Guy Williams, ran a mere two seasons but spawned over 500 licensed merchandise items in addition to enjoying a long syndicated run in the 1960s and again after the birth of the Disney Channel. Back in the ‘50s, the season ran 39 weeks and a half-hour show actually had 25 minutes of story so there was plenty of material to recycle.

Fortunately, Walt Disney Home Entertainment noted the enduring appeal of the character and has this week released the complete run in two attractively packaged volumes. Both volumes are available in numbered limited edition tins that come complete with certificate of authenticity, label pin, black and white still of Zorro, and a booklet detailing the contents.

Leonard Maltin, who grew up watching the series when it originally ran on ABC from October 10, 1957 through June 2, 1959, provides introductions to seasons one and two, providing some context and information that nicely sets the stage. The seasons nicely fit into five discs and both volumes contain a sixth disc with bonus material.

McCulley’s somewhat clunky prose style was full of ideas: that of a masked avenger rising to protect the citizens of the small town of Los Angeles in the early part of the 19th century. Taking a cue from the precedent set by Baroness Emmuska Orczy’s Scarlet Pimpernel, introduced a decade before in 1903. Don Diego de la Vega decided he needed to play the fop so no one would suspect he was the black-cloaked fox known as Zorro.

The stories fired the imagination and were quickly adapted to screen, first in the silent films and then in the movie serials before it enjoyed feature film status. Along the way, McCulley actually incorporated some of the changes made for film into his prose. In 1952, Disney tried to acquire the rights and it took him until 1957 before it was a done deal. In September 1957, on his Walt Disney Presents,  Uncle Walt told stories to his Mousekteers on his fourth anniversary show and it was used to introduce Williams as Zorro, leading people to watch the show which debuted weeks later.

Continue reading Review: 'Zorro' The Complete First and Second Seasons ›

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Thu Nov 5, 2009 — by Alan Kistler

Crazy Sexy Geeks: Celebrity Wonder Woman Debate!

What do celebrities think of Wonder Woman's wardrobe?

Super hero costumes are often criticized by fans and non-fans alike. In particular, the female costumes can sometimes seem a bit too revealing or impractical. Even Wonder Woman is occasionally given guff and there are those who say that if they ever made a new movie with her, her swimsuit-like battle armor would have to go.

So we of Crazy Sexy Geeks: The Series decided to ask people: Should Wonder Woman wear pants? Are the shorts or skirt too impractical?

Join us as we discuss and debate this issue with every day comic fans, professional artist Gene Ha (Top Ten, Global Frequency), fashion consultant Tim Gunn, actress Miracle Laurie (Dollhouse), actress/writer Emma Caulfield (Buffy the Vampire Slayer, Contropussy.com), digital painter Alayna Lemmer, and the American Gladiators known as Phoenix and Venom. That's tons of pretty girls talking about the ultimate female super hero! WHAT ARE YOU WAITING FOR?

Alan Kistler is an actor and freelance writer who has been recognized by Warner Bros. Pictures and major media outlets as a comic book historian. He is looking for a new day job, so if you're hiring you should absolutely get in touch with him.

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Wed Nov 4, 2009 — by Glenn Hauman

Happy 20th anniversary, Wallace and Gromit!

Tweny years ago today, two clay figures went on a grand day out to get some cheese, so of course they went to the moon to get some. Since then, Aardman Animation's Wallace and Gromit have become two of the most recognizable faces of modern British culture.

The pair have starred in a number of 30-minute films since, including The Wrong Trousers, A Close Shave and A Matter of Loaf and Death, and one feature-length film, The Curse of the Were-Rabbit, which won an Oscar for Best Animated Feature Film. And today, in England at least, they made a Google doodle to mark the occasion.

As for me, I'm off to have some cheese and cracking good toast to celebrate.

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Wed Nov 4, 2009 — by Glenn Hauman

Rights to 'Terminator' franchise up for auction, and Joss Whedon starts the bidding

Nikki Finke points to a piece by Financial Times' Matthew Garrahan which tells us the Terminator franchise is going to be auctioned off this month. All the big studios, with Sony leading the way, as well as Summit Entertainment and Media Rights Capital, are interested in bidding. The rights auction is for new Terminator films, TV programs, comics and any other spin-offs that build on the popularity of the franchise. The sale is being conducted by FTI Capital Advisors for Halcyon which bought the Terminator rights two years ago for $25 million from Mario Kassar. Halcyon recently filed for Chapter 11 after a dispute with Pacificor, a Santa Barbara-based hedge fund that lent Halcyon the sum to buy the Terminator rights.

And who's the opening bidder? Why, none other than Joss Whedon:

I have heard through the 'grapevine' that the Terminator franchise is for sale, and I am prepared to make a pre-emptive bid RIGHT NOW to wrap this dealio up. This is not a joke, this is not a scam, this is not available on TV. I will write a check TODAY for $10,000, and viola! Terminator off your hands.

No, you didn't miscount. That's four -- FOUR! -- zeroes after that one. That's to show you I mean business. And I mean show business. Nikki Finke says the Terminator concept is played. Well, here's what I have to say to Nikki Finke: you are a fine journalist and please don't ever notice me. The Terminator story is as formative and important in our culture -- and my pretend play -- as any I can think of. It's far from over. And before you Terminator-Owners (I have trouble remembering names) rush to cash that sweet cheque, let me give you a taste of what I could do with that franchise...

My theory: he wants to make sure The Sarah Connor Chronicles is well and truly dead and no threat to Dollhouse:

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Wed Nov 4, 2009 — by Robert Greenberger

Review: 'Say Anything...' on Blu-ray

You never know when something will come along and click with the pop culture zeitgeist. A line, a performance, even a single image, can leap off the page or screen and become emblematic for an era. The sight of John Cusack, holding a boom box over his head, trying to woo back Iona Skye, has become one of those moments now indelibly used to visualize the 1980s.

Here we are, 20 years later, and the moment has been repeated endlessly in real life and parodied throughout movies and television. Now, we can relive that moment in the 20th anniversary edition of Say Anything …, released this week by 20th Century Fox Home Entertainment.

Written and directed by the wonderfully gifted Cameron Crowe, the movie avoided all the clichés inherent in the romance and teen comedy films of the decade. Instead, he found fresh characters in Lloyd Dobler and Diane Court and avoided expectations by enriching every character with complexity.

Diane was the driven class brain, “in the body of a game show hostess”, who was so focused on class work that she missed out on connecting with her peers. Her awkwardness at addressing the student body at graduation punctuates that point. Interestingly, it is only after the ceremony and her forced dealings with them have come to an end that she actually gets to know them.

When love struck Lloyd calls her a fate, he wears down her reluctance until she acquiesces.  After hanging up the phone, she looks up his picture in the yearbook; uncertain of whom she has committed herself. As it turns out, she finds herself enjoying the party antics while Lloyd watches her in action, relegated to being the key master, holding everyone else’s car keys so they can freely get drunk.

Lloyd is uncertain of his future, a kickboxer without a real plan, but he’s a decent guy as seen in his dealings with his young nephew or the residents of the old folks’ home owned by Diane’s father, played with gusto by John Mahoney.  Meantime, Mr. Court disapproves of Lloyd, seeing him as being beneath Diane but puts her happiness ahead of his own misgivings.

Diane’s relationship with her father provides an emotional spine to the film that helps separate it from similar tales. They clearly love and trust one another, and while Diane can tell her father anything, he chooses not to reciprocate. As a result, when he comes under investigation by the IRS, his lack of moral judgment crushes her, leaving her no one but Lloyd to turn to.

The tale is of a young couple falling in love for the first time, complete with the ups and downs that happen. Crowe, who captures voices and emotions so well in his works, treats his characters with respect and is rewarded by strong performances.

After 20 years, it largely holds up and maintains its strong grasp on the viewer. The video transfer looks and sounds good.  The new edition comes complete with Crowe and his cast reminiscing in a 21 minute featurette, An Iconic Film Revisited: Say Anything…20 Years Later. The director continues to chat about the making of the film in his own 9 minute A Conversation with Cameron Crowe.  Also exclusive to the Blu-ray edition is To Know Say Anything…is to Love It! Trivia Track containing over 200 fun questions. Carried over from previous editions are the alternate scenes, deleted scenes, and extended scenes, trailers, original featurette, and a gallery.

The story of Lloyd meets girl is well worth revisiting.

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Tue Nov 3, 2009 — by Robert Greenberger

Review: 'Malice'

Malice
By Chris Wooding, illustrated by Dan Chernett
Scholastic Press, $14.99, 380 pages

What if you could transport yourself to another world by following an incantation found in a comic book? Well, you might find the world a frightening and terrible place, just as children find in the new novel Malice.

Chris Wooding, an accomplished young adult author, begins a new series this month with Malice, which mixes prose with comic book pages interspersed. Basically, children around the world have been reading this comic book, Malice, a cult title with each issue a seemingly disjointed series of eerie vignettes. What no one realizes is that if the children following the directions, they vanish and are transported to this other land. In the real world, they go missing and the few that return, have no recollection of where they have been but have been deeply affected by the experience. 

Wooding’s novel focuses on the residents of the small town of Hathern, just as the young teen Luke vanishes. His friends, Seth and Kady, piece together he disappeared after reading the comic book and go on the hunt. Along the way, they find out who has been producing issues but necessarily why they are stealing children.

Only after Seth goes in search of Luke by entering the realm, does he begin to understand the malevolent forces at work, represented by Tall Jake, who has usurped control of this dark world. The world of Malice is a creepy place, patrolled by mechanical and non-human packs of beings, seeking the children who have wound up there. The children, meantime, fight for daily survival and swap stories –notably the rumors regarding the underground resistance force.

While Seth forges new alliances away from Earth, Kady begins to understand what’s happening but has too many questions, including trying to understand what the Queen of Cats wants with her. There's a great revelation that takes the story in a different direction, keeping the pacing sharp.

Wooding, to his credit, creates credible, likeable characters and his vivid writing demonstrates the stark differences between England and Malice. His evocative writing creates a nice atmosphere and keeps you turning the pages, although as you near the end, it becomes clear this is just the opening chapter. A sequel, Havoc, is announced on the final pages.

If only his words were matched by Dan Chernett’s illustrations. The book would have benefitted greatly by using an accomplished comic artist as opposed to a professional illustrator unaccustomed to working in the medium. As a result, his pages are poorly constructed, the storytelling is weak and the use of shadow and scratchy lines robs the comic sections of their power. Had the masters of macabre from Bernie Wrightson to Ben Templesmith been brought in, this would have complemented the prose quite nicely. A real missed opportunity.

The book is recommended for readers 12 and up and that sounds about right given the characters, pacing and description contained within.

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Tue Nov 3, 2009 — by Glenn Hauman

Cheryl Lynn for the win

Quoting the lovely Ms. Lynn:

Damn it, Kelly! Photo shoots only! Don't let me catch you out in the streets again looking like you escaped from a George Perez sketchbook.

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Mon Nov 2, 2009 — by Mike Gold

Only 1,000 Comic Books?

Review: 1000 Comic Books You Must Read, by Tony Isabella

1,000 Comic Books You Must Read
By Tony Isabella
Krause Publications, 272 pages. $29.99 retail.

I want to publicly thank Tony Isabella for taking on a task that is as courageous as it is, well, thankless. It’s hard to imagine a more difficult and a more controversial chore than recommending only 1000 comic books you must read.

This shows you how clever Tony is. First of all, he recruited over 130 people to make suggestions, including me as well as a good chunk of the state of Ohio – past and present (Harlan Ellison and Maggie Thompson are and will always be honorary Ohioans). Second, instead of arranging them numerically, an act that would guarantee his assassination at the 2010 Mid-Ohio Con (although this would make for a good panel), he arranged everything by decade. Brilliant.

This book is, above and beyond everything else, great fun. There are hundreds of books you’d expect, and even more that you might not. Of those, the ones you’ve read will make you go “oh, sure, of course.” Those you haven’t read – probably the awesome Jingle Jangle Comics, or Dick Briefer’s Frankenstein – you should. Don’t worry: the way stuff’s being reprinted, it’s just a matter of time.

Each choice is covered by the appropriate publishing and talent credits as well as a nice clean reproduction of the cover, along with Tony’s accompanying paragraph explaining what and why. To his overwhelming credit, Tony does not emphasize superheroes and heroic fantasy – Archie, Harvey, and Charlton get their due, and the various genres such as humor, children’s, and romance are well-covered.

The tome is well-designed and not the least bit pompous. When Tony told me he had taking on this project, he headed me off by saying he was, obviously, crazy. Well, having poured over 1,000 Comic Books You Must Read, I’ve got to say “not so much, Tony. Maybe just a little bit.”

You’ll love it. It’ll make an excellent holiday present. For any holiday. Go buy it.

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